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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 53 123 it is the complementary color RGB 19 202 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 53 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 53 123 shade: RGB 241 53 118, RGB 255 71 137, RGB 255 89 156, RGB 255 107 175 and RGB 255 125 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 53 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 53 123 shade: RGB 236 53 123, RGB 219 35 104, RGB 202 17 85, RGB 185 0 66 and RGB 168 0 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 53 123 shade: RGB 236 54 124, RGB 236 54 75 and RGB 236 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 53 123 shade: RGB 236 54 124, RGB 236 54 173, RGB 236 54 222, RGB 202 54 236 and RGB 152 54 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 53 123 shade matches the following richer shades: RGB 236 54 124 and RGB 254 37 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 53 123 shade: RGB 236 54 124, RGB 219 72 128, RGB 201 90 132, RGB 183 108 136 and RGB 165 125 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 53 123 shade: RGB 236 54 221, RGB 236 54 173, RGB 236 54 124, RGB 236 54 76 and RGB 236 82 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 53 123 shade: RGB 190 18 84, RGB 228 21 100, RGB 236 54 124, RGB 240 92 149 and RGB 243 130 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 53 123 shade: RGB 236 53 123, RGB 236 203 54 and RGB 54 197 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 53 123 shade: RGB 236 53 123, RGB 124 236 54 and RGB 54 124 236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 53 123 shade: RGB 236 53 123, RGB 236 203 54, RGB 54 236 167 and RGB 54 88 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 53 123 shade: RGB 236 53 123, RGB 215 236 54, RGB 54 236 167 and RGB 76 54 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 48 / 7

HEX #EC357B

RGB 236 53 123

HSL 337.05, 0.83%, 0.57%

LAB 53.82, 71.97, 5.07

 

Complementary color

CMYK 91 / 0 / 35 / 21

HEX #13CA84

RGB 19 202 132

HSL 157.05, 0.83%, 0.43%

LAB 72.26, -57.72, 23.51

 

CMYK 0 / 78 / 51 / 5

HEX #F13576

RGB 241 53 118

HSL 339.26, 0.87%, 0.58%

LAB 54.61, 72.88, 9.31

 

CMYK 0 / 72 / 46 / 0

HEX #FF4789

RGB 255 71 137

HSL 338.48, 1%, 0.64%

LAB 59.5, 72.76, 5.37

 

CMYK 0 / 65 / 39 / 0

HEX #FF599C

RGB 255 89 156

HSL 335.78, 1%, 0.67%

LAB 62.34, 68.12, -1.56

 

CMYK 0 / 58 / 31 / 0

HEX #FF6BAF

RGB 255 107 175

HSL 332.43, 1%, 0.71%

LAB 65.65, 62.79, -7.57

 

CMYK 0 / 51 / 24 / 0

HEX #FF7DC2

RGB 255 125 194

HSL 328.15, 1%, 0.75%

LAB 69.34, 57, -12.77

 

CMYK 0 / 78 / 48 / 7

HEX #EC357B

RGB 236 53 123

HSL 337.05, 0.83%, 0.57%

LAB 53.82, 71.97, 5.07

 

CMYK 0 / 84 / 53 / 14

HEX #DB2368

RGB 219 35 104

HSL 337.5, 0.72%, 0.5%

LAB 48.59, 70.57, 8.7

 

CMYK 0 / 92 / 58 / 21

HEX #CA1155

RGB 202 17 85

HSL 337.95, 0.84%, 0.43%

LAB 43.67, 68.18, 13.13

 

CMYK 0 / 100 / 64 / 27

HEX #B90042

RGB 185 0 66

HSL 338.59, 1%, 0.36%

LAB 39.08, 64.8, 18.38

 

CMYK 0 / 100 / 72 / 34

HEX #A8002F

RGB 168 0 47

HSL 343.21, 1%, 0.33%

LAB 35.06, 59.73, 24.71

 

CMYK 0 / 77 / 47 / 7

HEX #EC367C

RGB 236 54 124

HSL 336.92, 0.83%, 0.57%

LAB 53.95, 71.78, 4.65

 

CMYK 0 / 77 / 68 / 7

HEX #EC364B

RGB 236 54 75

HSL 353.08, 0.83%, 0.57%

LAB 52.93, 68.58, 32.54

 

CMYK 0 / 77 / 77 / 7

HEX #EC3636

RGB 236 54 54

HSL 0, 0.83%, 0.57%

LAB 52.66, 67.73, 44.16

 

CMYK 0 / 77 / 47 / 7

HEX #EC367C

RGB 236 54 124

HSL 336.92, 0.83%, 0.57%

LAB 53.95, 71.78, 4.65

 

CMYK 0 / 77 / 27 / 7

HEX #EC36AD

RGB 236 54 173

HSL 320.77, 0.83%, 0.57%

LAB 55.57, 76.68, -21.93

 

CMYK 0 / 77 / 6 / 7

HEX #EC36DE

RGB 236 54 222

HSL 304.62, 0.83%, 0.57%

LAB 57.79, 83.1, -46.6

 

CMYK 14 / 77 / 0 / 7

HEX #CA36EC

RGB 202 54 236

HSL 288.79, 0.83%, 0.57%

LAB 53.22, 78.85, -62.1

 

CMYK 36 / 77 / 0 / 7

HEX #9836EC

RGB 152 54 236

HSL 272.31, 0.83%, 0.57%

LAB 46.14, 70.35, -73.92

 

CMYK 0 / 77 / 47 / 7

HEX #EC367C

RGB 236 54 124

HSL 336.92, 0.83%, 0.57%

LAB 53.95, 71.78, 4.65

 

CMYK 0 / 85 / 53 / 0

HEX #FE2578

RGB 254 37 120

HSL 337.05, 0.99%, 0.57%

LAB 55.84, 79.84, 10.19

 

CMYK 0 / 77 / 47 / 7

HEX #EC367C

RGB 236 54 124

HSL 336.92, 0.83%, 0.57%

LAB 53.95, 71.78, 4.65

 

CMYK 0 / 67 / 42 / 14

HEX #DB4880

RGB 219 72 128

HSL 337.14, 0.67%, 0.57%

LAB 53.23, 61.45, 0.84

 

CMYK 0 / 55 / 34 / 21

HEX #C95A84

RGB 201 90 132

HSL 337.3, 0.51%, 0.57%

LAB 53.38, 48.45, -1.66

 

CMYK 0 / 41 / 26 / 28

HEX #B76C88

RGB 183 108 136

HSL 337.6, 0.34%, 0.57%

LAB 54.63, 33.47, -2.47

 

CMYK 0 / 24 / 15 / 35

HEX #A57D8D

RGB 165 125 141

HSL 336, 0.18%, 0.57%

LAB 56.67, 18.09, -2.62

 

CMYK 0 / 77 / 6 / 7

HEX #EC36DD

RGB 236 54 221

HSL 304.95, 0.83%, 0.57%

LAB 57.74, 82.96, -46.11

 

CMYK 0 / 77 / 27 / 7

HEX #EC36AD

RGB 236 54 173

HSL 320.77, 0.83%, 0.57%

LAB 55.57, 76.68, -21.93

 

CMYK 0 / 77 / 47 / 7

HEX #EC367C

RGB 236 54 124

HSL 336.92, 0.83%, 0.57%

LAB 53.95, 71.78, 4.65

 

CMYK 0 / 77 / 68 / 7

HEX #EC364C

RGB 236 54 76

HSL 352.75, 0.83%, 0.57%

LAB 52.94, 68.63, 31.98

 

CMYK 0 / 65 / 77 / 7

HEX #EC5236

RGB 236 82 54

HSL 9.23, 0.83%, 0.57%

LAB 56.22, 57.93, 47.86

 

CMYK 0 / 91 / 56 / 25

HEX #BE1254

RGB 190 18 84

HSL 336.98, 0.83%, 0.41%

LAB 41.25, 65.05, 10.02

 

CMYK 0 / 91 / 56 / 11

HEX #E41564

RGB 228 21 100

HSL 337.1, 0.83%, 0.49%

LAB 49.44, 74.83, 12.6

 

CMYK 0 / 77 / 47 / 7

HEX #EC367C

RGB 236 54 124

HSL 336.92, 0.83%, 0.57%

LAB 53.95, 71.78, 4.65

 

CMYK 0 / 62 / 38 / 6

HEX #F05C95

RGB 240 92 149

HSL 336.89, 0.83%, 0.65%

LAB 60.2, 61.78, -0.92

 

CMYK 0 / 47 / 29 / 5

HEX #F382AD

RGB 243 130 173

HSL 337.17, 0.82%, 0.73%

LAB 68.05, 47.94, -3.08

 

CMYK 0 / 78 / 48 / 7

HEX #EC357B

RGB 236 53 123

HSL 337.05, 0.83%, 0.57%

LAB 53.82, 71.97, 5.07

 

CMYK 0 / 14 / 77 / 7

HEX #ECCB36

RGB 236 203 54

HSL 49.12, 0.83%, 0.57%

LAB 82.28, -2.92, 72.91

 

CMYK 77 / 17 / 0 / 7

HEX #36C5EC

RGB 54 197 236

HSL 192.86, 0.83%, 0.57%

LAB 74.04, -24.27, -29.95

 

CMYK 0 / 78 / 48 / 7

HEX #EC357B

RGB 236 53 123

HSL 337.05, 0.83%, 0.57%

LAB 53.82, 71.97, 5.07

 

CMYK 47 / 0 / 77 / 7

HEX #7CEC36

RGB 124 236 54

HSL 96.92, 0.83%, 0.57%

LAB 84.25, -60.64, 72.15

 

CMYK 77 / 47 / 0 / 7

HEX #367CEC

RGB 54 124 236

HSL 216.92, 0.83%, 0.57%

LAB 53.23, 17.06, -62.75

 

CMYK 0 / 78 / 48 / 7

HEX #EC357B

RGB 236 53 123

HSL 337.05, 0.83%, 0.57%

LAB 53.82, 71.97, 5.07

 

CMYK 0 / 14 / 77 / 7

HEX #ECCB36

RGB 236 203 54

HSL 49.12, 0.83%, 0.57%

LAB 82.28, -2.92, 72.91

 

CMYK 77 / 0 / 29 / 7

HEX #36ECA7

RGB 54 236 167

HSL 157.25, 0.83%, 0.57%

LAB 83.74, -59.98, 21.03

 

CMYK 77 / 63 / 0 / 7

HEX #3658EC

RGB 54 88 236

HSL 228.79, 0.83%, 0.57%

LAB 43.97, 39.64, -77.79

 

CMYK 0 / 78 / 48 / 7

HEX #EC357B

RGB 236 53 123

HSL 337.05, 0.83%, 0.57%

LAB 53.82, 71.97, 5.07

 

CMYK 9 / 0 / 77 / 7

HEX #D7EC36

RGB 215 236 54

HSL 66.92, 0.83%, 0.57%

LAB 89.25, -27.92, 78.6

 

CMYK 77 / 0 / 29 / 7

HEX #36ECA7

RGB 54 236 167

HSL 157.25, 0.83%, 0.57%

LAB 83.74, -59.98, 21.03

 

CMYK 68 / 77 / 0 / 7

HEX #4C36EC

RGB 76 54 236

HSL 247.25, 0.83%, 0.57%

LAB 38.25, 60.74, -87.16

 

Description

Color code: RGB 236 53 123 | qconv.com Color code: RGB 236 53 123 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 53 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 53 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 48 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 48% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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