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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 254.2 139.6 it is the complementary color RGB 16 0.80000000000001 115.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 254.2 139.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 254.2 139.6 shade: RGB 244 254.2 134.6, RGB 255 255 153.6, RGB 255 255 172.6, RGB 255 255 191.6 and RGB 255 255 210.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 254.2 139.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 254.2 139.6 shade: RGB 239 254.2 139.6, RGB 222 236.2 120.6, RGB 205 218.2 101.6, RGB 188 200.2 82.6 and RGB 171 182.2 63.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 254.2 139.6 shade: RGB 239 254 138, RGB 254 239 138, RGB 254 207 138, RGB 254 176 138 and RGB 254 145 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 254.2 139.6 shade: RGB 239 254 138, RGB 208 254 138, RGB 176 254 138, RGB 145 254 138 and RGB 138 254 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 254.2 139.6 shade matches the following richer shades: RGB 239 254 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 254.2 139.6 shade: RGB 239 254 138, RGB 232 245 148, RGB 225 235 157, RGB 218 226 167 and RGB 211 216 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 254.2 139.6 shade: RGB 254 206 138, RGB 254 237 138, RGB 241 254 138, RGB 210 254 138 and RGB 179 254 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 254.2 139.6 shade: RGB 228 254 56, RGB 233 254 97, RGB 239 254 138, RGB 245 255 179 and RGB 250 255 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 254.2 139.6 shade: RGB 239 254.2 139.6, RGB 138 254 175 and RGB 222 138 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 254.2 139.6 shade: RGB 239 254.2 139.6, RGB 138 241 254 and RGB 254 138 241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 254.2 139.6 shade: RGB 239 254.2 139.6, RGB 138 254 175, RGB 152 138 254 and RGB 254 138 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 254.2 139.6 shade: RGB 239 254.2 139.6, RGB 138 254 210, RGB 152 138 254 and RGB 254 138 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 45 / 0

HEX #EFFE8B

RGB 239 254.2 139.6

HSL 67.96, 0.99%, 0.77%

LAB 96.51, -21.27, 52.84

 

Complementary color

CMYK 86 / 99 / 0 / 55

HEX #100073

RGB 16 0.80000000000001 115.4

HSL 247.96, 0.99%, 0.23%

LAB 11.79, 44, -58.57

 

CMYK 4 / 0 / 47 / 0

HEX #F4FE86

RGB 244 254.2 134.6

HSL 65.12, 0.99%, 0.76%

LAB 96.81, -19.83, 55.62

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153.6

HSL 60, 1%, 0.8%

LAB 98.07, -14.17, 48.38

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAC

RGB 255 255 172.6

HSL 60, 1%, 0.84%

LAB 98.35, -12.08, 39.46

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191.6

HSL 60, 1%, 0.88%

LAB 98.66, -9.73, 30.4

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD2

RGB 255 255 210.6

HSL 60, 1%, 0.91%

LAB 99.01, -7.11, 21.27

 

CMYK 6 / 0 / 45 / 0

HEX #EFFE8B

RGB 239 254.2 139.6

HSL 67.96, 0.99%, 0.77%

LAB 96.51, -21.27, 52.84

 

CMYK 6 / 0 / 49 / 7

HEX #DEEC78

RGB 222 236.2 120.6

HSL 67.37, 0.75%, 0.7%

LAB 90.32, -20.96, 53.94

 

CMYK 6 / 0 / 53 / 14

HEX #CDDA65

RGB 205 218.2 101.6

HSL 66.79, 0.61%, 0.63%

LAB 84.06, -20.57, 55.02

 

CMYK 6 / 0 / 59 / 21

HEX #BCC852

RGB 188 200.2 82.6

HSL 66.22, 0.52%, 0.55%

LAB 77.7, -20.1, 55.99

 

CMYK 6 / 0 / 65 / 29

HEX #ABB63F

RGB 171 182.2 63.6

HSL 65.67, 0.48%, 0.48%

LAB 71.26, -19.51, 56.76

 

CMYK 6 / 0 / 46 / 0

HEX #EFFE8A

RGB 239 254 138

HSL 67.76, 0.98%, 0.77%

LAB 96.44, -21.33, 53.5

 

CMYK 0 / 6 / 46 / 0

HEX #FEEF8A

RGB 254 239 138

HSL 52.24, 0.98%, 0.77%

LAB 93.73, -8.22, 50.43

 

CMYK 0 / 19 / 46 / 0

HEX #FECF8A

RGB 254 207 138

HSL 35.69, 0.98%, 0.77%

LAB 85.77, 8.02, 40.44

 

CMYK 0 / 31 / 46 / 0

HEX #FEB08A

RGB 254 176 138

HSL 19.66, 0.98%, 0.77%

LAB 78.44, 24.2, 30.9

 

CMYK 0 / 43 / 46 / 0

HEX #FE918A

RGB 254 145 138

HSL 3.62, 0.98%, 0.77%

LAB 71.66, 40.28, 21.81

 

CMYK 6 / 0 / 46 / 0

HEX #EFFE8A

RGB 239 254 138

HSL 67.76, 0.98%, 0.77%

LAB 96.44, -21.33, 53.5

 

CMYK 18 / 0 / 46 / 0

HEX #D0FE8A

RGB 208 254 138

HSL 83.79, 0.98%, 0.77%

LAB 94.37, -32.86, 50.49

 

CMYK 31 / 0 / 46 / 0

HEX #B0FE8A

RGB 176 254 138

HSL 100.34, 0.98%, 0.77%

LAB 92.55, -43.96, 47.83

 

CMYK 43 / 0 / 46 / 0

HEX #91FE8A

RGB 145 254 138

HSL 116.38, 0.98%, 0.77%

LAB 91.12, -53.54, 45.73

 

CMYK 46 / 0 / 36 / 0

HEX #8AFEA3

RGB 138 254 163

HSL 132.93, 0.98%, 0.77%

LAB 91.2, -51.75, 33.56

 

CMYK 6 / 0 / 46 / 0

HEX #EFFE8A

RGB 239 254 138

HSL 67.76, 0.98%, 0.77%

LAB 96.44, -21.33, 53.5

 

CMYK 6 / 0 / 46 / 0

HEX #EFFE8A

RGB 239 254 138

HSL 67.76, 0.98%, 0.77%

LAB 96.44, -21.33, 53.5

 

CMYK 5 / 0 / 40 / 4

HEX #E8F594

RGB 232 245 148

HSL 68.04, 0.83%, 0.77%

LAB 93.71, -18.63, 45.22

 

CMYK 4 / 0 / 33 / 8

HEX #E1EB9D

RGB 225 235 157

HSL 67.69, 0.66%, 0.77%

LAB 90.72, -15.33, 36.8

 

CMYK 4 / 0 / 26 / 11

HEX #DAE2A7

RGB 218 226 167

HSL 68.14, 0.5%, 0.77%

LAB 88.01, -12.18, 28.02

 

CMYK 2 / 0 / 19 / 15

HEX #D3D8B0

RGB 211 216 176

HSL 67.5, 0.34%, 0.77%

LAB 85.04, -8.4, 19.19

 

CMYK 0 / 19 / 46 / 0

HEX #FECE8A

RGB 254 206 138

HSL 35.17, 0.98%, 0.77%

LAB 85.53, 8.54, 40.13

 

CMYK 0 / 7 / 46 / 0

HEX #FEED8A

RGB 254 237 138

HSL 51.21, 0.98%, 0.77%

LAB 93.22, -7.22, 49.81

 

CMYK 5 / 0 / 46 / 0

HEX #F1FE8A

RGB 241 254 138

HSL 66.72, 0.98%, 0.77%

LAB 96.58, -20.57, 53.71

 

CMYK 17 / 0 / 46 / 0

HEX #D2FE8A

RGB 210 254 138

HSL 82.76, 0.98%, 0.77%

LAB 94.49, -32.14, 50.67

 

CMYK 30 / 0 / 46 / 0

HEX #B3FE8A

RGB 179 254 138

HSL 98.79, 0.98%, 0.77%

LAB 92.71, -42.97, 48.06

 

CMYK 10 / 0 / 78 / 0

HEX #E4FE38

RGB 228 254 56

HSL 67.88, 0.99%, 0.61%

LAB 95.02, -31.01, 83.57

 

CMYK 8 / 0 / 62 / 0

HEX #E9FE61

RGB 233 254 97

HSL 68.03, 0.99%, 0.69%

LAB 95.61, -26.97, 70.37

 

CMYK 6 / 0 / 46 / 0

HEX #EFFE8A

RGB 239 254 138

HSL 67.76, 0.98%, 0.77%

LAB 96.44, -21.33, 53.5

 

CMYK 4 / 0 / 30 / 0

HEX #F5FFB3

RGB 245 255 179

HSL 67.89, 1%, 0.85%

LAB 97.71, -15, 35.3

 

CMYK 2 / 0 / 14 / 0

HEX #FAFFDC

RGB 250 255 220

HSL 68.57, 1%, 0.93%

LAB 98.83, -7.45, 16.18

 

CMYK 6 / 0 / 45 / 0

HEX #EFFE8B

RGB 239 254.2 139.6

HSL 67.96, 0.99%, 0.77%

LAB 96.51, -21.27, 52.84

 

CMYK 46 / 0 / 31 / 0

HEX #8AFEAF

RGB 138 254 175

HSL 139.14, 0.98%, 0.77%

LAB 91.41, -49.71, 27.81

 

CMYK 13 / 46 / 0 / 0

HEX #DE8AFE

RGB 222 138 254

HSL 283.45, 0.98%, 0.77%

LAB 70.08, 50.87, -45.11

 

CMYK 6 / 0 / 45 / 0

HEX #EFFE8B

RGB 239 254.2 139.6

HSL 67.96, 0.99%, 0.77%

LAB 96.51, -21.27, 52.84

 

CMYK 46 / 5 / 0 / 0

HEX #8AF1FE

RGB 138 241 254

HSL 186.72, 0.98%, 0.77%

LAB 89.61, -26.72, -15.62

 

CMYK 0 / 46 / 5 / 0

HEX #FE8AF1

RGB 254 138 241

HSL 306.72, 0.98%, 0.77%

LAB 73.28, 57.56, -32.75

 

CMYK 6 / 0 / 45 / 0

HEX #EFFE8B

RGB 239 254.2 139.6

HSL 67.96, 0.99%, 0.77%

LAB 96.51, -21.27, 52.84

 

CMYK 46 / 0 / 31 / 0

HEX #8AFEAF

RGB 138 254 175

HSL 139.14, 0.98%, 0.77%

LAB 91.41, -49.71, 27.81

 

CMYK 40 / 46 / 0 / 0

HEX #988AFE

RGB 152 138 254

HSL 247.24, 0.98%, 0.77%

LAB 63.35, 32.44, -56.19

 

CMYK 0 / 46 / 14 / 0

HEX #FE8ADA

RGB 254 138 218

HSL 318.62, 0.98%, 0.77%

LAB 72.44, 53.88, -21.43

 

CMYK 6 / 0 / 45 / 0

HEX #EFFE8B

RGB 239 254.2 139.6

HSL 67.96, 0.99%, 0.77%

LAB 96.51, -21.27, 52.84

 

CMYK 46 / 0 / 17 / 0

HEX #8AFED2

RGB 138 254 210

HSL 157.24, 0.98%, 0.77%

LAB 92.11, -42.96, 10.89

 

CMYK 40 / 46 / 0 / 0

HEX #988AFE

RGB 152 138 254

HSL 247.24, 0.98%, 0.77%

LAB 63.35, 32.44, -56.19

 

CMYK 0 / 46 / 28 / 0

HEX #FE8AB7

RGB 254 138 183

HSL 336.72, 0.98%, 0.77%

LAB 71.33, 48.92, -3.68

 

Description

Color code: RGB 239 254.2 139.6 | qconv.com Color code: RGB 239 254.2 139.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 254.2 green and 139.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 254.2 139.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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