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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 103 186 it is the complementary color RGB 232 152 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 103 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 103 186 shade: RGB 28 103 181, RGB 45 121 200, RGB 62 139 219, RGB 79 157 238 and RGB 96 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 103 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 103 186 shade: RGB 23 103 186, RGB 6 85 167, RGB 0 67 148, RGB 0 49 129 and RGB 0 31 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 103 186 shade: RGB 23 103 186, RGB 23 59 186, RGB 31 23 186, RGB 75 23 186 and RGB 119 23 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 103 186 shade: RGB 23 103 186, RGB 23 59 186 and RGB 23 23 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 103 186 shade matches the following richer shades: RGB 23 103 186 and RGB 6 103 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 103 186 shade: RGB 23 103 186, RGB 40 103 169, RGB 57 104 152, RGB 74 104 135 and RGB 91 104 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 103 186 shade: RGB 23 186 181, RGB 23 148 186, RGB 23 105 186, RGB 23 61 186 and RGB 28 23 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 103 186 shade: RGB 14 62 113, RGB 18 83 149, RGB 23 103 186, RGB 28 123 223 and RGB 61 144 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 103 186 shade: RGB 23 103 186, RGB 137 23 186 and RGB 170 186 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 103 186 shade: RGB 23 103 186, RGB 186 23 105 and RGB 105 186 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 103 186 shade: RGB 23 103 186, RGB 137 23 186, RGB 186 105 23 and RGB 72 186 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 103 186 shade: RGB 23 103 186, RGB 186 23 186, RGB 186 105 23 and RGB 23 186 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

Complementary color

CMYK 0 / 34 / 70 / 9

HEX #E89845

RGB 232 152 69

HSL 30.55, 0.78%, 0.59%

LAB 69.5, 22.84, 54.39

 

CMYK 85 / 43 / 0 / 29

HEX #1C67B5

RGB 28 103 181

HSL 210.59, 0.73%, 0.41%

LAB 43.19, 6.85, -47.54

 

CMYK 78 / 40 / 0 / 22

HEX #2D79C8

RGB 45 121 200

HSL 210.58, 0.63%, 0.48%

LAB 49.98, 4.55, -47.64

 

CMYK 72 / 37 / 0 / 14

HEX #3E8BDB

RGB 62 139 219

HSL 210.57, 0.69%, 0.55%

LAB 56.69, 2.75, -47.7

 

CMYK 67 / 34 / 0 / 7

HEX #4F9DEE

RGB 79 157 238

HSL 210.57, 0.82%, 0.62%

LAB 63.3, 1.3, -47.74

 

CMYK 62 / 31 / 0 / 0

HEX #60AFFF

RGB 96 175 255

HSL 210.19, 1%, 0.69%

LAB 69.73, -0.53, -46.85

 

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

CMYK 96 / 49 / 0 / 35

HEX #0655A7

RGB 6 85 167

HSL 210.56, 0.93%, 0.34%

LAB 36.6, 11.63, -49.89

 

CMYK 100 / 55 / 0 / 42

HEX #004394

RGB 0 67 148

HSL 212.84, 1%, 0.29%

LAB 29.79, 15.66, -49.45

 

CMYK 100 / 62 / 0 / 49

HEX #003181

RGB 0 49 129

HSL 217.21, 1%, 0.25%

LAB 22.94, 20.28, -48.85

 

CMYK 100 / 72 / 0 / 57

HEX #001F6E

RGB 0 31 110

HSL 223.09, 1%, 0.22%

LAB 16.03, 25.12, -48.03

 

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

CMYK 88 / 68 / 0 / 27

HEX #173BBA

RGB 23 59 186

HSL 226.75, 0.78%, 0.41%

LAB 31.48, 37.39, -69.52

 

CMYK 83 / 88 / 0 / 27

HEX #1F17BA

RGB 31 23 186

HSL 242.94, 0.78%, 0.41%

LAB 25.1, 56.76, -80.07

 

CMYK 60 / 88 / 0 / 27

HEX #4B17BA

RGB 75 23 186

HSL 259.14, 0.78%, 0.41%

LAB 28.52, 59.42, -74.29

 

CMYK 36 / 88 / 0 / 27

HEX #7717BA

RGB 119 23 186

HSL 275.34, 0.78%, 0.41%

LAB 34.15, 64.32, -64.83

 

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

CMYK 88 / 68 / 0 / 27

HEX #173BBA

RGB 23 59 186

HSL 226.75, 0.78%, 0.41%

LAB 31.48, 37.39, -69.52

 

CMYK 88 / 88 / 0 / 27

HEX #1717BA

RGB 23 23 186

HSL 240, 0.78%, 0.41%

LAB 24.77, 56.51, -80.64

 

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

CMYK 97 / 49 / 0 / 20

HEX #0667CB

RGB 6 103 203

HSL 210.46, 0.94%, 0.41%

LAB 44.31, 14.43, -58.51

 

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

CMYK 76 / 39 / 0 / 34

HEX #2867A9

RGB 40 103 169

HSL 210.7, 0.62%, 0.41%

LAB 42.79, 3.47, -41.12

 

CMYK 63 / 32 / 0 / 40

HEX #396898

RGB 57 104 152

HSL 210.32, 0.45%, 0.41%

LAB 42.82, -0.59, -30.97

 

CMYK 45 / 23 / 0 / 47

HEX #4A6887

RGB 74 104 135

HSL 210.49, 0.29%, 0.41%

LAB 42.92, -2.12, -20.57

 

CMYK 23 / 12 / 0 / 54

HEX #5B6876

RGB 91 104 118

HSL 211.11, 0.13%, 0.41%

LAB 43.41, -1.57, -9.47

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB5

RGB 23 186 181

HSL 178.16, 0.78%, 0.41%

LAB 68.49, -38.54, -8.42

 

CMYK 88 / 20 / 0 / 27

HEX #1794BA

RGB 23 148 186

HSL 193.99, 0.78%, 0.41%

LAB 56.98, -18.16, -28.69

 

CMYK 88 / 44 / 0 / 27

HEX #1769BA

RGB 23 105 186

HSL 209.82, 0.78%, 0.41%

LAB 43.99, 7.16, -49.18

 

CMYK 88 / 67 / 0 / 27

HEX #173DBA

RGB 23 61 186

HSL 226.01, 0.78%, 0.41%

LAB 31.95, 36.11, -68.73

 

CMYK 85 / 88 / 0 / 27

HEX #1C17BA

RGB 28 23 186

HSL 241.84, 0.78%, 0.41%

LAB 24.97, 56.66, -80.3

 

CMYK 88 / 45 / 0 / 56

HEX #0E3E71

RGB 14 62 113

HSL 210.91, 0.78%, 0.25%

LAB 25.95, 5.06, -33.81

 

CMYK 88 / 44 / 0 / 42

HEX #125395

RGB 18 83 149

HSL 210.23, 0.78%, 0.33%

LAB 34.97, 6.2, -41.69

 

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

CMYK 87 / 45 / 0 / 13

HEX #1C7BDF

RGB 28 123 223

HSL 210.77, 0.78%, 0.49%

LAB 51.54, 10.57, -58.21

 

CMYK 74 / 38 / 0 / 9

HEX #3D90E7

RGB 61 144 231

HSL 210.71, 0.78%, 0.57%

LAB 58.7, 3.91, -51.2

 

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

CMYK 26 / 88 / 0 / 27

HEX #8917BA

RGB 137 23 186

HSL 281.96, 0.78%, 0.41%

LAB 36.89, 66.87, -60.24

 

CMYK 9 / 0 / 88 / 27

HEX #AABA17

RGB 170 186 23

HSL 65.89, 0.78%, 0.41%

LAB 72.04, -23.56, 70.02

 

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

CMYK 0 / 88 / 44 / 27

HEX #BA1769

RGB 186 23 105

HSL 329.82, 0.78%, 0.41%

LAB 41.33, 64.94, -3.23

 

CMYK 44 / 0 / 88 / 27

HEX #69BA17

RGB 105 186 23

HSL 89.82, 0.78%, 0.41%

LAB 68.16, -48.74, 65.2

 

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

CMYK 26 / 88 / 0 / 27

HEX #8917BA

RGB 137 23 186

HSL 281.96, 0.78%, 0.41%

LAB 36.89, 66.87, -60.24

 

CMYK 0 / 44 / 88 / 27

HEX #BA6917

RGB 186 105 23

HSL 30.18, 0.78%, 0.41%

LAB 52.51, 26.98, 54.86

 

CMYK 61 / 0 / 88 / 27

HEX #48BA17

RGB 72 186 23

HSL 101.96, 0.78%, 0.41%

LAB 66.94, -58.22, 63.69

 

CMYK 88 / 45 / 0 / 27

HEX #1767BA

RGB 23 103 186

HSL 210.55, 0.78%, 0.41%

LAB 43.4, 8.44, -50.12

 

CMYK 0 / 88 / 0 / 27

HEX #BA17BA

RGB 186 23 186

HSL 300, 0.78%, 0.41%

LAB 45.08, 74.96, -46.61

 

CMYK 0 / 44 / 88 / 27

HEX #BA6917

RGB 186 105 23

HSL 30.18, 0.78%, 0.41%

LAB 52.51, 26.98, 54.86

 

CMYK 88 / 0 / 88 / 27

HEX #17BA17

RGB 23 186 23

HSL 120, 0.78%, 0.41%

LAB 66.03, -66.09, 62.53

 

Description

Color code: RGB 23 103 186 | qconv.com Color code: RGB 23 103 186 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 103 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 103 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 45 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 45% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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