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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 39 145 it is the complementary color RGB 19 216 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 39 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 39 145 shade: RGB 241 39 140, RGB 255 57 159, RGB 255 75 178, RGB 255 93 197 and RGB 255 111 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 39 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 39 145 shade: RGB 236 39 145, RGB 219 21 126, RGB 202 3 107, RGB 185 0 88 and RGB 168 0 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 39 145 shade: RGB 236 39 145, RGB 236 39 92 and RGB 236 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 39 145 shade: RGB 236 39 145, RGB 236 39 198, RGB 220 39 236, RGB 167 39 236 and RGB 114 39 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 39 145 shade matches the following richer shades: RGB 236 39 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 39 145 shade: RGB 236 39 145, RGB 217 58 143, RGB 198 77 142, RGB 179 96 140 and RGB 160 115 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 39 145 shade: RGB 219 39 236, RGB 236 39 200, RGB 236 39 147, RGB 236 39 95 and RGB 236 39 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 39 145 shade: RGB 177 15 102, RGB 215 18 124, RGB 236 39 145, RGB 239 77 164 and RGB 242 115 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 39 145 shade: RGB 236 39 145, RGB 236 167 39 and RGB 39 226 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 39 145 shade: RGB 236 39 145, RGB 147 236 39 and RGB 39 147 236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 39 145 shade: RGB 236 39 145, RGB 236 167 39, RGB 39 236 127 and RGB 39 108 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 39 145 shade: RGB 236 39 145, RGB 236 226 39, RGB 39 236 127 and RGB 39 49 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

Complementary color

CMYK 91 / 0 / 49 / 15

HEX #13D86E

RGB 19 216 110

HSL 147.72, 0.84%, 0.46%

LAB 76.3, -66.59, 39.99

 

CMYK 0 / 84 / 42 / 5

HEX #F1278C

RGB 241 39 140

HSL 330, 0.88%, 0.55%

LAB 54.07, 77.99, -4.62

 

CMYK 0 / 78 / 38 / 0

HEX #FF399F

RGB 255 57 159

HSL 329.09, 1%, 0.61%

LAB 58.69, 78.89, -8.72

 

CMYK 0 / 71 / 30 / 0

HEX #FF4BB2

RGB 255 75 178

HSL 325.67, 1%, 0.65%

LAB 61.23, 75.52, -15.92

 

CMYK 0 / 64 / 23 / 0

HEX #FF5DC5

RGB 255 93 197

HSL 321.48, 1%, 0.68%

LAB 64.26, 71.3, -22.16

 

CMYK 0 / 56 / 15 / 0

HEX #FF6FD8

RGB 255 111 216

HSL 316.25, 1%, 0.72%

LAB 67.71, 66.45, -27.53

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 0 / 90 / 42 / 14

HEX #DB157E

RGB 219 21 126

HSL 328.18, 0.83%, 0.47%

LAB 48.39, 74.76, -5.06

 

CMYK 0 / 99 / 47 / 21

HEX #CA036B

RGB 202 3 107

HSL 328.64, 0.97%, 0.4%

LAB 43.78, 71.21, -0.52

 

CMYK 0 / 100 / 52 / 27

HEX #B90058

RGB 185 0 88

HSL 331.46, 1%, 0.36%

LAB 39.61, 66.21, 5.01

 

CMYK 0 / 100 / 59 / 34

HEX #A80045

RGB 168 0 69

HSL 335.36, 1%, 0.33%

LAB 35.51, 60.92, 10.99

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 0 / 83 / 61 / 7

HEX #EC275C

RGB 236 39 92

HSL 343.86, 0.84%, 0.54%

LAB 51.9, 73.22, 21.09

 

CMYK 0 / 83 / 83 / 7

HEX #EC2727

RGB 236 39 39

HSL 0, 0.84%, 0.54%

LAB 51.19, 71.1, 50.54

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 0 / 83 / 16 / 7

HEX #EC27C6

RGB 236 39 198

HSL 311.57, 0.84%, 0.54%

LAB 55.44, 83.23, -36.62

 

CMYK 7 / 83 / 0 / 7

HEX #DC27EC

RGB 220 39 236

HSL 295.13, 0.84%, 0.54%

LAB 54.79, 85.68, -59.44

 

CMYK 29 / 83 / 0 / 7

HEX #A727EC

RGB 167 39 236

HSL 278.98, 0.84%, 0.54%

LAB 46.61, 77.25, -73.06

 

CMYK 52 / 83 / 0 / 7

HEX #7227EC

RGB 114 39 236

HSL 262.84, 0.84%, 0.54%

LAB 39.72, 70.51, -84.62

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 0 / 73 / 34 / 15

HEX #D93A8F

RGB 217 58 143

HSL 327.92, 0.68%, 0.54%

LAB 51.57, 67.44, -10.62

 

CMYK 0 / 61 / 28 / 22

HEX #C64D8E

RGB 198 77 142

HSL 327.77, 0.51%, 0.54%

LAB 51, 54.74, -11.19

 

CMYK 0 / 46 / 22 / 30

HEX #B3608C

RGB 179 96 140

HSL 328.19, 0.35%, 0.54%

LAB 51.66, 39.09, -9.29

 

CMYK 0 / 28 / 13 / 37

HEX #A0738B

RGB 160 115 139

HSL 328, 0.19%, 0.54%

LAB 53.6, 21.59, -6.06

 

CMYK 7 / 83 / 0 / 7

HEX #DB27EC

RGB 219 39 236

HSL 294.82, 0.84%, 0.54%

LAB 54.62, 85.51, -59.71

 

CMYK 0 / 83 / 15 / 7

HEX #EC27C8

RGB 236 39 200

HSL 310.96, 0.84%, 0.54%

LAB 55.54, 83.48, -37.62

 

CMYK 0 / 83 / 38 / 7

HEX #EC2793

RGB 236 39 147

HSL 327.11, 0.84%, 0.54%

LAB 53.37, 77.48, -9.94

 

CMYK 0 / 83 / 60 / 7

HEX #EC275F

RGB 236 39 95

HSL 342.94, 0.84%, 0.54%

LAB 51.96, 73.4, 19.36

 

CMYK 0 / 83 / 82 / 7

HEX #EC272A

RGB 236 39 42

HSL 359.09, 0.84%, 0.54%

LAB 51.21, 71.17, 49.06

 

CMYK 0 / 92 / 42 / 31

HEX #B10F66

RGB 177 15 102

HSL 327.78, 0.84%, 0.38%

LAB 38.98, 63.84, -5.02

 

CMYK 0 / 92 / 42 / 16

HEX #D7127C

RGB 215 18 124

HSL 327.72, 0.85%, 0.46%

LAB 47.41, 74.07, -5.38

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 0 / 68 / 31 / 6

HEX #EF4DA4

RGB 239 77 164

HSL 327.78, 0.84%, 0.62%

LAB 58.36, 69.05, -12.41

 

CMYK 0 / 52 / 24 / 5

HEX #F273B7

RGB 242 115 183

HSL 327.87, 0.83%, 0.7%

LAB 65.4, 56.21, -12.67

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 0 / 29 / 83 / 7

HEX #ECA727

RGB 236 167 39

HSL 38.98, 0.84%, 0.54%

LAB 73.3, 15.41, 69.66

 

CMYK 83 / 4 / 0 / 7

HEX #27E2EC

RGB 39 226 236

HSL 183.05, 0.84%, 0.54%

LAB 82.31, -39.42, -17.37

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 38 / 0 / 83 / 7

HEX #93EC27

RGB 147 236 39

HSL 87.11, 0.84%, 0.54%

LAB 85.17, -54.05, 77.25

 

CMYK 83 / 38 / 0 / 7

HEX #2793EC

RGB 39 147 236

HSL 207.11, 0.84%, 0.54%

LAB 59.3, 1.7, -53.05

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 0 / 29 / 83 / 7

HEX #ECA727

RGB 236 167 39

HSL 38.98, 0.84%, 0.54%

LAB 73.3, 15.41, 69.66

 

CMYK 83 / 0 / 46 / 7

HEX #27EC7F

RGB 39 236 127

HSL 146.8, 0.84%, 0.54%

LAB 82.89, -69.02, 40.05

 

CMYK 83 / 54 / 0 / 7

HEX #276CEC

RGB 39 108 236

HSL 218.98, 0.84%, 0.54%

LAB 48.53, 25.76, -70.38

 

CMYK 0 / 83 / 39 / 7

HEX #EC2791

RGB 236 39 145

HSL 327.72, 0.84%, 0.54%

LAB 53.31, 77.29, -8.85

 

CMYK 0 / 4 / 83 / 7

HEX #ECE227

RGB 236 226 39

HSL 56.95, 0.84%, 0.54%

LAB 88.15, -14.92, 82.07

 

CMYK 83 / 0 / 46 / 7

HEX #27EC7F

RGB 39 236 127

HSL 146.8, 0.84%, 0.54%

LAB 82.89, -69.02, 40.05

 

CMYK 83 / 79 / 0 / 7

HEX #2731EC

RGB 39 49 236

HSL 236.95, 0.84%, 0.54%

LAB 35.37, 60.71, -92

 

Description

Color code: RGB 236 39 145 | qconv.com Color code: RGB 236 39 145 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 39 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 39 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 39 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 39% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - 日本最大級の通販サイト【パーク】 : 人...
Link: http://park.estore.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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