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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 199 192 it is the complementary color RGB 232 56 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 199 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 199 192 shade: RGB 28 199 187, RGB 45 217 206, RGB 62 235 225, RGB 79 253 244 and RGB 96 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 199 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 199 192 shade: RGB 23 199 192, RGB 6 181 173, RGB 0 163 154, RGB 0 145 135 and RGB 0 127 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 199 192 shade: RGB 23 200 193, RGB 23 200 145, RGB 23 200 98, RGB 23 200 50 and RGB 44 200 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 199 192 shade: RGB 23 200 193, RGB 23 160 200, RGB 23 112 200, RGB 23 64 200 and RGB 23 23 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 199 192 shade matches the following richer shades: RGB 23 200 193 and RGB 5 218 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 199 192 shade: RGB 23 200 193, RGB 41 182 177, RGB 59 164 160, RGB 78 146 143 and RGB 96 128 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 199 192 shade: RGB 23 200 97, RGB 23 200 144, RGB 23 200 191, RGB 23 162 200 and RGB 23 115 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 199 192 shade: RGB 14 126 122, RGB 19 163 158, RGB 23 200 193, RGB 36 229 221 and RGB 73 233 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 199 192 shade: RGB 23 199 192, RGB 50 23 200 and RGB 200 121 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 199 192 shade: RGB 23 199 192, RGB 191 23 200 and RGB 200 191 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 199 192 shade: RGB 23 199 192, RGB 50 23 200, RGB 200 23 32 and RGB 174 200 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 199 192 shade: RGB 23 199 192, RGB 103 23 200, RGB 200 23 32 and RGB 121 200 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 4 / 22

HEX #17C7C0

RGB 23 199 192

HSL 177.61, 0.79%, 0.44%

LAB 72.78, -41.15, -8.05

 

Complementary color

CMYK 0 / 76 / 73 / 9

HEX #E8383F

RGB 232 56 63

HSL 357.61, 0.79%, 0.56%

LAB 52.22, 66.32, 38.46

 

CMYK 86 / 0 / 6 / 22

HEX #1CC7BB

RGB 28 199 187

HSL 175.79, 0.75%, 0.45%

LAB 72.68, -42.3, -5.47

 

CMYK 79 / 0 / 5 / 15

HEX #2DD9CE

RGB 45 217 206

HSL 176.16, 0.69%, 0.51%

LAB 78.83, -43.56, -6.6

 

CMYK 74 / 0 / 4 / 8

HEX #3EEBE1

RGB 62 235 225

HSL 176.53, 0.81%, 0.58%

LAB 84.93, -44.54, -7.61

 

CMYK 69 / 0 / 4 / 1

HEX #4FFDF4

RGB 79 253 244

HSL 176.9, 0.98%, 0.65%

LAB 90.98, -45.29, -8.55

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 88 / 0 / 4 / 22

HEX #17C7C0

RGB 23 199 192

HSL 177.61, 0.79%, 0.44%

LAB 72.78, -41.15, -8.05

 

CMYK 97 / 0 / 4 / 29

HEX #06B5AD

RGB 6 181 173

HSL 177.26, 0.94%, 0.37%

LAB 66.6, -39.38, -6.82

 

CMYK 100 / 0 / 6 / 36

HEX #00A39A

RGB 0 163 154

HSL 176.69, 1%, 0.32%

LAB 60.36, -37.15, -5.45

 

CMYK 100 / 0 / 7 / 43

HEX #009187

RGB 0 145 135

HSL 175.86, 1%, 0.28%

LAB 54.03, -34.68, -3.98

 

CMYK 100 / 0 / 9 / 50

HEX #007F74

RGB 0 127 116

HSL 174.8, 1%, 0.25%

LAB 47.55, -32.17, -2.45

 

CMYK 89 / 0 / 4 / 22

HEX #17C8C1

RGB 23 200 193

HSL 177.63, 0.79%, 0.44%

LAB 73.12, -41.31, -8.09

 

CMYK 89 / 0 / 28 / 22

HEX #17C891

RGB 23 200 145

HSL 161.36, 0.79%, 0.44%

LAB 71.92, -53.88, 16.14

 

CMYK 89 / 0 / 51 / 22

HEX #17C862

RGB 23 200 98

HSL 145.42, 0.79%, 0.44%

LAB 71.13, -63.01, 39.42

 

CMYK 89 / 0 / 75 / 22

HEX #17C832

RGB 23 200 50

HSL 129.15, 0.79%, 0.44%

LAB 70.68, -68.57, 59.41

 

CMYK 78 / 0 / 89 / 22

HEX #2CC817

RGB 44 200 23

HSL 112.88, 0.79%, 0.44%

LAB 70.81, -67.88, 66.79

 

CMYK 89 / 0 / 4 / 22

HEX #17C8C1

RGB 23 200 193

HSL 177.63, 0.79%, 0.44%

LAB 73.12, -41.31, -8.09

 

CMYK 89 / 20 / 0 / 22

HEX #17A0C8

RGB 23 160 200

HSL 193.56, 0.79%, 0.44%

LAB 61.22, -19.68, -30.02

 

CMYK 89 / 44 / 0 / 22

HEX #1770C8

RGB 23 112 200

HSL 209.83, 0.79%, 0.44%

LAB 46.9, 8.23, -52.6

 

CMYK 89 / 68 / 0 / 22

HEX #1740C8

RGB 23 64 200

HSL 226.1, 0.79%, 0.44%

LAB 34.02, 39.41, -73.54

 

CMYK 89 / 89 / 0 / 22

HEX #1717C8

RGB 23 23 200

HSL 240, 0.79%, 0.44%

LAB 26.64, 60.52, -85.79

 

CMYK 89 / 0 / 4 / 22

HEX #17C8C1

RGB 23 200 193

HSL 177.63, 0.79%, 0.44%

LAB 73.12, -41.31, -8.09

 

CMYK 98 / 0 / 4 / 15

HEX #05DAD2

RGB 5 218 210

HSL 177.75, 0.96%, 0.44%

LAB 78.94, -44.92, -8.61

 

CMYK 89 / 0 / 4 / 22

HEX #17C8C1

RGB 23 200 193

HSL 177.63, 0.79%, 0.44%

LAB 73.12, -41.31, -8.09

 

CMYK 77 / 0 / 3 / 29

HEX #29B6B1

RGB 41 182 177

HSL 177.87, 0.63%, 0.44%

LAB 67.35, -36.47, -7.87

 

CMYK 64 / 0 / 2 / 36

HEX #3BA4A0

RGB 59 164 160

HSL 177.71, 0.47%, 0.44%

LAB 61.67, -30.49, -6.8

 

CMYK 47 / 0 / 2 / 43

HEX #4E928F

RGB 78 146 143

HSL 177.35, 0.3%, 0.44%

LAB 56.25, -22.28, -5.11

 

CMYK 25 / 0 / 2 / 50

HEX #60807E

RGB 96 128 126

HSL 176.25, 0.14%, 0.44%

LAB 51.19, -11.76, -2.63

 

CMYK 89 / 0 / 52 / 22

HEX #17C861

RGB 23 200 97

HSL 145.08, 0.79%, 0.44%

LAB 71.11, -63.17, 39.9

 

CMYK 89 / 0 / 28 / 22

HEX #17C890

RGB 23 200 144

HSL 161.02, 0.79%, 0.44%

LAB 71.9, -54.11, 16.65

 

CMYK 89 / 0 / 5 / 22

HEX #17C8BF

RGB 23 200 191

HSL 176.95, 0.79%, 0.44%

LAB 73.06, -41.89, -7.09

 

CMYK 89 / 19 / 0 / 22

HEX #17A2C8

RGB 23 162 200

HSL 192.88, 0.79%, 0.44%

LAB 61.82, -20.73, -29.08

 

CMYK 89 / 43 / 0 / 22

HEX #1773C8

RGB 23 115 200

HSL 208.81, 0.79%, 0.44%

LAB 47.77, 6.34, -51.2

 

CMYK 89 / 0 / 3 / 51

HEX #0E7E7A

RGB 14 126 122

HSL 177.86, 0.8%, 0.27%

LAB 47.52, -29, -6.02

 

CMYK 88 / 0 / 3 / 36

HEX #13A39E

RGB 19 163 158

HSL 177.92, 0.79%, 0.36%

LAB 60.61, -35.11, -7.33

 

CMYK 89 / 0 / 4 / 22

HEX #17C8C1

RGB 23 200 193

HSL 177.63, 0.79%, 0.44%

LAB 73.12, -41.31, -8.09

 

CMYK 84 / 0 / 3 / 10

HEX #24E5DD

RGB 36 229 221

HSL 177.51, 0.79%, 0.52%

LAB 82.72, -45.28, -8.83

 

CMYK 69 / 0 / 3 / 9

HEX #49E9E3

RGB 73 233 227

HSL 177.75, 0.78%, 0.6%

LAB 84.61, -41.8, -9.13

 

CMYK 88 / 0 / 4 / 22

HEX #17C7C0

RGB 23 199 192

HSL 177.61, 0.79%, 0.44%

LAB 72.78, -41.15, -8.05

 

CMYK 75 / 89 / 0 / 22

HEX #3217C8

RGB 50 23 200

HSL 249.15, 0.79%, 0.44%

LAB 28.01, 61.46, -83.46

 

CMYK 0 / 40 / 89 / 22

HEX #C87917

RGB 200 121 23

HSL 33.22, 0.79%, 0.44%

LAB 58.05, 24.28, 60.06

 

CMYK 88 / 0 / 4 / 22

HEX #17C7C0

RGB 23 199 192

HSL 177.61, 0.79%, 0.44%

LAB 72.78, -41.15, -8.05

 

CMYK 5 / 89 / 0 / 22

HEX #BF17C8

RGB 191 23 200

HSL 296.95, 0.79%, 0.44%

LAB 46.79, 77.98, -51.99

 

CMYK 0 / 5 / 89 / 22

HEX #C8BF17

RGB 200 191 23

HSL 56.95, 0.79%, 0.44%

LAB 75.82, -13.14, 74.07

 

CMYK 88 / 0 / 4 / 22

HEX #17C7C0

RGB 23 199 192

HSL 177.61, 0.79%, 0.44%

LAB 72.78, -41.15, -8.05

 

CMYK 75 / 89 / 0 / 22

HEX #3217C8

RGB 50 23 200

HSL 249.15, 0.79%, 0.44%

LAB 28.01, 61.46, -83.46

 

CMYK 0 / 89 / 84 / 22

HEX #C81720

RGB 200 23 32

HSL 356.95, 0.79%, 0.44%

LAB 42.76, 64.45, 43.79

 

CMYK 13 / 0 / 89 / 22

HEX #AEC817

RGB 174 200 23

HSL 68.81, 0.79%, 0.44%

LAB 76.3, -28.63, 73.6

 

CMYK 88 / 0 / 4 / 22

HEX #17C7C0

RGB 23 199 192

HSL 177.61, 0.79%, 0.44%

LAB 72.78, -41.15, -8.05

 

CMYK 49 / 89 / 0 / 22

HEX #6717C8

RGB 103 23 200

HSL 267.12, 0.79%, 0.44%

LAB 33.28, 65.53, -74.57

 

CMYK 0 / 89 / 84 / 22

HEX #C81720

RGB 200 23 32

HSL 356.95, 0.79%, 0.44%

LAB 42.76, 64.45, 43.79

 

CMYK 40 / 0 / 89 / 22

HEX #79C817

RGB 121 200 23

HSL 86.78, 0.79%, 0.44%

LAB 73.18, -48.97, 69.75

 

Description

Color code: RGB 23 199 192 | qconv.com Color code: RGB 23 199 192 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 199 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 199 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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