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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 93 172 it is the complementary color RGB 17 162 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 93 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 93 172 shade: RGB 243 93 167, RGB 255 111 186, RGB 255 129 205, RGB 255 147 224 and RGB 255 165 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 93 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 93 172 shade: RGB 238 93 172, RGB 221 75 153, RGB 204 57 134, RGB 187 39 115 and RGB 170 21 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 93 172 shade: RGB 238 93 172, RGB 238 93 133, RGB 238 93 94 and RGB 238 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 93 172 shade: RGB 238 93 172, RGB 238 93 211, RGB 225 93 238, RGB 186 93 238 and RGB 147 93 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 93 172 shade matches the following richer shades: RGB 238 93 172 and RGB 252 79 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 93 172 shade: RGB 238 93 172, RGB 223 107 170, RGB 209 122 169, RGB 194 136 168 and RGB 180 151 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 93 172 shade: RGB 225 93 238, RGB 238 93 211, RGB 238 93 172, RGB 238 93 134 and RGB 238 93 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 93 172 shade: RGB 225 23 133, RGB 234 56 153, RGB 238 93 172, RGB 241 130 191 and RGB 245 168 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 93 172 shade: RGB 238 93 172, RGB 238 187 93 and RGB 93 230 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 93 172 shade: RGB 238 93 172, RGB 172 238 93 and RGB 93 172 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 93 172 shade: RGB 238 93 172, RGB 238 187 93, RGB 93 238 158 and RGB 93 144 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 93 172 shade: RGB 238 93 172, RGB 238 230 93, RGB 93 238 158 and RGB 93 100 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

Complementary color

CMYK 90 / 0 / 49 / 36

HEX #11A253

RGB 17 162 83

HSL 147.31, 0.81%, 0.35%

LAB 58.59, -53.03, 31.29

 

CMYK 0 / 62 / 31 / 5

HEX #F35DA7

RGB 243 93 167

HSL 330.4, 0.86%, 0.66%

LAB 61.37, 64.26, -9.56

 

CMYK 0 / 56 / 27 / 0

HEX #FF6FBA

RGB 255 111 186

HSL 328.75, 1%, 0.72%

LAB 66.65, 62.37, -12.3

 

CMYK 0 / 49 / 20 / 0

HEX #FF81CD

RGB 255 129 205

HSL 323.81, 1%, 0.75%

LAB 70.43, 56.62, -17.26

 

CMYK 0 / 42 / 12 / 0

HEX #FF93E0

RGB 255 147 224

HSL 317.22, 1%, 0.79%

LAB 74.51, 50.66, -21.55

 

CMYK 0 / 35 / 5 / 0

HEX #FFA5F3

RGB 255 165 243

HSL 308, 1%, 0.82%

LAB 78.83, 44.63, -25.3

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 0 / 66 / 31 / 13

HEX #DD4B99

RGB 221 75 153

HSL 327.95, 0.68%, 0.58%

LAB 54.77, 63.59, -11.67

 

CMYK 0 / 72 / 34 / 20

HEX #CC3986

RGB 204 57 134

HSL 328.57, 0.59%, 0.51%

LAB 48.87, 63.35, -9.5

 

CMYK 0 / 79 / 39 / 27

HEX #BB2773

RGB 187 39 115

HSL 329.19, 0.65%, 0.44%

LAB 43.14, 62.47, -6.76

 

CMYK 0 / 88 / 44 / 33

HEX #AA1560

RGB 170 21 96

HSL 329.8, 0.78%, 0.37%

LAB 37.71, 60.62, -3.24

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 0 / 61 / 44 / 7

HEX #EE5D85

RGB 238 93 133

HSL 343.45, 0.81%, 0.65%

LAB 59.62, 59.12, 7.5

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5E

RGB 238 93 94

HSL 359.59, 0.81%, 0.65%

LAB 58.8, 55.97, 29.01

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5D

RGB 238 93 93

HSL 0, 0.81%, 0.65%

LAB 58.79, 55.9, 29.56

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD3

RGB 238 93 211

HSL 311.17, 0.81%, 0.65%

LAB 62.26, 68.79, -33.36

 

CMYK 5 / 61 / 0 / 7

HEX #E15DEE

RGB 225 93 238

HSL 294.62, 0.81%, 0.65%

LAB 61.66, 69.95, -49.55

 

CMYK 22 / 61 / 0 / 7

HEX #BA5DEE

RGB 186 93 238

HSL 278.48, 0.81%, 0.65%

LAB 56.53, 60.82, -58.03

 

CMYK 38 / 61 / 0 / 7

HEX #935DEE

RGB 147 93 238

HSL 262.34, 0.81%, 0.65%

LAB 52.07, 52.18, -65.44

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 0 / 69 / 31 / 1

HEX #FC4FAD

RGB 252 79 173

HSL 327.4, 0.97%, 0.65%

LAB 61.05, 72.81, -13.36

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 0 / 52 / 24 / 13

HEX #DF6BAA

RGB 223 107 170

HSL 327.41, 0.64%, 0.65%

LAB 60.87, 52.32, -12.33

 

CMYK 0 / 42 / 19 / 18

HEX #D17AA9

RGB 209 122 169

HSL 327.59, 0.49%, 0.65%

LAB 61.95, 40.01, -10.34

 

CMYK 0 / 30 / 13 / 24

HEX #C288A8

RGB 194 136 168

HSL 326.9, 0.32%, 0.65%

LAB 63.26, 27.07, -7.99

 

CMYK 0 / 16 / 7 / 29

HEX #B497A7

RGB 180 151 167

HSL 326.9, 0.16%, 0.65%

LAB 65.46, 13.53, -4.33

 

CMYK 5 / 61 / 0 / 7

HEX #E15DEE

RGB 225 93 238

HSL 294.62, 0.81%, 0.65%

LAB 61.66, 69.95, -49.55

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD3

RGB 238 93 211

HSL 311.17, 0.81%, 0.65%

LAB 62.26, 68.79, -33.36

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 0 / 61 / 44 / 7

HEX #EE5D86

RGB 238 93 134

HSL 343.03, 0.81%, 0.65%

LAB 59.64, 59.21, 6.95

 

CMYK 0 / 61 / 60 / 7

HEX #EE5D5F

RGB 238 93 95

HSL 359.17, 0.81%, 0.65%

LAB 58.82, 56.03, 28.46

 

CMYK 0 / 90 / 41 / 12

HEX #E11785

RGB 225 23 133

HSL 327.33, 0.81%, 0.49%

LAB 49.87, 76.45, -6.98

 

CMYK 0 / 76 / 35 / 8

HEX #EA3899

RGB 234 56 153

HSL 327.3, 0.81%, 0.57%

LAB 54.68, 73.43, -11.58

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 0 / 46 / 21 / 5

HEX #F182BF

RGB 241 130 191

HSL 327.03, 0.8%, 0.73%

LAB 68.33, 49.74, -12.79

 

CMYK 0 / 31 / 14 / 4

HEX #F5A8D2

RGB 245 168 210

HSL 327.27, 0.79%, 0.81%

LAB 77.32, 34.37, -9.79

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 0 / 21 / 61 / 7

HEX #EEBB5D

RGB 238 187 93

HSL 38.9, 0.81%, 0.65%

LAB 78.76, 8.24, 53.65

 

CMYK 61 / 3 / 0 / 7

HEX #5DE6EE

RGB 93 230 238

HSL 183.31, 0.81%, 0.65%

LAB 84.53, -34.48, -15

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 28 / 0 / 61 / 7

HEX #ACEE5D

RGB 172 238 93

HSL 87.31, 0.81%, 0.65%

LAB 87.34, -43, 61.91

 

CMYK 61 / 28 / 0 / 7

HEX #5DACEE

RGB 93 172 238

HSL 207.31, 0.81%, 0.65%

LAB 68.02, -4.82, -40.29

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 0 / 21 / 61 / 7

HEX #EEBB5D

RGB 238 187 93

HSL 38.9, 0.81%, 0.65%

LAB 78.76, 8.24, 53.65

 

CMYK 61 / 0 / 34 / 7

HEX #5DEE9E

RGB 93 238 158

HSL 146.9, 0.81%, 0.65%

LAB 84.97, -56.62, 27.46

 

CMYK 61 / 39 / 0 / 7

HEX #5D90EE

RGB 93 144 238

HSL 218.9, 0.81%, 0.65%

LAB 60.29, 11.29, -52.48

 

CMYK 0 / 61 / 28 / 7

HEX #EE5DAC

RGB 238 93 172

HSL 327.31, 0.81%, 0.65%

LAB 60.77, 63.43, -13.42

 

CMYK 0 / 3 / 61 / 7

HEX #EEE65D

RGB 238 230 93

HSL 56.69, 0.81%, 0.65%

LAB 89.66, -13.69, 65.72

 

CMYK 61 / 0 / 34 / 7

HEX #5DEE9E

RGB 93 238 158

HSL 146.9, 0.81%, 0.65%

LAB 84.97, -56.62, 27.46

 

CMYK 61 / 58 / 0 / 7

HEX #5D64EE

RGB 93 100 238

HSL 237.1, 0.81%, 0.65%

LAB 49.03, 37.95, -70.58

 

Description

Color code: RGB 238 93 172 | qconv.com Color code: RGB 238 93 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 93 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 93 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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