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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 201 158 it is the complementary color RGB 232 54 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 201 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 201 158 shade: RGB 28 201 153, RGB 45 219 172, RGB 62 237 191, RGB 79 255 210 and RGB 96 255 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 201 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 201 158 shade: RGB 23 201 158, RGB 6 183 139, RGB 0 165 120, RGB 0 147 101 and RGB 0 129 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 201 158 shade: RGB 24 201 158, RGB 24 201 110, RGB 24 201 62, RGB 33 201 24 and RGB 80 201 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 201 158 shade: RGB 24 201 158, RGB 24 196 201, RGB 24 148 201, RGB 24 100 201 and RGB 24 52 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 201 158 shade matches the following richer shades: RGB 24 201 158 and RGB 5 219 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 201 158 shade: RGB 24 201 158, RGB 42 183 149, RGB 60 165 139, RGB 78 146 130 and RGB 96 128 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 201 158 shade: RGB 24 201 62, RGB 24 201 109, RGB 24 201 157, RGB 24 198 201 and RGB 24 151 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 201 158 shade: RGB 15 127 100, RGB 19 164 129, RGB 24 201 158, RGB 36 229 183 and RGB 73 234 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 201 158 shade: RGB 23 201 158, RGB 24 32 201 and RGB 201 86 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 201 158 shade: RGB 23 201 158, RGB 157 24 201 and RGB 201 157 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 201 158 shade: RGB 23 201 158, RGB 24 32 201, RGB 201 24 68 and RGB 201 192 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 201 158 shade: RGB 23 201 158, RGB 68 24 201, RGB 201 24 68 and RGB 157 201 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 21 / 21

HEX #17C99E

RGB 23 201 158

HSL 165.51, 0.79%, 0.44%

LAB 72.51, -51.17, 9.99

 

Complementary color

CMYK 0 / 77 / 58 / 9

HEX #E83661

RGB 232 54 97

HSL 345.51, 0.79%, 0.56%

LAB 52.57, 68.71, 18.85

 

CMYK 86 / 0 / 24 / 21

HEX #1CC999

RGB 28 201 153

HSL 163.35, 0.76%, 0.45%

LAB 72.44, -52.06, 12.59

 

CMYK 79 / 0 / 21 / 14

HEX #2DDBAC

RGB 45 219 172

HSL 163.79, 0.71%, 0.52%

LAB 78.58, -53.21, 11.16

 

CMYK 74 / 0 / 19 / 7

HEX #3EEDBF

RGB 62 237 191

HSL 164.23, 0.83%, 0.59%

LAB 84.67, -54.05, 9.86

 

CMYK 69 / 0 / 18 / 0

HEX #4FFFD2

RGB 79 255 210

HSL 164.66, 1%, 0.65%

LAB 90.7, -54.65, 8.67

 

CMYK 62 / 0 / 10 / 0

HEX #60FFE5

RGB 96 255 229

HSL 170.19, 1%, 0.69%

LAB 91.53, -47.54, 0.09

 

CMYK 89 / 0 / 21 / 21

HEX #17C99E

RGB 23 201 158

HSL 165.51, 0.79%, 0.44%

LAB 72.51, -51.17, 9.99

 

CMYK 97 / 0 / 24 / 28

HEX #06B78B

RGB 6 183 139

HSL 165.08, 0.94%, 0.37%

LAB 66.34, -49.48, 11.56

 

CMYK 100 / 0 / 27 / 35

HEX #00A578

RGB 0 165 120

HSL 163.64, 1%, 0.32%

LAB 60.13, -47.28, 13.3

 

CMYK 100 / 0 / 31 / 42

HEX #009365

RGB 0 147 101

HSL 161.22, 1%, 0.29%

LAB 53.82, -44.78, 15.18

 

CMYK 100 / 0 / 36 / 49

HEX #008152

RGB 0 129 82

HSL 158.14, 1%, 0.25%

LAB 47.38, -42.18, 17.16

 

CMYK 88 / 0 / 21 / 21

HEX #18C99E

RGB 24 201 158

HSL 165.42, 0.79%, 0.44%

LAB 72.52, -51.11, 10

 

CMYK 88 / 0 / 45 / 21

HEX #18C96E

RGB 24 201 110

HSL 149.15, 0.79%, 0.44%

LAB 71.62, -61.29, 34.06

 

CMYK 88 / 0 / 69 / 21

HEX #18C93E

RGB 24 201 62

HSL 132.88, 0.79%, 0.44%

LAB 71.09, -67.77, 55.45

 

CMYK 84 / 0 / 88 / 21

HEX #21C918

RGB 33 201 24

HSL 116.95, 0.79%, 0.44%

LAB 70.98, -69.43, 66.7

 

CMYK 60 / 0 / 88 / 21

HEX #50C918

RGB 80 201 24

HSL 101.02, 0.79%, 0.44%

LAB 71.92, -61.38, 67.88

 

CMYK 88 / 0 / 21 / 21

HEX #18C99E

RGB 24 201 158

HSL 165.42, 0.79%, 0.44%

LAB 72.52, -51.11, 10

 

CMYK 88 / 2 / 0 / 21

HEX #18C4C9

RGB 24 196 201

HSL 181.69, 0.79%, 0.44%

LAB 72.16, -37.07, -13.88

 

CMYK 88 / 26 / 0 / 21

HEX #1894C9

RGB 24 148 201

HSL 197.97, 0.79%, 0.44%

LAB 57.65, -12.75, -36.13

 

CMYK 88 / 50 / 0 / 21

HEX #1864C9

RGB 24 100 201

HSL 214.24, 0.79%, 0.44%

LAB 43.54, 16.37, -58.58

 

CMYK 88 / 74 / 0 / 21

HEX #1834C9

RGB 24 52 201

HSL 230.51, 0.79%, 0.44%

LAB 31.5, 47.1, -78.29

 

CMYK 88 / 0 / 21 / 21

HEX #18C99E

RGB 24 201 158

HSL 165.42, 0.79%, 0.44%

LAB 72.52, -51.11, 10

 

CMYK 98 / 0 / 24 / 14

HEX #05DBA7

RGB 5 219 167

HSL 165.42, 0.96%, 0.44%

LAB 78.16, -56.7, 13.18

 

CMYK 88 / 0 / 21 / 21

HEX #18C99E

RGB 24 201 158

HSL 165.42, 0.79%, 0.44%

LAB 72.52, -51.11, 10

 

CMYK 77 / 0 / 19 / 28

HEX #2AB795

RGB 42 183 149

HSL 165.53, 0.63%, 0.44%

LAB 66.92, -44.44, 6.94

 

CMYK 64 / 0 / 16 / 35

HEX #3CA58B

RGB 60 165 139

HSL 165.14, 0.47%, 0.44%

LAB 61.42, -36.44, 4.65

 

CMYK 47 / 0 / 11 / 43

HEX #4E9282

RGB 78 146 130

HSL 165.88, 0.3%, 0.44%

LAB 55.88, -25.63, 1.8

 

CMYK 25 / 0 / 6 / 50

HEX #608078

RGB 96 128 120

HSL 165, 0.14%, 0.44%

LAB 51.01, -13.16, 0.63

 

CMYK 88 / 0 / 69 / 21

HEX #18C93E

RGB 24 201 62

HSL 132.88, 0.79%, 0.44%

LAB 71.09, -67.77, 55.45

 

CMYK 88 / 0 / 46 / 21

HEX #18C96D

RGB 24 201 109

HSL 148.81, 0.79%, 0.44%

LAB 71.6, -61.47, 34.55

 

CMYK 88 / 0 / 22 / 21

HEX #18C99D

RGB 24 201 157

HSL 165.08, 0.79%, 0.44%

LAB 72.5, -51.35, 10.51

 

CMYK 88 / 1 / 0 / 21

HEX #18C6C9

RGB 24 198 201

HSL 181.02, 0.79%, 0.44%

LAB 72.76, -37.99, -12.97

 

CMYK 88 / 25 / 0 / 21

HEX #1897C9

RGB 24 151 201

HSL 196.95, 0.79%, 0.44%

LAB 58.55, -14.41, -34.72

 

CMYK 88 / 0 / 21 / 50

HEX #0F7F64

RGB 15 127 100

HSL 165.54, 0.79%, 0.28%

LAB 47.24, -35.85, 6.54

 

CMYK 88 / 0 / 21 / 36

HEX #13A481

RGB 19 164 129

HSL 165.52, 0.79%, 0.36%

LAB 60.14, -43.69, 8.31

 

CMYK 88 / 0 / 21 / 21

HEX #18C99E

RGB 24 201 158

HSL 165.42, 0.79%, 0.44%

LAB 72.52, -51.11, 10

 

CMYK 84 / 0 / 20 / 10

HEX #24E5B7

RGB 36 229 183

HSL 165.7, 0.79%, 0.52%

LAB 81.75, -55.28, 9.85

 

CMYK 69 / 0 / 17 / 8

HEX #49EAC3

RGB 73 234 195

HSL 165.47, 0.79%, 0.6%

LAB 84.07, -50.44, 6.94

 

CMYK 89 / 0 / 21 / 21

HEX #17C99E

RGB 23 201 158

HSL 165.51, 0.79%, 0.44%

LAB 72.51, -51.17, 9.99

 

CMYK 88 / 84 / 0 / 21

HEX #1820C9

RGB 24 32 201

HSL 237.29, 0.79%, 0.44%

LAB 27.96, 57.34, -84.16

 

CMYK 0 / 57 / 88 / 21

HEX #C95618

RGB 201 86 24

HSL 21.02, 0.79%, 0.44%

LAB 50.85, 42.88, 54.16

 

CMYK 89 / 0 / 21 / 21

HEX #17C99E

RGB 23 201 158

HSL 165.51, 0.79%, 0.44%

LAB 72.51, -51.17, 9.99

 

CMYK 22 / 88 / 0 / 21

HEX #9D18C9

RGB 157 24 201

HSL 285.08, 0.79%, 0.44%

LAB 41.28, 72.51, -61.75

 

CMYK 0 / 22 / 88 / 21

HEX #C99D18

RGB 201 157 24

HSL 45.08, 0.79%, 0.44%

LAB 66.97, 5.15, 66.89

 

CMYK 89 / 0 / 21 / 21

HEX #17C99E

RGB 23 201 158

HSL 165.51, 0.79%, 0.44%

LAB 72.51, -51.17, 9.99

 

CMYK 88 / 84 / 0 / 21

HEX #1820C9

RGB 24 32 201

HSL 237.29, 0.79%, 0.44%

LAB 27.96, 57.34, -84.16

 

CMYK 0 / 88 / 66 / 21

HEX #C91844

RGB 201 24 68

HSL 345.08, 0.79%, 0.44%

LAB 43.49, 65.88, 23.49

 

CMYK 0 / 4 / 88 / 21

HEX #C9C018

RGB 201 192 24

HSL 56.95, 0.79%, 0.44%

LAB 76.18, -13.19, 74.2

 

CMYK 89 / 0 / 21 / 21

HEX #17C99E

RGB 23 201 158

HSL 165.51, 0.79%, 0.44%

LAB 72.51, -51.17, 9.99

 

CMYK 66 / 88 / 0 / 21

HEX #4418C9

RGB 68 24 201

HSL 254.92, 0.79%, 0.44%

LAB 29.66, 62.46, -81.26

 

CMYK 0 / 88 / 66 / 21

HEX #C91844

RGB 201 24 68

HSL 345.08, 0.79%, 0.44%

LAB 43.49, 65.88, 23.49

 

CMYK 22 / 0 / 88 / 21

HEX #9DC918

RGB 157 201 24

HSL 74.92, 0.79%, 0.44%

LAB 75.46, -35.97, 72.27

 

Description

Color code: RGB 23 201 158 | qconv.com Color code: RGB 23 201 158 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 201 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 201 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 21 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 21% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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