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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 126.8 203.4 it is the complementary color RGB 232 128.2 51.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 126.8 203.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 126.8 203.4 shade: RGB 28 126.8 198.4, RGB 45 144.8 217.4, RGB 62 162.8 236.4, RGB 79 180.8 255 and RGB 96 198.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 126.8 203.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 126.8 203.4 shade: RGB 23 126.8 203.4, RGB 6 108.8 184.4, RGB 0 90.8 165.4, RGB 0 72.8 146.4 and RGB 0 54.8 127.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 126.8 203.4 shade: RGB 22 126 202, RGB 22 77 202, RGB 22 29 202, RGB 64 22 202 and RGB 113 22 202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 126.8 203.4 shade: RGB 22 126 202, RGB 22 77 202, RGB 22 29 202 and RGB 22 22 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 126.8 203.4 shade matches the following richer shades: RGB 22 126 202 and RGB 4 128 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 126.8 203.4 shade: RGB 22 126 202, RGB 41 123 184, RGB 59 120 166, RGB 77 118 147 and RGB 95 115 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 126.8 203.4 shade: RGB 22 202 181, RGB 22 175 202, RGB 22 127 202, RGB 22 79 202 and RGB 22 31 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 126.8 203.4 shade: RGB 14 79 128, RGB 18 103 165, RGB 22 126 202, RGB 35 148 231 and RGB 72 166 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 126.8 203.4 shade: RGB 23 126.8 203.4, RGB 133 22 202 and RGB 199 202 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 126.8 203.4 shade: RGB 23 126.8 203.4, RGB 202 22 127 and RGB 127 202 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 126.8 203.4 shade: RGB 23 126.8 203.4, RGB 133 22 202, RGB 202 97 22 and RGB 91 202 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 126.8 203.4 shade: RGB 23 126.8 203.4, RGB 187 22 202, RGB 202 97 22 and RGB 37 202 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 38 / 0 / 20

HEX #177ECB

RGB 23 126.8 203.4

HSL 205.48, 0.8%, 0.44%

LAB 51.43, 0.4, -47.31

 

Complementary color

CMYK 0 / 45 / 78 / 9

HEX #E88033

RGB 232 128.2 51.6

HSL 25.48, 0.8%, 0.56%

LAB 64.07, 34.59, 56.6

 

CMYK 86 / 36 / 0 / 22

HEX #1C7EC6

RGB 28 126.8 198.4

HSL 205.21, 0.75%, 0.44%

LAB 51.23, -1.17, -44.76

 

CMYK 79 / 33 / 0 / 15

HEX #2D90D9

RGB 45 144.8 217.4

HSL 205.27, 0.7%, 0.51%

LAB 57.83, -3.27, -45.03

 

CMYK 74 / 31 / 0 / 7

HEX #3EA2EC

RGB 62 162.8 236.4

HSL 205.32, 0.82%, 0.59%

LAB 64.34, -4.95, -45.25

 

CMYK 69 / 29 / 0 / 0

HEX #4FB4FF

RGB 79 180.8 255

HSL 205.3, 1%, 0.65%

LAB 70.77, -6.44, -45.26

 

CMYK 62 / 22 / 0 / 0

HEX #60C6FF

RGB 96 198.8 255

HSL 201.21, 1%, 0.69%

LAB 76.35, -13.48, -36.51

 

CMYK 89 / 38 / 0 / 20

HEX #177ECB

RGB 23 126.8 203.4

HSL 205.48, 0.8%, 0.44%

LAB 51.43, 0.4, -47.31

 

CMYK 97 / 41 / 0 / 28

HEX #066CB8

RGB 6 108.8 184.4

HSL 205.43, 0.94%, 0.37%

LAB 44.82, 3.27, -46.93

 

CMYK 100 / 45 / 0 / 35

HEX #005AA5

RGB 0 90.8 165.4

HSL 207.06, 1%, 0.32%

LAB 38.16, 6.85, -46.43

 

CMYK 100 / 50 / 0 / 43

HEX #004892

RGB 0 72.8 146.4

HSL 210.16, 1%, 0.29%

LAB 31.41, 10.95, -45.86

 

CMYK 100 / 57 / 0 / 50

HEX #00367F

RGB 0 54.8 127.4

HSL 214.19, 1%, 0.25%

LAB 24.5, 15.41, -45.29

 

CMYK 89 / 38 / 0 / 21

HEX #167ECA

RGB 22 126 202

HSL 205.33, 0.8%, 0.44%

LAB 51.1, 0.29, -47.03

 

CMYK 89 / 62 / 0 / 21

HEX #164DCA

RGB 22 77 202

HSL 221.67, 0.8%, 0.44%

LAB 37.38, 31.74, -69.2

 

CMYK 89 / 86 / 0 / 21

HEX #161DCA

RGB 22 29 202

HSL 237.67, 0.8%, 0.44%

LAB 27.61, 58.83, -85.34

 

CMYK 68 / 89 / 0 / 21

HEX #4016CA

RGB 64 22 202

HSL 254, 0.8%, 0.44%

LAB 29.23, 63.07, -82.57

 

CMYK 44 / 89 / 0 / 21

HEX #7116CA

RGB 113 22 202

HSL 270.33, 0.8%, 0.44%

LAB 34.7, 67.31, -73.35

 

CMYK 89 / 38 / 0 / 21

HEX #167ECA

RGB 22 126 202

HSL 205.33, 0.8%, 0.44%

LAB 51.1, 0.29, -47.03

 

CMYK 89 / 62 / 0 / 21

HEX #164DCA

RGB 22 77 202

HSL 221.67, 0.8%, 0.44%

LAB 37.38, 31.74, -69.2

 

CMYK 89 / 86 / 0 / 21

HEX #161DCA

RGB 22 29 202

HSL 237.67, 0.8%, 0.44%

LAB 27.61, 58.83, -85.34

 

CMYK 89 / 89 / 0 / 21

HEX #1616CA

RGB 22 22 202

HSL 240, 0.8%, 0.44%

LAB 26.76, 61.39, -86.76

 

CMYK 89 / 38 / 0 / 21

HEX #167ECA

RGB 22 126 202

HSL 205.33, 0.8%, 0.44%

LAB 51.1, 0.29, -47.03

 

CMYK 98 / 42 / 0 / 14

HEX #0480DC

RGB 4 128 220

HSL 205.56, 0.96%, 0.44%

LAB 52.54, 5.32, -54.93

 

CMYK 89 / 38 / 0 / 21

HEX #167ECA

RGB 22 126 202

HSL 205.33, 0.8%, 0.44%

LAB 51.1, 0.29, -47.03

 

CMYK 78 / 33 / 0 / 28

HEX #297BB8

RGB 41 123 184

HSL 205.59, 0.64%, 0.44%

LAB 49.61, -3.06, -39.05

 

CMYK 64 / 28 / 0 / 35

HEX #3B78A6

RGB 59 120 166

HSL 205.79, 0.48%, 0.44%

LAB 48.41, -5.01, -30.47

 

CMYK 48 / 20 / 0 / 42

HEX #4D7693

RGB 77 118 147

HSL 204.86, 0.31%, 0.44%

LAB 47.8, -5.99, -20.18

 

CMYK 26 / 11 / 0 / 49

HEX #5F7381

RGB 95 115 129

HSL 204.71, 0.15%, 0.44%

LAB 47.34, -3.94, -10.13

 

CMYK 89 / 0 / 10 / 21

HEX #16CAB5

RGB 22 202 181

HSL 173, 0.8%, 0.44%

LAB 73.38, -45.62, -1.19

 

CMYK 89 / 13 / 0 / 21

HEX #16AFCA

RGB 22 175 202

HSL 189, 0.8%, 0.44%

LAB 65.82, -26.78, -24.04

 

CMYK 89 / 37 / 0 / 21

HEX #167FCA

RGB 22 127 202

HSL 205, 0.8%, 0.44%

LAB 51.4, -0.32, -46.56

 

CMYK 89 / 61 / 0 / 21

HEX #164FCA

RGB 22 79 202

HSL 221, 0.8%, 0.44%

LAB 37.89, 30.43, -68.36

 

CMYK 89 / 85 / 0 / 21

HEX #161FCA

RGB 22 31 202

HSL 237, 0.8%, 0.44%

LAB 27.89, 58.01, -84.88

 

CMYK 89 / 38 / 0 / 50

HEX #0E4F80

RGB 14 79 128

HSL 205.79, 0.8%, 0.28%

LAB 32.36, -0.12, -33.02

 

CMYK 89 / 38 / 0 / 35

HEX #1267A5

RGB 18 103 165

HSL 205.31, 0.8%, 0.36%

LAB 42.07, -0.23, -39.93

 

CMYK 89 / 38 / 0 / 21

HEX #167ECA

RGB 22 126 202

HSL 205.33, 0.8%, 0.44%

LAB 51.1, 0.29, -47.03

 

CMYK 85 / 36 / 0 / 9

HEX #2394E7

RGB 35 148 231

HSL 205.41, 0.8%, 0.52%

LAB 59.26, -1.03, -50.35

 

CMYK 69 / 29 / 0 / 8

HEX #48A6EB

RGB 72 166 235

HSL 205.4, 0.8%, 0.6%

LAB 65.47, -5.89, -42.69

 

CMYK 89 / 38 / 0 / 20

HEX #177ECB

RGB 23 126.8 203.4

HSL 205.48, 0.8%, 0.44%

LAB 51.43, 0.4, -47.31

 

CMYK 34 / 89 / 0 / 21

HEX #8516CA

RGB 133 22 202

HSL 277, 0.8%, 0.44%

LAB 37.53, 69.72, -68.61

 

CMYK 1 / 0 / 89 / 21

HEX #C7CA16

RGB 199 202 22

HSL 61, 0.8%, 0.44%

LAB 78.72, -19.09, 76.49

 

CMYK 89 / 38 / 0 / 20

HEX #177ECB

RGB 23 126.8 203.4

HSL 205.48, 0.8%, 0.44%

LAB 51.43, 0.4, -47.31

 

CMYK 0 / 89 / 37 / 21

HEX #CA167F

RGB 202 22 127

HSL 325, 0.8%, 0.44%

LAB 45.17, 70.9, -10.83

 

CMYK 37 / 0 / 89 / 21

HEX #7FCA16

RGB 127 202 22

HSL 85, 0.8%, 0.44%

LAB 74.07, -47.73, 70.79

 

CMYK 89 / 38 / 0 / 20

HEX #177ECB

RGB 23 126.8 203.4

HSL 205.48, 0.8%, 0.44%

LAB 51.43, 0.4, -47.31

 

CMYK 34 / 89 / 0 / 21

HEX #8516CA

RGB 133 22 202

HSL 277, 0.8%, 0.44%

LAB 37.53, 69.72, -68.61

 

CMYK 0 / 52 / 89 / 21

HEX #CA6116

RGB 202 97 22

HSL 25, 0.8%, 0.44%

LAB 53.13, 37.77, 56.66

 

CMYK 55 / 0 / 89 / 21

HEX #5BCA16

RGB 91 202 22

HSL 97, 0.8%, 0.44%

LAB 72.58, -58.98, 68.94

 

CMYK 89 / 38 / 0 / 20

HEX #177ECB

RGB 23 126.8 203.4

HSL 205.48, 0.8%, 0.44%

LAB 51.43, 0.4, -47.31

 

CMYK 7 / 89 / 0 / 21

HEX #BB16CA

RGB 187 22 202

HSL 295, 0.8%, 0.44%

LAB 46.18, 77.78, -54.16

 

CMYK 0 / 52 / 89 / 21

HEX #CA6116

RGB 202 97 22

HSL 25, 0.8%, 0.44%

LAB 53.13, 37.77, 56.66

 

CMYK 82 / 0 / 89 / 21

HEX #25CA16

RGB 37 202 22

HSL 115, 0.8%, 0.44%

LAB 71.35, -69.36, 67.4

 

Description

Color code: RGB 23 126.8 203.4 | qconv.com Color code: RGB 23 126.8 203.4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 126.8 green and 203.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 126.8 203.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 38 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 38% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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