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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 103 87 it is the complementary color RGB 232 152 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 103 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 103 87 shade: RGB 28 103 82, RGB 45 121 101, RGB 62 139 120, RGB 79 157 139 and RGB 96 175 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 103 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 103 87 shade: RGB 23 103 87, RGB 6 85 68, RGB 0 67 49, RGB 0 49 30 and RGB 0 31 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 103 87 shade: RGB 23 103 87, RGB 23 103 66, RGB 23 103 44, RGB 24 103 23 and RGB 45 103 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 103 87 shade: RGB 23 103 87, RGB 23 98 103, RGB 23 76 103, RGB 23 54 103 and RGB 23 33 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 103 87 shade matches the following richer shades: RGB 23 103 87, RGB 13 114 94 and RGB 2 124 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 103 87 shade: RGB 23 103 87, RGB 33 93 81, RGB 44 83 75, RGB 54 72 69 and RGB 64 62 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 103 87 shade: RGB 23 103 45, RGB 23 103 66, RGB 23 103 87, RGB 23 98 103 and RGB 23 77 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 103 87 shade: RGB 8 36 30, RGB 15 70 59, RGB 23 103 87, RGB 31 137 116 and RGB 38 171 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 103 87 shade: RGB 23 103 87, RGB 23 23 103 and RGB 103 55 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 103 87 shade: RGB 23 103 87, RGB 87 23 103 and RGB 103 87 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 103 87 shade: RGB 23 103 87, RGB 23 23 103, RGB 103 23 39 and RGB 103 103 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 103 87 shade: RGB 23 103 87, RGB 47 23 103, RGB 103 23 39 and RGB 79 103 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

Complementary color

CMYK 0 / 34 / 28 / 9

HEX #E898A8

RGB 232 152 168

HSL 348, 0.63%, 0.75%

LAB 71.17, 32.08, 4.11

 

CMYK 73 / 0 / 20 / 60

HEX #1C6752

RGB 28 103 82

HSL 163.2, 0.57%, 0.26%

LAB 38.82, -28.21, 5.32

 

CMYK 63 / 0 / 17 / 53

HEX #2D7965

RGB 45 121 101

HSL 164.21, 0.46%, 0.33%

LAB 45.87, -28.54, 4.07

 

CMYK 55 / 0 / 14 / 45

HEX #3E8B78

RGB 62 139 120

HSL 165.19, 0.38%, 0.39%

LAB 52.78, -28.63, 2.99

 

CMYK 50 / 0 / 11 / 38

HEX #4F9D8B

RGB 79 157 139

HSL 166.15, 0.33%, 0.46%

LAB 59.56, -28.59, 2.03

 

CMYK 45 / 0 / 10 / 31

HEX #60AF9E

RGB 96 175 158

HSL 167.09, 0.33%, 0.53%

LAB 66.22, -28.49, 1.16

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 93 / 0 / 20 / 67

HEX #065544

RGB 6 85 68

HSL 167.09, 0.87%, 0.18%

LAB 31.7, -26.52, 3.75

 

CMYK 100 / 0 / 27 / 74

HEX #004331

RGB 0 67 49

HSL 163.88, 1%, 0.13%

LAB 24.44, -24.39, 5.6

 

CMYK 100 / 0 / 39 / 81

HEX #00311E

RGB 0 49 30

HSL 156.73, 1%, 0.1%

LAB 16.94, -21.43, 7.81

 

CMYK 100 / 0 / 65 / 88

HEX #001F0B

RGB 0 31 11

HSL 141.29, 1%, 0.06%

LAB 9.03, -16.36, 8.68

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 78 / 0 / 36 / 60

HEX #176742

RGB 23 103 66

HSL 152.25, 0.63%, 0.25%

LAB 38.33, -33.06, 14.28

 

CMYK 78 / 0 / 57 / 60

HEX #17672C

RGB 23 103 44

HSL 135.75, 0.63%, 0.25%

LAB 37.96, -37.35, 26.39

 

CMYK 77 / 0 / 78 / 60

HEX #186717

RGB 24 103 23

HSL 119.25, 0.63%, 0.25%

LAB 37.76, -39.75, 36.24

 

CMYK 56 / 0 / 78 / 60

HEX #2D6717

RGB 45 103 23

HSL 103.5, 0.63%, 0.25%

LAB 38.41, -34.49, 37.11

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 78 / 5 / 0 / 60

HEX #176267

RGB 23 98 103

HSL 183.75, 0.63%, 0.25%

LAB 37.66, -20.02, -9.3

 

CMYK 78 / 26 / 0 / 60

HEX #174C67

RGB 23 76 103

HSL 200.25, 0.63%, 0.25%

LAB 30.23, -7.22, -20.68

 

CMYK 78 / 48 / 0 / 60

HEX #173667

RGB 23 54 103

HSL 216.75, 0.63%, 0.25%

LAB 23, 7.55, -32.12

 

CMYK 78 / 68 / 0 / 60

HEX #172167

RGB 23 33 103

HSL 232.5, 0.63%, 0.25%

LAB 16.74, 22.72, -42.25

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 89 / 0 / 18 / 55

HEX #0D725E

RGB 13 114 94

HSL 168.12, 0.8%, 0.25%

LAB 42.66, -31.86, 3.53

 

CMYK 98 / 0 / 19 / 51

HEX #027C64

RGB 2 124 100

HSL 168.2, 0.97%, 0.25%

LAB 46.11, -35.4, 4.91

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 65 / 0 / 13 / 64

HEX #215D51

RGB 33 93 81

HSL 168, 0.48%, 0.25%

LAB 35.49, -22.56, 1.16

 

CMYK 47 / 0 / 10 / 67

HEX #2C534B

RGB 44 83 75

HSL 167.69, 0.31%, 0.25%

LAB 32.32, -16.06, 0.37

 

CMYK 25 / 0 / 4 / 72

HEX #364845

RGB 54 72 69

HSL 170, 0.14%, 0.25%

LAB 29.03, -7.83, -0.53

 

CMYK 0 / 3 / 2 / 75

HEX #403E3F

RGB 64 62 63

HSL 330, 0.02%, 0.25%

LAB 26.43, 1.07, -0.31

 

CMYK 78 / 0 / 56 / 60

HEX #17672D

RGB 23 103 45

HSL 136.5, 0.63%, 0.25%

LAB 37.97, -37.19, 25.87

 

CMYK 78 / 0 / 36 / 60

HEX #176742

RGB 23 103 66

HSL 152.25, 0.63%, 0.25%

LAB 38.33, -33.06, 14.28

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 78 / 5 / 0 / 60

HEX #176267

RGB 23 98 103

HSL 183.75, 0.63%, 0.25%

LAB 37.66, -20.02, -9.3

 

CMYK 78 / 25 / 0 / 60

HEX #174D67

RGB 23 77 103

HSL 199.5, 0.63%, 0.25%

LAB 30.57, -7.85, -20.16

 

CMYK 78 / 0 / 17 / 86

HEX #08241E

RGB 8 36 30

HSL 167.14, 0.64%, 0.09%

LAB 12, -12.43, 0.89

 

CMYK 79 / 0 / 16 / 73

HEX #0F463B

RGB 15 70 59

HSL 168, 0.65%, 0.17%

LAB 26.15, -20.63, 1.55

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 77 / 0 / 15 / 46

HEX #1F8974

RGB 31 137 116

HSL 168.11, 0.63%, 0.33%

LAB 51.2, -34.29, 2.92

 

CMYK 78 / 0 / 16 / 33

HEX #26AB90

RGB 38 171 144

HSL 167.82, 0.64%, 0.41%

LAB 62.97, -41.04, 4.02

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 78 / 78 / 0 / 60

HEX #171767

RGB 23 23 103

HSL 240, 0.63%, 0.25%

LAB 14.25, 29.48, -46.35

 

CMYK 0 / 47 / 78 / 60

HEX #673717

RGB 103 55 23

HSL 24, 0.63%, 0.25%

LAB 28.58, 18.54, 28.59

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 16 / 78 / 0 / 60

HEX #571767

RGB 87 23 103

HSL 288, 0.63%, 0.25%

LAB 22.37, 41.02, -32.78

 

CMYK 0 / 16 / 78 / 60

HEX #675717

RGB 103 87 23

HSL 48, 0.63%, 0.25%

LAB 37.41, -1.01, 37.51

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 78 / 78 / 0 / 60

HEX #171767

RGB 23 23 103

HSL 240, 0.63%, 0.25%

LAB 14.25, 29.48, -46.35

 

CMYK 0 / 78 / 62 / 60

HEX #671727

RGB 103 23 39

HSL 348, 0.63%, 0.25%

LAB 22.45, 36.24, 11.07

 

CMYK 0 / 0 / 78 / 60

HEX #676717

RGB 103 103 23

HSL 60, 0.63%, 0.25%

LAB 42.22, -10.31, 42.12

 

CMYK 78 / 0 / 16 / 60

HEX #176757

RGB 23 103 87

HSL 168, 0.63%, 0.25%

LAB 38.85, -27.59, 2.29

 

CMYK 54 / 78 / 0 / 60

HEX #2F1767

RGB 47 23 103

HSL 258, 0.63%, 0.25%

LAB 16.49, 32.83, -42.6

 

CMYK 0 / 78 / 62 / 60

HEX #671727

RGB 103 23 39

HSL 348, 0.63%, 0.25%

LAB 22.45, 36.24, 11.07

 

CMYK 23 / 0 / 78 / 60

HEX #4F6717

RGB 79 103 23

HSL 78, 0.63%, 0.25%

LAB 40.29, -21.42, 39.59

 

Description

Color code: RGB 23 103 87 | qconv.com Color code: RGB 23 103 87 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 103 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 103 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 16 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 16% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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