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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 103 190 it is the complementary color RGB 232 152 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 103 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 103 190 shade: RGB 28 103 185, RGB 45 121 204, RGB 62 139 223, RGB 79 157 242 and RGB 96 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 103 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 103 190 shade: RGB 23 103 190, RGB 6 85 171, RGB 0 67 152, RGB 0 49 133 and RGB 0 31 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 103 190 shade: RGB 24 104 191, RGB 24 59 191, RGB 34 24 191, RGB 79 24 191 and RGB 124 24 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 103 190 shade: RGB 24 104 191, RGB 24 59 191 and RGB 24 24 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 103 190 shade matches the following richer shades: RGB 24 104 191 and RGB 6 103 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 103 190 shade: RGB 24 104 191, RGB 41 104 173, RGB 58 105 156, RGB 76 106 139 and RGB 93 107 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 103 190 shade: RGB 24 191 188, RGB 24 149 191, RGB 24 104 191, RGB 24 60 191 and RGB 32 24 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 103 190 shade: RGB 14 64 117, RGB 19 84 154, RGB 24 104 191, RGB 28 124 227 and RGB 65 145 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 103 190 shade: RGB 23 103 190, RGB 143 24 191 and RGB 171 191 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 103 190 shade: RGB 23 103 190, RGB 191 24 104 and RGB 104 191 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 103 190 shade: RGB 23 103 190, RGB 143 24 191, RGB 191 110 24 and RGB 71 191 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 103 190 shade: RGB 23 103 190, RGB 191 24 188, RGB 191 110 24 and RGB 24 191 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 46 / 0 / 25

HEX #1767BE

RGB 23 103 190

HSL 211.26, 0.78%, 0.42%

LAB 43.65, 10.02, -52.04

 

Complementary color

CMYK 0 / 34 / 72 / 9

HEX #E89841

RGB 232 152 65

HSL 31.26, 0.78%, 0.58%

LAB 69.47, 22.64, 56.15

 

CMYK 85 / 44 / 0 / 27

HEX #1C67B9

RGB 28 103 185

HSL 211.34, 0.74%, 0.42%

LAB 43.43, 8.42, -49.48

 

CMYK 78 / 41 / 0 / 20

HEX #2D79CC

RGB 45 121 204

HSL 211.32, 0.64%, 0.49%

LAB 50.21, 6.05, -49.57

 

CMYK 72 / 38 / 0 / 13

HEX #3E8BDF

RGB 62 139 223

HSL 211.3, 0.72%, 0.56%

LAB 56.9, 4.17, -49.61

 

CMYK 67 / 35 / 0 / 5

HEX #4F9DF2

RGB 79 157 242

HSL 211.29, 0.86%, 0.63%

LAB 63.5, 2.65, -49.63

 

CMYK 62 / 31 / 0 / 0

HEX #60AFFF

RGB 96 175 255

HSL 210.19, 1%, 0.69%

LAB 69.73, -0.53, -46.85

 

CMYK 88 / 46 / 0 / 25

HEX #1767BE

RGB 23 103 190

HSL 211.26, 0.78%, 0.42%

LAB 43.65, 10.02, -52.04

 

CMYK 96 / 50 / 0 / 33

HEX #0655AB

RGB 6 85 171

HSL 211.27, 0.93%, 0.35%

LAB 36.89, 13.28, -51.81

 

CMYK 100 / 56 / 0 / 40

HEX #004398

RGB 0 67 152

HSL 213.55, 1%, 0.3%

LAB 30.11, 17.36, -51.38

 

CMYK 100 / 63 / 0 / 48

HEX #003185

RGB 0 49 133

HSL 217.89, 1%, 0.26%

LAB 23.3, 21.99, -50.75

 

CMYK 100 / 73 / 0 / 55

HEX #001F72

RGB 0 31 114

HSL 223.68, 1%, 0.22%

LAB 16.48, 26.78, -49.89

 

CMYK 87 / 46 / 0 / 25

HEX #1868BF

RGB 24 104 191

HSL 211.26, 0.78%, 0.42%

LAB 44.03, 9.84, -52.02

 

CMYK 87 / 69 / 0 / 25

HEX #183BBF

RGB 24 59 191

HSL 227.43, 0.78%, 0.42%

LAB 32, 39.3, -71.61

 

CMYK 82 / 87 / 0 / 25

HEX #2218BF

RGB 34 24 191

HSL 243.59, 0.78%, 0.42%

LAB 26.02, 57.93, -81.49

 

CMYK 59 / 87 / 0 / 25

HEX #4F18BF

RGB 79 24 191

HSL 259.76, 0.78%, 0.42%

LAB 29.61, 60.74, -75.44

 

CMYK 35 / 87 / 0 / 25

HEX #7C18BF

RGB 124 24 191

HSL 275.93, 0.78%, 0.42%

LAB 35.4, 65.81, -65.7

 

CMYK 87 / 46 / 0 / 25

HEX #1868BF

RGB 24 104 191

HSL 211.26, 0.78%, 0.42%

LAB 44.03, 9.84, -52.02

 

CMYK 87 / 69 / 0 / 25

HEX #183BBF

RGB 24 59 191

HSL 227.43, 0.78%, 0.42%

LAB 32, 39.3, -71.61

 

CMYK 87 / 87 / 0 / 25

HEX #1818BF

RGB 24 24 191

HSL 240, 0.78%, 0.42%

LAB 25.59, 57.61, -82.23

 

CMYK 87 / 46 / 0 / 25

HEX #1868BF

RGB 24 104 191

HSL 211.26, 0.78%, 0.42%

LAB 44.03, 9.84, -52.02

 

CMYK 97 / 50 / 0 / 18

HEX #0667D0

RGB 6 103 208

HSL 211.19, 0.94%, 0.42%

LAB 44.65, 16.43, -60.82

 

CMYK 87 / 46 / 0 / 25

HEX #1868BF

RGB 24 104 191

HSL 211.26, 0.78%, 0.42%

LAB 44.03, 9.84, -52.02

 

CMYK 76 / 40 / 0 / 32

HEX #2968AD

RGB 41 104 173

HSL 211.36, 0.62%, 0.42%

LAB 43.34, 4.49, -42.59

 

CMYK 63 / 33 / 0 / 39

HEX #3A699C

RGB 58 105 156

HSL 211.22, 0.46%, 0.42%

LAB 43.36, 0.39, -32.48

 

CMYK 45 / 24 / 0 / 45

HEX #4C6A8B

RGB 76 106 139

HSL 211.43, 0.29%, 0.42%

LAB 43.81, -1.56, -21.58

 

CMYK 23 / 12 / 0 / 53

HEX #5D6B79

RGB 93 107 121

HSL 210, 0.13%, 0.42%

LAB 44.55, -1.92, -9.55

 

CMYK 87 / 0 / 2 / 25

HEX #18BFBC

RGB 24 191 188

HSL 178.92, 0.78%, 0.42%

LAB 70.24, -38.68, -9.65

 

CMYK 87 / 22 / 0 / 25

HEX #1895BF

RGB 24 149 191

HSL 195.09, 0.78%, 0.42%

LAB 57.51, -16.87, -30.7

 

CMYK 87 / 46 / 0 / 25

HEX #1868BF

RGB 24 104 191

HSL 211.26, 0.78%, 0.42%

LAB 44.03, 9.84, -52.02

 

CMYK 87 / 69 / 0 / 25

HEX #183CBF

RGB 24 60 191

HSL 227.07, 0.78%, 0.42%

LAB 32.23, 38.67, -71.22

 

CMYK 83 / 87 / 0 / 25

HEX #2018BF

RGB 32 24 191

HSL 242.87, 0.78%, 0.42%

LAB 25.93, 57.86, -81.66

 

CMYK 88 / 45 / 0 / 54

HEX #0E4075

RGB 14 64 117

HSL 210.87, 0.79%, 0.26%

LAB 26.86, 5.37, -34.9

 

CMYK 88 / 45 / 0 / 40

HEX #13549A

RGB 19 84 154

HSL 211.11, 0.78%, 0.34%

LAB 35.62, 7.67, -43.67

 

CMYK 87 / 46 / 0 / 25

HEX #1868BF

RGB 24 104 191

HSL 211.26, 0.78%, 0.42%

LAB 44.03, 9.84, -52.02

 

CMYK 88 / 45 / 0 / 11

HEX #1C7CE3

RGB 28 124 227

HSL 211.06, 0.78%, 0.5%

LAB 52.07, 11.48, -59.61

 

CMYK 72 / 38 / 0 / 9

HEX #4191E8

RGB 65 145 232

HSL 211.26, 0.78%, 0.58%

LAB 59.16, 4.19, -51.02

 

CMYK 88 / 46 / 0 / 25

HEX #1767BE

RGB 23 103 190

HSL 211.26, 0.78%, 0.42%

LAB 43.65, 10.02, -52.04

 

CMYK 25 / 87 / 0 / 25

HEX #8F18BF

RGB 143 24 191

HSL 282.75, 0.78%, 0.42%

LAB 38.3, 68.52, -60.85

 

CMYK 10 / 0 / 87 / 25

HEX #ABBF18

RGB 171 191 24

HSL 67.19, 0.78%, 0.42%

LAB 73.54, -25.55, 71.08

 

CMYK 88 / 46 / 0 / 25

HEX #1767BE

RGB 23 103 190

HSL 211.26, 0.78%, 0.42%

LAB 43.65, 10.02, -52.04

 

CMYK 0 / 87 / 46 / 25

HEX #BF1868

RGB 191 24 104

HSL 331.26, 0.78%, 0.42%

LAB 42.35, 65.87, -0.99

 

CMYK 46 / 0 / 87 / 25

HEX #68BF18

RGB 104 191 24

HSL 91.26, 0.78%, 0.42%

LAB 69.66, -51, 66.27

 

CMYK 88 / 46 / 0 / 25

HEX #1767BE

RGB 23 103 190

HSL 211.26, 0.78%, 0.42%

LAB 43.65, 10.02, -52.04

 

CMYK 25 / 87 / 0 / 25

HEX #8F18BF

RGB 143 24 191

HSL 282.75, 0.78%, 0.42%

LAB 38.3, 68.52, -60.85

 

CMYK 0 / 42 / 87 / 25

HEX #BF6E18

RGB 191 110 24

HSL 30.9, 0.78%, 0.42%

LAB 54.34, 26.42, 56.3

 

CMYK 63 / 0 / 87 / 25

HEX #47BF18

RGB 71 191 24

HSL 103.11, 0.78%, 0.42%

LAB 68.51, -60.11, 64.83

 

CMYK 88 / 46 / 0 / 25

HEX #1767BE

RGB 23 103 190

HSL 211.26, 0.78%, 0.42%

LAB 43.65, 10.02, -52.04

 

CMYK 0 / 87 / 2 / 25

HEX #BF18BC

RGB 191 24 188

HSL 301.08, 0.78%, 0.42%

LAB 46.12, 75.99, -46.06

 

CMYK 0 / 42 / 87 / 25

HEX #BF6E18

RGB 191 110 24

HSL 30.9, 0.78%, 0.42%

LAB 54.34, 26.42, 56.3

 

CMYK 87 / 0 / 86 / 25

HEX #18BF1A

RGB 24 191 26

HSL 120.72, 0.78%, 0.42%

LAB 67.67, -67.31, 63.35

 

Description

Color code: RGB 23 103 190 | qconv.com Color code: RGB 23 103 190 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 103 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 103 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 46 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 46% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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