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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 103 121 it is the complementary color RGB 17 152 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 103 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 238 103 121: RGB 243 103 116, RGB 255 121 135, RGB 255 139 154, RGB 255 157 173 and RGB 255 175 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 103 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 238 103 121: RGB 238 103 121, RGB 221 85 102, RGB 204 67 83, RGB 187 49 64 and RGB 170 31 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 49 / 7

HEX #EE6779

RGB 238 103 121

HSL 352, 0.8%, 0.67%

LAB 61.01, 53.57, 16.42

 

Complementary color

CMYK 89 / 0 / 12 / 40

HEX #119886

RGB 17 152 134

HSL 172, 0.8%, 0.33%

LAB 56.38, -37.29, 0.07

 

CMYK 0 / 58 / 52 / 5

HEX #F36774

RGB 243 103 116

HSL 354.43, 0.85%, 0.68%

LAB 61.67, 54.82, 20.32

 

CMYK 0 / 53 / 47 / 0

HEX #FF7987

RGB 255 121 135

HSL 353.73, 1%, 0.74%

LAB 67.04, 52.19, 17.15

 

CMYK 0 / 45 / 40 / 0

HEX #FF8B9A

RGB 255 139 154

HSL 352.24, 1%, 0.77%

LAB 70.91, 45.31, 11.91

 

CMYK 0 / 38 / 32 / 0

HEX #FF9DAD

RGB 255 157 173

HSL 350.2, 1%, 0.81%

LAB 75.07, 38.36, 7.31

 

CMYK 0 / 31 / 25 / 0

HEX #FFAFC0

RGB 255 175 192

HSL 347.25, 1%, 0.84%

LAB 79.46, 31.5, 3.26

 

CMYK 0 / 57 / 49 / 7

HEX #EE6779

RGB 238 103 121

HSL 352, 0.8%, 0.67%

LAB 61.01, 53.57, 16.42

 

CMYK 0 / 62 / 54 / 13

HEX #DD5566

RGB 221 85 102

HSL 352.5, 0.67%, 0.6%

LAB 54.9, 54.38, 18.69

 

CMYK 0 / 67 / 59 / 20

HEX #CC4353

RGB 204 67 83

HSL 352.99, 0.57%, 0.53%

LAB 48.85, 55, 21.41

 

CMYK 0 / 74 / 66 / 27

HEX #BB3140

RGB 187 49 64

HSL 353.48, 0.58%, 0.46%

LAB 42.96, 55.24, 24.72

 

CMYK 0 / 82 / 74 / 33

HEX #AA1F2D

RGB 170 31 45

HSL 353.96, 0.69%, 0.39%

LAB 37.33, 54.81, 28.76

 

CMYK 0 / 57 / 49 / 7

HEX #EE6779

RGB 238 103 121

HSL 352, 0.8%, 0.67%

LAB 61.01, 53.57, 16.42

 

CMYK 0 / 55 / 57 / 7

HEX #EE6C67

RGB 238 108 103

HSL 2.22, 0.8%, 0.67%

LAB 61.55, 49.77, 27.45

 

CMYK 0 / 45 / 57 / 7

HEX #EE8267

RGB 238 130 103

HSL 12, 0.8%, 0.67%

LAB 65.84, 38.91, 32.99

 

CMYK 0 / 36 / 57 / 7

HEX #EE9867

RGB 238 152 103

HSL 21.78, 0.8%, 0.67%

LAB 70.6, 27.45, 38.97

 

CMYK 0 / 26 / 57 / 7

HEX #EEAF67

RGB 238 175 103

HSL 32, 0.8%, 0.67%

LAB 75.96, 15.28, 45.52

 

CMYK 0 / 57 / 49 / 7

HEX #EE6779

RGB 238 103 121

HSL 352, 0.8%, 0.67%

LAB 61.01, 53.57, 16.42

 

CMYK 0 / 56 / 50 / 87

HEX #220F11

RGB 34 15 17

HSL 353.68, 0.39%, 0.1%

LAB 6.52, 9.92, 2.37

 

CMYK 0 / 56 / 49 / 67

HEX #55252B

RGB 85 37 43

HSL 352.5, 0.39%, 0.24%

LAB 21.69, 22.94, 6.71

 

CMYK 0 / 57 / 49 / 47

HEX #883B45

RGB 136 59 69

HSL 352.21, 0.39%, 0.38%

LAB 35.58, 33.9, 10.16

 

CMYK 0 / 57 / 49 / 27

HEX #BB515F

RGB 187 81 95

HSL 352.08, 0.44%, 0.53%

LAB 48.61, 44.01, 13.37

 

CMYK 0 / 57 / 49 / 7

HEX #EE6779

RGB 238 103 121

HSL 352, 0.8%, 0.67%

LAB 61.01, 53.57, 16.42

 

CMYK 4 / 0 / 57 / 7

HEX #E5EE67

RGB 229 238 103

HSL 64, 0.8%, 0.67%

LAB 91.14, -20.53, 62.92

 

CMYK 57 / 26 / 0 / 7

HEX #67AFEE

RGB 103 175 238

HSL 208, 0.8%, 0.67%

LAB 69.27, -4.58, -38.32

 

CMYK 0 / 57 / 49 / 7

HEX #EE6779

RGB 238 103 121

HSL 352, 0.8%, 0.67%

LAB 61.01, 53.57, 16.42

 

CMYK 49 / 0 / 57 / 7

HEX #79EE67

RGB 121 238 103

HSL 112, 0.8%, 0.67%

LAB 85.09, -58.25, 54.41

 

CMYK 57 / 49 / 0 / 7

HEX #6779EE

RGB 103 121 238

HSL 232, 0.8%, 0.67%

LAB 54.79, 27, -61.23

 

CMYK 0 / 57 / 49 / 7

HEX #EE6779

RGB 238 103 121

HSL 352, 0.8%, 0.67%

LAB 61.01, 53.57, 16.42

 

CMYK 4 / 0 / 57 / 7

HEX #E5EE67

RGB 229 238 103

HSL 64, 0.8%, 0.67%

LAB 91.14, -20.53, 62.92

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDC

RGB 103 238 220

HSL 172, 0.8%, 0.67%

LAB 86.6, -41.1, -2.42

 

CMYK 53 / 57 / 0 / 7

HEX #7067EE

RGB 112 103 238

HSL 244, 0.8%, 0.67%

LAB 51.06, 39.5, -67.23

 

CMYK 0 / 57 / 49 / 7

HEX #EE6779

RGB 238 103 121

HSL 352, 0.8%, 0.67%

LAB 61.01, 53.57, 16.42

 

CMYK 21 / 0 / 57 / 7

HEX #BCEE67

RGB 188 238 103

HSL 82.22, 0.8%, 0.67%

LAB 88.36, -36.33, 59.03

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDC

RGB 103 238 220

HSL 172, 0.8%, 0.67%

LAB 86.6, -41.1, -2.42

 

CMYK 36 / 57 / 0 / 7

HEX #9867EE

RGB 152 103 238

HSL 261.78, 0.8%, 0.67%

LAB 54.6, 47.91, -61.33

 

Description

Color code: RGB 238 103 121 | qconv.com Color code: RGB 238 103 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 103 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 103 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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