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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239.1 72.8 61 it is the complementary color RGB 15.9 182.2 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239.1 72.8 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239.1 72.8 61 shade: RGB 244.1 72.8 56, RGB 255 90.8 75, RGB 255 108.8 94, RGB 255 126.8 113 and RGB 255 144.8 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239.1 72.8 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239.1 72.8 61 shade: RGB 239.1 72.8 61, RGB 222.1 54.8 42, RGB 205.1 36.8 23, RGB 188.1 18.8 4 and RGB 171.1 0.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239.1 72.8 61 shade: RGB 239 73 62 and RGB 239 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239.1 72.8 61 shade: RGB 239 73 62, RGB 239 121 62, RGB 239 169 62, RGB 239 217 62 and RGB 214 239 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239.1 72.8 61 shade matches the following richer shades: RGB 239 73 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239.1 72.8 61 shade: RGB 239 73 62, RGB 222 88 78, RGB 205 103 95, RGB 189 117 112 and RGB 172 132 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239.1 72.8 61 shade: RGB 239 62 147, RGB 239 62 100, RGB 239 70 62, RGB 239 118 62 and RGB 239 165 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239.1 72.8 61 shade: RGB 202 29 16, RGB 236 38 23, RGB 239 73 62, RGB 242 109 100 and RGB 246 145 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239.1 72.8 61 shade: RGB 239.1 72.8 61, RGB 195 239 62 and RGB 62 124 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239.1 72.8 61 shade: RGB 239.1 72.8 61, RGB 62 239 70 and RGB 70 62 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239.1 72.8 61 shade: RGB 239.1 72.8 61, RGB 195 239 62, RGB 62 230 239 and RGB 106 62 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239.1 72.8 61 shade: RGB 239.1 72.8 61, RGB 142 239 62, RGB 62 230 239 and RGB 159 62 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 74 / 6

HEX #EF483D

RGB 239.1 72.8 61

HSL 3.98, 0.85%, 0.59%

LAB 55.53, 62.74, 43.61

 

Complementary color

CMYK 92 / 6 / 0 / 24

HEX #0FB6C2

RGB 15.9 182.2 194

HSL 183.98, 0.85%, 0.41%

LAB 67.68, -33.16, -16.79

 

CMYK 0 / 70 / 77 / 4

HEX #F44838

RGB 244.1 72.8 56

HSL 5.36, 0.9%, 0.59%

LAB 56.36, 64.11, 47.42

 

CMYK 0 / 64 / 71 / 0

HEX #FF5A4B

RGB 255 90.8 75

HSL 5.27, 1%, 0.65%

LAB 60.97, 61.45, 42.9

 

CMYK 0 / 57 / 63 / 0

HEX #FF6C5E

RGB 255 108.8 94

HSL 5.52, 1%, 0.68%

LAB 64.13, 54.73, 36.29

 

CMYK 0 / 50 / 56 / 0

HEX #FF7E71

RGB 255 126.8 113

HSL 5.83, 1%, 0.72%

LAB 67.71, 47.56, 30.36

 

CMYK 0 / 43 / 48 / 0

HEX #FF9084

RGB 255 144.8 132

HSL 6.24, 1%, 0.76%

LAB 71.63, 40.18, 25.09

 

CMYK 0 / 70 / 74 / 6

HEX #EF483D

RGB 239.1 72.8 61

HSL 3.98, 0.85%, 0.59%

LAB 55.53, 62.74, 43.61

 

CMYK 0 / 75 / 81 / 13

HEX #DE362A

RGB 222.1 54.8 42

HSL 4.26, 0.73%, 0.52%

LAB 50.01, 63.06, 46.97

 

CMYK 0 / 82 / 89 / 20

HEX #CD2417

RGB 205.1 36.8 23

HSL 4.55, 0.8%, 0.45%

LAB 44.75, 62.77, 50.17

 

CMYK 0 / 90 / 98 / 26

HEX #BC1204

RGB 188.1 18.8 4

HSL 4.82, 0.96%, 0.38%

LAB 39.87, 61.53, 52.27

 

CMYK 0 / 100 / 100 / 33

HEX #AB0000

RGB 171.1 0.8 0

HSL 0.28, 1%, 0.34%

LAB 35.37, 59.31, 49.69

 

CMYK 0 / 69 / 74 / 6

HEX #EF493E

RGB 239 73 62

HSL 3.73, 0.85%, 0.59%

LAB 55.55, 62.67, 43.09

 

CMYK 0 / 74 / 74 / 6

HEX #EF3E3E

RGB 239 62 62

HSL 0, 0.85%, 0.59%

LAB 54.18, 66.45, 41.58

 

CMYK 0 / 69 / 74 / 6

HEX #EF493E

RGB 239 73 62

HSL 3.73, 0.85%, 0.59%

LAB 55.55, 62.67, 43.09

 

CMYK 0 / 49 / 74 / 6

HEX #EF793E

RGB 239 121 62

HSL 20, 0.85%, 0.59%

LAB 63.65, 41.42, 51.77

 

CMYK 0 / 29 / 74 / 6

HEX #EFA93E

RGB 239 169 62

HSL 36.27, 0.85%, 0.59%

LAB 74.24, 16.43, 62.51

 

CMYK 0 / 9 / 74 / 6

HEX #EFD93E

RGB 239 217 62

HSL 52.54, 0.85%, 0.59%

LAB 86.17, -8.44, 73.98

 

CMYK 10 / 0 / 74 / 6

HEX #D6EF3E

RGB 214 239 62

HSL 68.47, 0.85%, 0.59%

LAB 90.03, -29.4, 76.92

 

CMYK 0 / 69 / 74 / 6

HEX #EF493E

RGB 239 73 62

HSL 3.73, 0.85%, 0.59%

LAB 55.55, 62.67, 43.09

 

CMYK 0 / 69 / 74 / 6

HEX #EF493E

RGB 239 73 62

HSL 3.73, 0.85%, 0.59%

LAB 55.55, 62.67, 43.09

 

CMYK 0 / 60 / 65 / 13

HEX #DE584E

RGB 222 88 78

HSL 4.17, 0.69%, 0.59%

LAB 55.13, 51.74, 32.97

 

CMYK 0 / 50 / 54 / 20

HEX #CD675F

RGB 205 103 95

HSL 4.36, 0.52%, 0.59%

LAB 55.59, 39.59, 23.28

 

CMYK 0 / 38 / 41 / 26

HEX #BD7570

RGB 189 117 112

HSL 3.9, 0.37%, 0.59%

LAB 56.79, 27.7, 14.73

 

CMYK 0 / 23 / 25 / 33

HEX #AC8481

RGB 172 132 129

HSL 4.19, 0.21%, 0.59%

LAB 58.84, 14.88, 7.54

 

CMYK 0 / 74 / 38 / 6

HEX #EF3E93

RGB 239 62 147

HSL 331.19, 0.85%, 0.59%

LAB 55.99, 72.3, -5.98

 

CMYK 0 / 74 / 58 / 6

HEX #EF3E64

RGB 239 62 100

HSL 347.12, 0.85%, 0.59%

LAB 54.78, 68.42, 20.25

 

CMYK 0 / 71 / 74 / 6

HEX #EF463E

RGB 239 70 62

HSL 2.71, 0.85%, 0.59%

LAB 55.15, 63.75, 42.65

 

CMYK 0 / 51 / 74 / 6

HEX #EF763E

RGB 239 118 62

HSL 18.98, 0.85%, 0.59%

LAB 63.06, 42.91, 51.15

 

CMYK 0 / 31 / 74 / 6

HEX #EFA53E

RGB 239 165 62

HSL 34.92, 0.85%, 0.59%

LAB 73.29, 18.54, 61.57

 

CMYK 0 / 86 / 92 / 21

HEX #CA1D10

RGB 202 29 16

HSL 4.19, 0.85%, 0.43%

LAB 43.47, 63.57, 51.78

 

CMYK 0 / 84 / 90 / 7

HEX #EC2617

RGB 236 38 23

HSL 4.23, 0.85%, 0.51%

LAB 51.01, 71.02, 57.48

 

CMYK 0 / 69 / 74 / 6

HEX #EF493E

RGB 239 73 62

HSL 3.73, 0.85%, 0.59%

LAB 55.55, 62.67, 43.09

 

CMYK 0 / 55 / 59 / 5

HEX #F26D64

RGB 242 109 100

HSL 3.8, 0.85%, 0.67%

LAB 62.28, 50.49, 30.21

 

CMYK 0 / 41 / 44 / 4

HEX #F6918A

RGB 246 145 138

HSL 3.89, 0.86%, 0.75%

LAB 70.65, 37.33, 20.26

 

CMYK 0 / 70 / 74 / 6

HEX #EF483D

RGB 239.1 72.8 61

HSL 3.98, 0.85%, 0.59%

LAB 55.53, 62.74, 43.61

 

CMYK 18 / 0 / 74 / 6

HEX #C3EF3E

RGB 195 239 62

HSL 74.92, 0.85%, 0.59%

LAB 88.77, -36.87, 75.28

 

CMYK 74 / 48 / 0 / 6

HEX #3E7CEF

RGB 62 124 239

HSL 218.98, 0.85%, 0.59%

LAB 53.68, 19.06, -63.69

 

CMYK 0 / 70 / 74 / 6

HEX #EF483D

RGB 239.1 72.8 61

HSL 3.98, 0.85%, 0.59%

LAB 55.53, 62.74, 43.61

 

CMYK 74 / 0 / 71 / 6

HEX #3EEF46

RGB 62 239 70

HSL 122.71, 0.85%, 0.59%

LAB 83.55, -74.29, 65.65

 

CMYK 71 / 74 / 0 / 6

HEX #463EEF

RGB 70 62 239

HSL 242.71, 0.85%, 0.59%

LAB 39.55, 57.12, -86.74

 

CMYK 0 / 70 / 74 / 6

HEX #EF483D

RGB 239.1 72.8 61

HSL 3.98, 0.85%, 0.59%

LAB 55.53, 62.74, 43.61

 

CMYK 18 / 0 / 74 / 6

HEX #C3EF3E

RGB 195 239 62

HSL 74.92, 0.85%, 0.59%

LAB 88.77, -36.87, 75.28

 

CMYK 74 / 4 / 0 / 6

HEX #3EE6EF

RGB 62 230 239

HSL 183.05, 0.85%, 0.59%

LAB 83.89, -38.38, -16.56

 

CMYK 56 / 74 / 0 / 6

HEX #6A3EEF

RGB 106 62 239

HSL 254.92, 0.85%, 0.59%

LAB 42.37, 61.09, -81.98

 

CMYK 0 / 70 / 74 / 6

HEX #EF483D

RGB 239.1 72.8 61

HSL 3.98, 0.85%, 0.59%

LAB 55.53, 62.74, 43.61

 

CMYK 41 / 0 / 74 / 6

HEX #8EEF3E

RGB 142 239 62

HSL 92.88, 0.85%, 0.59%

LAB 85.92, -55.81, 71.55

 

CMYK 74 / 4 / 0 / 6

HEX #3EE6EF

RGB 62 230 239

HSL 183.05, 0.85%, 0.59%

LAB 83.89, -38.38, -16.56

 

CMYK 33 / 74 / 0 / 6

HEX #9F3EEF

RGB 159 62 239

HSL 272.88, 0.85%, 0.59%

LAB 48.32, 69.14, -72.01

 

Description

Color code: RGB 239.1 72.8 61 | qconv.com Color code: RGB 239.1 72.8 61 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239.1 red, 72.8 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239.1 72.8 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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