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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 162 197 it is the complementary color RGB 232 93 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 162 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 162 197 shade: RGB 28 162 192, RGB 45 180 211, RGB 62 198 230, RGB 79 216 249 and RGB 96 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 162 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 162 197 shade: RGB 23 162 197, RGB 6 144 178, RGB 0 126 159, RGB 0 108 140 and RGB 0 90 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 162 197 shade: RGB 23 161 196, RGB 23 115 196, RGB 23 68 196, RGB 25 23 196 and RGB 72 23 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 162 197 shade: RGB 23 161 196, RGB 23 115 196, RGB 23 68 196 and RGB 23 23 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 162 197 shade matches the following richer shades: RGB 23 161 196 and RGB 5 172 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 162 197 shade: RGB 23 161 196, RGB 41 151 179, RGB 59 140 161, RGB 76 130 143 and RGB 94 119 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 162 197 shade: RGB 23 196 139, RGB 23 196 185, RGB 23 162 196, RGB 23 115 196 and RGB 23 69 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 162 197 shade: RGB 14 101 122, RGB 19 131 159, RGB 23 161 196, RGB 32 189 229 and RGB 69 200 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 162 197 shade: RGB 23 162 197, RGB 92 23 196 and RGB 196 162 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 162 197 shade: RGB 23 162 197, RGB 196 23 162 and RGB 162 196 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 162 197 shade: RGB 23 162 197, RGB 92 23 196, RGB 196 58 23 and RGB 127 196 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 162 197 shade: RGB 23 162 197, RGB 144 23 196, RGB 196 58 23 and RGB 75 196 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 18 / 0 / 23

HEX #17A2C5

RGB 23 162 197

HSL 192.07, 0.79%, 0.43%

LAB 61.7, -21.76, -27.59

 

Complementary color

CMYK 0 / 60 / 75 / 9

HEX #E85D3A

RGB 232 93 58

HSL 12.07, 0.79%, 0.57%

LAB 57.36, 52.01, 46.8

 

CMYK 85 / 16 / 0 / 25

HEX #1CA2C0

RGB 28 162 192

HSL 190.98, 0.75%, 0.43%

LAB 61.56, -23.13, -25

 

CMYK 79 / 15 / 0 / 17

HEX #2DB4D3

RGB 45 180 211

HSL 191.2, 0.65%, 0.5%

LAB 67.95, -24.62, -25.72

 

CMYK 73 / 14 / 0 / 10

HEX #3EC6E6

RGB 62 198 230

HSL 191.43, 0.77%, 0.57%

LAB 74.27, -25.78, -26.35

 

CMYK 68 / 13 / 0 / 2

HEX #4FD8F9

RGB 79 216 249

HSL 191.65, 0.93%, 0.64%

LAB 80.52, -26.7, -26.93

 

CMYK 62 / 8 / 0 / 0

HEX #60EAFF

RGB 96 234 255

HSL 187.92, 1%, 0.69%

LAB 86.28, -31.16, -21.3

 

CMYK 88 / 18 / 0 / 23

HEX #17A2C5

RGB 23 162 197

HSL 192.07, 0.79%, 0.43%

LAB 61.7, -21.76, -27.59

 

CMYK 97 / 19 / 0 / 30

HEX #0690B2

RGB 6 144 178

HSL 191.86, 0.93%, 0.36%

LAB 55.28, -19.65, -26.79

 

CMYK 100 / 21 / 0 / 38

HEX #007E9F

RGB 0 126 159

HSL 192.45, 1%, 0.31%

LAB 48.79, -16.99, -25.87

 

CMYK 100 / 23 / 0 / 45

HEX #006C8C

RGB 0 108 140

HSL 193.71, 1%, 0.27%

LAB 42.18, -13.99, -24.89

 

CMYK 100 / 26 / 0 / 53

HEX #005A79

RGB 0 90 121

HSL 195.37, 1%, 0.24%

LAB 35.39, -10.84, -23.93

 

CMYK 88 / 18 / 0 / 23

HEX #17A1C4

RGB 23 161 196

HSL 192.14, 0.79%, 0.43%

LAB 61.36, -21.58, -27.56

 

CMYK 88 / 41 / 0 / 23

HEX #1773C4

RGB 23 115 196

HSL 208.09, 0.79%, 0.43%

LAB 47.53, 4.78, -49.29

 

CMYK 88 / 65 / 0 / 23

HEX #1744C4

RGB 23 68 196

HSL 224.39, 0.79%, 0.43%

LAB 34.6, 35.36, -70.25

 

CMYK 87 / 88 / 0 / 23

HEX #1917C4

RGB 25 23 196

HSL 240.69, 0.79%, 0.43%

LAB 26.17, 59.43, -84.21

 

CMYK 63 / 88 / 0 / 23

HEX #4817C4

RGB 72 23 196

HSL 256.99, 0.79%, 0.43%

LAB 29.35, 61.75, -78.83

 

CMYK 88 / 18 / 0 / 23

HEX #17A1C4

RGB 23 161 196

HSL 192.14, 0.79%, 0.43%

LAB 61.36, -21.58, -27.56

 

CMYK 88 / 41 / 0 / 23

HEX #1773C4

RGB 23 115 196

HSL 208.09, 0.79%, 0.43%

LAB 47.53, 4.78, -49.29

 

CMYK 88 / 65 / 0 / 23

HEX #1744C4

RGB 23 68 196

HSL 224.39, 0.79%, 0.43%

LAB 34.6, 35.36, -70.25

 

CMYK 88 / 88 / 0 / 23

HEX #1717C4

RGB 23 23 196

HSL 240, 0.79%, 0.43%

LAB 26.1, 59.38, -84.33

 

CMYK 88 / 18 / 0 / 23

HEX #17A1C4

RGB 23 161 196

HSL 192.14, 0.79%, 0.43%

LAB 61.36, -21.58, -27.56

 

CMYK 98 / 20 / 0 / 16

HEX #05ACD6

RGB 5 172 214

HSL 192.06, 0.95%, 0.43%

LAB 65.27, -21.82, -31.53

 

CMYK 88 / 18 / 0 / 23

HEX #17A1C4

RGB 23 161 196

HSL 192.14, 0.79%, 0.43%

LAB 61.36, -21.58, -27.56

 

CMYK 77 / 16 / 0 / 30

HEX #2997B3

RGB 41 151 179

HSL 192.17, 0.63%, 0.43%

LAB 57.9, -20.57, -23.28

 

CMYK 63 / 13 / 0 / 37

HEX #3B8CA1

RGB 59 140 161

HSL 192.35, 0.46%, 0.43%

LAB 54.3, -17.95, -18.47

 

CMYK 47 / 9 / 0 / 44

HEX #4C828F

RGB 76 130 143

HSL 191.64, 0.31%, 0.43%

LAB 51.25, -14.25, -12.6

 

CMYK 25 / 5 / 0 / 51

HEX #5E777D

RGB 94 119 125

HSL 191.61, 0.14%, 0.43%

LAB 48.33, -7.59, -6.28

 

CMYK 88 / 0 / 29 / 23

HEX #17C48B

RGB 23 196 139

HSL 160.23, 0.79%, 0.43%

LAB 70.54, -53.73, 17.45

 

CMYK 88 / 0 / 6 / 23

HEX #17C4B9

RGB 23 196 185

HSL 176.18, 0.79%, 0.43%

LAB 71.67, -41.85, -5.89

 

CMYK 88 / 17 / 0 / 23

HEX #17A2C4

RGB 23 162 196

HSL 191.79, 0.79%, 0.43%

LAB 61.66, -22.1, -27.09

 

CMYK 88 / 41 / 0 / 23

HEX #1773C4

RGB 23 115 196

HSL 208.09, 0.79%, 0.43%

LAB 47.53, 4.78, -49.29

 

CMYK 88 / 65 / 0 / 23

HEX #1745C4

RGB 23 69 196

HSL 224.05, 0.79%, 0.43%

LAB 34.85, 34.71, -69.85

 

CMYK 89 / 17 / 0 / 52

HEX #0E657A

RGB 14 101 122

HSL 191.67, 0.79%, 0.27%

LAB 39.25, -15.9, -18.54

 

CMYK 88 / 18 / 0 / 38

HEX #13839F

RGB 19 131 159

HSL 192, 0.79%, 0.35%

LAB 50.54, -18.77, -23.15

 

CMYK 88 / 18 / 0 / 23

HEX #17A1C4

RGB 23 161 196

HSL 192.14, 0.79%, 0.43%

LAB 61.36, -21.58, -27.56

 

CMYK 86 / 17 / 0 / 10

HEX #20BDE5

RGB 32 189 229

HSL 192.18, 0.79%, 0.51%

LAB 71.12, -24.31, -30.69

 

CMYK 70 / 14 / 0 / 9

HEX #45C8E9

RGB 69 200 233

HSL 192.07, 0.79%, 0.59%

LAB 75.11, -24.98, -26.67

 

CMYK 88 / 18 / 0 / 23

HEX #17A2C5

RGB 23 162 197

HSL 192.07, 0.79%, 0.43%

LAB 61.7, -21.76, -27.59

 

CMYK 53 / 88 / 0 / 23

HEX #5C17C4

RGB 92 23 196

HSL 263.93, 0.79%, 0.43%

LAB 31.52, 63.47, -75.18

 

CMYK 0 / 17 / 88 / 23

HEX #C4A217

RGB 196 162 23

HSL 48.21, 0.79%, 0.43%

LAB 67.75, 0.22, 67.51

 

CMYK 88 / 18 / 0 / 23

HEX #17A2C5

RGB 23 162 197

HSL 192.07, 0.79%, 0.43%

LAB 61.7, -21.76, -27.59

 

CMYK 0 / 88 / 17 / 23

HEX #C417A2

RGB 196 23 162

HSL 311.79, 0.79%, 0.43%

LAB 45.58, 73.47, -31.5

 

CMYK 17 / 0 / 88 / 23

HEX #A2C417

RGB 162 196 23

HSL 71.79, 0.79%, 0.43%

LAB 74.33, -31.68, 71.66

 

CMYK 88 / 18 / 0 / 23

HEX #17A2C5

RGB 23 162 197

HSL 192.07, 0.79%, 0.43%

LAB 61.7, -21.76, -27.59

 

CMYK 53 / 88 / 0 / 23

HEX #5C17C4

RGB 92 23 196

HSL 263.93, 0.79%, 0.43%

LAB 31.52, 63.47, -75.18

 

CMYK 0 / 70 / 88 / 23

HEX #C43A17

RGB 196 58 23

HSL 12.14, 0.79%, 0.43%

LAB 45.39, 53.3, 49.9

 

CMYK 35 / 0 / 88 / 23

HEX #7FC417

RGB 127 196 23

HSL 83.93, 0.79%, 0.43%

LAB 72.26, -45.21, 69.1

 

CMYK 88 / 18 / 0 / 23

HEX #17A2C5

RGB 23 162 197

HSL 192.07, 0.79%, 0.43%

LAB 61.7, -21.76, -27.59

 

CMYK 27 / 88 / 0 / 23

HEX #9017C4

RGB 144 23 196

HSL 281.97, 0.79%, 0.43%

LAB 38.77, 69.84, -63

 

CMYK 0 / 70 / 88 / 23

HEX #C43A17

RGB 196 58 23

HSL 12.14, 0.79%, 0.43%

LAB 45.39, 53.3, 49.9

 

CMYK 62 / 0 / 88 / 23

HEX #4BC417

RGB 75 196 23

HSL 101.97, 0.79%, 0.43%

LAB 70.2, -60.91, 66.53

 

Description

Color code: RGB 23 162 197 | qconv.com Color code: RGB 23 162 197 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 162 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 162 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 18 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 18% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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