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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238.3 162.4 191 it is the complementary color RGB 16.7 92.6 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238.3 162.4 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238.3 162.4 191 shade: RGB 243.3 162.4 186, RGB 255 180.4 205, RGB 255 198.4 224, RGB 255 216.4 243 and RGB 255 234.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238.3 162.4 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238.3 162.4 191 shade: RGB 238.3 162.4 191, RGB 221.3 144.4 172, RGB 204.3 126.4 153, RGB 187.3 108.4 134 and RGB 170.3 90.4 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238.3 162.4 191 shade: RGB 238 165 192, RGB 238 165 172 and RGB 238 165 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238.3 162.4 191 shade: RGB 238 165 192, RGB 238 165 212, RGB 238 165 232, RGB 225 165 238 and RGB 205 165 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238.3 162.4 191 shade matches the following richer shades: RGB 238 165 192 and RGB 247 156 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238.3 162.4 191 shade: RGB 238 165 192, RGB 230 173 194, RGB 221 182 197, RGB 212 190 199 and RGB 204 199 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238.3 162.4 191 shade: RGB 238 165 232, RGB 238 165 213, RGB 238 165 193, RGB 238 165 173 and RGB 238 176 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238.3 162.4 191 shade: RGB 226 95 144, RGB 232 130 168, RGB 238 165 192, RGB 245 199 216 and RGB 251 234 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238.3 162.4 191 shade: RGB 238.3 162.4 191, RGB 238 225 165 and RGB 165 222 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238.3 162.4 191 shade: RGB 238.3 162.4 191, RGB 193 238 165 and RGB 165 193 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238.3 162.4 191 shade: RGB 238.3 162.4 191, RGB 238 225 165, RGB 165 238 210 and RGB 165 178 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238.3 162.4 191 shade: RGB 238.3 162.4 191, RGB 230 238 165, RGB 165 238 210 and RGB 173 165 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 20 / 7

HEX #EEA2BF

RGB 238.3 162.4 191

HSL 337.39, 0.69%, 0.79%

LAB 74.81, 32.09, -3.2

 

Complementary color

CMYK 82 / 0 / 31 / 64

HEX #105C40

RGB 16.7 92.6 64

HSL 157.39, 0.69%, 0.21%

LAB 34.49, -29.89, 10.2

 

CMYK 0 / 33 / 24 / 5

HEX #F3A2BA

RGB 243.3 162.4 186

HSL 342.5, 0.78%, 0.8%

LAB 75.22, 33.12, 0.22

 

CMYK 0 / 29 / 20 / 0

HEX #FFB4CD

RGB 255 180.4 205

HSL 340.21, 1%, 0.85%

LAB 81, 30.53, -1.53

 

CMYK 0 / 22 / 12 / 0

HEX #FFC6E0

RGB 255 198.4 224

HSL 332.86, 1%, 0.89%

LAB 85.61, 24.02, -4.93

 

CMYK 0 / 15 / 5 / 0

HEX #FFD8F3

RGB 255 216.4 243

HSL 318.65, 1%, 0.92%

LAB 90.34, 17.76, -7.99

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234.4 255

HSL 300, 1%, 0.96%

LAB 94.97, 10.52, -7.4

 

CMYK 0 / 32 / 20 / 7

HEX #EEA2BF

RGB 238.3 162.4 191

HSL 337.39, 0.69%, 0.79%

LAB 74.81, 32.09, -3.2

 

CMYK 0 / 35 / 22 / 13

HEX #DD90AC

RGB 221.3 144.4 172

HSL 338.47, 0.53%, 0.72%

LAB 68.36, 32.85, -2.36

 

CMYK 0 / 38 / 25 / 20

HEX #CC7E99

RGB 204.3 126.4 153

HSL 339.51, 0.43%, 0.65%

LAB 61.83, 33.66, -1.43

 

CMYK 0 / 42 / 28 / 27

HEX #BB6C86

RGB 187.3 108.4 134

HSL 340.53, 0.37%, 0.58%

LAB 55.21, 34.53, -0.38

 

CMYK 0 / 47 / 32 / 33

HEX #AA5A73

RGB 170.3 90.4 115

HSL 341.53, 0.32%, 0.51%

LAB 48.51, 35.44, 0.84

 

CMYK 0 / 31 / 19 / 7

HEX #EEA5C0

RGB 238 165 192

HSL 337.81, 0.68%, 0.79%

LAB 75.38, 30.76, -2.91

 

CMYK 0 / 31 / 28 / 7

HEX #EEA5AC

RGB 238 165 172

HSL 354.25, 0.68%, 0.79%

LAB 74.87, 27.9, 7.31

 

CMYK 0 / 31 / 31 / 7

HEX #EEA5A5

RGB 238 165 165

HSL 0, 0.68%, 0.79%

LAB 74.7, 26.98, 10.91

 

CMYK 0 / 31 / 19 / 7

HEX #EEA5C0

RGB 238 165 192

HSL 337.81, 0.68%, 0.79%

LAB 75.38, 30.76, -2.91

 

CMYK 0 / 31 / 11 / 7

HEX #EEA5D4

RGB 238 165 212

HSL 321.37, 0.68%, 0.79%

LAB 75.97, 33.91, -12.98

 

CMYK 0 / 31 / 3 / 7

HEX #EEA5E8

RGB 238 165 232

HSL 304.93, 0.68%, 0.79%

LAB 76.63, 37.34, -22.88

 

CMYK 5 / 31 / 0 / 7

HEX #E1A5EE

RGB 225 165 238

HSL 289.32, 0.68%, 0.79%

LAB 75.51, 34.34, -27.96

 

CMYK 14 / 31 / 0 / 7

HEX #CDA5EE

RGB 205 165 238

HSL 272.88, 0.68%, 0.79%

LAB 73.59, 28.13, -31.08

 

CMYK 0 / 31 / 19 / 7

HEX #EEA5C0

RGB 238 165 192

HSL 337.81, 0.68%, 0.79%

LAB 75.38, 30.76, -2.91

 

CMYK 0 / 37 / 23 / 3

HEX #F79CBE

RGB 247 156 190

HSL 337.58, 0.85%, 0.79%

LAB 74.36, 38.33, -3.2

 

CMYK 0 / 31 / 19 / 7

HEX #EEA5C0

RGB 238 165 192

HSL 337.81, 0.68%, 0.79%

LAB 75.38, 30.76, -2.91

 

CMYK 0 / 25 / 16 / 10

HEX #E6ADC2

RGB 230 173 194

HSL 337.89, 0.53%, 0.79%

LAB 76.44, 23.98, -2.55

 

CMYK 0 / 18 / 11 / 13

HEX #DDB6C5

RGB 221 182 197

HSL 336.92, 0.36%, 0.79%

LAB 77.79, 16.44, -2.3

 

CMYK 0 / 10 / 6 / 17

HEX #D4BEC7

RGB 212 190 199

HSL 335.45, 0.2%, 0.79%

LAB 79.01, 9.32, -1.69

 

CMYK 0 / 2 / 1 / 20

HEX #CCC7C9

RGB 204 199 201

HSL 336, 0.05%, 0.79%

LAB 80.68, 2.1, -0.39

 

CMYK 0 / 31 / 3 / 7

HEX #EEA5E8

RGB 238 165 232

HSL 304.93, 0.68%, 0.79%

LAB 76.63, 37.34, -22.88

 

CMYK 0 / 31 / 11 / 7

HEX #EEA5D5

RGB 238 165 213

HSL 320.55, 0.68%, 0.79%

LAB 76, 34.08, -13.48

 

CMYK 0 / 31 / 19 / 7

HEX #EEA5C1

RGB 238 165 193

HSL 336.99, 0.68%, 0.79%

LAB 75.41, 30.91, -3.41

 

CMYK 0 / 31 / 27 / 7

HEX #EEA5AD

RGB 238 165 173

HSL 353.42, 0.68%, 0.79%

LAB 74.89, 28.04, 6.8

 

CMYK 0 / 26 / 31 / 7

HEX #EEB0A5

RGB 238 176 165

HSL 9.04, 0.68%, 0.79%

LAB 77.25, 21.13, 14.51

 

CMYK 0 / 58 / 36 / 11

HEX #E25F90

RGB 226 95 144

HSL 337.56, 0.69%, 0.63%

LAB 58.38, 55.6, -0.93

 

CMYK 0 / 44 / 28 / 9

HEX #E882A8

RGB 232 130 168

HSL 337.65, 0.69%, 0.71%

LAB 66.48, 43.56, -2.73

 

CMYK 0 / 31 / 19 / 7

HEX #EEA5C0

RGB 238 165 192

HSL 337.81, 0.68%, 0.79%

LAB 75.38, 30.76, -2.91

 

CMYK 0 / 19 / 12 / 4

HEX #F5C7D8

RGB 245 199 216

HSL 337.83, 0.7%, 0.87%

LAB 84.6, 18.95, -2.27

 

CMYK 0 / 7 / 4 / 2

HEX #FBEAF1

RGB 251 234 241

HSL 335.29, 0.68%, 0.95%

LAB 94.19, 6.94, -1.32

 

CMYK 0 / 32 / 20 / 7

HEX #EEA2BF

RGB 238.3 162.4 191

HSL 337.39, 0.69%, 0.79%

LAB 74.81, 32.09, -3.2

 

CMYK 0 / 5 / 31 / 7

HEX #EEE1A5

RGB 238 225 165

HSL 49.32, 0.68%, 0.79%

LAB 89.27, -4.44, 31.01

 

CMYK 31 / 7 / 0 / 7

HEX #A5DEEE

RGB 165 222 238

HSL 193.15, 0.68%, 0.79%

LAB 85.21, -14.42, -13.69

 

CMYK 0 / 32 / 20 / 7

HEX #EEA2BF

RGB 238.3 162.4 191

HSL 337.39, 0.69%, 0.79%

LAB 74.81, 32.09, -3.2

 

CMYK 19 / 0 / 31 / 7

HEX #C1EEA5

RGB 193 238 165

HSL 96.99, 0.68%, 0.79%

LAB 89.49, -27.31, 30.74

 

CMYK 31 / 19 / 0 / 7

HEX #A5C1EE

RGB 165 193 238

HSL 216.99, 0.68%, 0.79%

LAB 77.47, 0.8, -25.39

 

CMYK 0 / 32 / 20 / 7

HEX #EEA2BF

RGB 238.3 162.4 191

HSL 337.39, 0.69%, 0.79%

LAB 74.81, 32.09, -3.2

 

CMYK 0 / 5 / 31 / 7

HEX #EEE1A5

RGB 238 225 165

HSL 49.32, 0.68%, 0.79%

LAB 89.27, -4.44, 31.01

 

CMYK 31 / 0 / 12 / 7

HEX #A5EED2

RGB 165 238 210

HSL 156.99, 0.68%, 0.79%

LAB 88.83, -28.42, 6.36

 

CMYK 31 / 25 / 0 / 7

HEX #A5B2EE

RGB 165 178 238

HSL 229.32, 0.68%, 0.79%

LAB 73.55, 9.01, -31.4

 

CMYK 0 / 32 / 20 / 7

HEX #EEA2BF

RGB 238.3 162.4 191

HSL 337.39, 0.69%, 0.79%

LAB 74.81, 32.09, -3.2

 

CMYK 3 / 0 / 31 / 7

HEX #E6EEA5

RGB 230 238 165

HSL 66.58, 0.68%, 0.79%

LAB 91.99, -13.96, 34.53

 

CMYK 31 / 0 / 12 / 7

HEX #A5EED2

RGB 165 238 210

HSL 156.99, 0.68%, 0.79%

LAB 88.83, -28.42, 6.36

 

CMYK 27 / 31 / 0 / 7

HEX #ADA5EE

RGB 173 165 238

HSL 246.58, 0.68%, 0.79%

LAB 70.85, 18.56, -35.53

 

Description

Color code: RGB 238.3 162.4 191 | qconv.com Color code: RGB 238.3 162.4 191 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238.3 red, 162.4 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238.3 162.4 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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