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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 189 248 it is the complementary color RGB 232 66 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 189 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 189 248 shade: RGB 28 189 243, RGB 45 207 255, RGB 62 225 255, RGB 79 243 255 and RGB 96 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 189 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 189 248 shade: RGB 23 189 248, RGB 6 171 229, RGB 0 153 210, RGB 0 135 191 and RGB 0 117 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 189 248 shade: RGB 22 189 248, RGB 22 128 248, RGB 22 67 248, RGB 39 22 248 and RGB 99 22 248

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 189 248 shade: RGB 22 189 248, RGB 22 128 248, RGB 22 67 248 and RGB 22 22 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 189 248 shade matches the following richer shades: RGB 22 189 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 189 248 shade: RGB 22 189 248, RGB 42 180 228, RGB 61 170 209, RGB 81 161 190 and RGB 100 152 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 189 248 shade: RGB 22 248 184, RGB 22 248 244, RGB 22 191 248, RGB 22 131 248 and RGB 22 71 248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 189 248 shade: RGB 6 136 182, RGB 7 166 222, RGB 22 189 248, RGB 63 200 249 and RGB 103 212 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 189 248 shade: RGB 23 189 248, RGB 124 22 248 and RGB 248 214 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 189 248 shade: RGB 23 189 248, RGB 248 22 191 and RGB 191 248 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 189 248 shade: RGB 23 189 248, RGB 124 22 248, RGB 248 79 22 and RGB 146 248 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 189 248 shade: RGB 23 189 248, RGB 191 22 248, RGB 248 79 22 and RGB 79 248 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 24 / 0 / 3

HEX #17BDF8

RGB 23 189 248

HSL 195.73, 0.94%, 0.53%

LAB 71.8, -18.37, -39.94

 

Complementary color

CMYK 0 / 72 / 97 / 9

HEX #E84207

RGB 232 66 7

HSL 15.73, 0.94%, 0.47%

LAB 53.02, 61.77, 62.86

 

CMYK 88 / 22 / 0 / 5

HEX #1CBDF3

RGB 28 189 243

HSL 195.07, 0.9%, 0.53%

LAB 71.63, -19.84, -37.49

 

CMYK 82 / 19 / 0 / 0

HEX #2DCFFF

RGB 45 207 255

HSL 193.71, 1%, 0.59%

LAB 77.52, -23.96, -34.79

 

CMYK 76 / 12 / 0 / 0

HEX #3EE1FF

RGB 62 225 255

HSL 189.33, 1%, 0.62%

LAB 82.96, -31.29, -26.41

 

CMYK 69 / 5 / 0 / 0

HEX #4FF3FF

RGB 79 243 255

HSL 184.09, 1%, 0.65%

LAB 88.44, -37.79, -18.08

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 91 / 24 / 0 / 3

HEX #17BDF8

RGB 23 189 248

HSL 195.73, 0.94%, 0.53%

LAB 71.8, -18.37, -39.94

 

CMYK 97 / 25 / 0 / 10

HEX #06ABE5

RGB 6 171 229

HSL 195.61, 0.95%, 0.46%

LAB 65.61, -16.01, -39.26

 

CMYK 100 / 27 / 0 / 18

HEX #0099D2

RGB 0 153 210

HSL 196.29, 1%, 0.41%

LAB 59.38, -13.21, -38.49

 

CMYK 100 / 29 / 0 / 25

HEX #0087BF

RGB 0 135 191

HSL 197.59, 1%, 0.37%

LAB 53.05, -10.13, -37.69

 

CMYK 100 / 32 / 0 / 33

HEX #0075AC

RGB 0 117 172

HSL 199.19, 1%, 0.34%

LAB 46.58, -6.9, -36.92

 

CMYK 91 / 24 / 0 / 3

HEX #16BDF8

RGB 22 189 248

HSL 195.66, 0.94%, 0.53%

LAB 71.79, -18.41, -39.96

 

CMYK 91 / 48 / 0 / 3

HEX #1680F8

RGB 22 128 248

HSL 211.86, 0.94%, 0.53%

LAB 54.43, 16.73, -67.51

 

CMYK 91 / 73 / 0 / 3

HEX #1643F8

RGB 22 67 248

HSL 228.05, 0.94%, 0.53%

LAB 39.52, 54.49, -91.91

 

CMYK 84 / 91 / 0 / 3

HEX #2716F8

RGB 39 22 248

HSL 244.51, 0.94%, 0.53%

LAB 33.53, 74.01, -101.86

 

CMYK 60 / 91 / 0 / 3

HEX #6316F8

RGB 99 22 248

HSL 260.44, 0.94%, 0.53%

LAB 37.85, 76.62, -94.55

 

CMYK 91 / 24 / 0 / 3

HEX #16BDF8

RGB 22 189 248

HSL 195.66, 0.94%, 0.53%

LAB 71.79, -18.41, -39.96

 

CMYK 91 / 48 / 0 / 3

HEX #1680F8

RGB 22 128 248

HSL 211.86, 0.94%, 0.53%

LAB 54.43, 16.73, -67.51

 

CMYK 91 / 73 / 0 / 3

HEX #1643F8

RGB 22 67 248

HSL 228.05, 0.94%, 0.53%

LAB 39.52, 54.49, -91.91

 

CMYK 91 / 91 / 0 / 3

HEX #1616F8

RGB 22 22 248

HSL 240, 0.94%, 0.53%

LAB 32.97, 73.72, -102.81

 

CMYK 91 / 24 / 0 / 3

HEX #16BDF8

RGB 22 189 248

HSL 195.66, 0.94%, 0.53%

LAB 71.79, -18.41, -39.96

 

CMYK 91 / 24 / 0 / 3

HEX #16BDF8

RGB 22 189 248

HSL 195.66, 0.94%, 0.53%

LAB 71.79, -18.41, -39.96

 

CMYK 82 / 21 / 0 / 11

HEX #2AB4E4

RGB 42 180 228

HSL 195.48, 0.78%, 0.53%

LAB 68.56, -19.28, -34.09

 

CMYK 71 / 19 / 0 / 18

HEX #3DAAD1

RGB 61 170 209

HSL 195.81, 0.62%, 0.53%

LAB 65.24, -18.22, -28.76

 

CMYK 57 / 15 / 0 / 25

HEX #51A1BE

RGB 81 161 190

HSL 195.96, 0.46%, 0.53%

LAB 62.47, -16.04, -22.38

 

CMYK 41 / 11 / 0 / 33

HEX #6498AA

RGB 100 152 170

HSL 195.43, 0.29%, 0.53%

LAB 59.95, -12.49, -14.87

 

CMYK 91 / 0 / 26 / 3

HEX #16F8B8

RGB 22 248 184

HSL 163.01, 0.94%, 0.53%

LAB 87.37, -63.07, 17.26

 

CMYK 91 / 0 / 2 / 3

HEX #16F8F4

RGB 22 248 244

HSL 178.94, 0.94%, 0.53%

LAB 88.85, -47.68, -11.8

 

CMYK 91 / 23 / 0 / 3

HEX #16BFF8

RGB 22 191 248

HSL 195.13, 0.94%, 0.53%

LAB 72.37, -19.45, -39.05

 

CMYK 91 / 47 / 0 / 3

HEX #1683F8

RGB 22 131 248

HSL 211.06, 0.94%, 0.53%

LAB 55.26, 14.87, -66.18

 

CMYK 91 / 71 / 0 / 3

HEX #1647F8

RGB 22 71 248

HSL 226.99, 0.94%, 0.53%

LAB 40.34, 52.21, -90.56

 

CMYK 97 / 25 / 0 / 29

HEX #0688B6

RGB 6 136 182

HSL 195.68, 0.94%, 0.37%

LAB 52.98, -13.83, -32.65

 

CMYK 97 / 25 / 0 / 13

HEX #07A6DE

RGB 7 166 222

HSL 195.63, 0.94%, 0.45%

LAB 63.83, -15.78, -38.19

 

CMYK 91 / 24 / 0 / 3

HEX #16BDF8

RGB 22 189 248

HSL 195.66, 0.94%, 0.53%

LAB 71.79, -18.41, -39.96

 

CMYK 75 / 20 / 0 / 2

HEX #3FC8F9

RGB 63 200 249

HSL 195.81, 0.94%, 0.61%

LAB 75.58, -20.66, -34.56

 

CMYK 59 / 15 / 0 / 2

HEX #67D4FA

RGB 103 212 250

HSL 195.51, 0.94%, 0.69%

LAB 80.11, -20.58, -28.04

 

CMYK 91 / 24 / 0 / 3

HEX #17BDF8

RGB 23 189 248

HSL 195.73, 0.94%, 0.53%

LAB 71.8, -18.37, -39.94

 

CMYK 50 / 91 / 0 / 3

HEX #7C16F8

RGB 124 22 248

HSL 267.08, 0.94%, 0.53%

LAB 40.63, 78.56, -89.85

 

CMYK 0 / 14 / 91 / 3

HEX #F8D616

RGB 248 214 22

HSL 50.97, 0.94%, 0.53%

LAB 86.06, -4.19, 83.99

 

CMYK 91 / 24 / 0 / 3

HEX #17BDF8

RGB 23 189 248

HSL 195.73, 0.94%, 0.53%

LAB 71.8, -18.37, -39.94

 

CMYK 0 / 91 / 23 / 3

HEX #F816BF

RGB 248 22 191

HSL 315.13, 0.94%, 0.53%

LAB 56.38, 87.3, -30.96

 

CMYK 23 / 0 / 91 / 3

HEX #BFF816

RGB 191 248 22

HSL 75.13, 0.94%, 0.53%

LAB 90.9, -43.63, 85.94

 

CMYK 91 / 24 / 0 / 3

HEX #17BDF8

RGB 23 189 248

HSL 195.73, 0.94%, 0.53%

LAB 71.8, -18.37, -39.94

 

CMYK 50 / 91 / 0 / 3

HEX #7C16F8

RGB 124 22 248

HSL 267.08, 0.94%, 0.53%

LAB 40.63, 78.56, -89.85

 

CMYK 0 / 68 / 91 / 3

HEX #F84F16

RGB 248 79 22

HSL 15.13, 0.94%, 0.53%

LAB 57.66, 62.28, 63.37

 

CMYK 41 / 0 / 91 / 3

HEX #92F816

RGB 146 248 22

HSL 87.08, 0.94%, 0.53%

LAB 88.59, -59.5, 83.11

 

CMYK 91 / 24 / 0 / 3

HEX #17BDF8

RGB 23 189 248

HSL 195.73, 0.94%, 0.53%

LAB 71.8, -18.37, -39.94

 

CMYK 23 / 91 / 0 / 3

HEX #BF16F8

RGB 191 22 248

HSL 284.87, 0.94%, 0.53%

LAB 50.01, 86.11, -74.11

 

CMYK 0 / 68 / 91 / 3

HEX #F84F16

RGB 248 79 22

HSL 15.13, 0.94%, 0.53%

LAB 57.66, 62.28, 63.37

 

CMYK 68 / 0 / 91 / 3

HEX #4FF816

RGB 79 248 22

HSL 104.87, 0.94%, 0.53%

LAB 86.43, -76.64, 80.45

 

Description

Color code: RGB 23 189 248 | qconv.com Color code: RGB 23 189 248 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 189 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 189 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 24 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 24% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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