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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 178 149 it is the complementary color RGB 17 77 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 178 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 178 149 shade: RGB 243 178 144, RGB 255 196 163, RGB 255 214 182, RGB 255 232 201 and RGB 255 250 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 178 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 178 149 shade: RGB 238 178 149, RGB 221 160 130, RGB 204 142 111, RGB 187 124 92 and RGB 170 106 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 178 149 shade: RGB 237 178 149, RGB 237 154 149 and RGB 237 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 178 149 shade: RGB 237 178 149, RGB 237 202 149, RGB 237 225 149, RGB 225 237 149 and RGB 202 237 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 178 149 shade matches the following richer shades: RGB 237 178 149 and RGB 247 175 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 178 149 shade: RGB 237 178 149, RGB 227 181 159, RGB 218 185 169, RGB 208 188 179 and RGB 198 192 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 178 149 shade: RGB 237 149 168, RGB 237 154 149, RGB 237 177 149, RGB 237 201 149 and RGB 237 224 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 178 149 shade: RGB 226 126 78, RGB 232 152 114, RGB 237 178 149, RGB 243 204 185 and RGB 249 230 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 178 149 shade: RGB 238 178 149, RGB 192 237 149 and RGB 149 157 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 178 149 shade: RGB 238 178 149, RGB 149 237 177 and RGB 177 149 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 178 149 shade: RGB 238 178 149, RGB 192 237 149, RGB 149 209 237 and RGB 195 149 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 178 149 shade: RGB 238 178 149, RGB 165 237 149, RGB 149 209 237 and RGB 221 149 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 37 / 7

HEX #EEB295

RGB 238 178 149

HSL 19.55, 0.72%, 0.76%

LAB 77.39, 18.11, 23.34

 

Complementary color

CMYK 84 / 27 / 0 / 58

HEX #114D6A

RGB 17 77 106

HSL 199.55, 0.72%, 0.24%

LAB 30.56, -7.46, -22.07

 

CMYK 0 / 27 / 41 / 5

HEX #F3B290

RGB 243 178 144

HSL 20.61, 0.8%, 0.76%

LAB 77.82, 19.49, 26.68

 

CMYK 0 / 23 / 36 / 0

HEX #FFC4A3

RGB 255 196 163

HSL 21.52, 1%, 0.82%

LAB 83.64, 16.79, 24.7

 

CMYK 0 / 16 / 29 / 0

HEX #FFD6B6

RGB 255 214 182

HSL 26.3, 1%, 0.86%

LAB 88.32, 9.76, 21.15

 

CMYK 0 / 9 / 21 / 0

HEX #FFE8C9

RGB 255 232 201

HSL 34.44, 1%, 0.89%

LAB 93.1, 3.09, 17.93

 

CMYK 0 / 2 / 14 / 0

HEX #FFFADC

RGB 255 250 220

HSL 51.43, 1%, 0.93%

LAB 97.95, -3.22, 14.99

 

CMYK 0 / 25 / 37 / 7

HEX #EEB295

RGB 238 178 149

HSL 19.55, 0.72%, 0.76%

LAB 77.39, 18.11, 23.34

 

CMYK 0 / 28 / 41 / 13

HEX #DDA082

RGB 221 160 130

HSL 19.78, 0.57%, 0.69%

LAB 70.96, 18.94, 24.58

 

CMYK 0 / 30 / 46 / 20

HEX #CC8E6F

RGB 204 142 111

HSL 20, 0.48%, 0.62%

LAB 64.43, 19.86, 25.94

 

CMYK 0 / 34 / 51 / 27

HEX #BB7C5C

RGB 187 124 92

HSL 20.21, 0.41%, 0.55%

LAB 57.8, 20.93, 27.43

 

CMYK 0 / 38 / 57 / 33

HEX #AA6A49

RGB 170 106 73

HSL 20.41, 0.4%, 0.48%

LAB 51.08, 22.16, 29.09

 

CMYK 0 / 25 / 37 / 7

HEX #EDB295

RGB 237 178 149

HSL 19.77, 0.71%, 0.76%

LAB 77.29, 17.73, 23.18

 

CMYK 0 / 35 / 37 / 7

HEX #ED9A95

RGB 237 154 149

HSL 3.41, 0.71%, 0.76%

LAB 71.75, 30.46, 15.53

 

CMYK 0 / 37 / 37 / 7

HEX #ED9595

RGB 237 149 149

HSL 0, 0.71%, 0.76%

LAB 70.64, 33.1, 13.99

 

CMYK 0 / 25 / 37 / 7

HEX #EDB295

RGB 237 178 149

HSL 19.77, 0.71%, 0.76%

LAB 77.29, 17.73, 23.18

 

CMYK 0 / 15 / 37 / 7

HEX #EDCA95

RGB 237 202 149

HSL 36.14, 0.71%, 0.76%

LAB 83.13, 5.09, 31.05

 

CMYK 0 / 5 / 37 / 7

HEX #EDE195

RGB 237 225 149

HSL 51.82, 0.71%, 0.76%

LAB 88.93, -6.71, 38.67

 

CMYK 5 / 0 / 37 / 7

HEX #E1ED95

RGB 225 237 149

HSL 68.18, 0.71%, 0.76%

LAB 91.12, -17.26, 41.31

 

CMYK 15 / 0 / 37 / 7

HEX #CAED95

RGB 202 237 149

HSL 83.86, 0.71%, 0.76%

LAB 89.53, -25.8, 38.95

 

CMYK 0 / 25 / 37 / 7

HEX #EDB295

RGB 237 178 149

HSL 19.77, 0.71%, 0.76%

LAB 77.29, 17.73, 23.18

 

CMYK 0 / 29 / 44 / 3

HEX #F7AF8B

RGB 247 175 139

HSL 20, 0.87%, 0.76%

LAB 77.46, 22.11, 28.94

 

CMYK 0 / 25 / 37 / 7

HEX #EDB295

RGB 237 178 149

HSL 19.77, 0.71%, 0.76%

LAB 77.29, 17.73, 23.18

 

CMYK 0 / 20 / 30 / 11

HEX #E3B59F

RGB 227 181 159

HSL 19.41, 0.55%, 0.76%

LAB 77.21, 13.52, 17.53

 

CMYK 0 / 15 / 22 / 15

HEX #DAB9A9

RGB 218 185 169

HSL 19.59, 0.4%, 0.76%

LAB 77.56, 9.36, 12.5

 

CMYK 0 / 10 / 14 / 18

HEX #D0BCB3

RGB 208 188 179

HSL 18.62, 0.24%, 0.76%

LAB 77.66, 5.59, 7.12

 

CMYK 0 / 3 / 5 / 22

HEX #C6C0BD

RGB 198 192 189

HSL 20, 0.07%, 0.76%

LAB 78.1, 1.56, 2.24

 

CMYK 0 / 37 / 29 / 7

HEX #ED95A8

RGB 237 149 168

HSL 347.05, 0.71%, 0.76%

LAB 71.1, 35.46, 4.07

 

CMYK 0 / 35 / 37 / 7

HEX #ED9A95

RGB 237 154 149

HSL 3.41, 0.71%, 0.76%

LAB 71.75, 30.46, 15.53

 

CMYK 0 / 25 / 37 / 7

HEX #EDB195

RGB 237 177 149

HSL 19.09, 0.71%, 0.76%

LAB 77.05, 18.26, 22.86

 

CMYK 0 / 15 / 37 / 7

HEX #EDC995

RGB 237 201 149

HSL 35.45, 0.71%, 0.76%

LAB 82.89, 5.61, 30.72

 

CMYK 0 / 5 / 37 / 7

HEX #EDE095

RGB 237 224 149

HSL 51.14, 0.71%, 0.76%

LAB 88.68, -6.2, 38.34

 

CMYK 0 / 44 / 65 / 11

HEX #E27E4E

RGB 226 126 78

HSL 19.46, 0.72%, 0.6%

LAB 63.04, 34.61, 42.59

 

CMYK 0 / 34 / 51 / 9

HEX #E89872

RGB 232 152 114

HSL 19.32, 0.72%, 0.68%

LAB 70.05, 25.98, 32.28

 

CMYK 0 / 25 / 37 / 7

HEX #EDB295

RGB 237 178 149

HSL 19.77, 0.71%, 0.76%

LAB 77.29, 17.73, 23.18

 

CMYK 0 / 16 / 24 / 5

HEX #F3CCB9

RGB 243 204 185

HSL 19.66, 0.71%, 0.84%

LAB 84.87, 10.91, 14.59

 

CMYK 0 / 8 / 12 / 2

HEX #F9E6DC

RGB 249 230 220

HSL 20.69, 0.71%, 0.92%

LAB 92.53, 4.83, 7.19

 

CMYK 0 / 25 / 37 / 7

HEX #EEB295

RGB 238 178 149

HSL 19.55, 0.72%, 0.76%

LAB 77.39, 18.11, 23.34

 

CMYK 19 / 0 / 37 / 7

HEX #C0ED95

RGB 192 237 149

HSL 90.68, 0.71%, 0.76%

LAB 88.9, -29.39, 38

 

CMYK 37 / 34 / 0 / 7

HEX #959DED

RGB 149 157 237

HSL 234.55, 0.71%, 0.76%

LAB 66.99, 16.16, -41.14

 

CMYK 0 / 25 / 37 / 7

HEX #EEB295

RGB 238 178 149

HSL 19.55, 0.72%, 0.76%

LAB 77.39, 18.11, 23.34

 

CMYK 37 / 0 / 25 / 7

HEX #95EDB1

RGB 149 237 177

HSL 139.09, 0.71%, 0.76%

LAB 87.06, -38.96, 20.9

 

CMYK 25 / 37 / 0 / 7

HEX #B195ED

RGB 177 149 237

HSL 259.09, 0.71%, 0.76%

LAB 67.24, 28.46, -40.58

 

CMYK 0 / 25 / 37 / 7

HEX #EEB295

RGB 238 178 149

HSL 19.55, 0.72%, 0.76%

LAB 77.39, 18.11, 23.34

 

CMYK 19 / 0 / 37 / 7

HEX #C0ED95

RGB 192 237 149

HSL 90.68, 0.71%, 0.76%

LAB 88.9, -29.39, 38

 

CMYK 37 / 12 / 0 / 7

HEX #95D1ED

RGB 149 209 237

HSL 199.09, 0.71%, 0.76%

LAB 80.8, -12.31, -19.88

 

CMYK 18 / 37 / 0 / 7

HEX #C395ED

RGB 195 149 237

HSL 271.36, 0.71%, 0.76%

LAB 68.9, 33.69, -37.86

 

CMYK 0 / 25 / 37 / 7

HEX #EEB295

RGB 238 178 149

HSL 19.55, 0.72%, 0.76%

LAB 77.39, 18.11, 23.34

 

CMYK 30 / 0 / 37 / 7

HEX #A5ED95

RGB 165 237 149

HSL 109.09, 0.71%, 0.76%

LAB 87.36, -38.61, 35.7

 

CMYK 37 / 12 / 0 / 7

HEX #95D1ED

RGB 149 209 237

HSL 199.09, 0.71%, 0.76%

LAB 80.8, -12.31, -19.88

 

CMYK 7 / 37 / 0 / 7

HEX #DD95ED

RGB 221 149 237

HSL 289.09, 0.71%, 0.76%

LAB 71.54, 41.46, -33.56

 

Description

Color code: RGB 238 178 149 | qconv.com Color code: RGB 238 178 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 178 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 178 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 37 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 37% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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