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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 142 132 it is the complementary color RGB 232 113 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 142 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 142 132 shade: RGB 28 142 127, RGB 45 160 146, RGB 62 178 165, RGB 79 196 184 and RGB 96 214 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 142 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 142 132 shade: RGB 23 142 132, RGB 6 124 113, RGB 0 106 94, RGB 0 88 75 and RGB 0 70 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 142 132 shade: RGB 23 140 130, RGB 23 140 99, RGB 23 140 67, RGB 23 140 35 and RGB 42 140 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 142 132 shade: RGB 23 140 130, RGB 23 119 140, RGB 23 87 140, RGB 23 55 140 and RGB 23 23 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 142 132 shade matches the following richer shades: RGB 23 140 130 and RGB 10 154 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 142 132 shade: RGB 23 140 130, RGB 36 127 119, RGB 49 114 109, RGB 62 101 98 and RGB 76 88 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 142 132 shade: RGB 23 140 66, RGB 23 140 97, RGB 23 140 129, RGB 23 121 140 and RGB 23 89 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 142 132 shade: RGB 11 69 65, RGB 17 105 97, RGB 23 140 130, RGB 29 176 163 and RGB 34 211 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 142 132 shade: RGB 23 142 132, RGB 35 23 140 and RGB 140 82 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 142 132 shade: RGB 23 142 132, RGB 129 23 140 and RGB 140 129 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 142 132 shade: RGB 23 142 132, RGB 35 23 140, RGB 140 23 35 and RGB 129 140 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 142 132 shade: RGB 23 142 132, RGB 70 23 140, RGB 140 23 35 and RGB 93 140 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 7 / 44

HEX #178E84

RGB 23 142 132

HSL 174.96, 0.72%, 0.32%

LAB 53.16, -32.85, -3.51

 

Complementary color

CMYK 0 / 51 / 47 / 9

HEX #E8717B

RGB 232 113 123

HSL 354.96, 0.72%, 0.68%

LAB 61.99, 46.94, 16.49

 

CMYK 80 / 0 / 11 / 44

HEX #1C8E7F

RGB 28 142 127

HSL 172.11, 0.67%, 0.33%

LAB 53.09, -33.84, -0.72

 

CMYK 72 / 0 / 9 / 37

HEX #2DA092

RGB 45 160 146

HSL 172.7, 0.56%, 0.4%

LAB 59.68, -34.69, -1.87

 

CMYK 65 / 0 / 7 / 30

HEX #3EB2A5

RGB 62 178 165

HSL 173.28, 0.48%, 0.47%

LAB 66.2, -35.24, -2.89

 

CMYK 60 / 0 / 6 / 23

HEX #4FC4B8

RGB 79 196 184

HSL 173.85, 0.5%, 0.54%

LAB 72.63, -35.59, -3.81

 

CMYK 55 / 0 / 5 / 16

HEX #60D6CB

RGB 96 214 203

HSL 174.41, 0.59%, 0.61%

LAB 78.98, -35.79, -4.65

 

CMYK 84 / 0 / 7 / 44

HEX #178E84

RGB 23 142 132

HSL 174.96, 0.72%, 0.32%

LAB 53.16, -32.85, -3.51

 

CMYK 95 / 0 / 9 / 51

HEX #067C71

RGB 6 124 113

HSL 174.41, 0.91%, 0.25%

LAB 46.51, -31.33, -2.2

 

CMYK 100 / 0 / 11 / 58

HEX #006A5E

RGB 0 106 94

HSL 173.21, 1%, 0.21%

LAB 39.78, -29.1, -0.67

 

CMYK 100 / 0 / 15 / 65

HEX #00584B

RGB 0 88 75

HSL 171.14, 1%, 0.17%

LAB 32.89, -26.44, 1.05

 

CMYK 100 / 0 / 20 / 73

HEX #004638

RGB 0 70 56

HSL 168, 1%, 0.14%

LAB 25.76, -23.69, 2.91

 

CMYK 84 / 0 / 7 / 45

HEX #178C82

RGB 23 140 130

HSL 174.87, 0.72%, 0.32%

LAB 52.45, -32.51, -3.39

 

CMYK 84 / 0 / 29 / 45

HEX #178C63

RGB 23 140 99

HSL 158.97, 0.72%, 0.32%

LAB 51.65, -40.9, 13.35

 

CMYK 84 / 0 / 52 / 45

HEX #178C43

RGB 23 140 67

HSL 142.56, 0.72%, 0.32%

LAB 51.09, -47.41, 30.27

 

CMYK 84 / 0 / 75 / 45

HEX #178C23

RGB 23 140 35

HSL 126.15, 0.72%, 0.32%

LAB 50.76, -51.43, 44.74

 

CMYK 70 / 0 / 84 / 45

HEX #2A8C17

RGB 42 140 23

HSL 110.26, 0.72%, 0.32%

LAB 51.05, -49.18, 49.2

 

CMYK 84 / 0 / 7 / 45

HEX #178C82

RGB 23 140 130

HSL 174.87, 0.72%, 0.32%

LAB 52.45, -32.51, -3.39

 

CMYK 84 / 15 / 0 / 45

HEX #17778C

RGB 23 119 140

HSL 190.77, 0.72%, 0.32%

LAB 46, -18.63, -18.97

 

CMYK 84 / 38 / 0 / 45

HEX #17578C

RGB 23 87 140

HSL 207.18, 0.72%, 0.32%

LAB 35.78, 0.38, -34.94

 

CMYK 84 / 61 / 0 / 45

HEX #17378C

RGB 23 55 140

HSL 223.59, 0.72%, 0.32%

LAB 26.18, 22.16, -50.39

 

CMYK 84 / 84 / 0 / 45

HEX #17178C

RGB 23 23 140

HSL 240, 0.72%, 0.32%

LAB 18.75, 42.35, -62.63

 

CMYK 84 / 0 / 7 / 45

HEX #178C82

RGB 23 140 130

HSL 174.87, 0.72%, 0.32%

LAB 52.45, -32.51, -3.39

 

CMYK 94 / 0 / 8 / 40

HEX #0A9A8D

RGB 10 154 141

HSL 174.58, 0.88%, 0.32%

LAB 57.17, -36.54, -2.78

 

CMYK 84 / 0 / 7 / 45

HEX #178C82

RGB 23 140 130

HSL 174.87, 0.72%, 0.32%

LAB 52.45, -32.51, -3.39

 

CMYK 72 / 0 / 6 / 50

HEX #247F77

RGB 36 127 119

HSL 174.73, 0.56%, 0.32%

LAB 48.12, -28.01, -3.33

 

CMYK 57 / 0 / 4 / 55

HEX #31726D

RGB 49 114 109

HSL 175.38, 0.4%, 0.32%

LAB 43.93, -21.94, -3.51

 

CMYK 39 / 0 / 3 / 60

HEX #3E6562

RGB 62 101 98

HSL 175.38, 0.24%, 0.32%

LAB 39.94, -14.53, -2.67

 

CMYK 14 / 0 / 1 / 65

HEX #4C5857

RGB 76 88 87

HSL 175, 0.07%, 0.32%

LAB 36.37, -4.9, -1.01

 

CMYK 84 / 0 / 53 / 45

HEX #178C42

RGB 23 140 66

HSL 142.05, 0.72%, 0.32%

LAB 51.07, -47.57, 30.77

 

CMYK 84 / 0 / 31 / 45

HEX #178C61

RGB 23 140 97

HSL 157.95, 0.72%, 0.32%

LAB 51.61, -41.37, 14.43

 

CMYK 84 / 0 / 8 / 45

HEX #178C81

RGB 23 140 129

HSL 174.36, 0.72%, 0.32%

LAB 52.42, -32.81, -2.86

 

CMYK 84 / 14 / 0 / 45

HEX #17798C

RGB 23 121 140

HSL 189.74, 0.72%, 0.32%

LAB 46.65, -19.72, -17.99

 

CMYK 84 / 36 / 0 / 45

HEX #17598C

RGB 23 89 140

HSL 206.15, 0.72%, 0.32%

LAB 36.41, -0.9, -33.94

 

CMYK 84 / 0 / 6 / 73

HEX #0B4541

RGB 11 69 65

HSL 175.86, 0.73%, 0.16%

LAB 25.89, -18.77, -2.77

 

CMYK 84 / 0 / 8 / 59

HEX #116961

RGB 17 105 97

HSL 174.55, 0.72%, 0.24%

LAB 39.72, -26.3, -2.55

 

CMYK 84 / 0 / 7 / 45

HEX #178C82

RGB 23 140 130

HSL 174.87, 0.72%, 0.32%

LAB 52.45, -32.51, -3.39

 

CMYK 84 / 0 / 7 / 31

HEX #1DB0A3

RGB 29 176 163

HSL 174.69, 0.72%, 0.4%

LAB 64.93, -38.87, -3.72

 

CMYK 84 / 0 / 7 / 17

HEX #22D3C4

RGB 34 211 196

HSL 174.92, 0.72%, 0.48%

LAB 76.63, -44.6, -4.51

 

CMYK 84 / 0 / 7 / 44

HEX #178E84

RGB 23 142 132

HSL 174.96, 0.72%, 0.32%

LAB 53.16, -32.85, -3.51

 

CMYK 75 / 84 / 0 / 45

HEX #23178C

RGB 35 23 140

HSL 246.15, 0.72%, 0.32%

LAB 19.49, 43.12, -61.38

 

CMYK 0 / 41 / 84 / 45

HEX #8C5217

RGB 140 82 23

HSL 30.26, 0.72%, 0.32%

LAB 40.69, 19.62, 42.24

 

CMYK 84 / 0 / 7 / 44

HEX #178E84

RGB 23 142 132

HSL 174.96, 0.72%, 0.32%

LAB 53.16, -32.85, -3.51

 

CMYK 8 / 84 / 0 / 45

HEX #81178C

RGB 129 23 140

HSL 294.36, 0.72%, 0.32%

LAB 32.2, 56.89, -40.1

 

CMYK 0 / 8 / 84 / 45

HEX #8C8117

RGB 140 129 23

HSL 54.36, 0.72%, 0.32%

LAB 53.32, -7.35, 53.38

 

CMYK 84 / 0 / 7 / 44

HEX #178E84

RGB 23 142 132

HSL 174.96, 0.72%, 0.32%

LAB 53.16, -32.85, -3.51

 

CMYK 75 / 84 / 0 / 45

HEX #23178C

RGB 35 23 140

HSL 246.15, 0.72%, 0.32%

LAB 19.49, 43.12, -61.38

 

CMYK 0 / 84 / 75 / 45

HEX #8C1723

RGB 140 23 35

HSL 353.85, 0.72%, 0.32%

LAB 30.18, 47.71, 25.1

 

CMYK 8 / 0 / 84 / 45

HEX #818C17

RGB 129 140 23

HSL 65.64, 0.72%, 0.32%

LAB 55.57, -18.27, 54.95

 

CMYK 84 / 0 / 7 / 44

HEX #178E84

RGB 23 142 132

HSL 174.96, 0.72%, 0.32%

LAB 53.16, -32.85, -3.51

 

CMYK 50 / 84 / 0 / 45

HEX #46178C

RGB 70 23 140

HSL 264.1, 0.72%, 0.32%

LAB 23.03, 46.86, -55.42

 

CMYK 0 / 84 / 75 / 45

HEX #8C1723

RGB 140 23 35

HSL 353.85, 0.72%, 0.32%

LAB 30.18, 47.71, 25.1

 

CMYK 34 / 0 / 84 / 45

HEX #5D8C17

RGB 93 140 23

HSL 84.1, 0.72%, 0.32%

LAB 53.11, -33.53, 51.84

 

Description

Color code: RGB 23 142 132 | qconv.com Color code: RGB 23 142 132 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 142 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 142 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 7 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 7% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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