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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 72 234 it is the complementary color RGB 17 183 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 72 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 72 234 shade: RGB 243 72 229, RGB 255 90 248, RGB 255 108 255, RGB 255 126 255 and RGB 255 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 72 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 72 234 shade: RGB 238 72 234, RGB 221 54 215, RGB 204 36 196, RGB 187 18 177 and RGB 170 0 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 72 234 shade: RGB 238 73 234, RGB 238 73 189, RGB 238 73 145, RGB 238 73 100 and RGB 238 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 72 234 shade: RGB 238 73 234, RGB 197 73 238, RGB 153 73 238, RGB 108 73 238 and RGB 73 73 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 72 234 shade matches the following richer shades: RGB 238 73 234 and RGB 254 56 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 72 234 shade: RGB 238 73 234, RGB 222 89 218, RGB 205 105 203, RGB 189 121 188 and RGB 173 137 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 72 234 shade: RGB 152 73 238, RGB 196 73 238, RGB 238 73 235, RGB 238 73 191 and RGB 238 73 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 72 234 shade: RGB 209 19 204, RGB 234 35 229, RGB 238 73 234, RGB 241 110 238 and RGB 245 148 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 72 234 shade: RGB 238 72 234, RGB 238 108 73 and RGB 73 238 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 72 234 shade: RGB 238 72 234, RGB 235 238 73 and RGB 73 235 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 72 234 shade: RGB 238 72 234, RGB 238 108 73, RGB 73 238 75 and RGB 73 202 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 72 234 shade: RGB 238 72 234, RGB 238 158 73, RGB 73 238 75 and RGB 73 152 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 2 / 7

HEX #EE48EA

RGB 238 72 234

HSL 301.45, 0.83%, 0.61%

LAB 60.56, 80.05, -48.94

 

Complementary color

CMYK 91 / 0 / 89 / 28

HEX #11B715

RGB 17 183 21

HSL 121.45, 0.83%, 0.39%

LAB 64.99, -65.75, 62.01

 

CMYK 0 / 70 / 6 / 5

HEX #F348E5

RGB 243 72 229

HSL 304.91, 0.88%, 0.62%

LAB 61.09, 80.37, -45.26

 

CMYK 0 / 65 / 3 / 0

HEX #FF5AF8

RGB 255 90 248

HSL 302.55, 1%, 0.68%

LAB 66.02, 79.72, -47.92

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 70 / 2 / 7

HEX #EE48EA

RGB 238 72 234

HSL 301.45, 0.83%, 0.61%

LAB 60.56, 80.05, -48.94

 

CMYK 0 / 76 / 3 / 13

HEX #DD36D7

RGB 221 54 215

HSL 302.16, 0.71%, 0.54%

LAB 54.99, 79.06, -47.23

 

CMYK 0 / 82 / 4 / 20

HEX #CC24C4

RGB 204 36 196

HSL 302.86, 0.7%, 0.47%

LAB 49.6, 77.32, -45.06

 

CMYK 0 / 90 / 5 / 27

HEX #BB12B1

RGB 187 18 177

HSL 303.55, 0.82%, 0.4%

LAB 44.48, 74.55, -42.26

 

CMYK 0 / 100 / 7 / 33

HEX #AA009E

RGB 170 0 158

HSL 304.24, 1%, 0.33%

LAB 39.61, 70.76, -38.84

 

CMYK 0 / 69 / 2 / 7

HEX #EE49EA

RGB 238 73 234

HSL 301.45, 0.83%, 0.61%

LAB 60.68, 79.72, -48.75

 

CMYK 0 / 69 / 21 / 7

HEX #EE49BD

RGB 238 73 189

HSL 317.82, 0.83%, 0.61%

LAB 58.62, 73.28, -26.48

 

CMYK 0 / 69 / 39 / 7

HEX #EE4991

RGB 238 73 145

HSL 333.82, 0.83%, 0.61%

LAB 57.06, 68.18, -3.24

 

CMYK 0 / 69 / 58 / 7

HEX #EE4964

RGB 238 73 100

HSL 350.18, 0.83%, 0.61%

LAB 55.95, 64.39, 21.78

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 69 / 2 / 7

HEX #EE49EA

RGB 238 73 234

HSL 301.45, 0.83%, 0.61%

LAB 60.68, 79.72, -48.75

 

CMYK 17 / 69 / 0 / 7

HEX #C549EE

RGB 197 73 238

HSL 285.09, 0.83%, 0.61%

LAB 54.87, 71.81, -60.6

 

CMYK 36 / 69 / 0 / 7

HEX #9949EE

RGB 153 73 238

HSL 269.09, 0.83%, 0.61%

LAB 49.14, 63.21, -70.15

 

CMYK 55 / 69 / 0 / 7

HEX #6C49EE

RGB 108 73 238

HSL 252.73, 0.83%, 0.61%

LAB 44.41, 55.62, -78.06

 

CMYK 69 / 69 / 0 / 7

HEX #4949EE

RGB 73 73 238

HSL 240, 0.83%, 0.61%

LAB 41.77, 51.13, -82.49

 

CMYK 0 / 69 / 2 / 7

HEX #EE49EA

RGB 238 73 234

HSL 301.45, 0.83%, 0.61%

LAB 60.68, 79.72, -48.75

 

CMYK 0 / 78 / 2 / 0

HEX #FE38F9

RGB 254 56 249

HSL 301.52, 0.99%, 0.61%

LAB 62.29, 90.01, -54.39

 

CMYK 0 / 69 / 2 / 7

HEX #EE49EA

RGB 238 73 234

HSL 301.45, 0.83%, 0.61%

LAB 60.68, 79.72, -48.75

 

CMYK 0 / 60 / 2 / 13

HEX #DE59DA

RGB 222 89 218

HSL 301.8, 0.67%, 0.61%

LAB 59.65, 67.48, -41.56

 

CMYK 0 / 49 / 1 / 20

HEX #CD69CB

RGB 205 105 203

HSL 301.2, 0.5%, 0.61%

LAB 59.34, 53.09, -33.74

 

CMYK 0 / 36 / 1 / 26

HEX #BD79BC

RGB 189 121 188

HSL 300.88, 0.34%, 0.61%

LAB 60, 37.17, -24.35

 

CMYK 0 / 21 / 1 / 32

HEX #AD89AC

RGB 173 137 172

HSL 301.67, 0.18%, 0.61%

LAB 61.44, 19.83, -13.22

 

CMYK 36 / 69 / 0 / 7

HEX #9849EE

RGB 152 73 238

HSL 268.73, 0.83%, 0.61%

LAB 49.02, 63.02, -70.34

 

CMYK 18 / 69 / 0 / 7

HEX #C449EE

RGB 196 73 238

HSL 284.73, 0.83%, 0.61%

LAB 54.73, 71.61, -60.84

 

CMYK 0 / 69 / 1 / 7

HEX #EE49EB

RGB 238 73 235

HSL 301.09, 0.83%, 0.61%

LAB 60.73, 79.88, -49.23

 

CMYK 0 / 69 / 20 / 7

HEX #EE49BF

RGB 238 73 191

HSL 317.09, 0.83%, 0.61%

LAB 58.7, 73.54, -27.5

 

CMYK 0 / 69 / 38 / 7

HEX #EE4993

RGB 238 73 147

HSL 333.09, 0.83%, 0.61%

LAB 57.12, 68.38, -4.32

 

CMYK 0 / 91 / 2 / 18

HEX #D113CC

RGB 209 19 204

HSL 301.58, 0.83%, 0.45%

LAB 49.95, 82.19, -49.06

 

CMYK 0 / 85 / 2 / 8

HEX #EA23E5

RGB 234 35 229

HSL 301.51, 0.83%, 0.53%

LAB 56.44, 87.8, -52.72

 

CMYK 0 / 69 / 2 / 7

HEX #EE49EA

RGB 238 73 234

HSL 301.45, 0.83%, 0.61%

LAB 60.68, 79.72, -48.75

 

CMYK 0 / 54 / 1 / 5

HEX #F16EEE

RGB 241 110 238

HSL 301.37, 0.82%, 0.69%

LAB 66.54, 66.57, -41.72

 

CMYK 0 / 40 / 1 / 4

HEX #F594F2

RGB 245 148 242

HSL 301.86, 0.83%, 0.77%

LAB 74.19, 50.11, -31.98

 

CMYK 0 / 70 / 2 / 7

HEX #EE48EA

RGB 238 72 234

HSL 301.45, 0.83%, 0.61%

LAB 60.56, 80.05, -48.94

 

CMYK 0 / 55 / 69 / 7

HEX #EE6C49

RGB 238 108 73

HSL 12.73, 0.83%, 0.61%

LAB 61.12, 47.9, 43.42

 

CMYK 69 / 0 / 27 / 7

HEX #49EEAE

RGB 73 238 174

HSL 156.73, 0.83%, 0.61%

LAB 84.8, -56.82, 18.93

 

CMYK 0 / 70 / 2 / 7

HEX #EE48EA

RGB 238 72 234

HSL 301.45, 0.83%, 0.61%

LAB 60.56, 80.05, -48.94

 

CMYK 1 / 0 / 69 / 7

HEX #EBEE49

RGB 235 238 73

HSL 61.09, 0.83%, 0.61%

LAB 91.37, -19.94, 75.09

 

CMYK 69 / 1 / 0 / 7

HEX #49EBEE

RGB 73 235 238

HSL 181.09, 0.83%, 0.61%

LAB 85.51, -39.67, -13.58

 

CMYK 0 / 70 / 2 / 7

HEX #EE48EA

RGB 238 72 234

HSL 301.45, 0.83%, 0.61%

LAB 60.56, 80.05, -48.94

 

CMYK 0 / 55 / 69 / 7

HEX #EE6C49

RGB 238 108 73

HSL 12.73, 0.83%, 0.61%

LAB 61.12, 47.9, 43.42

 

CMYK 69 / 0 / 68 / 7

HEX #49EE4B

RGB 73 238 75

HSL 120.73, 0.83%, 0.61%

LAB 83.48, -71.81, 63.81

 

CMYK 69 / 15 / 0 / 7

HEX #49CAEE

RGB 73 202 238

HSL 193.09, 0.83%, 0.61%

LAB 75.97, -23.9, -28.04

 

CMYK 0 / 70 / 2 / 7

HEX #EE48EA

RGB 238 72 234

HSL 301.45, 0.83%, 0.61%

LAB 60.56, 80.05, -48.94

 

CMYK 0 / 34 / 69 / 7

HEX #EE9E49

RGB 238 158 73

HSL 30.91, 0.83%, 0.61%

LAB 71.63, 22.35, 55.04

 

CMYK 69 / 0 / 68 / 7

HEX #49EE4B

RGB 73 238 75

HSL 120.73, 0.83%, 0.61%

LAB 83.48, -71.81, 63.81

 

CMYK 69 / 36 / 0 / 7

HEX #4998EE

RGB 73 152 238

HSL 211.27, 0.83%, 0.61%

LAB 61.69, 3.29, -50.3

 

Description

Color code: RGB 238 72 234 | qconv.com Color code: RGB 238 72 234 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 72 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 72 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 2 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 2% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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