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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 212 236 it is the complementary color RGB 20 43 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 212 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 235 212 236: RGB 240 212 231, RGB 255 230 250, RGB 255 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 212 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 235 212 236: RGB 235 212 236, RGB 218 194 217, RGB 201 176 198, RGB 184 158 179 and RGB 167 140 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 0 / 7

HEX #EBD4EC

RGB 235 212 236

HSL 297.5, 0.39%, 0.88%

LAB 87.39, 12.13, -8.87

 

Complementary color

CMYK 53 / 0 / 56 / 83

HEX #142B13

RGB 20 43 19

HSL 117.5, 0.39%, 0.12%

LAB 15.08, -15.32, 12.84

 

CMYK 0 / 12 / 4 / 6

HEX #F0D4E7

RGB 240 212 231

HSL 319.29, 0.48%, 0.89%

LAB 87.67, 12.92, -5.76

 

CMYK 0 / 10 / 2 / 0

HEX #FFE6FA

RGB 255 230 250

HSL 312, 1%, 0.95%

LAB 93.78, 11.9, -6.57

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 10 / 0 / 7

HEX #EBD4EC

RGB 235 212 236

HSL 297.5, 0.39%, 0.88%

LAB 87.39, 12.13, -8.87

 

CMYK 0 / 11 / 0 / 15

HEX #DAC2D9

RGB 218 194 217

HSL 302.5, 0.24%, 0.81%

LAB 81.02, 12.48, -8.36

 

CMYK 0 / 12 / 1 / 21

HEX #C9B0C6

RGB 201 176 198

HSL 307.2, 0.19%, 0.74%

LAB 74.54, 12.86, -7.85

 

CMYK 0 / 14 / 3 / 28

HEX #B89EB3

RGB 184 158 179

HSL 311.54, 0.15%, 0.67%

LAB 67.95, 13.27, -7.32

 

CMYK 0 / 16 / 4 / 35

HEX #A78CA0

RGB 167 140 160

HSL 315.56, 0.13%, 0.6%

LAB 61.23, 13.71, -6.77

 

CMYK 0 / 10 / 0 / 7

HEX #EBD4EC

RGB 235 212 236

HSL 297.5, 0.39%, 0.88%

LAB 87.39, 12.13, -8.87

 

CMYK 0 / 10 / 1 / 7

HEX #ECD4E9

RGB 236 212 233

HSL 307.5, 0.39%, 0.88%

LAB 87.39, 11.92, -7.27

 

CMYK 0 / 10 / 3 / 7

HEX #ECD4E5

RGB 236 212 229

HSL 317.5, 0.39%, 0.88%

LAB 87.28, 11.21, -5.32

 

CMYK 0 / 10 / 5 / 7

HEX #ECD4E1

RGB 236 212 225

HSL 327.5, 0.39%, 0.88%

LAB 87.17, 10.51, -3.36

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DD

RGB 236 212 221

HSL 337.5, 0.39%, 0.88%

LAB 87.07, 9.82, -1.4

 

CMYK 0 / 10 / 0 / 7

HEX #EBD4EC

RGB 235 212 236

HSL 297.5, 0.39%, 0.88%

LAB 87.39, 12.13, -8.87

 

CMYK 0 / 9 / 0 / 87

HEX #201D20

RGB 32 29 32

HSL 300, 0.05%, 0.12%

LAB 11.21, 2.18, -1.54

 

CMYK 0 / 10 / 0 / 67

HEX #534B53

RGB 83 75 83

HSL 300, 0.05%, 0.31%

LAB 32.91, 5.01, -3.52

 

CMYK 1 / 10 / 0 / 47

HEX #857886

RGB 133 120 134

HSL 295.71, 0.06%, 0.5%

LAB 52, 7.7, -5.8

 

CMYK 1 / 10 / 0 / 27

HEX #B8A6B9

RGB 184 166 185

HSL 296.84, 0.12%, 0.69%

LAB 70.15, 9.98, -7.38

 

CMYK 0 / 10 / 0 / 7

HEX #EBD4EC

RGB 235 212 236

HSL 297.5, 0.39%, 0.88%

LAB 87.39, 12.13, -8.87

 

CMYK 0 / 8 / 10 / 7

HEX #ECD8D4

RGB 236 216 212

HSL 10, 0.39%, 0.88%

LAB 87.82, 6.23, 4.45

 

CMYK 10 / 0 / 5 / 7

HEX #D4ECE1

RGB 212 236 225

HSL 152.5, 0.39%, 0.88%

LAB 91.43, -9.93, 2.64

 

CMYK 0 / 10 / 0 / 7

HEX #EBD4EC

RGB 235 212 236

HSL 297.5, 0.39%, 0.88%

LAB 87.39, 12.13, -8.87

 

CMYK 0 / 0 / 10 / 7

HEX #ECEBD4

RGB 236 235 212

HSL 57.5, 0.39%, 0.88%

LAB 92.58, -3.54, 11.28

 

CMYK 10 / 0 / 0 / 7

HEX #D4ECEB

RGB 212 236 235

HSL 177.5, 0.39%, 0.88%

LAB 91.68, -8.04, -2.21

 

CMYK 0 / 10 / 0 / 7

HEX #EBD4EC

RGB 235 212 236

HSL 297.5, 0.39%, 0.88%

LAB 87.39, 12.13, -8.87

 

CMYK 0 / 8 / 10 / 7

HEX #ECD8D4

RGB 236 216 212

HSL 10, 0.39%, 0.88%

LAB 87.82, 6.23, 4.45

 

CMYK 10 / 0 / 10 / 7

HEX #D5ECD4

RGB 213 236 212

HSL 117.5, 0.39%, 0.88%

LAB 91.18, -11.94, 9.07

 

CMYK 10 / 2 / 0 / 7

HEX #D4E8EC

RGB 212 232 236

HSL 190, 0.39%, 0.88%

LAB 90.67, -5.81, -4.21

 

CMYK 0 / 10 / 0 / 7

HEX #EBD4EC

RGB 235 212 236

HSL 297.5, 0.39%, 0.88%

LAB 87.39, 12.13, -8.87

 

CMYK 0 / 6 / 10 / 7

HEX #ECDFD4

RGB 236 223 212

HSL 27.5, 0.39%, 0.88%

LAB 89.56, 2.6, 6.96

NCS® S1005-Y60R

CMYK 10 / 0 / 10 / 7

HEX #D5ECD4

RGB 213 236 212

HSL 117.5, 0.39%, 0.88%

LAB 91.18, -11.94, 9.07

 

CMYK 10 / 5 / 0 / 7

HEX #D4E1EC

RGB 212 225 236

HSL 207.5, 0.39%, 0.88%

LAB 88.88, -2.21, -6.86

 

Description

Color code: RGB 235 212 236 | qconv.com Color code: RGB 235 212 236 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 212 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 212 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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