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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 102 0 it is the complementary color RGB 16 153 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 102 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 102 0 shade: RGB 244 102 0, RGB 255 120 14, RGB 255 138 33, RGB 255 156 52 and RGB 255 174 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 102 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 102 0 shade: RGB 239 102 0, RGB 222 84 0, RGB 205 66 0, RGB 188 48 0 and RGB 171 30 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 102 0 shade: RGB 239 102 0, RGB 239 37 0 and RGB 239 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 102 0 shade: RGB 239 102 0, RGB 239 166 0, RGB 239 231 0, RGB 183 239 0 and RGB 118 239 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 102 0 shade matches the following richer shades: RGB 239 102 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 102 0 shade: RGB 239 102 0, RGB 220 105 19, RGB 200 107 38, RGB 181 110 58 and RGB 162 113 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 102 0 shade: RGB 239 0 27, RGB 239 35 0, RGB 239 99 0, RGB 239 163 0 and RGB 239 227 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 102 0 shade: RGB 157 67 0, RGB 198 84 0, RGB 239 102 0, RGB 255 123 25 and RGB 255 147 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 102 0 shade: RGB 239 102 0, RGB 91 239 0 and RGB 3 0 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 102 0 shade: RGB 239 102 0, RGB 0 239 99 and RGB 99 0 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 102 0 shade: RGB 239 102 0, RGB 91 239 0, RGB 0 139 239 and RGB 147 0 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 102 0 shade: RGB 239 102 0, RGB 19 239 0, RGB 0 139 239 and RGB 219 0 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

Complementary color

CMYK 94 / 40 / 0 / 0

HEX #1099FF

RGB 16 153 255

HSL 205.61, 1%, 0.53%

LAB 61.75, 3.99, -59.61

 

CMYK 0 / 58 / 100 / 4

HEX #F46600

RGB 244 102 0

HSL 25.08, 1%, 0.48%

LAB 60.55, 51.07, 69.44

 

CMYK 0 / 53 / 95 / 0

HEX #FF780E

RGB 255 120 14

HSL 26.39, 1%, 0.53%

LAB 65.53, 46.83, 70.99

 

CMYK 0 / 46 / 87 / 0

HEX #FF8A21

RGB 255 138 33

HSL 28.38, 1%, 0.56%

LAB 69.15, 38.24, 69.02

 

CMYK 0 / 39 / 80 / 0

HEX #FF9C34

RGB 255 156 52

HSL 30.74, 1%, 0.6%

LAB 73.08, 29.51, 65.96

 

CMYK 0 / 32 / 72 / 0

HEX #FFAE47

RGB 255 174 71

HSL 33.59, 1%, 0.64%

LAB 77.27, 20.87, 62.42

 

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

CMYK 0 / 62 / 100 / 13

HEX #DE5400

RGB 222 84 0

HSL 22.7, 1%, 0.44%

LAB 53.89, 51.22, 63.91

 

CMYK 0 / 68 / 100 / 20

HEX #CD4200

RGB 205 66 0

HSL 19.32, 1%, 0.4%

LAB 48.1, 52.89, 59.31

 

CMYK 0 / 74 / 100 / 26

HEX #BC3000

RGB 188 48 0

HSL 15.32, 1%, 0.37%

LAB 42.47, 54.02, 54.83

 

CMYK 0 / 82 / 100 / 33

HEX #AB1E00

RGB 171 30 0

HSL 10.53, 1%, 0.34%

LAB 37.09, 54.3, 50.49

 

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

CMYK 0 / 85 / 100 / 6

HEX #EF2500

RGB 239 37 0

HSL 9.29, 1%, 0.47%

LAB 51.47, 71.82, 64.57

 

CMYK 0 / 100 / 100 / 6

HEX #EF0000

RGB 239 0 0

HSL 0, 1%, 0.47%

LAB 49.92, 76.27, 64

 

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

CMYK 0 / 31 / 100 / 6

HEX #EFA600

RGB 239 166 0

HSL 41.67, 1%, 0.47%

LAB 73.3, 16.64, 76.98

 

CMYK 0 / 3 / 100 / 6

HEX #EFE700

RGB 239 231 0

HSL 57.99, 1%, 0.47%

LAB 89.63, -16.65, 88.43

 

CMYK 23 / 0 / 100 / 6

HEX #B7EF00

RGB 183 239 0

HSL 74.06, 1%, 0.47%

LAB 87.87, -43.04, 85.37

 

CMYK 51 / 0 / 100 / 6

HEX #76EF00

RGB 118 239 0

HSL 90.38, 1%, 0.47%

LAB 84.78, -64.98, 81.65

 

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

CMYK 0 / 52 / 91 / 14

HEX #DC6913

RGB 220 105 19

HSL 25.67, 0.84%, 0.47%

LAB 57.43, 40.79, 61.92

 

CMYK 0 / 47 / 81 / 22

HEX #C86B26

RGB 200 107 38

HSL 25.56, 0.68%, 0.47%

LAB 55.01, 32.19, 52.22

 

CMYK 0 / 39 / 68 / 29

HEX #B56E3A

RGB 181 110 58

HSL 25.37, 0.51%, 0.47%

LAB 53.26, 23.52, 40.17

 

CMYK 0 / 30 / 52 / 36

HEX #A2714D

RGB 162 113 77

HSL 25.41, 0.36%, 0.47%

LAB 51.87, 15.13, 27.63

 

CMYK 0 / 100 / 89 / 6

HEX #EF001B

RGB 239 0 27

HSL 353.22, 1%, 0.47%

LAB 50.01, 76.53, 55.44

 

CMYK 0 / 85 / 100 / 6

HEX #EF2300

RGB 239 35 0

HSL 8.79, 1%, 0.47%

LAB 51.33, 72.22, 64.52

 

CMYK 0 / 59 / 100 / 6

HEX #EF6300

RGB 239 99 0

HSL 24.85, 1%, 0.47%

LAB 59.23, 50.62, 68.28

 

CMYK 0 / 32 / 100 / 6

HEX #EFA300

RGB 239 163 0

HSL 40.92, 1%, 0.47%

LAB 72.59, 18.22, 76.5

 

CMYK 0 / 5 / 100 / 6

HEX #EFE300

RGB 239 227 0

HSL 56.99, 1%, 0.47%

LAB 88.59, -14.7, 87.68

 

CMYK 0 / 57 / 100 / 38

HEX #9D4300

RGB 157 67 0

HSL 25.61, 1%, 0.31%

LAB 39.89, 34.68, 50.41

 

CMYK 0 / 58 / 100 / 22

HEX #C65400

RGB 198 84 0

HSL 25.45, 1%, 0.39%

LAB 49.91, 42.36, 59.61

 

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

CMYK 0 / 52 / 90 / 0

HEX #FF7B19

RGB 255 123 25

HSL 25.57, 1%, 0.55%

LAB 66.13, 45.52, 68.98

 

CMYK 0 / 42 / 74 / 0

HEX #FF9343

RGB 255 147 67

HSL 25.53, 1%, 0.63%

LAB 71.24, 34.71, 57.99

 

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

CMYK 62 / 0 / 100 / 6

HEX #5BEF00

RGB 91 239 0

HSL 97.15, 1%, 0.47%

LAB 83.94, -71.79, 80.63

 

CMYK 99 / 100 / 0 / 6

HEX #0300EF

RGB 3 0 239

HSL 240.75, 1%, 0.47%

LAB 30.04, 75.42, -102.62

 

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

CMYK 100 / 0 / 59 / 6

HEX #00EF63

RGB 0 239 99

HSL 144.85, 1%, 0.47%

LAB 83.25, -75.96, 53.5

 

CMYK 59 / 100 / 0 / 6

HEX #6300EF

RGB 99 0 239

HSL 264.85, 1%, 0.47%

LAB 35.76, 77.84, -92.93

 

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

CMYK 62 / 0 / 100 / 6

HEX #5BEF00

RGB 91 239 0

HSL 97.15, 1%, 0.47%

LAB 83.94, -71.79, 80.63

 

CMYK 100 / 42 / 0 / 6

HEX #008BEF

RGB 0 139 239

HSL 205.1, 1%, 0.47%

LAB 56.78, 5.85, -58.76

 

CMYK 38 / 100 / 0 / 6

HEX #9300EF

RGB 147 0 239

HSL 276.9, 1%, 0.47%

LAB 41.9, 81.59, -82.58

 

CMYK 0 / 57 / 100 / 6

HEX #EF6600

RGB 239 102 0

HSL 25.61, 1%, 0.47%

LAB 59.76, 49.24, 68.58

 

CMYK 92 / 0 / 100 / 6

HEX #13EF00

RGB 19 239 0

HSL 115.23, 1%, 0.47%

LAB 82.85, -81.38, 79.29

 

CMYK 100 / 42 / 0 / 6

HEX #008BEF

RGB 0 139 239

HSL 205.1, 1%, 0.47%

LAB 56.78, 5.85, -58.76

 

CMYK 8 / 100 / 0 / 6

HEX #DB00EF

RGB 219 0 239

HSL 294.98, 1%, 0.47%

LAB 53.27, 90.53, -63.57

 

Description

Color code: RGB 239 102 0 | qconv.com Color code: RGB 239 102 0 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 102 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 102 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 100 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 100% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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