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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237.1 219 169 it is the complementary color RGB 17.9 36 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237.1 219 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 237.1 219 169 shade: RGB 242.1 219 164, RGB 255 237 183, RGB 255 255 202, RGB 255 255 221 and RGB 255 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237.1 219 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 237.1 219 169 shade: RGB 237.1 219 169, RGB 220.1 201 150, RGB 203.1 183 131, RGB 186.1 165 112 and RGB 169.1 147 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 237.1 219 169 shade: RGB 237 219 170, RGB 237 201 170, RGB 237 183 170 and RGB 237 170 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 237.1 219 169 shade: RGB 237 219 170, RGB 237 237 170, RGB 219 237 170, RGB 201 237 170 and RGB 182 237 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 237.1 219 169 shade matches the following richer shades: RGB 237 219 170, RGB 245 223 162 and RGB 254 227 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 237.1 219 169 shade: RGB 237 219 170, RGB 229 215 178, RGB 221 212 186, RGB 212 208 195 and RGB 204 204 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 237.1 219 169 shade: RGB 237 183 170, RGB 237 201 170, RGB 237 219 170, RGB 237 237 170 and RGB 219 237 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 237.1 219 169 shade: RGB 223 191 101, RGB 230 205 136, RGB 237 219 170, RGB 244 234 204 and RGB 251 248 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 237.1 219 169 shade: RGB 237.1 219 169, RGB 174 237 170 and RGB 192 170 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 237.1 219 169 shade: RGB 237.1 219 169, RGB 170 237 219 and RGB 219 170 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 237.1 219 169 shade: RGB 237.1 219 169, RGB 174 237 170, RGB 170 188 237 and RGB 233 170 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 237.1 219 169 shade: RGB 237.1 219 169, RGB 170 237 186, RGB 170 188 237 and RGB 237 170 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 29 / 7

HEX #EDDBA9

RGB 237.1 219 169

HSL 44.05, 0.66%, 0.8%

LAB 87.75, -1.22, 26.89

 

Complementary color

CMYK 79 / 58 / 0 / 66

HEX #112456

RGB 17.9 36 86

HSL 224.05, 0.66%, 0.2%

LAB 15.81, 12.75, -32.5

 

CMYK 0 / 10 / 32 / 5

HEX #F2DBA4

RGB 242.1 219 164

HSL 42.25, 0.75%, 0.8%

LAB 88.08, 0.05, 29.99

 

CMYK 0 / 7 / 28 / 0

HEX #FFEDB7

RGB 255 237 183

HSL 45, 1%, 0.86%

LAB 93.99, -1.87, 28.42

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 8 / 29 / 7

HEX #EDDBA9

RGB 237.1 219 169

HSL 44.05, 0.66%, 0.8%

LAB 87.75, -1.22, 26.89

 

CMYK 0 / 9 / 32 / 14

HEX #DCC996

RGB 220.1 201 150

HSL 43.65, 0.5%, 0.73%

LAB 81.4, -0.84, 27.96

 

CMYK 0 / 10 / 35 / 20

HEX #CBB783

RGB 203.1 183 131

HSL 43.27, 0.41%, 0.66%

LAB 74.96, -0.41, 29.09

 

CMYK 0 / 11 / 40 / 27

HEX #BAA570

RGB 186.1 165 112

HSL 42.91, 0.35%, 0.58%

LAB 68.41, 0.1, 30.29

 

CMYK 0 / 13 / 45 / 34

HEX #A9935D

RGB 169.1 147 93

HSL 42.58, 0.31%, 0.51%

LAB 61.74, 0.7, 31.56

 

CMYK 0 / 8 / 28 / 7

HEX #EDDBAA

RGB 237 219 170

HSL 43.88, 0.65%, 0.8%

LAB 87.76, -1.13, 26.38

 

CMYK 0 / 15 / 28 / 7

HEX #EDC9AA

RGB 237 201 170

HSL 27.76, 0.65%, 0.8%

LAB 83.27, 8.2, 20.22

 

CMYK 0 / 23 / 28 / 7

HEX #EDB7AA

RGB 237 183 170

HSL 11.64, 0.65%, 0.8%

LAB 78.91, 17.7, 14.13

 

CMYK 0 / 28 / 28 / 7

HEX #EDAAAA

RGB 237 170 170

HSL 0, 0.65%, 0.8%

LAB 75.86, 24.61, 9.81

 

CMYK 0 / 8 / 28 / 7

HEX #EDDBAA

RGB 237 219 170

HSL 43.88, 0.65%, 0.8%

LAB 87.76, -1.13, 26.38

 

CMYK 0 / 0 / 28 / 7

HEX #EDEDAA

RGB 237 237 170

HSL 60, 0.65%, 0.8%

LAB 92.34, -10.22, 32.56

 

CMYK 8 / 0 / 28 / 7

HEX #DBEDAA

RGB 219 237 170

HSL 76.12, 0.65%, 0.8%

LAB 91.02, -16.86, 30.56

 

CMYK 15 / 0 / 28 / 7

HEX #C9EDAA

RGB 201 237 170

HSL 92.24, 0.65%, 0.8%

LAB 89.81, -23.31, 28.71

 

CMYK 23 / 0 / 28 / 7

HEX #B6EDAA

RGB 182 237 170

HSL 109.25, 0.65%, 0.8%

LAB 88.65, -29.83, 26.94

 

CMYK 0 / 8 / 28 / 7

HEX #EDDBAA

RGB 237 219 170

HSL 43.88, 0.65%, 0.8%

LAB 87.76, -1.13, 26.38

 

CMYK 0 / 9 / 34 / 4

HEX #F5DFA2

RGB 245 223 162

HSL 44.1, 0.81%, 0.8%

LAB 89.3, -1.12, 32.68

 

CMYK 0 / 11 / 40 / 0

HEX #FEE399

RGB 254 227 153

HSL 43.96, 0.98%, 0.8%

LAB 90.92, -0.7, 39.52

 

CMYK 0 / 8 / 28 / 7

HEX #EDDBAA

RGB 237 219 170

HSL 43.88, 0.65%, 0.8%

LAB 87.76, -1.13, 26.38

 

CMYK 0 / 6 / 22 / 10

HEX #E5D7B2

RGB 229 215 178

HSL 43.53, 0.5%, 0.8%

LAB 86.24, -0.98, 20.02

 

CMYK 0 / 4 / 16 / 13

HEX #DDD4BA

RGB 221 212 186

HSL 44.57, 0.34%, 0.8%

LAB 85, -1.18, 13.98

 

CMYK 0 / 2 / 8 / 17

HEX #D4D0C3

RGB 212 208 195

HSL 45.88, 0.17%, 0.8%

LAB 83.47, -0.88, 6.93

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCB

RGB 204 204 203

HSL 60, 0.01%, 0.8%

LAB 82.02, -0.18, 0.49

 

CMYK 0 / 23 / 28 / 7

HEX #EDB7AA

RGB 237 183 170

HSL 11.64, 0.65%, 0.8%

LAB 78.91, 17.7, 14.13

 

CMYK 0 / 15 / 28 / 7

HEX #EDC9AA

RGB 237 201 170

HSL 27.76, 0.65%, 0.8%

LAB 83.27, 8.2, 20.22

 

CMYK 0 / 8 / 28 / 7

HEX #EDDBAA

RGB 237 219 170

HSL 43.88, 0.65%, 0.8%

LAB 87.76, -1.13, 26.38

 

CMYK 0 / 0 / 28 / 7

HEX #EDEDAA

RGB 237 237 170

HSL 60, 0.65%, 0.8%

LAB 92.34, -10.22, 32.56

 

CMYK 8 / 0 / 28 / 7

HEX #DBEDAA

RGB 219 237 170

HSL 76.12, 0.65%, 0.8%

LAB 91.02, -16.86, 30.56

 

CMYK 0 / 14 / 55 / 13

HEX #DFBF65

RGB 223 191 101

HSL 44.26, 0.66%, 0.64%

LAB 78.4, 0.51, 49.06

 

CMYK 0 / 11 / 41 / 10

HEX #E6CD88

RGB 230 205 136

HSL 44.04, 0.65%, 0.72%

LAB 83.05, -0.65, 37.53

 

CMYK 0 / 8 / 28 / 7

HEX #EDDBAA

RGB 237 219 170

HSL 43.88, 0.65%, 0.8%

LAB 87.76, -1.13, 26.38

 

CMYK 0 / 4 / 16 / 4

HEX #F4EACC

RGB 244 234 204

HSL 45, 0.65%, 0.88%

LAB 92.77, -1.45, 15.79

 

CMYK 0 / 1 / 5 / 2

HEX #FBF8EE

RGB 251 248 238

HSL 46.15, 0.62%, 0.96%

LAB 97.56, -0.71, 5.14

 

CMYK 0 / 8 / 29 / 7

HEX #EDDBA9

RGB 237.1 219 169

HSL 44.05, 0.66%, 0.8%

LAB 87.75, -1.22, 26.89

 

CMYK 27 / 0 / 28 / 7

HEX #AEEDAA

RGB 174 237 170

HSL 116.42, 0.65%, 0.8%

LAB 88.19, -32.47, 26.26

 

CMYK 19 / 28 / 0 / 7

HEX #C0AAED

RGB 192 170 237

HSL 259.7, 0.65%, 0.8%

LAB 73.59, 21.19, -30.62

 

CMYK 0 / 8 / 29 / 7

HEX #EDDBA9

RGB 237.1 219 169

HSL 44.05, 0.66%, 0.8%

LAB 87.75, -1.22, 26.89

 

CMYK 28 / 0 / 8 / 7

HEX #AAEDDB

RGB 170 237 219

HSL 163.88, 0.65%, 0.8%

LAB 89.03, -24.64, 1.98

 

CMYK 8 / 28 / 0 / 7

HEX #DBAAED

RGB 219 170 237

HSL 283.88, 0.65%, 0.8%

LAB 76.02, 29.57, -26.68

 

CMYK 0 / 8 / 29 / 7

HEX #EDDBA9

RGB 237.1 219 169

HSL 44.05, 0.66%, 0.8%

LAB 87.75, -1.22, 26.89

 

CMYK 27 / 0 / 28 / 7

HEX #AEEDAA

RGB 174 237 170

HSL 116.42, 0.65%, 0.8%

LAB 88.19, -32.47, 26.26

 

CMYK 28 / 21 / 0 / 7

HEX #AABCED

RGB 170 188 237

HSL 223.88, 0.65%, 0.8%

LAB 76.45, 4.71, -26.38

 

CMYK 2 / 28 / 0 / 7

HEX #E9AAED

RGB 233 170 237

HSL 296.42, 0.65%, 0.8%

LAB 77.39, 34.01, -24.47

 

CMYK 0 / 8 / 29 / 7

HEX #EDDBA9

RGB 237.1 219 169

HSL 44.05, 0.66%, 0.8%

LAB 87.75, -1.22, 26.89

 

CMYK 28 / 0 / 22 / 7

HEX #AAEDBA

RGB 170 237 186

HSL 134.33, 0.65%, 0.8%

LAB 88.29, -31.03, 18.1

 

CMYK 28 / 21 / 0 / 7

HEX #AABCED

RGB 170 188 237

HSL 223.88, 0.65%, 0.8%

LAB 76.45, 4.71, -26.38

 

CMYK 0 / 28 / 7 / 7

HEX #EDAADD

RGB 237 170 221

HSL 314.33, 0.65%, 0.8%

LAB 77.27, 32.44, -15.95

 

Description

Color code: RGB 237.1 219 169 | qconv.com Color code: RGB 237.1 219 169 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237.1 red, 219 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237.1 219 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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