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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 106 167 it is the complementary color RGB 17 149 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 106 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 238 106 167: RGB 243 106 162, RGB 255 124 181, RGB 255 142 200, RGB 255 160 219 and RGB 255 178 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 106 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 238 106 167: RGB 238 106 167, RGB 221 88 148, RGB 204 70 129, RGB 187 52 110 and RGB 170 34 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 30 / 7

HEX #EE6AA7

RGB 238 106 167

HSL 332.27, 0.8%, 0.67%

LAB 62.74, 57.08, -7.6

 

Complementary color

CMYK 89 / 0 / 41 / 42

HEX #119558

RGB 17 149 88

HSL 152.27, 0.8%, 0.33%

LAB 54.36, -47.4, 23.17

 

CMYK 0 / 56 / 33 / 5

HEX #F36AA2

RGB 243 106 162

HSL 335.47, 0.85%, 0.68%

LAB 63.32, 58.03, -3.79

 

CMYK 0 / 51 / 29 / 0

HEX #FF7CB5

RGB 255 124 181

HSL 333.89, 1%, 0.74%

LAB 68.76, 55.78, -6.34

 

CMYK 0 / 44 / 22 / 0

HEX #FF8EC8

RGB 255 142 200

HSL 329.2, 1%, 0.78%

LAB 72.74, 49.57, -11.01

 

CMYK 0 / 37 / 14 / 0

HEX #FFA0DB

RGB 255 160 219

HSL 322.74, 1%, 0.81%

LAB 76.99, 43.27, -15.08

 

CMYK 0 / 30 / 7 / 0

HEX #FFB2EE

RGB 255 178 238

HSL 313.25, 1%, 0.85%

LAB 81.44, 37.03, -18.65

 

CMYK 0 / 55 / 30 / 7

HEX #EE6AA7

RGB 238 106 167

HSL 332.27, 0.8%, 0.67%

LAB 62.74, 57.08, -7.6

 

CMYK 0 / 60 / 33 / 13

HEX #DD5894

RGB 221 88 148

HSL 332.93, 0.66%, 0.61%

LAB 56.57, 57.62, -6.03

 

CMYK 0 / 66 / 37 / 20

HEX #CC4681

RGB 204 70 129

HSL 333.58, 0.57%, 0.54%

LAB 50.46, 57.93, -4.12

 

CMYK 0 / 72 / 41 / 27

HEX #BB346E

RGB 187 52 110

HSL 334.22, 0.56%, 0.47%

LAB 44.44, 57.84, -1.74

 

CMYK 0 / 80 / 46 / 33

HEX #AA225B

RGB 170 34 91

HSL 334.85, 0.67%, 0.4%

LAB 38.63, 57.07, 1.3

 

CMYK 0 / 55 / 30 / 7

HEX #EE6AA7

RGB 238 106 167

HSL 332.27, 0.8%, 0.67%

LAB 62.74, 57.08, -7.6

 

CMYK 0 / 57 / 40 / 7

HEX #EE678F

RGB 238 103 143

HSL 342.22, 0.8%, 0.67%

LAB 61.53, 55.7, 4.45

 

CMYK 0 / 57 / 49 / 7

HEX #EE6779

RGB 238 103 121

HSL 352, 0.8%, 0.67%

LAB 61.01, 53.57, 16.42

 

CMYK 0 / 55 / 57 / 7

HEX #EE6C67

RGB 238 108 103

HSL 2.22, 0.8%, 0.67%

LAB 61.55, 49.77, 27.45

 

CMYK 0 / 45 / 57 / 7

HEX #EE8267

RGB 238 130 103

HSL 12, 0.8%, 0.67%

LAB 65.84, 38.91, 32.99

 

CMYK 0 / 55 / 30 / 7

HEX #EE6AA7

RGB 238 106 167

HSL 332.27, 0.8%, 0.67%

LAB 62.74, 57.08, -7.6

 

CMYK 0 / 56 / 29 / 87

HEX #220F18

RGB 34 15 24

HSL 331.58, 0.39%, 0.1%

LAB 6.75, 11.32, -2.03

 

CMYK 0 / 55 / 29 / 67

HEX #55263C

RGB 85 38 60

HSL 331.91, 0.38%, 0.24%

LAB 22.46, 24.72, -3.86

 

CMYK 0 / 55 / 30 / 47

HEX #883D5F

RGB 136 61 95

HSL 332.8, 0.38%, 0.39%

LAB 36.74, 36.02, -4.71

 

CMYK 0 / 56 / 30 / 27

HEX #BB5383

RGB 187 83 131

HSL 332.31, 0.43%, 0.53%

LAB 49.97, 47.1, -6.34

 

CMYK 0 / 55 / 30 / 7

HEX #EE6AA7

RGB 238 106 167

HSL 332.27, 0.8%, 0.67%

LAB 62.74, 57.08, -7.6

 

CMYK 0 / 15 / 57 / 7

HEX #EECA67

RGB 238 202 103

HSL 44, 0.8%, 0.67%

LAB 82.59, 1.14, 53.37

 

CMYK 57 / 8 / 0 / 7

HEX #67DCEE

RGB 103 220 238

HSL 188, 0.8%, 0.67%

LAB 81.97, -27.97, -18.82

 

CMYK 0 / 55 / 30 / 7

HEX #EE6AA7

RGB 238 106 167

HSL 332.27, 0.8%, 0.67%

LAB 62.74, 57.08, -7.6

 

CMYK 30 / 0 / 57 / 7

HEX #A6EE67

RGB 166 238 103

HSL 92, 0.8%, 0.67%

LAB 87.11, -44.22, 57.27

 

CMYK 57 / 30 / 0 / 7

HEX #67A6EE

RGB 103 166 238

HSL 212, 0.8%, 0.67%

LAB 66.77, 0.46, -42.22

 

CMYK 0 / 55 / 30 / 7

HEX #EE6AA7

RGB 238 106 167

HSL 332.27, 0.8%, 0.67%

LAB 62.74, 57.08, -7.6

 

CMYK 0 / 15 / 57 / 7

HEX #EECA67

RGB 238 202 103

HSL 44, 0.8%, 0.67%

LAB 82.59, 1.14, 53.37

 

CMYK 57 / 0 / 26 / 7

HEX #67EEAF

RGB 103 238 175

HSL 152, 0.8%, 0.67%

LAB 85.57, -51.28, 19.59

 

CMYK 57 / 42 / 0 / 7

HEX #678BEE

RGB 103 139 238

HSL 224, 0.8%, 0.67%

LAB 59.45, 16.17, -53.78

 

CMYK 0 / 55 / 30 / 7

HEX #EE6AA7

RGB 238 106 167

HSL 332.27, 0.8%, 0.67%

LAB 62.74, 57.08, -7.6

 

CMYK 2 / 0 / 57 / 7

HEX #E9EE67

RGB 233 238 103

HSL 62.22, 0.8%, 0.67%

LAB 91.44, -18.94, 63.33

 

CMYK 57 / 0 / 26 / 7

HEX #67EEAF

RGB 103 238 175

HSL 152, 0.8%, 0.67%

LAB 85.57, -51.28, 19.59

 

CMYK 55 / 57 / 0 / 7

HEX #6C67EE

RGB 108 103 238

HSL 242.22, 0.8%, 0.67%

LAB 50.76, 38.75, -67.72

 

Description

Color code: RGB 238 106 167 | qconv.com Color code: RGB 238 106 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as HotPink2.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 106 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 106 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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