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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 209 102 it is the complementary color RGB 20 46 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 209 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 235 209 102: RGB 240 209 97, RGB 255 227 116, RGB 255 245 135, RGB 255 255 154 and RGB 255 255 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 209 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 235 209 102: RGB 235 209 102, RGB 218 191 83, RGB 201 173 64, RGB 184 155 45 and RGB 167 137 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 57 / 8

HEX #EBD166

RGB 235 209 102

HSL 48.27, 0.77%, 0.66%

LAB 84.08, -3.76, 55.49

 

Complementary color

CMYK 87 / 70 / 0 / 40

HEX #142E99

RGB 20 46 153

HSL 228.27, 0.77%, 0.34%

LAB 24.96, 33.18, -60.41

 

CMYK 0 / 13 / 60 / 6

HEX #F0D161

RGB 240 209 97

HSL 46.99, 0.83%, 0.66%

LAB 84.48, -2.06, 58.34

 

CMYK 0 / 11 / 55 / 0

HEX #FFE374

RGB 255 227 116

HSL 47.91, 1%, 0.73%

LAB 90.53, -3.69, 56.97

 

CMYK 0 / 4 / 47 / 0

HEX #FFF587

RGB 255 245 135

HSL 55, 1%, 0.76%

LAB 95.29, -11.06, 53.79

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 11 / 57 / 8

HEX #EBD166

RGB 235 209 102

HSL 48.27, 0.77%, 0.66%

LAB 84.08, -3.76, 55.49

 

CMYK 0 / 12 / 62 / 15

HEX #DABF53

RGB 218 191 83

HSL 48, 0.65%, 0.59%

LAB 77.75, -2.9, 56.58

 

CMYK 0 / 14 / 68 / 21

HEX #C9AD40

RGB 201 173 64

HSL 47.74, 0.56%, 0.52%

LAB 71.33, -1.88, 57.48

 

CMYK 0 / 16 / 76 / 28

HEX #B89B2D

RGB 184 155 45

HSL 47.48, 0.61%, 0.45%

LAB 64.82, -0.67, 58

 

CMYK 0 / 18 / 84 / 35

HEX #A7891A

RGB 167 137 26

HSL 47.23, 0.73%, 0.38%

LAB 58.21, 0.79, 57.74

 

CMYK 0 / 11 / 57 / 8

HEX #EBD166

RGB 235 209 102

HSL 48.27, 0.77%, 0.66%

LAB 84.08, -3.76, 55.49

 

CMYK 0 / 2 / 57 / 8

HEX #EBE665

RGB 235 230 101

HSL 57.76, 0.77%, 0.66%

LAB 89.48, -14.37, 62.06

 

CMYK 8 / 0 / 57 / 8

HEX #D9EB65

RGB 217 235 101

HSL 68.06, 0.77%, 0.66%

LAB 89.44, -23.98, 61.64

 

CMYK 17 / 0 / 57 / 8

HEX #C3EB65

RGB 195 235 101

HSL 77.91, 0.77%, 0.66%

LAB 87.95, -32.5, 59.55

 

CMYK 27 / 0 / 57 / 8

HEX #ACEB65

RGB 172 235 101

HSL 88.21, 0.77%, 0.66%

LAB 86.57, -40.99, 57.61

 

CMYK 0 / 11 / 57 / 8

HEX #EBD166

RGB 235 209 102

HSL 48.27, 0.77%, 0.66%

LAB 84.08, -3.76, 55.49

 

CMYK 0 / 10 / 58 / 88

HEX #1F1C0D

RGB 31 28 13

HSL 50, 0.41%, 0.09%

LAB 10.19, -1.42, 9.74

 

CMYK 0 / 11 / 56 / 68

HEX #524924

RGB 82 73 36

HSL 48.26, 0.39%, 0.23%

LAB 31.08, -1.87, 23.33

 

CMYK 0 / 11 / 56 / 48

HEX #85763A

RGB 133 118 58

HSL 48, 0.39%, 0.37%

LAB 49.8, -2.36, 34.74

 

CMYK 0 / 11 / 57 / 28

HEX #B8A450

RGB 184 164 80

HSL 48.46, 0.42%, 0.52%

LAB 67.52, -3.35, 45.58

 

CMYK 0 / 11 / 57 / 8

HEX #EBD166

RGB 235 209 102

HSL 48.27, 0.77%, 0.66%

LAB 84.08, -3.76, 55.49

 

CMYK 57 / 0 / 57 / 8

HEX #65EB65

RGB 101 235 101

HSL 120, 0.77%, 0.66%

LAB 83.51, -62.44, 53.28

 

CMYK 34 / 57 / 0 / 8

HEX #9A65EB

RGB 154 101 235

HSL 263.73, 0.77%, 0.66%

LAB 54.21, 48.69, -60.27

 

CMYK 0 / 11 / 57 / 8

HEX #EBD166

RGB 235 209 102

HSL 48.27, 0.77%, 0.66%

LAB 84.08, -3.76, 55.49

 

CMYK 57 / 0 / 11 / 8

HEX #65EBD0

RGB 101 235 208

HSL 167.91, 0.77%, 0.66%

LAB 85.37, -43.08, 2.08

 

CMYK 11 / 57 / 0 / 8

HEX #D065EB

RGB 208 101 235

HSL 287.91, 0.77%, 0.66%

LAB 60.53, 61.73, -49.82

 

CMYK 0 / 11 / 57 / 8

HEX #EBD166

RGB 235 209 102

HSL 48.27, 0.77%, 0.66%

LAB 84.08, -3.76, 55.49

 

CMYK 57 / 0 / 57 / 8

HEX #65EB65

RGB 101 235 101

HSL 120, 0.77%, 0.66%

LAB 83.51, -62.44, 53.28

 

CMYK 57 / 46 / 0 / 8

HEX #6580EB

RGB 101 128 235

HSL 227.91, 0.77%, 0.66%

LAB 56.29, 21.42, -57.17

 

CMYK 0 / 57 / 0 / 8

HEX #EB65EB

RGB 235 101 235

HSL 300, 0.77%, 0.66%

LAB 64.13, 68.48, -43.89

 

CMYK 0 / 11 / 57 / 8

HEX #EBD166

RGB 235 209 102

HSL 48.27, 0.77%, 0.66%

LAB 84.08, -3.76, 55.49

 

CMYK 57 / 0 / 40 / 8

HEX #65EB8D

RGB 101 235 141

HSL 137.91, 0.77%, 0.66%

LAB 84.02, -56.8, 34.83

 

CMYK 57 / 46 / 0 / 8

HEX #6580EB

RGB 101 128 235

HSL 227.91, 0.77%, 0.66%

LAB 56.29, 21.42, -57.17

 

CMYK 0 / 57 / 17 / 8

HEX #EB65C3

RGB 235 101 195

HSL 317.91, 0.77%, 0.66%

LAB 62.43, 62.21, -24.08

 

Description

Color code: RGB 235 209 102 | qconv.com Color code: RGB 235 209 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 209 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 209 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 57 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 57% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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