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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 1 253 it is the complementary color RGB 19 254 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 1 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 236 1 253 shade: RGB 241 1 248, RGB 255 19 255, RGB 255 37 255, RGB 255 55 255 and RGB 255 73 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 1 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 236 1 253 shade: RGB 236 1 253, RGB 219 0 234, RGB 202 0 215, RGB 185 0 196 and RGB 168 0 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 236 1 253 shade: RGB 236 1 253, RGB 253 1 202, RGB 253 1 134, RGB 253 1 66 and RGB 253 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 236 1 253 shade: RGB 236 1 253, RGB 168 1 253, RGB 100 1 253, RGB 32 1 253 and RGB 1 1 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 236 1 253 shade matches the following richer shades: RGB 236 1 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 236 1 253 shade: RGB 236 1 253, RGB 218 21 233, RGB 200 42 212, RGB 183 63 191 and RGB 165 83 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 236 1 253 shade: RGB 98 1 253, RGB 165 1 253, RGB 232 1 253, RGB 253 1 207 and RGB 253 1 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 236 1 253 shade: RGB 160 0 171, RGB 198 1 212, RGB 236 1 253, RGB 239 42 253 and RGB 242 83 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 236 1 253 shade: RGB 236 1 253, RGB 253 30 1 and RGB 1 253 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 236 1 253 shade: RGB 236 1 253, RGB 253 232 1 and RGB 1 253 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 236 1 253 shade: RGB 236 1 253, RGB 253 30 1, RGB 22 253 1 and RGB 1 224 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 236 1 253 shade: RGB 236 1 253, RGB 253 106 1, RGB 22 253 1 and RGB 1 148 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

Complementary color

CMYK 93 / 0 / 99 / 0

HEX #13FE02

RGB 19 254 2

HSL 115.95, 0.99%, 0.5%

LAB 87.5, -85.28, 82.86

 

CMYK 3 / 100 / 0 / 3

HEX #F101F8

RGB 241 1 248

HSL 298.3, 0.99%, 0.49%

LAB 57.56, 95.07, -61.51

 

CMYK 0 / 93 / 0 / 0

HEX #FF13FF

RGB 255 19 255

HSL 300, 1%, 0.54%

LAB 60.73, 97.03, -60.18

 

CMYK 0 / 85 / 0 / 0

HEX #FF25FF

RGB 255 37 255

HSL 300, 1%, 0.57%

LAB 61.48, 94.82, -58.98

 

CMYK 0 / 78 / 0 / 0

HEX #FF37FF

RGB 255 55 255

HSL 300, 1%, 0.61%

LAB 62.69, 91.31, -57.06

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

CMYK 6 / 100 / 0 / 8

HEX #DB00EA

RGB 219 0 234

HSL 296.15, 1%, 0.46%

LAB 52.95, 89.78, -61.27

 

CMYK 6 / 100 / 0 / 16

HEX #CA00D7

RGB 202 0 215

HSL 296.37, 1%, 0.42%

LAB 48.84, 84.36, -57.24

 

CMYK 6 / 100 / 0 / 23

HEX #B900C4

RGB 185 0 196

HSL 296.63, 1%, 0.38%

LAB 44.66, 78.86, -53.14

 

CMYK 5 / 100 / 0 / 31

HEX #A800B1

RGB 168 0 177

HSL 296.95, 1%, 0.35%

LAB 40.41, 73.26, -48.96

 

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

CMYK 0 / 100 / 20 / 1

HEX #FD01CA

RGB 253 1 202

HSL 312.14, 0.99%, 0.5%

LAB 57.24, 91.09, -35.89

 

CMYK 0 / 100 / 47 / 1

HEX #FD0186

RGB 253 1 134

HSL 328.33, 0.99%, 0.5%

LAB 54.68, 84.51, 0.13

 

CMYK 0 / 100 / 74 / 1

HEX #FD0142

RGB 253 1 66

HSL 344.52, 0.99%, 0.5%

LAB 53.27, 80.73, 39.02

 

CMYK 0 / 100 / 100 / 1

HEX #FD0101

RGB 253 1 1

HSL 0, 0.99%, 0.5%

LAB 52.85, 79.57, 66.57

 

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

CMYK 34 / 100 / 0 / 1

HEX #A801FD

RGB 168 1 253

HSL 279.76, 0.99%, 0.5%

LAB 46.23, 86.32, -83.23

 

CMYK 60 / 100 / 0 / 1

HEX #6401FD

RGB 100 1 253

HSL 263.57, 0.99%, 0.5%

LAB 37.52, 80.86, -97.9

 

CMYK 87 / 100 / 0 / 1

HEX #2001FD

RGB 32 1 253

HSL 247.38, 0.99%, 0.5%

LAB 32.75, 78.8, -105.98

 

CMYK 100 / 100 / 0 / 1

HEX #0101FD

RGB 1 1 253

HSL 240, 0.99%, 0.5%

LAB 32.08, 78.58, -107.12

 

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

CMYK 6 / 91 / 0 / 9

HEX #DA15E9

RGB 218 21 233

HSL 295.75, 0.83%, 0.5%

LAB 53.3, 87.74, -60.15

 

CMYK 6 / 80 / 0 / 17

HEX #C82AD4

RGB 200 42 212

HSL 295.76, 0.67%, 0.5%

LAB 50.32, 77.67, -53.16

 

CMYK 4 / 67 / 0 / 25

HEX #B73FBF

RGB 183 63 191

HSL 296.25, 0.5%, 0.5%

LAB 48.74, 64.04, -43.73

 

CMYK 4 / 51 / 0 / 33

HEX #A553AB

RGB 165 83 171

HSL 295.91, 0.35%, 0.5%

LAB 48.42, 46.75, -32.73

 

CMYK 61 / 100 / 0 / 1

HEX #6201FD

RGB 98 1 253

HSL 263.1, 0.99%, 0.5%

LAB 37.32, 80.75, -98.24

 

CMYK 35 / 100 / 0 / 1

HEX #A501FD

RGB 165 1 253

HSL 279.05, 0.99%, 0.5%

LAB 45.79, 86, -83.97

 

CMYK 8 / 100 / 0 / 1

HEX #E801FD

RGB 232 1 253

HSL 295, 0.99%, 0.5%

LAB 56.36, 94.47, -66.31

 

CMYK 0 / 100 / 18 / 1

HEX #FD01CF

RGB 253 1 207

HSL 310.95, 0.99%, 0.5%

LAB 57.47, 91.67, -38.38

 

CMYK 0 / 100 / 45 / 1

HEX #FD018C

RGB 253 1 140

HSL 326.9, 0.99%, 0.5%

LAB 54.86, 84.98, -3.2

 

CMYK 6 / 100 / 0 / 33

HEX #A000AB

RGB 160 0 171

HSL 296.14, 1%, 0.34%

LAB 38.58, 71.05, -48.41

 

CMYK 7 / 100 / 0 / 17

HEX #C601D4

RGB 198 1 212

HSL 296.02, 0.99%, 0.42%

LAB 47.98, 83.22, -56.93

 

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

CMYK 6 / 83 / 0 / 1

HEX #EF2AFD

RGB 239 42 253

HSL 296.02, 0.98%, 0.58%

LAB 59.07, 90.95, -61.89

 

CMYK 5 / 67 / 0 / 0

HEX #F253FE

RGB 242 83 254

HSL 295.79, 0.99%, 0.66%

LAB 63.52, 80.35, -55.3

 

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

CMYK 0 / 88 / 100 / 1

HEX #FD1E01

RGB 253 30 1

HSL 6.9, 0.99%, 0.5%

LAB 53.83, 76.74, 66.94

 

CMYK 100 / 0 / 48 / 1

HEX #01FD83

RGB 1 253 131

HSL 150.95, 0.99%, 0.5%

LAB 87.92, -75.64, 44.44

 

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

CMYK 0 / 8 / 100 / 1

HEX #FDE801

RGB 253 232 1

HSL 55, 0.99%, 0.5%

LAB 91.05, -11.26, 89.92

 

CMYK 100 / 0 / 8 / 1

HEX #01FDE8

RGB 1 253 232

HSL 175, 0.99%, 0.5%

LAB 89.9, -53.63, -4

 

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

CMYK 0 / 88 / 100 / 1

HEX #FD1E01

RGB 253 30 1

HSL 6.9, 0.99%, 0.5%

LAB 53.83, 76.74, 66.94

 

CMYK 91 / 0 / 100 / 1

HEX #16FD01

RGB 22 253 1

HSL 115, 0.99%, 0.5%

LAB 87.2, -84.89, 82.71

 

CMYK 100 / 11 / 0 / 1

HEX #01E0FD

RGB 1 224 253

HSL 186.9, 0.99%, 0.5%

LAB 82.06, -34.72, -26.78

 

CMYK 7 / 100 / 0 / 1

HEX #EC01FD

RGB 236 1 253

HSL 295.95, 0.99%, 0.5%

LAB 57.02, 95.05, -65.2

 

CMYK 0 / 58 / 100 / 1

HEX #FD6A01

RGB 253 106 1

HSL 25, 0.99%, 0.5%

LAB 62.67, 52.52, 71.19

 

CMYK 91 / 0 / 100 / 1

HEX #16FD01

RGB 22 253 1

HSL 115, 0.99%, 0.5%

LAB 87.2, -84.89, 82.71

 

CMYK 100 / 42 / 0 / 1

HEX #0194FD

RGB 1 148 253

HSL 205, 0.99%, 0.5%

LAB 60.14, 5.82, -61.1

 

Description

Color code: RGB 236 1 253 | qconv.com Color code: RGB 236 1 253 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 1 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 1 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 100 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 100% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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