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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 163 41 it is the complementary color RGB 17 92 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 163 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 163 41 shade: RGB 243 163 36, RGB 255 181 55, RGB 255 199 74, RGB 255 217 93 and RGB 255 235 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 163 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 163 41 shade: RGB 238 163 41, RGB 221 145 22, RGB 204 127 3, RGB 187 109 0 and RGB 170 91 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 163 41 shade: RGB 237 163 42, RGB 237 110 42, RGB 237 58 42 and RGB 237 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 163 41 shade: RGB 237 163 42, RGB 237 216 42, RGB 206 237 42, RGB 154 237 42 and RGB 101 237 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 163 41 shade matches the following richer shades: RGB 237 163 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 163 41 shade: RGB 237 163 42, RGB 219 159 61, RGB 200 154 79, RGB 182 150 98 and RGB 163 145 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 163 41 shade: RGB 237 58 42, RGB 237 110 42, RGB 237 163 42, RGB 237 215 42 and RGB 208 237 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 163 41 shade: RGB 183 119 14, RGB 221 143 17, RGB 237 163 42, RGB 240 179 80 and RGB 243 196 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 163 41 shade: RGB 238 163 41, RGB 78 237 42 and RGB 84 42 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 163 41 shade: RGB 238 163 41, RGB 42 237 163 and RGB 163 42 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 163 41 shade: RGB 238 163 41, RGB 78 237 42, RGB 42 117 237 and RGB 202 42 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 163 41 shade: RGB 238 163 41, RGB 42 237 65, RGB 42 117 237 and RGB 237 42 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 83 / 7

HEX #EEA329

RGB 238 163 41

HSL 37.16, 0.85%, 0.55%

LAB 72.58, 18.43, 68.53

 

Complementary color

CMYK 92 / 57 / 0 / 16

HEX #115CD6

RGB 17 92 214

HSL 217.16, 0.85%, 0.45%

LAB 42.2, 26.35, -68.24

 

CMYK 0 / 33 / 85 / 5

HEX #F3A324

RGB 243 163 36

HSL 36.81, 0.9%, 0.55%

LAB 73.14, 20.42, 70.72

 

CMYK 0 / 29 / 78 / 0

HEX #FFB537

RGB 255 181 55

HSL 37.8, 1%, 0.61%

LAB 78.8, 16.58, 70.11

 

CMYK 0 / 22 / 71 / 0

HEX #FFC74A

RGB 255 199 74

HSL 41.44, 1%, 0.65%

LAB 83.23, 7.99, 67.23

 

CMYK 0 / 15 / 64 / 0

HEX #FFD95D

RGB 255 217 93

HSL 45.93, 1%, 0.68%

LAB 87.81, -0.21, 64.16

 

CMYK 0 / 8 / 56 / 0

HEX #FFEB70

RGB 255 235 112

HSL 51.61, 1%, 0.72%

LAB 92.51, -7.99, 61.07

 

CMYK 0 / 32 / 83 / 7

HEX #EEA329

RGB 238 163 41

HSL 37.16, 0.85%, 0.55%

LAB 72.58, 18.43, 68.53

 

CMYK 0 / 34 / 90 / 13

HEX #DD9116

RGB 221 145 22

HSL 37.09, 0.82%, 0.48%

LAB 66.28, 20.34, 67.77

 

CMYK 0 / 38 / 99 / 20

HEX #CC7F03

RGB 204 127 3

HSL 37.01, 0.97%, 0.41%

LAB 59.91, 22.47, 65.62

 

CMYK 0 / 42 / 100 / 27

HEX #BB6D00

RGB 187 109 0

HSL 34.97, 1%, 0.37%

LAB 53.49, 24.87, 60.91

 

CMYK 0 / 46 / 100 / 33

HEX #AA5B00

RGB 170 91 0

HSL 32.12, 1%, 0.33%

LAB 47.01, 27.36, 55.67

 

CMYK 0 / 31 / 82 / 7

HEX #EDA32A

RGB 237 163 42

HSL 37.23, 0.84%, 0.55%

LAB 72.47, 18.04, 68.08

 

CMYK 0 / 54 / 82 / 7

HEX #ED6E2A

RGB 237 110 42

HSL 20.92, 0.84%, 0.55%

LAB 61.07, 45.36, 58.08

 

CMYK 0 / 76 / 82 / 7

HEX #ED3A2A

RGB 237 58 42

HSL 4.92, 0.84%, 0.55%

LAB 53.17, 66.48, 50.93

 

CMYK 0 / 82 / 82 / 7

HEX #ED2A2A

RGB 237 42 42

HSL 0, 0.84%, 0.55%

LAB 51.64, 70.78, 49.53

 

CMYK 0 / 31 / 82 / 7

HEX #EDA32A

RGB 237 163 42

HSL 37.23, 0.84%, 0.55%

LAB 72.47, 18.04, 68.08

 

CMYK 0 / 9 / 82 / 7

HEX #EDD82A

RGB 237 216 42

HSL 53.54, 0.84%, 0.55%

LAB 85.65, -9.46, 79.31

 

CMYK 13 / 0 / 82 / 7

HEX #CEED2A

RGB 206 237 42

HSL 69.54, 0.84%, 0.55%

LAB 88.86, -32.41, 81.09

 

CMYK 35 / 0 / 82 / 7

HEX #9AED2A

RGB 154 237 42

HSL 85.54, 0.84%, 0.55%

LAB 85.81, -51.96, 77.25

 

CMYK 57 / 0 / 82 / 7

HEX #65ED2A

RGB 101 237 42

HSL 101.85, 0.84%, 0.55%

LAB 83.71, -67.77, 74.58

 

CMYK 0 / 31 / 82 / 7

HEX #EDA32A

RGB 237 163 42

HSL 37.23, 0.84%, 0.55%

LAB 72.47, 18.04, 68.08

 

CMYK 0 / 31 / 82 / 7

HEX #EDA32A

RGB 237 163 42

HSL 37.23, 0.84%, 0.55%

LAB 72.47, 18.04, 68.08

 

CMYK 0 / 27 / 72 / 14

HEX #DB9F3D

RGB 219 159 61

HSL 37.22, 0.69%, 0.55%

LAB 69.61, 13.21, 57.56

 

CMYK 0 / 23 / 61 / 22

HEX #C89A4F

RGB 200 154 79

HSL 37.19, 0.52%, 0.55%

LAB 66.49, 8.84, 45.28

 

CMYK 0 / 18 / 46 / 29

HEX #B69662

RGB 182 150 98

HSL 37.14, 0.37%, 0.55%

LAB 63.87, 5.03, 31.84

 

CMYK 0 / 11 / 29 / 36

HEX #A39174

RGB 163 145 116

HSL 37.02, 0.2%, 0.55%

LAB 61.04, 2.11, 17.87

 

CMYK 0 / 76 / 82 / 7

HEX #ED3A2A

RGB 237 58 42

HSL 4.92, 0.84%, 0.55%

LAB 53.17, 66.48, 50.93

 

CMYK 0 / 54 / 82 / 7

HEX #ED6E2A

RGB 237 110 42

HSL 20.92, 0.84%, 0.55%

LAB 61.07, 45.36, 58.08

 

CMYK 0 / 31 / 82 / 7

HEX #EDA32A

RGB 237 163 42

HSL 37.23, 0.84%, 0.55%

LAB 72.47, 18.04, 68.08

 

CMYK 0 / 9 / 82 / 7

HEX #EDD72A

RGB 237 215 42

HSL 53.23, 0.84%, 0.55%

LAB 85.39, -8.95, 79.09

 

CMYK 12 / 0 / 82 / 7

HEX #D0ED2A

RGB 208 237 42

HSL 68.92, 0.84%, 0.55%

LAB 88.99, -31.61, 81.26

 

CMYK 0 / 35 / 92 / 28

HEX #B7770E

RGB 183 119 14

HSL 37.28, 0.86%, 0.39%

LAB 55.37, 17.78, 59.28

 

CMYK 0 / 35 / 92 / 13

HEX #DD8F11

RGB 221 143 17

HSL 37.06, 0.86%, 0.47%

LAB 65.79, 21.33, 68.45

 

CMYK 0 / 31 / 82 / 7

HEX #EDA32A

RGB 237 163 42

HSL 37.23, 0.84%, 0.55%

LAB 72.47, 18.04, 68.08

 

CMYK 0 / 25 / 67 / 6

HEX #F0B350

RGB 240 179 80

HSL 37.13, 0.84%, 0.63%

LAB 76.89, 12.47, 57.6

 

CMYK 0 / 19 / 51 / 5

HEX #F3C477

RGB 243 196 119

HSL 37.26, 0.84%, 0.71%

LAB 81.77, 7.59, 44.73

 

CMYK 0 / 32 / 83 / 7

HEX #EEA329

RGB 238 163 41

HSL 37.16, 0.85%, 0.55%

LAB 72.58, 18.43, 68.53

 

CMYK 67 / 0 / 82 / 7

HEX #4EED2A

RGB 78 237 42

HSL 108.92, 0.84%, 0.55%

LAB 83.1, -72.77, 73.81

 

CMYK 65 / 82 / 0 / 7

HEX #542AED

RGB 84 42 237

HSL 252.92, 0.84%, 0.55%

LAB 37.22, 66.87, -89.42

 

CMYK 0 / 32 / 83 / 7

HEX #EEA329

RGB 238 163 41

HSL 37.16, 0.85%, 0.55%

LAB 72.58, 18.43, 68.53

 

CMYK 82 / 0 / 31 / 7

HEX #2AEDA3

RGB 42 237 163

HSL 157.23, 0.84%, 0.55%

LAB 83.81, -62.37, 23.17

 

CMYK 31 / 82 / 0 / 7

HEX #A32AED

RGB 163 42 237

HSL 277.23, 0.84%, 0.55%

LAB 46.39, 76.07, -74.01

 

CMYK 0 / 32 / 83 / 7

HEX #EEA329

RGB 238 163 41

HSL 37.16, 0.85%, 0.55%

LAB 72.58, 18.43, 68.53

 

CMYK 67 / 0 / 82 / 7

HEX #4EED2A

RGB 78 237 42

HSL 108.92, 0.84%, 0.55%

LAB 83.1, -72.77, 73.81

 

CMYK 82 / 51 / 0 / 7

HEX #2A75ED

RGB 42 117 237

HSL 216.92, 0.84%, 0.55%

LAB 51.07, 20.68, -66.81

 

CMYK 15 / 82 / 0 / 7

HEX #CA2AED

RGB 202 42 237

HSL 289.23, 0.84%, 0.55%

LAB 52.2, 82.17, -64.3

 

CMYK 0 / 32 / 83 / 7

HEX #EEA329

RGB 238 163 41

HSL 37.16, 0.85%, 0.55%

LAB 72.58, 18.43, 68.53

 

CMYK 82 / 0 / 73 / 7

HEX #2AED41

RGB 42 237 65

HSL 127.08, 0.84%, 0.55%

LAB 82.62, -76.53, 66.36

 

CMYK 82 / 51 / 0 / 7

HEX #2A75ED

RGB 42 117 237

HSL 216.92, 0.84%, 0.55%

LAB 51.07, 20.68, -66.81

 

CMYK 0 / 82 / 9 / 7

HEX #ED2AD7

RGB 237 42 215

HSL 306.77, 0.84%, 0.55%

LAB 56.65, 85.07, -44.43

 

Description

Color code: RGB 238 163 41 | qconv.com Color code: RGB 238 163 41 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 163 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 163 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 83 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 83% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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