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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 201 135 it is the complementary color RGB 18 54 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 201 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 237 201 135 shade: RGB 242 201 130, RGB 255 219 149, RGB 255 237 168, RGB 255 255 187 and RGB 255 255 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 201 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 237 201 135 shade: RGB 237 201 135, RGB 220 183 116, RGB 203 165 97, RGB 186 147 78 and RGB 169 129 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 237 201 135 shade: RGB 237 201 135, RGB 237 173 135, RGB 237 146 135 and RGB 237 135 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 237 201 135 shade: RGB 237 201 135, RGB 237 228 135, RGB 218 237 135, RGB 190 237 135 and RGB 163 237 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 237 201 135 shade matches the following richer shades: RGB 237 201 135 and RGB 248 204 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 237 201 135 shade: RGB 237 201 135, RGB 225 197 146, RGB 214 194 157, RGB 203 191 168 and RGB 192 188 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 237 201 135 shade: RGB 237 145 135, RGB 237 172 135, RGB 237 199 135, RGB 237 226 135 and RGB 220 237 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 237 201 135 shade: RGB 226 168 63, RGB 231 184 99, RGB 237 201 135, RGB 242 217 171 and RGB 247 233 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 237 201 135 shade: RGB 237 201 135, RGB 152 237 135 and RGB 158 135 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 237 201 135 shade: RGB 237 201 135, RGB 135 237 199 and RGB 199 135 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 237 201 135 shade: RGB 237 201 135, RGB 152 237 135, RGB 135 172 237 and RGB 220 135 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 237 201 135 shade: RGB 237 201 135, RGB 135 237 148, RGB 135 172 237 and RGB 237 135 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

Complementary color

CMYK 85 / 55 / 0 / 53

HEX #123678

RGB 18 54 120

HSL 218.82, 0.74%, 0.27%

LAB 24.07, 14.1, -41.29

 

CMYK 0 / 17 / 46 / 5

HEX #F2C982

RGB 242 201 130

HSL 38.04, 0.81%, 0.73%

LAB 83.05, 5.59, 40.79

 

CMYK 0 / 14 / 42 / 0

HEX #FFDB95

RGB 255 219 149

HSL 39.62, 1%, 0.79%

LAB 88.97, 3.34, 39.01

 

CMYK 0 / 7 / 34 / 0

HEX #FFEDA8

RGB 255 237 168

HSL 47.59, 1%, 0.83%

LAB 93.73, -3.69, 35.68

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 0 / 17 / 47 / 14

HEX #DCB774

RGB 220 183 116

HSL 38.65, 0.6%, 0.66%

LAB 76.28, 4.79, 38.92

 

CMYK 0 / 19 / 52 / 20

HEX #CBA561

RGB 203 165 97

HSL 38.49, 0.5%, 0.59%

LAB 69.8, 5.61, 40.24

 

CMYK 0 / 21 / 58 / 27

HEX #BA934E

RGB 186 147 78

HSL 38.33, 0.44%, 0.52%

LAB 63.22, 6.56, 41.6

 

CMYK 0 / 24 / 65 / 34

HEX #A9813B

RGB 169 129 59

HSL 38.18, 0.48%, 0.45%

LAB 56.54, 7.71, 42.94

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 0 / 27 / 43 / 7

HEX #EDAD87

RGB 237 173 135

HSL 22.35, 0.74%, 0.73%

LAB 75.85, 18.83, 28.73

 

CMYK 0 / 38 / 43 / 7

HEX #ED9287

RGB 237 146 135

HSL 6.47, 0.74%, 0.73%

LAB 69.69, 33.13, 20.42

 

CMYK 0 / 43 / 43 / 7

HEX #ED8787

RGB 237 135 135

HSL 0, 0.74%, 0.73%

LAB 67.34, 38.85, 17.19

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 0 / 4 / 43 / 7

HEX #EDE487

RGB 237 228 135

HSL 54.71, 0.74%, 0.73%

LAB 89.51, -9.68, 46.34

 

CMYK 8 / 0 / 43 / 7

HEX #DAED87

RGB 218 237 135

HSL 71.18, 0.74%, 0.73%

LAB 90.42, -21.46, 47.17

 

CMYK 20 / 0 / 43 / 7

HEX #BEED87

RGB 190 237 135

HSL 87.65, 0.74%, 0.73%

LAB 88.57, -31.85, 44.46

 

CMYK 31 / 0 / 43 / 7

HEX #A3ED87

RGB 163 237 135

HSL 103.53, 0.74%, 0.73%

LAB 87.05, -41.19, 42.21

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 0 / 18 / 50 / 3

HEX #F8CC7C

RGB 248 204 124

HSL 38.71, 0.9%, 0.73%

LAB 84.28, 5.89, 45.45

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 0 / 12 / 35 / 12

HEX #E1C592

RGB 225 197 146

HSL 38.73, 0.57%, 0.73%

LAB 80.75, 2.67, 29.24

 

CMYK 0 / 9 / 27 / 16

HEX #D6C29D

RGB 214 194 157

HSL 38.95, 0.41%, 0.73%

LAB 79.22, 1.39, 21.2

 

CMYK 0 / 6 / 17 / 20

HEX #CBBFA8

RGB 203 191 168

HSL 39.43, 0.25%, 0.73%

LAB 77.75, 0.42, 13.12

 

CMYK 0 / 2 / 7 / 25

HEX #C0BCB3

RGB 192 188 179

HSL 41.54, 0.09%, 0.73%

LAB 76.33, -0.2, 5.04

 

CMYK 0 / 39 / 43 / 7

HEX #ED9187

RGB 237 145 135

HSL 5.88, 0.74%, 0.73%

LAB 69.47, 33.65, 20.13

 

CMYK 0 / 27 / 43 / 7

HEX #EDAC87

RGB 237 172 135

HSL 21.76, 0.74%, 0.73%

LAB 75.61, 19.37, 28.42

 

CMYK 0 / 16 / 43 / 7

HEX #EDC787

RGB 237 199 135

HSL 37.65, 0.74%, 0.73%

LAB 82.16, 5.13, 37.01

 

CMYK 0 / 5 / 43 / 7

HEX #EDE287

RGB 237 226 135

HSL 53.53, 0.74%, 0.73%

LAB 88.99, -8.68, 45.7

 

CMYK 7 / 0 / 43 / 7

HEX #DCED87

RGB 220 237 135

HSL 70, 0.74%, 0.73%

LAB 90.57, -20.7, 47.38

 

CMYK 0 / 26 / 72 / 11

HEX #E2A83F

RGB 226 168 63

HSL 38.65, 0.74%, 0.57%

LAB 72.58, 11.49, 59.98

 

CMYK 0 / 20 / 57 / 9

HEX #E7B863

RGB 231 184 99

HSL 38.64, 0.73%, 0.65%

LAB 77.38, 7.34, 49.02

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 0 / 10 / 29 / 5

HEX #F2D9AB

RGB 242 217 171

HSL 38.87, 0.73%, 0.81%

LAB 87.7, 1.92, 25.85

 

CMYK 0 / 6 / 17 / 3

HEX #F7E9CE

RGB 247 233 206

HSL 39.51, 0.72%, 0.89%

LAB 92.8, 0.43, 14.83

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 36 / 0 / 43 / 7

HEX #98ED87

RGB 152 237 135

HSL 110, 0.74%, 0.73%

LAB 86.5, -44.73, 41.4

 

CMYK 33 / 43 / 0 / 7

HEX #9E87ED

RGB 158 135 237

HSL 253.53, 0.74%, 0.73%

LAB 62.26, 31.16, -48.52

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 43 / 0 / 16 / 7

HEX #87EDC7

RGB 135 237 199

HSL 157.65, 0.74%, 0.73%

LAB 86.92, -38.42, 9.18

 

CMYK 16 / 43 / 0 / 7

HEX #C787ED

RGB 199 135 237

HSL 277.65, 0.74%, 0.73%

LAB 66.2, 42.48, -42.06

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 36 / 0 / 43 / 7

HEX #98ED87

RGB 152 237 135

HSL 110, 0.74%, 0.73%

LAB 86.5, -44.73, 41.4

 

CMYK 43 / 27 / 0 / 7

HEX #87ACED

RGB 135 172 237

HSL 218.24, 0.74%, 0.73%

LAB 70.01, 4.04, -36.49

 

CMYK 7 / 43 / 0 / 7

HEX #DC87ED

RGB 220 135 237

HSL 290, 0.74%, 0.73%

LAB 68.5, 48.51, -38.29

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 43 / 0 / 38 / 7

HEX #87ED94

RGB 135 237 148

HSL 127.65, 0.74%, 0.73%

LAB 85.94, -47.89, 34.07

 

CMYK 43 / 27 / 0 / 7

HEX #87ACED

RGB 135 172 237

HSL 218.24, 0.74%, 0.73%

LAB 70.01, 4.04, -36.49

 

CMYK 0 / 43 / 6 / 7

HEX #ED87DF

RGB 237 135 223

HSL 308.24, 0.74%, 0.73%

LAB 69.94, 51, -28.2

 

Description

Color code: RGB 237 201 135 | qconv.com Color code: RGB 237 201 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 201 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 201 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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