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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 130 98 it is the complementary color RGB 17 125 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 130 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 238 130 98: RGB 243 130 93, RGB 255 148 112, RGB 255 166 131, RGB 255 184 150 and RGB 255 202 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 130 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 238 130 98: RGB 238 130 98, RGB 221 112 79, RGB 204 94 60, RGB 187 76 41 and RGB 170 58 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 59 / 7

HEX #EE8262

RGB 238 130 98

HSL 13.71, 0.8%, 0.66%

LAB 65.77, 38.54, 35.61

 

Complementary color

CMYK 89 / 20 / 0 / 38

HEX #117D9D

RGB 17 125 157

HSL 193.71, 0.8%, 0.34%

LAB 48.54, -16.33, -25.08

 

CMYK 0 / 47 / 62 / 5

HEX #F3825D

RGB 243 130 93

HSL 14.8, 0.86%, 0.66%

LAB 66.37, 40.1, 39.2

 

CMYK 0 / 42 / 56 / 0

HEX #FF9470

RGB 255 148 112

HSL 15.1, 1%, 0.72%

LAB 71.97, 36.87, 36.37

 

CMYK 0 / 35 / 49 / 0

HEX #FFA683

RGB 255 166 131

HSL 16.94, 1%, 0.76%

LAB 76.17, 29.15, 31.66

 

CMYK 0 / 28 / 41 / 0

HEX #FFB896

RGB 255 184 150

HSL 19.43, 1%, 0.79%

LAB 80.6, 21.62, 27.44

 

CMYK 0 / 21 / 34 / 0

HEX #FFCAA9

RGB 255 202 169

HSL 23.02, 1%, 0.83%

LAB 85.18, 14.37, 23.64

 

CMYK 0 / 45 / 59 / 7

HEX #EE8262

RGB 238 130 98

HSL 13.71, 0.8%, 0.66%

LAB 65.77, 38.54, 35.61

 

CMYK 0 / 49 / 64 / 13

HEX #DD704F

RGB 221 112 79

HSL 13.94, 0.68%, 0.59%

LAB 59.46, 39.92, 37.64

 

CMYK 0 / 54 / 71 / 20

HEX #CC5E3C

RGB 204 94 60

HSL 14.17, 0.59%, 0.52%

LAB 53.13, 41.38, 39.87

 

CMYK 0 / 59 / 78 / 27

HEX #BB4C29

RGB 187 76 41

HSL 14.38, 0.64%, 0.45%

LAB 46.83, 42.88, 42.25

 

CMYK 0 / 66 / 87 / 33

HEX #AA3A16

RGB 170 58 22

HSL 14.59, 0.77%, 0.38%

LAB 40.62, 44.32, 44.48

 

CMYK 0 / 45 / 59 / 7

HEX #EE8262

RGB 238 130 98

HSL 13.71, 0.8%, 0.66%

LAB 65.77, 38.54, 35.61

 

CMYK 0 / 36 / 59 / 7

HEX #ED9862

RGB 237 152 98

HSL 23.31, 0.79%, 0.66%

LAB 70.42, 26.68, 41.33

 

CMYK 0 / 26 / 59 / 7

HEX #EDAF62

RGB 237 175 98

HSL 33.24, 0.79%, 0.66%

LAB 75.79, 14.49, 47.78

 

CMYK 0 / 16 / 59 / 7

HEX #EDC662

RGB 237 198 98

HSL 43.17, 0.79%, 0.66%

LAB 81.44, 2.43, 54.36

 

CMYK 0 / 7 / 59 / 7

HEX #EDDD62

RGB 237 221 98

HSL 53.09, 0.79%, 0.66%

LAB 87.29, -9.3, 60.97

 

CMYK 0 / 45 / 59 / 7

HEX #EE8262

RGB 238 130 98

HSL 13.71, 0.8%, 0.66%

LAB 65.77, 38.54, 35.61

 

CMYK 0 / 44 / 59 / 87

HEX #22130E

RGB 34 19 14

HSL 15, 0.42%, 0.09%

LAB 7.57, 6.95, 5.52

 

CMYK 0 / 46 / 59 / 67

HEX #552E23

RGB 85 46 35

HSL 13.2, 0.42%, 0.24%

LAB 23.69, 16.59, 14.81

 

CMYK 0 / 46 / 59 / 47

HEX #884A38

RGB 136 74 56

HSL 13.5, 0.42%, 0.38%

LAB 38.58, 24.42, 22.25

 

CMYK 0 / 45 / 59 / 27

HEX #BB664D

RGB 187 102 77

HSL 13.64, 0.45%, 0.52%

LAB 52.51, 31.68, 29.12

 

CMYK 0 / 45 / 59 / 7

HEX #EE8262

RGB 238 130 98

HSL 13.71, 0.8%, 0.66%

LAB 65.77, 38.54, 35.61

 

CMYK 24 / 0 / 59 / 7

HEX #B3ED62

RGB 179 237 98

HSL 85.04, 0.79%, 0.66%

LAB 87.5, -39.62, 60.08

 

CMYK 59 / 48 / 0 / 7

HEX #627CED

RGB 98 124 237

HSL 228.78, 0.79%, 0.66%

LAB 55.2, 23.92, -60.03

 

CMYK 0 / 45 / 59 / 7

HEX #EE8262

RGB 238 130 98

HSL 13.71, 0.8%, 0.66%

LAB 65.77, 38.54, 35.61

 

CMYK 59 / 0 / 46 / 7

HEX #62ED80

RGB 98 237 128

HSL 132.95, 0.79%, 0.66%

LAB 84.34, -60.27, 41.65

 

CMYK 46 / 59 / 0 / 7

HEX #8062ED

RGB 128 98 237

HSL 252.95, 0.79%, 0.66%

LAB 51.2, 45.24, -66.38

 

CMYK 0 / 45 / 59 / 7

HEX #EE8262

RGB 238 130 98

HSL 13.71, 0.8%, 0.66%

LAB 65.77, 38.54, 35.61

 

CMYK 24 / 0 / 59 / 7

HEX #B3ED62

RGB 179 237 98

HSL 85.04, 0.79%, 0.66%

LAB 87.5, -39.62, 60.08

 

CMYK 59 / 13 / 0 / 7

HEX #62CFED

RGB 98 207 237

HSL 192.95, 0.79%, 0.66%

LAB 78.07, -22.74, -24.22

 

CMYK 34 / 59 / 0 / 7

HEX #9C62ED

RGB 156 98 237

HSL 265.04, 0.79%, 0.66%

LAB 53.94, 51.25, -61.81

 

CMYK 0 / 45 / 59 / 7

HEX #EE8262

RGB 238 130 98

HSL 13.71, 0.8%, 0.66%

LAB 65.77, 38.54, 35.61

 

CMYK 42 / 0 / 59 / 7

HEX #8AED62

RGB 138 237 98

HSL 102.73, 0.79%, 0.66%

LAB 85.43, -53.45, 57.17

 

CMYK 59 / 13 / 0 / 7

HEX #62CFED

RGB 98 207 237

HSL 192.95, 0.79%, 0.66%

LAB 78.07, -22.74, -24.22

 

CMYK 16 / 59 / 0 / 7

HEX #C662ED

RGB 198 98 237

HSL 283.17, 0.79%, 0.66%

LAB 58.84, 61.08, -53.69

 

Description

Color code: RGB 238 130 98 | qconv.com Color code: RGB 238 130 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as salmon2.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 130 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 130 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 59 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 59% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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