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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 172 180 it is the complementary color RGB 232 83 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 172 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 172 180 shade: RGB 28 172 175, RGB 45 190 194, RGB 62 208 213, RGB 79 226 232 and RGB 96 244 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 172 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 172 180 shade: RGB 23 172 180, RGB 6 154 161, RGB 0 136 142, RGB 0 118 123 and RGB 0 100 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 172 180 shade: RGB 23 172 180, RGB 23 130 180, RGB 23 87 180, RGB 23 45 180 and RGB 43 23 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 172 180 shade: RGB 23 172 180, RGB 23 130 180, RGB 23 87 180, RGB 23 45 180 and RGB 23 23 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 172 180 shade matches the following richer shades: RGB 23 172 180 and RGB 6 187 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 172 180 shade: RGB 23 172 180, RGB 39 157 164, RGB 56 142 147, RGB 72 128 131 and RGB 89 113 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 172 180 shade: RGB 23 180 104, RGB 23 180 146, RGB 23 172 180, RGB 23 130 180 and RGB 23 88 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 172 180 shade: RGB 13 102 107, RGB 18 137 144, RGB 23 172 180, RGB 28 207 217 and RGB 57 220 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 172 180 shade: RGB 23 172 180, RGB 62 23 180 and RGB 180 125 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 172 180 shade: RGB 23 172 180, RGB 180 23 172 and RGB 172 180 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 172 180 shade: RGB 23 172 180, RGB 62 23 180, RGB 180 31 23 and RGB 141 180 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 172 180 shade: RGB 23 172 180, RGB 109 23 180, RGB 180 31 23 and RGB 94 180 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

Complementary color

CMYK 0 / 64 / 68 / 9

HEX #E8534B

RGB 232 83 75

HSL 3.06, 0.77%, 0.6%

LAB 55.94, 57.11, 36.03

 

CMYK 84 / 2 / 0 / 31

HEX #1CACAF

RGB 28 172 175

HSL 181.22, 0.72%, 0.4%

LAB 64.04, -33.55, -11.73

 

CMYK 77 / 2 / 0 / 24

HEX #2DBEC2

RGB 45 190 194

HSL 181.61, 0.62%, 0.47%

LAB 70.37, -34.78, -12.71

 

CMYK 71 / 2 / 0 / 16

HEX #3ED0D5

RGB 62 208 213

HSL 181.99, 0.64%, 0.54%

LAB 76.64, -35.72, -13.59

 

CMYK 66 / 3 / 0 / 9

HEX #4FE2E8

RGB 79 226 232

HSL 182.35, 0.77%, 0.61%

LAB 82.85, -36.42, -14.38

 

CMYK 62 / 3 / 0 / 2

HEX #60F4FB

RGB 96 244 251

HSL 182.71, 0.95%, 0.68%

LAB 88.99, -36.95, -15.12

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 96 / 4 / 0 / 37

HEX #069AA1

RGB 6 154 161

HSL 182.71, 0.93%, 0.33%

LAB 57.77, -30.52, -13.28

 

CMYK 100 / 4 / 0 / 44

HEX #00888E

RGB 0 136 142

HSL 182.54, 1%, 0.28%

LAB 51.34, -28.17, -12.05

 

CMYK 100 / 4 / 0 / 52

HEX #00767B

RGB 0 118 123

HSL 182.44, 1%, 0.24%

LAB 44.78, -25.53, -10.73

 

CMYK 100 / 4 / 0 / 59

HEX #006468

RGB 0 100 104

HSL 182.31, 1%, 0.2%

LAB 38.05, -22.82, -9.36

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 87 / 28 / 0 / 29

HEX #1782B4

RGB 23 130 180

HSL 199.11, 0.77%, 0.4%

LAB 51.2, -10.32, -34.27

 

CMYK 87 / 52 / 0 / 29

HEX #1757B4

RGB 23 87 180

HSL 215.54, 0.77%, 0.4%

LAB 38.36, 16.5, -54.73

 

CMYK 87 / 75 / 0 / 29

HEX #172DB4

RGB 23 45 180

HSL 231.59, 0.77%, 0.4%

LAB 27.72, 43.83, -72.16

 

CMYK 76 / 87 / 0 / 29

HEX #2B17B4

RGB 43 23 180

HSL 247.64, 0.77%, 0.4%

LAB 25.02, 55.57, -76.61

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 87 / 28 / 0 / 29

HEX #1782B4

RGB 23 130 180

HSL 199.11, 0.77%, 0.4%

LAB 51.2, -10.32, -34.27

 

CMYK 87 / 52 / 0 / 29

HEX #1757B4

RGB 23 87 180

HSL 215.54, 0.77%, 0.4%

LAB 38.36, 16.5, -54.73

 

CMYK 87 / 75 / 0 / 29

HEX #172DB4

RGB 23 45 180

HSL 231.59, 0.77%, 0.4%

LAB 27.72, 43.83, -72.16

 

CMYK 87 / 87 / 0 / 29

HEX #1717B4

RGB 23 23 180

HSL 240, 0.77%, 0.4%

LAB 23.97, 54.76, -78.39

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 97 / 5 / 0 / 23

HEX #06BBC5

RGB 6 187 197

HSL 183.14, 0.94%, 0.4%

LAB 69.19, -34.81, -16.17

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 76 / 4 / 0 / 36

HEX #279DA4

RGB 39 157 164

HSL 183.36, 0.62%, 0.4%

LAB 59.18, -28.69, -12.83

 

CMYK 62 / 3 / 0 / 42

HEX #388E93

RGB 56 142 147

HSL 183.3, 0.45%, 0.4%

LAB 54.34, -23.86, -10.35

 

CMYK 45 / 2 / 0 / 49

HEX #488083

RGB 72 128 131

HSL 183.05, 0.29%, 0.4%

LAB 50.04, -17.57, -7.4

 

CMYK 22 / 1 / 0 / 55

HEX #597172

RGB 89 113 114

HSL 182.4, 0.12%, 0.4%

LAB 45.84, -8.52, -3.46

 

CMYK 87 / 0 / 42 / 29

HEX #17B468

RGB 23 180 104

HSL 150.96, 0.77%, 0.4%

LAB 64.82, -55.13, 28.35

 

CMYK 87 / 0 / 19 / 29

HEX #17B492

RGB 23 180 146

HSL 167.01, 0.77%, 0.4%

LAB 65.67, -45.67, 6.77

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 87 / 28 / 0 / 29

HEX #1782B4

RGB 23 130 180

HSL 199.11, 0.77%, 0.4%

LAB 51.2, -10.32, -34.27

 

CMYK 87 / 51 / 0 / 29

HEX #1758B4

RGB 23 88 180

HSL 215.16, 0.77%, 0.4%

LAB 38.65, 15.84, -54.27

 

CMYK 88 / 5 / 0 / 58

HEX #0D666B

RGB 13 102 107

HSL 183.19, 0.78%, 0.24%

LAB 38.98, -21.87, -9.78

 

CMYK 88 / 5 / 0 / 44

HEX #128990

RGB 18 137 144

HSL 183.33, 0.78%, 0.32%

LAB 51.88, -27.07, -12.39

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 87 / 5 / 0 / 15

HEX #1CCFD9

RGB 28 207 217

HSL 183.17, 0.77%, 0.48%

LAB 76, -37.08, -16.76

 

CMYK 75 / 4 / 0 / 10

HEX #39DCE5

RGB 57 220 229

HSL 183.14, 0.77%, 0.56%

LAB 80.58, -37.2, -16.25

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 66 / 87 / 0 / 29

HEX #3E17B4

RGB 62 23 180

HSL 254.9, 0.77%, 0.4%

LAB 26.54, 56.79, -74.04

 

CMYK 0 / 31 / 87 / 29

HEX #B47D17

RGB 180 125 23

HSL 38.98, 0.77%, 0.4%

LAB 56.52, 13.28, 57.78

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 0 / 87 / 4 / 29

HEX #B417AC

RGB 180 23 172

HSL 303.06, 0.77%, 0.4%

LAB 43.2, 71.76, -41.4

 

CMYK 4 / 0 / 87 / 29

HEX #ACB417

RGB 172 180 23

HSL 63.06, 0.77%, 0.4%

LAB 70.51, -19.73, 68.84

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 66 / 87 / 0 / 29

HEX #3E17B4

RGB 62 23 180

HSL 254.9, 0.77%, 0.4%

LAB 26.54, 56.79, -74.04

 

CMYK 0 / 83 / 87 / 29

HEX #B41F17

RGB 180 31 23

HSL 3.06, 0.77%, 0.4%

LAB 39.15, 57.02, 43.59

 

CMYK 22 / 0 / 87 / 29

HEX #8DB417

RGB 141 180 23

HSL 74.9, 0.77%, 0.4%

LAB 68.29, -32.78, 66.1

 

CMYK 87 / 4 / 0 / 29

HEX #17ACB4

RGB 23 172 180

HSL 183.06, 0.77%, 0.4%

LAB 64.15, -32.34, -14.36

 

CMYK 39 / 87 / 0 / 29

HEX #6D17B4

RGB 109 23 180

HSL 272.87, 0.77%, 0.4%

LAB 32.17, 61.69, -64.57

 

CMYK 0 / 83 / 87 / 29

HEX #B41F17

RGB 180 31 23

HSL 3.06, 0.77%, 0.4%

LAB 39.15, 57.02, 43.59

 

CMYK 48 / 0 / 87 / 29

HEX #5EB417

RGB 94 180 23

HSL 92.87, 0.77%, 0.4%

LAB 65.81, -49.93, 63.01

 

Description

Color code: RGB 23 172 180 | qconv.com Color code: RGB 23 172 180 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 172 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 172 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 4 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 4% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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