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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 76 130 it is the complementary color RGB 19 179 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 76 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 76 130 shade: RGB 241 76 125, RGB 255 94 144, RGB 255 112 163, RGB 255 130 182 and RGB 255 148 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 76 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 76 130 shade: RGB 236 76 130, RGB 219 58 111, RGB 202 40 92, RGB 185 22 73 and RGB 168 4 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 76 130 shade: RGB 236 74 129, RGB 236 74 85 and RGB 236 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 76 130 shade: RGB 236 74 129, RGB 236 74 172, RGB 236 74 216, RGB 212 74 236 and RGB 169 74 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 76 130 shade matches the following richer shades: RGB 236 74 129 and RGB 252 58 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 76 130 shade: RGB 236 74 129, RGB 220 91 134, RGB 203 107 139, RGB 187 123 145 and RGB 171 139 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 76 130 shade: RGB 236 74 217, RGB 236 74 174, RGB 236 74 131, RGB 236 74 88 and RGB 236 104 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 76 130 shade: RGB 206 21 84, RGB 232 37 103, RGB 236 74 129, RGB 240 112 155 and RGB 243 149 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 76 130 shade: RGB 236 76 130, RGB 236 211 74 and RGB 74 195 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 76 130 shade: RGB 236 76 130, RGB 131 236 74 and RGB 74 131 236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 76 130 shade: RGB 236 76 130, RGB 236 211 74, RGB 74 236 179 and RGB 74 99 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 76 130 shade: RGB 236 76 130, RGB 211 236 74, RGB 74 236 179 and RGB 99 74 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 45 / 7

HEX #EC4C82

RGB 236 76 130

HSL 339.75, 0.81%, 0.61%

LAB 56.7, 65.07, 5.03

 

Complementary color

CMYK 89 / 0 / 30 / 30

HEX #13B37D

RGB 19 179 125

HSL 159.75, 0.81%, 0.39%

LAB 64.85, -50.65, 17.13

 

CMYK 0 / 68 / 48 / 5

HEX #F14C7D

RGB 241 76 125

HSL 342.18, 0.85%, 0.62%

LAB 57.42, 66.08, 9.13

 

CMYK 0 / 63 / 44 / 0

HEX #FF5E90

RGB 255 94 144

HSL 341.37, 1%, 0.68%

LAB 62.74, 64.96, 5.95

 

CMYK 0 / 56 / 36 / 0

HEX #FF70A3

RGB 255 112 163

HSL 338.6, 1%, 0.72%

LAB 66.13, 59.2, -0.03

 

CMYK 0 / 49 / 29 / 0

HEX #FF82B6

RGB 255 130 182

HSL 335.04, 1%, 0.75%

LAB 69.9, 53.04, -5.22

 

CMYK 0 / 42 / 21 / 0

HEX #FF94C9

RGB 255 148 201

HSL 330.28, 1%, 0.79%

LAB 73.97, 46.7, -9.73

 

CMYK 0 / 68 / 45 / 7

HEX #EC4C82

RGB 236 76 130

HSL 339.75, 0.81%, 0.61%

LAB 56.7, 65.07, 5.03

 

CMYK 0 / 74 / 49 / 14

HEX #DB3A6F

RGB 219 58 111

HSL 340.25, 0.69%, 0.54%

LAB 50.96, 64.9, 7.79

 

CMYK 0 / 80 / 54 / 21

HEX #CA285C

RGB 202 40 92

HSL 340.74, 0.67%, 0.47%

LAB 45.42, 64.12, 11.19

 

CMYK 0 / 88 / 61 / 27

HEX #B91649

RGB 185 22 73

HSL 341.23, 0.79%, 0.41%

LAB 40.2, 62.42, 15.4

 

CMYK 0 / 98 / 68 / 34

HEX #A80436

RGB 168 4 54

HSL 341.71, 0.95%, 0.34%

LAB 35.36, 59.56, 20.56

 

CMYK 0 / 69 / 45 / 7

HEX #EC4A81

RGB 236 74 129

HSL 339.63, 0.81%, 0.61%

LAB 56.4, 65.72, 5.2

 

CMYK 0 / 69 / 64 / 7

HEX #EC4A55

RGB 236 74 85

HSL 355.93, 0.81%, 0.61%

LAB 55.47, 62.48, 29.88

 

CMYK 0 / 69 / 69 / 7

HEX #EC4A4A

RGB 236 74 74

HSL 0, 0.81%, 0.61%

LAB 55.3, 61.89, 36

 

CMYK 0 / 69 / 45 / 7

HEX #EC4A81

RGB 236 74 129

HSL 339.63, 0.81%, 0.61%

LAB 56.4, 65.72, 5.2

 

CMYK 0 / 69 / 27 / 7

HEX #EC4AAC

RGB 236 74 172

HSL 323.7, 0.81%, 0.61%

LAB 57.76, 70.28, -18.01

 

CMYK 0 / 69 / 8 / 7

HEX #EC4AD8

RGB 236 74 216

HSL 307.41, 0.81%, 0.61%

LAB 59.61, 76.21, -40.35

 

CMYK 10 / 69 / 0 / 7

HEX #D44AEC

RGB 212 74 236

HSL 291.11, 0.81%, 0.61%

LAB 57.03, 74.17, -55.92

 

CMYK 28 / 69 / 0 / 7

HEX #A94AEC

RGB 169 74 236

HSL 275.19, 0.81%, 0.61%

LAB 51.14, 65.37, -65.69

 

CMYK 0 / 69 / 45 / 7

HEX #EC4A81

RGB 236 74 129

HSL 339.63, 0.81%, 0.61%

LAB 56.4, 65.72, 5.2

 

CMYK 0 / 77 / 51 / 1

HEX #FC3A7C

RGB 252 58 124

HSL 339.59, 0.97%, 0.61%

LAB 57.25, 74.83, 9.75

 

CMYK 0 / 69 / 45 / 7

HEX #EC4A81

RGB 236 74 129

HSL 339.63, 0.81%, 0.61%

LAB 56.4, 65.72, 5.2

 

CMYK 0 / 59 / 39 / 14

HEX #DC5B86

RGB 220 91 134

HSL 340, 0.65%, 0.61%

LAB 56.5, 54.39, 2.07

 

CMYK 0 / 47 / 32 / 20

HEX #CB6B8B

RGB 203 107 139

HSL 340, 0.48%, 0.61%

LAB 57.15, 41.53, -0.22

 

CMYK 0 / 34 / 22 / 27

HEX #BB7B91

RGB 187 123 145

HSL 339.38, 0.32%, 0.61%

LAB 58.77, 28.04, -1.57

 

CMYK 0 / 19 / 12 / 33

HEX #AB8B96

RGB 171 139 150

HSL 339.38, 0.16%, 0.61%

LAB 61.07, 13.94, -1.27

 

CMYK 0 / 69 / 8 / 7

HEX #EC4AD9

RGB 236 74 217

HSL 307.04, 0.81%, 0.61%

LAB 59.65, 76.36, -40.84

 

CMYK 0 / 69 / 26 / 7

HEX #EC4AAE

RGB 236 74 174

HSL 322.96, 0.81%, 0.61%

LAB 57.83, 70.53, -19.06

 

CMYK 0 / 69 / 44 / 7

HEX #EC4A83

RGB 236 74 131

HSL 338.89, 0.81%, 0.61%

LAB 56.46, 65.91, 4.1

 

CMYK 0 / 69 / 63 / 7

HEX #EC4A58

RGB 236 74 88

HSL 354.81, 0.81%, 0.61%

LAB 55.52, 62.65, 28.19

 

CMYK 0 / 56 / 69 / 7

HEX #EC684A

RGB 236 104 74

HSL 11.11, 0.81%, 0.61%

LAB 60.09, 49.12, 41.63

 

CMYK 0 / 90 / 59 / 19

HEX #CE1554

RGB 206 21 84

HSL 339.57, 0.81%, 0.45%

LAB 44.66, 68.53, 15.24

 

CMYK 0 / 84 / 56 / 9

HEX #E82567

RGB 232 37 103

HSL 339.69, 0.81%, 0.53%

LAB 51.22, 73.32, 13.36

 

CMYK 0 / 69 / 45 / 7

HEX #EC4A81

RGB 236 74 129

HSL 339.63, 0.81%, 0.61%

LAB 56.4, 65.72, 5.2

 

CMYK 0 / 53 / 35 / 6

HEX #F0709B

RGB 240 112 155

HSL 339.84, 0.81%, 0.69%

LAB 63.74, 53.49, 0.78

 

CMYK 0 / 39 / 26 / 5

HEX #F395B5

RGB 243 149 181

HSL 339.57, 0.8%, 0.77%

LAB 72.15, 39.33, -1.52

 

CMYK 0 / 68 / 45 / 7

HEX #EC4C82

RGB 236 76 130

HSL 339.75, 0.81%, 0.61%

LAB 56.7, 65.07, 5.03

 

CMYK 0 / 11 / 69 / 7

HEX #ECD34A

RGB 236 211 74

HSL 50.74, 0.81%, 0.61%

LAB 84.44, -6.12, 67.87

 

CMYK 69 / 17 / 0 / 7

HEX #4AC3EC

RGB 74 195 236

HSL 195.19, 0.81%, 0.61%

LAB 73.9, -20.83, -30.14

 

CMYK 0 / 68 / 45 / 7

HEX #EC4C82

RGB 236 76 130

HSL 339.75, 0.81%, 0.61%

LAB 56.7, 65.07, 5.03

 

CMYK 44 / 0 / 69 / 7

HEX #83EC4A

RGB 131 236 74

HSL 98.89, 0.81%, 0.61%

LAB 84.64, -57.28, 65.94

 

CMYK 69 / 44 / 0 / 7

HEX #4A83EC

RGB 74 131 236

HSL 218.89, 0.81%, 0.61%

LAB 55.83, 15.29, -58.53

 

CMYK 0 / 68 / 45 / 7

HEX #EC4C82

RGB 236 76 130

HSL 339.75, 0.81%, 0.61%

LAB 56.7, 65.07, 5.03

 

CMYK 0 / 11 / 69 / 7

HEX #ECD34A

RGB 236 211 74

HSL 50.74, 0.81%, 0.61%

LAB 84.44, -6.12, 67.87

 

CMYK 69 / 0 / 24 / 7

HEX #4AECB3

RGB 74 236 179

HSL 158.89, 0.81%, 0.61%

LAB 84.33, -54.8, 15.68

 

CMYK 69 / 58 / 0 / 7

HEX #4A63EC

RGB 74 99 236

HSL 230.74, 0.81%, 0.61%

LAB 47.54, 35.08, -71.92

 

CMYK 0 / 68 / 45 / 7

HEX #EC4C82

RGB 236 76 130

HSL 339.75, 0.81%, 0.61%

LAB 56.7, 65.07, 5.03

 

CMYK 11 / 0 / 69 / 7

HEX #D3EC4A

RGB 211 236 74

HSL 69.26, 0.81%, 0.61%

LAB 89.08, -28.6, 71.89

 

CMYK 69 / 0 / 24 / 7

HEX #4AECB3

RGB 74 236 179

HSL 158.89, 0.81%, 0.61%

LAB 84.33, -54.8, 15.68

 

CMYK 58 / 69 / 0 / 7

HEX #634AEC

RGB 99 74 236

HSL 249.26, 0.81%, 0.61%

LAB 43.66, 53.21, -78.19

 

Description

Color code: RGB 236 76 130 | qconv.com Color code: RGB 236 76 130 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 76 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 76 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 45 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 45% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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