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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 239 243 it is the complementary color RGB 20 16 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 239 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 239 243 shade: RGB 240 239 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 239 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 239 243 shade: RGB 235 239 243, RGB 218 221 224, RGB 201 203 205, RGB 184 185 186 and RGB 167 167 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 239 243 shade: RGB 235 239 243, RGB 235 237 243, RGB 236 235 243, RGB 238 235 243 and RGB 240 235 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 239 243 shade: RGB 235 239 243, RGB 235 237 243 and RGB 235 235 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 239 243 shade matches the following richer shades: RGB 235 239 243, RGB 233 239 246, RGB 230 239 248, RGB 228 239 250 and RGB 225 239 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 239 243 shade: RGB 235 239 243, RGB 238 239 241, RGB 240 239 238, RGB 243 239 236 and RGB 245 239 233

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 239 243 shade: RGB 235 243 243, RGB 235 241 243, RGB 235 239 243, RGB 235 237 243 and RGB 236 235 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 239 243 shade: RGB 184 198 212, RGB 210 219 228 and RGB 235 239 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 239 243 shade: RGB 235 239 243, RGB 241 235 243 and RGB 242 243 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 239 243 shade: RGB 235 239 243, RGB 243 235 239 and RGB 239 243 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 239 243 shade: RGB 235 239 243, RGB 241 235 243, RGB 243 239 235 and RGB 238 243 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 239 243 shade: RGB 235 239 243, RGB 243 235 243, RGB 243 239 235 and RGB 235 243 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

Complementary color

CMYK 0 / 20 / 40 / 92

HEX #14100C

RGB 20 16 12

HSL 30, 0.25%, 0.06%

LAB 4.93, 0.87, 2.43

 

CMYK 0 / 0 / 1 / 6

HEX #F0EFEE

RGB 240 239 238

HSL 30, 0.06%, 0.94%

LAB 94.5, 0.16, 0.59

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 3 / 1 / 0 / 12

HEX #DADDE0

RGB 218 221 224

HSL 210, 0.09%, 0.87%

LAB 87.97, -0.46, -1.83

 

CMYK 2 / 1 / 0 / 20

HEX #C9CBCD

RGB 201 203 205

HSL 210, 0.04%, 0.8%

LAB 81.59, -0.31, -1.24

 

CMYK 1 / 1 / 0 / 27

HEX #B8B9BA

RGB 184 185 186

HSL 210, 0.01%, 0.73%

LAB 75.1, -0.16, -0.64

 

CMYK 0 / 0 / 0 / 35

HEX #A7A7A7

RGB 167 167 167

HSL 0, 0%, 0.65%

LAB 68.49, 0, -0.01

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 3 / 2 / 0 / 5

HEX #EBEDF3

RGB 235 237 243

HSL 225, 0.25%, 0.94%

LAB 93.75, 0.42, -3.14

 

CMYK 3 / 3 / 0 / 5

HEX #ECEBF3

RGB 236 235 243

HSL 247.5, 0.25%, 0.94%

LAB 93.33, 1.78, -3.75

 

CMYK 2 / 3 / 0 / 5

HEX #EEEBF3

RGB 238 235 243

HSL 262.5, 0.25%, 0.94%

LAB 93.48, 2.44, -3.52

 

CMYK 1 / 3 / 0 / 5

HEX #F0EBF3

RGB 240 235 243

HSL 277.5, 0.25%, 0.94%

LAB 93.63, 3.1, -3.28

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 3 / 2 / 0 / 5

HEX #EBEDF3

RGB 235 237 243

HSL 225, 0.25%, 0.94%

LAB 93.75, 0.42, -3.14

 

CMYK 3 / 3 / 0 / 5

HEX #EBEBF3

RGB 235 235 243

HSL 240, 0.25%, 0.94%

LAB 93.25, 1.45, -3.87

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 5 / 3 / 0 / 4

HEX #E9EFF6

RGB 233 239 246

HSL 212.31, 0.42%, 0.94%

LAB 94.19, -0.7, -4.07

 

CMYK 7 / 4 / 0 / 3

HEX #E6EFF8

RGB 230 239 248

HSL 210, 0.56%, 0.94%

LAB 94.03, -1.3, -5.38

 

CMYK 9 / 4 / 0 / 2

HEX #E4EFFA

RGB 228 239 250

HSL 210, 0.69%, 0.94%

LAB 93.94, -1.56, -6.56

 

CMYK 11 / 6 / 0 / 1

HEX #E1EFFD

RGB 225 239 253

HSL 210, 0.88%, 0.94%

LAB 93.81, -1.93, -8.33

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 1 / 1 / 0 / 5

HEX #EEEFF1

RGB 238 239 241

HSL 220, 0.1%, 0.94%

LAB 94.42, 0.03, -1.09

 

CMYK 0 / 0 / 1 / 6

HEX #F0EFEE

RGB 240 239 238

HSL 30, 0.06%, 0.94%

LAB 94.5, 0.16, 0.59

 

CMYK 0 / 2 / 3 / 5

HEX #F3EFEC

RGB 243 239 236

HSL 25.71, 0.23%, 0.94%

LAB 94.67, 0.82, 1.91

 

CMYK 0 / 2 / 5 / 4

HEX #F5EFE9

RGB 245 239 233

HSL 30, 0.38%, 0.94%

LAB 94.75, 0.98, 3.6

 

CMYK 3 / 0 / 0 / 5

HEX #EBF3F3

RGB 235 243 243

HSL 180, 0.25%, 0.94%

LAB 95.26, -2.64, -0.93

 

CMYK 3 / 1 / 0 / 5

HEX #EBF1F3

RGB 235 241 243

HSL 195, 0.25%, 0.94%

LAB 94.76, -1.62, -1.67

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 3 / 2 / 0 / 5

HEX #EBEDF3

RGB 235 237 243

HSL 225, 0.25%, 0.94%

LAB 93.75, 0.42, -3.14

 

CMYK 3 / 3 / 0 / 5

HEX #ECEBF3

RGB 236 235 243

HSL 247.5, 0.25%, 0.94%

LAB 93.33, 1.78, -3.75

 

CMYK 13 / 7 / 0 / 17

HEX #B8C6D4

RGB 184 198 212

HSL 210, 0.25%, 0.78%

LAB 79.23, -1.95, -8.61

 

CMYK 8 / 4 / 0 / 11

HEX #D2DBE4

RGB 210 219 228

HSL 210, 0.25%, 0.86%

LAB 86.98, -1.31, -5.46

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 1 / 3 / 0 / 5

HEX #F1EBF3

RGB 241 235 243

HSL 285, 0.25%, 0.94%

LAB 93.71, 3.43, -3.16

 

CMYK 0 / 0 / 3 / 5

HEX #F2F3EB

RGB 242 243 235

HSL 67.5, 0.25%, 0.94%

LAB 95.57, -1.72, 3.72

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 0 / 3 / 2 / 5

HEX #F3EBEF

RGB 243 235 239

HSL 330, 0.25%, 0.94%

LAB 93.76, 3.39, -0.99

 

CMYK 2 / 0 / 3 / 5

HEX #EFF3EB

RGB 239 243 235

HSL 90, 0.25%, 0.94%

LAB 95.35, -2.73, 3.38

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 1 / 3 / 0 / 5

HEX #F1EBF3

RGB 241 235 243

HSL 285, 0.25%, 0.94%

LAB 93.71, 3.43, -3.16

 

CMYK 0 / 2 / 3 / 5

HEX #F3EFEB

RGB 243 239 235

HSL 30, 0.25%, 0.94%

LAB 94.65, 0.65, 2.39

 

CMYK 2 / 0 / 3 / 5

HEX #EEF3EB

RGB 238 243 235

HSL 97.5, 0.25%, 0.94%

LAB 95.28, -3.07, 3.26

 

CMYK 3 / 2 / 0 / 5

HEX #EBEFF3

RGB 235 239 243

HSL 210, 0.25%, 0.94%

LAB 94.26, -0.6, -2.4

 

CMYK 0 / 3 / 0 / 5

HEX #F3EBF3

RGB 243 235 243

HSL 300, 0.25%, 0.94%

LAB 93.86, 4.1, -2.91

 

CMYK 0 / 2 / 3 / 5

HEX #F3EFEB

RGB 243 239 235

HSL 30, 0.25%, 0.94%

LAB 94.65, 0.65, 2.39

 

CMYK 3 / 0 / 3 / 5

HEX #EBF3EB

RGB 235 243 235

HSL 120, 0.25%, 0.94%

LAB 95.06, -4.07, 2.92

 

Description

Color code: RGB 235 239 243 | qconv.com Color code: RGB 235 239 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 239 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 239 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 2 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 2% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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