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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 149 20 it is the complementary color RGB 232 106 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 149 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 149 20 shade: RGB 28 149 15, RGB 45 167 34, RGB 62 185 53, RGB 79 203 72 and RGB 96 221 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 149 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 149 20 shade: RGB 23 149 20, RGB 6 131 1, RGB 0 113 0, RGB 0 95 0 and RGB 0 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 149 20 shade: RGB 23 148 20, RGB 57 148 20, RGB 92 148 20, RGB 126 148 20 and RGB 148 135 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 149 20 shade: RGB 23 148 20, RGB 20 148 51, RGB 20 148 86, RGB 20 148 120 and RGB 20 141 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 149 20 shade matches the following richer shades: RGB 23 148 20 and RGB 10 161 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 149 20 shade: RGB 23 148 20, RGB 36 134 33, RGB 49 120 47, RGB 62 107 61 and RGB 75 93 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 149 20 shade: RGB 92 148 20, RGB 58 148 20, RGB 24 148 20, RGB 20 148 50 and RGB 20 148 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 149 20 shade: RGB 11 75 10, RGB 17 111 15, RGB 23 148 20, RGB 28 184 25 and RGB 34 220 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 149 20 shade: RGB 23 149 20, RGB 20 126 148 and RGB 148 20 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 149 20 shade: RGB 23 149 20, RGB 20 24 148 and RGB 148 20 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 149 20 shade: RGB 23 149 20, RGB 20 126 148, RGB 143 20 148 and RGB 148 41 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 149 20 shade: RGB 23 149 20, RGB 20 88 148, RGB 143 20 148 and RGB 148 79 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 87 / 42

HEX #179514

RGB 23 149 20

HSL 118.6, 0.76%, 0.33%

LAB 53.74, -55.26, 52.32

 

Complementary color

CMYK 1 / 55 / 0 / 8

HEX #E86AEB

RGB 232 106 235

HSL 298.6, 0.76%, 0.67%

LAB 64.53, 65.52, -43.29

 

CMYK 81 / 0 / 90 / 42

HEX #1C950F

RGB 28 149 15

HSL 114.18, 0.82%, 0.32%

LAB 53.79, -54.87, 53.51

 

CMYK 73 / 0 / 80 / 35

HEX #2DA722

RGB 45 167 34

HSL 115.04, 0.66%, 0.39%

LAB 60.17, -56.98, 54.48

 

CMYK 66 / 0 / 71 / 27

HEX #3EB935

RGB 62 185 53

HSL 115.91, 0.55%, 0.47%

LAB 66.5, -58.33, 54.3

 

CMYK 61 / 0 / 65 / 20

HEX #4FCB48

RGB 79 203 72

HSL 116.79, 0.56%, 0.54%

LAB 72.79, -59.17, 53.53

 

CMYK 57 / 0 / 59 / 13

HEX #60DD5B

RGB 96 221 91

HSL 117.69, 0.66%, 0.61%

LAB 79.02, -59.67, 52.47

 

CMYK 85 / 0 / 87 / 42

HEX #179514

RGB 23 149 20

HSL 118.6, 0.76%, 0.33%

LAB 53.74, -55.26, 52.32

 

CMYK 95 / 0 / 99 / 49

HEX #068301

RGB 6 131 1

HSL 117.69, 0.98%, 0.26%

LAB 47.33, -52.07, 50.6

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 84 / 0 / 86 / 42

HEX #179414

RGB 23 148 20

HSL 118.59, 0.76%, 0.33%

LAB 53.4, -54.95, 52.01

 

CMYK 61 / 0 / 86 / 42

HEX #399414

RGB 57 148 20

HSL 102.66, 0.76%, 0.33%

LAB 54.13, -48.68, 52.95

 

CMYK 38 / 0 / 86 / 42

HEX #5C9414

RGB 92 148 20

HSL 86.25, 0.76%, 0.33%

LAB 55.59, -37.6, 54.79

 

CMYK 15 / 0 / 86 / 42

HEX #7E9414

RGB 126 148 20

HSL 70.31, 0.76%, 0.33%

LAB 57.72, -23.77, 57.46

 

CMYK 0 / 9 / 86 / 42

HEX #948714

RGB 148 135 20

HSL 53.91, 0.76%, 0.33%

LAB 55.76, -7.03, 56.56

 

CMYK 84 / 0 / 86 / 42

HEX #179414

RGB 23 148 20

HSL 118.59, 0.76%, 0.33%

LAB 53.4, -54.95, 52.01

 

CMYK 86 / 0 / 66 / 42

HEX #149433

RGB 20 148 51

HSL 134.53, 0.76%, 0.33%

LAB 53.57, -52.72, 41.02

 

CMYK 86 / 0 / 42 / 42

HEX #149456

RGB 20 148 86

HSL 150.94, 0.76%, 0.33%

LAB 54.03, -47.18, 23.82

 

CMYK 86 / 0 / 19 / 42

HEX #149478

RGB 20 148 120

HSL 166.88, 0.76%, 0.33%

LAB 54.75, -39.2, 5.7

 

CMYK 86 / 5 / 0 / 42

HEX #148D94

RGB 20 141 148

HSL 183.28, 0.76%, 0.33%

LAB 53.32, -27.62, -12.54

 

CMYK 84 / 0 / 86 / 42

HEX #179414

RGB 23 148 20

HSL 118.59, 0.76%, 0.33%

LAB 53.4, -54.95, 52.01

 

CMYK 94 / 0 / 96 / 37

HEX #0AA106

RGB 10 161 6

HSL 118.45, 0.93%, 0.33%

LAB 57.62, -60.37, 58.16

 

CMYK 84 / 0 / 86 / 42

HEX #179414

RGB 23 148 20

HSL 118.59, 0.76%, 0.33%

LAB 53.4, -54.95, 52.01

 

CMYK 73 / 0 / 75 / 47

HEX #248621

RGB 36 134 33

HSL 118.22, 0.6%, 0.33%

LAB 48.93, -47.6, 43.72

 

CMYK 59 / 0 / 61 / 53

HEX #31782F

RGB 49 120 47

HSL 118.36, 0.44%, 0.33%

LAB 44.65, -37.85, 32.95

 

CMYK 42 / 0 / 43 / 58

HEX #3E6B3D

RGB 62 107 61

HSL 118.7, 0.27%, 0.33%

LAB 41.02, -25.86, 21.03

 

CMYK 19 / 0 / 20 / 64

HEX #4B5D4A

RGB 75 93 74

HSL 116.84, 0.11%, 0.33%

LAB 37.52, -11.07, 8.68

 

CMYK 38 / 0 / 86 / 42

HEX #5C9414

RGB 92 148 20

HSL 86.25, 0.76%, 0.33%

LAB 55.59, -37.6, 54.79

 

CMYK 61 / 0 / 86 / 42

HEX #3A9414

RGB 58 148 20

HSL 102.19, 0.76%, 0.33%

LAB 54.16, -48.43, 52.99

 

CMYK 84 / 0 / 86 / 42

HEX #189414

RGB 24 148 20

HSL 118.13, 0.76%, 0.33%

LAB 53.41, -54.84, 52.03

 

CMYK 86 / 0 / 66 / 42

HEX #149432

RGB 20 148 50

HSL 134.06, 0.76%, 0.33%

LAB 53.56, -52.84, 41.46

 

CMYK 86 / 0 / 43 / 42

HEX #149454

RGB 20 148 84

HSL 150, 0.76%, 0.33%

LAB 53.99, -47.57, 24.87

 

CMYK 85 / 0 / 87 / 71

HEX #0B4B0A

RGB 11 75 10

HSL 119.08, 0.76%, 0.17%

LAB 27.09, -33, 30.62

 

CMYK 85 / 0 / 86 / 56

HEX #116F0F

RGB 17 111 15

HSL 118.75, 0.76%, 0.25%

LAB 40.45, -44.2, 41.56

 

CMYK 84 / 0 / 86 / 42

HEX #179414

RGB 23 148 20

HSL 118.59, 0.76%, 0.33%

LAB 53.4, -54.95, 52.01

 

CMYK 85 / 0 / 86 / 28

HEX #1CB819

RGB 28 184 25

HSL 118.87, 0.76%, 0.41%

LAB 65.43, -64.97, 61.6

 

CMYK 85 / 0 / 86 / 14

HEX #22DC1E

RGB 34 220 30

HSL 118.74, 0.76%, 0.49%

LAB 77.05, -74.5, 70.82

 

CMYK 85 / 0 / 87 / 42

HEX #179514

RGB 23 149 20

HSL 118.6, 0.76%, 0.33%

LAB 53.74, -55.26, 52.32

 

CMYK 86 / 15 / 0 / 42

HEX #147E94

RGB 20 126 148

HSL 190.31, 0.76%, 0.33%

LAB 48.52, -19.87, -19.83

 

CMYK 0 / 86 / 49 / 42

HEX #94144B

RGB 148 20 75

HSL 334.22, 0.76%, 0.33%

LAB 32.49, 53.36, 2.2

 

CMYK 85 / 0 / 87 / 42

HEX #179514

RGB 23 149 20

HSL 118.6, 0.76%, 0.33%

LAB 53.74, -55.26, 52.32

 

CMYK 86 / 84 / 0 / 42

HEX #141894

RGB 20 24 148

HSL 238.13, 0.76%, 0.33%

LAB 19.8, 44.33, -65.86

 

CMYK 0 / 86 / 84 / 42

HEX #941418

RGB 148 20 24

HSL 358.13, 0.76%, 0.33%

LAB 31.49, 50.43, 33.69

 

CMYK 85 / 0 / 87 / 42

HEX #179514

RGB 23 149 20

HSL 118.6, 0.76%, 0.33%

LAB 53.74, -55.26, 52.32

 

CMYK 86 / 15 / 0 / 42

HEX #147E94

RGB 20 126 148

HSL 190.31, 0.76%, 0.33%

LAB 48.52, -19.87, -19.83

 

CMYK 3 / 86 / 0 / 42

HEX #8F1494

RGB 143 20 148

HSL 297.66, 0.76%, 0.33%

LAB 34.96, 61.64, -40.46

 

CMYK 0 / 72 / 86 / 42

HEX #942914

RGB 148 41 20

HSL 9.84, 0.76%, 0.33%

LAB 33.84, 43.65, 37.98

 

CMYK 85 / 0 / 87 / 42

HEX #179514

RGB 23 149 20

HSL 118.6, 0.76%, 0.33%

LAB 53.74, -55.26, 52.32

 

CMYK 86 / 41 / 0 / 42

HEX #145894

RGB 20 88 148

HSL 208.13, 0.76%, 0.33%

LAB 36.49, 2.68, -38.65

 

CMYK 3 / 86 / 0 / 42

HEX #8F1494

RGB 143 20 148

HSL 297.66, 0.76%, 0.33%

LAB 34.96, 61.64, -40.46

 

CMYK 0 / 47 / 86 / 42

HEX #944F14

RGB 148 79 20

HSL 27.66, 0.76%, 0.33%

LAB 41.12, 24.81, 44.27

 

Description

Color code: RGB 23 149 20 | qconv.com Color code: RGB 23 149 20 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 149 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 149 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 87 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 87% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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