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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 213 183 it is the complementary color RGB 17 42 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 213 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 238 213 183: RGB 243 213 178, RGB 255 231 197, RGB 255 249 216, RGB 255 255 235 and RGB 255 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 213 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 238 213 183: RGB 238 213 183, RGB 221 195 164, RGB 204 177 145, RGB 187 159 126 and RGB 170 141 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 23 / 7

HEX #EED5B7

RGB 238 213 183

HSL 32.73, 0.62%, 0.83%

LAB 86.6, 4.09, 18

 

Complementary color

CMYK 76 / 42 / 0 / 72

HEX #112A48

RGB 17 42 72

HSL 212.73, 0.62%, 0.17%

LAB 16.71, 2.11, -21.55

 

CMYK 0 / 12 / 27 / 5

HEX #F3D5B2

RGB 243 213 178

HSL 32.31, 0.73%, 0.83%

LAB 86.93, 5.27, 21.15

 

CMYK 0 / 9 / 23 / 0

HEX #FFE7C5

RGB 255 231 197

HSL 35.17, 1%, 0.89%

LAB 92.77, 3.04, 19.54

 

CMYK 0 / 2 / 15 / 0

HEX #FFF9D8

RGB 255 249 216

HSL 50.77, 1%, 0.92%

LAB 97.62, -3.32, 16.57

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 11 / 23 / 7

HEX #EED5B7

RGB 238 213 183

HSL 32.73, 0.62%, 0.83%

LAB 86.6, 4.09, 18

 

CMYK 0 / 12 / 26 / 13

HEX #DDC3A4

RGB 221 195 164

HSL 32.63, 0.46%, 0.75%

LAB 80.23, 4.49, 18.96

 

CMYK 0 / 13 / 29 / 20

HEX #CCB191

RGB 204 177 145

HSL 32.54, 0.37%, 0.68%

LAB 73.76, 4.93, 19.98

 

CMYK 0 / 15 / 33 / 27

HEX #BB9F7E

RGB 187 159 126

HSL 32.46, 0.31%, 0.61%

LAB 67.18, 5.43, 21.07

 

CMYK 0 / 17 / 37 / 33

HEX #AA8D6B

RGB 170 141 107

HSL 32.38, 0.27%, 0.54%

LAB 60.48, 6.01, 22.24

 

CMYK 0 / 11 / 23 / 7

HEX #EED5B7

RGB 238 213 183

HSL 32.73, 0.62%, 0.83%

LAB 86.6, 4.09, 18

 

CMYK 0 / 7 / 23 / 7

HEX #EEDEB8

RGB 238 222 184

HSL 42.22, 0.61%, 0.83%

LAB 88.87, -0.4, 20.64

 

CMYK 0 / 3 / 23 / 7

HEX #EEE7B8

RGB 238 231 184

HSL 52.22, 0.61%, 0.83%

LAB 91.14, -4.99, 23.78

 

CMYK 1 / 0 / 23 / 7

HEX #ECEEB8

RGB 236 238 184

HSL 62.22, 0.61%, 0.83%

LAB 92.77, -9.24, 26

 

CMYK 5 / 0 / 23 / 7

HEX #E3EEB8

RGB 227 238 184

HSL 72.22, 0.61%, 0.83%

LAB 92.11, -12.5, 24.98

 

CMYK 0 / 11 / 23 / 7

HEX #EED5B7

RGB 238 213 183

HSL 32.73, 0.62%, 0.83%

LAB 86.6, 4.09, 18

 

CMYK 0 / 12 / 24 / 87

HEX #221E1A

RGB 34 30 26

HSL 30, 0.13%, 0.12%

LAB 11.57, 1.04, 3.44

 

CMYK 0 / 11 / 24 / 67

HEX #554C41

RGB 85 76 65

HSL 33, 0.13%, 0.29%

LAB 32.88, 1.7, 7.91

 

CMYK 0 / 10 / 23 / 47

HEX #887A69

RGB 136 122 105

HSL 32.9, 0.13%, 0.47%

LAB 52.03, 2.47, 11.27

 

CMYK 0 / 11 / 23 / 27

HEX #BBA790

RGB 187 167 144

HSL 32.09, 0.24%, 0.65%

LAB 69.62, 3.58, 14.55

 

CMYK 0 / 11 / 23 / 7

HEX #EED5B7

RGB 238 213 183

HSL 32.73, 0.62%, 0.83%

LAB 86.6, 4.09, 18

 

CMYK 16 / 0 / 23 / 7

HEX #C7EEB8

RGB 199 238 184

HSL 103.33, 0.61%, 0.83%

LAB 90.21, -22.35, 22.07

 

CMYK 20 / 23 / 0 / 7

HEX #BFB8EE

RGB 191 184 238

HSL 247.78, 0.61%, 0.83%

LAB 77, 13.41, -25.94

 

CMYK 0 / 11 / 23 / 7

HEX #EED5B7

RGB 238 213 183

HSL 32.73, 0.62%, 0.83%

LAB 86.6, 4.09, 18

 

CMYK 23 / 0 / 11 / 7

HEX #B8EED5

RGB 184 238 213

HSL 152.22, 0.61%, 0.83%

LAB 89.93, -22.13, 6.5

 

CMYK 11 / 23 / 0 / 7

HEX #D5B8EE

RGB 213 184 238

HSL 272.22, 0.61%, 0.83%

LAB 78.81, 20.29, -23.02

 

CMYK 0 / 11 / 23 / 7

HEX #EED5B7

RGB 238 213 183

HSL 32.73, 0.62%, 0.83%

LAB 86.6, 4.09, 18

 

CMYK 16 / 0 / 23 / 7

HEX #C7EEB8

RGB 199 238 184

HSL 103.33, 0.61%, 0.83%

LAB 90.21, -22.35, 22.07

 

CMYK 23 / 12 / 0 / 7

HEX #B8D1EE

RGB 184 209 238

HSL 212.22, 0.61%, 0.83%

LAB 82.89, -2.17, -17.04

 

CMYK 6 / 23 / 0 / 7

HEX #E0B8EE

RGB 224 184 238

HSL 284.44, 0.61%, 0.83%

LAB 79.79, 23.81, -21.45

 

CMYK 0 / 11 / 23 / 7

HEX #EED5B7

RGB 238 213 183

HSL 32.73, 0.62%, 0.83%

LAB 86.6, 4.09, 18

 

CMYK 23 / 0 / 22 / 7

HEX #B8EEBA

RGB 184 238 186

HSL 122.22, 0.61%, 0.83%

LAB 89.34, -27.03, 19.69

 

CMYK 23 / 12 / 0 / 7

HEX #B8D1EE

RGB 184 209 238

HSL 212.22, 0.61%, 0.83%

LAB 82.89, -2.17, -17.04

 

CMYK 0 / 23 / 1 / 7

HEX #EEB8EC

RGB 238 184 236

HSL 302.22, 0.61%, 0.83%

LAB 81.02, 27.98, -18.37

 

Description

Color code: RGB 238 213 183 | qconv.com Color code: RGB 238 213 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as bisque2.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 213 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 213 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 23 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 23% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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