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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 142 114 it is the complementary color RGB 232 113 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 142 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 142 114 shade: RGB 28 142 109, RGB 45 160 128, RGB 62 178 147, RGB 79 196 166 and RGB 96 214 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 142 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 142 114 shade: RGB 23 142 114, RGB 6 124 95, RGB 0 106 76, RGB 0 88 57 and RGB 0 70 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 142 114 shade: RGB 23 140 113, RGB 23 140 81, RGB 23 140 49, RGB 28 140 23 and RGB 60 140 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 142 114 shade: RGB 23 140 113, RGB 23 136 140, RGB 23 105 140, RGB 23 73 140 and RGB 23 41 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 142 114 shade matches the following richer shades: RGB 23 140 113 and RGB 10 154 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 142 114 shade: RGB 23 140 113, RGB 36 127 106, RGB 49 114 99, RGB 62 101 92 and RGB 76 88 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 142 114 shade: RGB 23 140 48, RGB 23 140 80, RGB 23 140 111, RGB 23 138 140 and RGB 23 107 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 142 114 shade: RGB 11 69 56, RGB 17 105 84, RGB 23 140 113, RGB 29 176 141 and RGB 34 211 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 142 114 shade: RGB 23 142 114, RGB 23 29 140 and RGB 140 64 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 142 114 shade: RGB 23 142 114, RGB 111 23 140 and RGB 140 111 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 142 114 shade: RGB 23 142 114, RGB 23 29 140, RGB 140 23 52 and RGB 140 134 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 142 114 shade: RGB 23 142 114, RGB 52 23 140, RGB 140 23 52 and RGB 111 140 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 20 / 44

HEX #178E72

RGB 23 142 114

HSL 165.88, 0.72%, 0.32%

LAB 52.67, -37.94, 6.17

 

Complementary color

CMYK 0 / 51 / 39 / 9

HEX #E8718D

RGB 232 113 141

HSL 345.88, 0.72%, 0.68%

LAB 62.41, 48.77, 6.75

 

CMYK 80 / 0 / 23 / 44

HEX #1C8E6D

RGB 28 142 109

HSL 162.63, 0.67%, 0.33%

LAB 52.62, -38.73, 8.98

 

CMYK 72 / 0 / 20 / 37

HEX #2DA080

RGB 45 160 128

HSL 163.3, 0.56%, 0.4%

LAB 59.21, -39.48, 7.6

 

CMYK 65 / 0 / 17 / 30

HEX #3EB293

RGB 62 178 147

HSL 163.97, 0.48%, 0.47%

LAB 65.73, -39.91, 6.39

 

CMYK 60 / 0 / 15 / 23

HEX #4FC4A6

RGB 79 196 166

HSL 164.62, 0.5%, 0.54%

LAB 72.16, -40.14, 5.29

 

CMYK 55 / 0 / 14 / 16

HEX #60D6B9

RGB 96 214 185

HSL 165.25, 0.59%, 0.61%

LAB 78.51, -40.24, 4.29

 

CMYK 84 / 0 / 20 / 44

HEX #178E72

RGB 23 142 114

HSL 165.88, 0.72%, 0.32%

LAB 52.67, -37.94, 6.17

 

CMYK 95 / 0 / 23 / 51

HEX #067C5F

RGB 6 124 95

HSL 165.25, 0.91%, 0.25%

LAB 46.02, -36.51, 7.73

 

CMYK 100 / 0 / 28 / 58

HEX #006A4C

RGB 0 106 76

HSL 163.02, 1%, 0.21%

LAB 39.29, -34.3, 9.56

 

CMYK 100 / 0 / 35 / 65

HEX #005839

RGB 0 88 57

HSL 158.86, 1%, 0.17%

LAB 32.42, -31.56, 11.62

 

CMYK 100 / 0 / 46 / 73

HEX #004626

RGB 0 70 38

HSL 152.57, 1%, 0.14%

LAB 25.32, -28.62, 13.86

 

CMYK 84 / 0 / 19 / 45

HEX #178C71

RGB 23 140 113

HSL 166.15, 0.72%, 0.32%

LAB 51.98, -37.34, 5.77

 

CMYK 84 / 0 / 42 / 45

HEX #178C51

RGB 23 140 81

HSL 149.74, 0.72%, 0.32%

LAB 51.3, -44.85, 23

 

CMYK 84 / 0 / 65 / 45

HEX #178C31

RGB 23 140 49

HSL 133.33, 0.72%, 0.32%

LAB 50.87, -49.98, 38.93

 

CMYK 80 / 0 / 84 / 45

HEX #1C8C17

RGB 28 140 23

HSL 117.44, 0.72%, 0.32%

LAB 50.76, -51.64, 48.83

 

CMYK 57 / 0 / 84 / 45

HEX #3C8C17

RGB 60 140 23

HSL 101.03, 0.72%, 0.32%

LAB 51.59, -44.77, 49.89

 

CMYK 84 / 0 / 19 / 45

HEX #178C71

RGB 23 140 113

HSL 166.15, 0.72%, 0.32%

LAB 51.98, -37.34, 5.77

 

CMYK 84 / 3 / 0 / 45

HEX #17888C

RGB 23 136 140

HSL 182.05, 0.72%, 0.32%

LAB 51.48, -27.48, -10.66

 

CMYK 84 / 25 / 0 / 45

HEX #17698C

RGB 23 105 140

HSL 197.95, 0.72%, 0.32%

LAB 41.5, -10.71, -25.93

 

CMYK 84 / 48 / 0 / 45

HEX #17498C

RGB 23 73 140

HSL 214.36, 0.72%, 0.32%

LAB 31.44, 9.68, -41.87

 

CMYK 84 / 71 / 0 / 45

HEX #17298C

RGB 23 41 140

HSL 230.77, 0.72%, 0.32%

LAB 22.52, 31.72, -56.39

 

CMYK 84 / 0 / 19 / 45

HEX #178C71

RGB 23 140 113

HSL 166.15, 0.72%, 0.32%

LAB 51.98, -37.34, 5.77

 

CMYK 94 / 0 / 22 / 40

HEX #0A9A78

RGB 10 154 120

HSL 165.83, 0.88%, 0.32%

LAB 56.62, -42.37, 8.36

 

CMYK 84 / 0 / 19 / 45

HEX #178C71

RGB 23 140 113

HSL 166.15, 0.72%, 0.32%

LAB 51.98, -37.34, 5.77

 

CMYK 72 / 0 / 17 / 50

HEX #247F6A

RGB 36 127 106

HSL 166.15, 0.56%, 0.32%

LAB 47.74, -31.7, 3.79

 

CMYK 57 / 0 / 13 / 55

HEX #317263

RGB 49 114 99

HSL 166.15, 0.4%, 0.32%

LAB 43.64, -24.72, 2.06

 

CMYK 39 / 0 / 9 / 60

HEX #3E655C

RGB 62 101 92

HSL 166.15, 0.24%, 0.32%

LAB 39.76, -16.1, 0.73

 

CMYK 14 / 0 / 3 / 65

HEX #4C5855

RGB 76 88 85

HSL 165, 0.07%, 0.32%

LAB 36.31, -5.37, 0.15

 

CMYK 84 / 0 / 66 / 45

HEX #178C30

RGB 23 140 48

HSL 132.82, 0.72%, 0.32%

LAB 50.86, -50.1, 39.38

 

CMYK 84 / 0 / 43 / 45

HEX #178C50

RGB 23 140 80

HSL 149.23, 0.72%, 0.32%

LAB 51.29, -45.05, 23.53

 

CMYK 84 / 0 / 21 / 45

HEX #178C6F

RGB 23 140 111

HSL 165.13, 0.72%, 0.32%

LAB 51.93, -37.87, 6.85

 

CMYK 84 / 1 / 0 / 45

HEX #178A8C

RGB 23 138 140

HSL 181.03, 0.72%, 0.32%

LAB 52.12, -28.47, -9.69

 

CMYK 84 / 24 / 0 / 45

HEX #176B8C

RGB 23 107 140

HSL 196.92, 0.72%, 0.32%

LAB 42.14, -11.88, -24.94

 

CMYK 84 / 0 / 19 / 73

HEX #0B4538

RGB 11 69 56

HSL 166.55, 0.73%, 0.16%

LAB 25.6, -21.66, 2.71

 

CMYK 84 / 0 / 20 / 59

HEX #116954

RGB 17 105 84

HSL 165.68, 0.72%, 0.24%

LAB 39.35, -30.16, 4.83

 

CMYK 84 / 0 / 19 / 45

HEX #178C71

RGB 23 140 113

HSL 166.15, 0.72%, 0.32%

LAB 51.98, -37.34, 5.77

 

CMYK 84 / 0 / 20 / 31

HEX #1DB08D

RGB 29 176 141

HSL 165.71, 0.72%, 0.4%

LAB 64.35, -44.84, 7.65

 

CMYK 84 / 0 / 19 / 17

HEX #22D3AA

RGB 34 211 170

HSL 166.1, 0.72%, 0.48%

LAB 75.97, -51.45, 8.49

 

CMYK 84 / 0 / 20 / 44

HEX #178E72

RGB 23 142 114

HSL 165.88, 0.72%, 0.32%

LAB 52.67, -37.94, 6.17

 

CMYK 84 / 79 / 0 / 45

HEX #171D8C

RGB 23 29 140

HSL 236.92, 0.72%, 0.32%

LAB 19.86, 39.13, -60.79

 

CMYK 0 / 54 / 84 / 45

HEX #8C4017

RGB 140 64 23

HSL 21.03, 0.72%, 0.32%

LAB 36.56, 29.74, 38.46

 

CMYK 84 / 0 / 20 / 44

HEX #178E72

RGB 23 142 114

HSL 165.88, 0.72%, 0.32%

LAB 52.67, -37.94, 6.17

 

CMYK 21 / 84 / 0 / 45

HEX #6F178C

RGB 111 23 140

HSL 285.13, 0.72%, 0.32%

LAB 29.12, 53.49, -45.22

 

CMYK 0 / 21 / 84 / 45

HEX #8C6F17

RGB 140 111 23

HSL 45.13, 0.72%, 0.32%

LAB 48.27, 2.77, 48.99

 

CMYK 84 / 0 / 20 / 44

HEX #178E72

RGB 23 142 114

HSL 165.88, 0.72%, 0.32%

LAB 52.67, -37.94, 6.17

 

CMYK 84 / 79 / 0 / 45

HEX #171D8C

RGB 23 29 140

HSL 236.92, 0.72%, 0.32%

LAB 19.86, 39.13, -60.79

 

CMYK 0 / 84 / 63 / 45

HEX #8C1734

RGB 140 23 52

HSL 345.13, 0.72%, 0.32%

LAB 30.49, 48.64, 14.38

 

CMYK 0 / 4 / 84 / 45

HEX #8C8617

RGB 140 134 23

HSL 56.92, 0.72%, 0.32%

LAB 54.75, -10.08, 54.61

 

CMYK 84 / 0 / 20 / 44

HEX #178E72

RGB 23 142 114

HSL 165.88, 0.72%, 0.32%

LAB 52.67, -37.94, 6.17

 

CMYK 63 / 84 / 0 / 45

HEX #34178C

RGB 52 23 140

HSL 254.87, 0.72%, 0.32%

LAB 20.97, 44.67, -58.89

 

CMYK 0 / 84 / 63 / 45

HEX #8C1734

RGB 140 23 52

HSL 345.13, 0.72%, 0.32%

LAB 30.49, 48.64, 14.38

 

CMYK 21 / 0 / 84 / 45

HEX #6F8C17

RGB 111 140 23

HSL 74.87, 0.72%, 0.32%

LAB 54.24, -26.16, 53.27

 

Description

Color code: RGB 23 142 114 | qconv.com Color code: RGB 23 142 114 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 142 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 142 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 20 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 20% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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