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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 203 177 it is the complementary color RGB 20 52 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 203 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 203 177 shade: RGB 240 203 172, RGB 255 221 191, RGB 255 239 210, RGB 255 255 229 and RGB 255 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 203 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 203 177 shade: RGB 235 203 177, RGB 218 185 158, RGB 201 167 139, RGB 184 149 120 and RGB 167 131 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 203 177 shade: RGB 235 204 178, RGB 235 188 178 and RGB 235 178 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 203 177 shade: RGB 235 204 178, RGB 235 219 178, RGB 235 234 178, RGB 220 235 178 and RGB 205 235 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 203 177 shade matches the following richer shades: RGB 235 204 178, RGB 243 203 170 and RGB 251 202 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 203 177 shade: RGB 235 204 178, RGB 227 204 186, RGB 219 205 194, RGB 212 206 201 and RGB 204 207 209

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 203 177 shade: RGB 235 178 184, RGB 235 187 178, RGB 235 203 178, RGB 235 218 178 and RGB 235 233 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 203 177 shade: RGB 218 160 112, RGB 227 182 145, RGB 235 204 178, RGB 244 225 211 and RGB 252 247 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 203 177 shade: RGB 235 203 177, RGB 199 235 178 and RGB 180 178 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 203 177 shade: RGB 235 203 177, RGB 178 235 203 and RGB 203 178 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 203 177 shade: RGB 235 203 177, RGB 199 235 178, RGB 178 210 235 and RGB 214 178 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 203 177 shade: RGB 235 203 177, RGB 182 235 178, RGB 178 210 235 and RGB 231 178 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 25 / 8

HEX #EBCBB1

RGB 235 203 177

HSL 26.9, 0.59%, 0.81%

LAB 83.73, 7.35, 17.12

 

Complementary color

CMYK 74 / 33 / 0 / 69

HEX #14344E

RGB 20 52 78

HSL 206.9, 0.59%, 0.19%

LAB 20.65, -1.9, -19.38

 

CMYK 0 / 15 / 28 / 6

HEX #F0CBAC

RGB 240 203 172

HSL 27.35, 0.69%, 0.81%

LAB 84.08, 8.55, 20.32

 

CMYK 0 / 13 / 25 / 0

HEX #FFDDBF

RGB 255 221 191

HSL 28.13, 1%, 0.87%

LAB 90.2, 7.34, 19.07

 

CMYK 0 / 6 / 18 / 0

HEX #FFEFD2

RGB 255 239 210

HSL 38.67, 1%, 0.91%

LAB 95.01, 0.83, 15.97

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 14 / 25 / 8

HEX #EBCBB1

RGB 235 203 177

HSL 26.9, 0.59%, 0.81%

LAB 83.73, 7.35, 17.12

 

CMYK 0 / 15 / 28 / 15

HEX #DAB99E

RGB 218 185 158

HSL 27, 0.45%, 0.74%

LAB 77.32, 7.82, 18.1

 

CMYK 0 / 17 / 31 / 21

HEX #C9A78B

RGB 201 167 139

HSL 27.1, 0.36%, 0.67%

LAB 70.82, 8.34, 19.14

 

CMYK 0 / 19 / 35 / 28

HEX #B89578

RGB 184 149 120

HSL 27.19, 0.31%, 0.6%

LAB 64.19, 8.94, 20.27

 

CMYK 0 / 22 / 40 / 35

HEX #A78365

RGB 167 131 101

HSL 27.27, 0.27%, 0.53%

LAB 57.45, 9.64, 21.5

 

CMYK 0 / 13 / 24 / 8

HEX #EBCCB2

RGB 235 204 178

HSL 27.37, 0.59%, 0.81%

LAB 84, 6.97, 16.97

 

CMYK 0 / 20 / 24 / 8

HEX #EBBCB2

RGB 235 188 178

HSL 10.53, 0.59%, 0.81%

LAB 80.09, 15.4, 11.46

 

CMYK 0 / 24 / 24 / 8

HEX #EBB2B2

RGB 235 178 178

HSL 0, 0.59%, 0.81%

LAB 77.71, 20.71, 8.06

 

CMYK 0 / 13 / 24 / 8

HEX #EBCCB2

RGB 235 204 178

HSL 27.37, 0.59%, 0.81%

LAB 84, 6.97, 16.97

 

CMYK 0 / 7 / 24 / 8

HEX #EBDBB2

RGB 235 219 178

HSL 43.16, 0.59%, 0.81%

LAB 87.75, -0.81, 22.18

 

CMYK 0 / 0 / 24 / 8

HEX #EBEAB2

RGB 235 234 178

HSL 58.95, 0.59%, 0.81%

LAB 91.56, -8.42, 27.41

 

CMYK 6 / 0 / 24 / 8

HEX #DCEBB2

RGB 220 235 178

HSL 75.79, 0.59%, 0.81%

LAB 90.71, -14.39, 26.06

 

CMYK 13 / 0 / 24 / 8

HEX #CDEBB2

RGB 205 235 178

HSL 91.58, 0.59%, 0.81%

LAB 89.68, -19.74, 24.48

 

CMYK 0 / 13 / 24 / 8

HEX #EBCCB2

RGB 235 204 178

HSL 27.37, 0.59%, 0.81%

LAB 84, 6.97, 16.97

 

CMYK 0 / 16 / 30 / 5

HEX #F3CBAA

RGB 243 203 170

HSL 27.12, 0.75%, 0.81%

LAB 84.31, 9.43, 21.74

 

CMYK 0 / 20 / 35 / 2

HEX #FBCAA2

RGB 251 202 162

HSL 26.97, 0.92%, 0.81%

LAB 84.67, 12.01, 26.55

 

CMYK 0 / 13 / 24 / 8

HEX #EBCCB2

RGB 235 204 178

HSL 27.37, 0.59%, 0.81%

LAB 84, 6.97, 16.97

 

CMYK 0 / 10 / 18 / 11

HEX #E3CCBA

RGB 227 204 186

HSL 26.34, 0.42%, 0.81%

LAB 83.47, 5.17, 11.89

 

CMYK 0 / 6 / 11 / 14

HEX #DBCDC2

RGB 219 205 194

HSL 26.4, 0.26%, 0.81%

LAB 83.24, 3.01, 7.21

 

CMYK 0 / 3 / 5 / 17

HEX #D4CEC9

RGB 212 206 201

HSL 27.27, 0.11%, 0.81%

LAB 83.1, 1.19, 3.21

 

CMYK 2 / 1 / 0 / 18

HEX #CCCFD1

RGB 204 207 209

HSL 204, 0.05%, 0.81%

LAB 82.95, -0.65, -1.36

 

CMYK 0 / 24 / 22 / 8

HEX #EBB2B8

RGB 235 178 184

HSL 353.68, 0.59%, 0.81%

LAB 77.85, 21.58, 5.02

 

CMYK 0 / 20 / 24 / 8

HEX #EBBBB2

RGB 235 187 178

HSL 9.47, 0.59%, 0.81%

LAB 79.85, 15.93, 11.12

 

CMYK 0 / 14 / 24 / 8

HEX #EBCBB2

RGB 235 203 178

HSL 26.32, 0.59%, 0.81%

LAB 83.75, 7.49, 16.62

 

CMYK 0 / 7 / 24 / 8

HEX #EBDAB2

RGB 235 218 178

HSL 42.11, 0.59%, 0.81%

LAB 87.49, -0.29, 21.83

 

CMYK 0 / 1 / 24 / 8

HEX #EBE9B2

RGB 235 233 178

HSL 57.89, 0.59%, 0.81%

LAB 91.3, -7.92, 27.06

 

CMYK 0 / 27 / 49 / 15

HEX #DAA070

RGB 218 160 112

HSL 27.17, 0.59%, 0.65%

LAB 70.33, 15.88, 33.39

 

CMYK 0 / 20 / 36 / 11

HEX #E3B691

RGB 227 182 145

HSL 27.07, 0.59%, 0.73%

LAB 77.18, 11.24, 25.01

 

CMYK 0 / 13 / 24 / 8

HEX #EBCCB2

RGB 235 204 178

HSL 27.37, 0.59%, 0.81%

LAB 84, 6.97, 16.97

 

CMYK 0 / 8 / 14 / 4

HEX #F4E1D3

RGB 244 225 211

HSL 25.45, 0.6%, 0.89%

LAB 90.68, 4.23, 9.18

 

CMYK 0 / 2 / 3 / 1

HEX #FCF7F4

RGB 252 247 244

HSL 22.5, 0.57%, 0.97%

LAB 97.53, 1.15, 2.02

 

CMYK 0 / 14 / 25 / 8

HEX #EBCBB1

RGB 235 203 177

HSL 26.9, 0.59%, 0.81%

LAB 83.73, 7.35, 17.12

 

CMYK 15 / 0 / 24 / 8

HEX #C7EBB2

RGB 199 235 178

HSL 97.89, 0.59%, 0.81%

LAB 89.29, -21.83, 23.88

 

CMYK 23 / 24 / 0 / 8

HEX #B4B2EB

RGB 180 178 235

HSL 242.11, 0.59%, 0.81%

LAB 74.54, 12.68, -28.17

 

CMYK 0 / 14 / 25 / 8

HEX #EBCBB1

RGB 235 203 177

HSL 26.9, 0.59%, 0.81%

LAB 83.73, 7.35, 17.12

 

CMYK 24 / 0 / 14 / 8

HEX #B2EBCB

RGB 178 235 203

HSL 146.32, 0.59%, 0.81%

LAB 88.54, -24.45, 9.69

 

CMYK 14 / 24 / 0 / 8

HEX #CBB2EB

RGB 203 178 235

HSL 266.32, 0.59%, 0.81%

LAB 76.4, 19.76, -25.16

 

CMYK 0 / 14 / 25 / 8

HEX #EBCBB1

RGB 235 203 177

HSL 26.9, 0.59%, 0.81%

LAB 83.73, 7.35, 17.12

 

CMYK 15 / 0 / 24 / 8

HEX #C7EBB2

RGB 199 235 178

HSL 97.89, 0.59%, 0.81%

LAB 89.29, -21.83, 23.88

 

CMYK 24 / 11 / 0 / 8

HEX #B2D2EB

RGB 178 210 235

HSL 206.32, 0.59%, 0.81%

LAB 82.68, -5.16, -15.81

 

CMYK 9 / 24 / 0 / 8

HEX #D6B2EB

RGB 214 178 235

HSL 277.89, 0.59%, 0.81%

LAB 77.36, 23.25, -23.6

 

CMYK 0 / 14 / 25 / 8

HEX #EBCBB1

RGB 235 203 177

HSL 26.9, 0.59%, 0.81%

LAB 83.73, 7.35, 17.12

 

CMYK 23 / 0 / 24 / 8

HEX #B6EBB2

RGB 182 235 178

HSL 115.79, 0.59%, 0.81%

LAB 88.25, -27.6, 22.29

 

CMYK 24 / 11 / 0 / 8

HEX #B2D2EB

RGB 178 210 235

HSL 206.32, 0.59%, 0.81%

LAB 82.68, -5.16, -15.81

 

CMYK 2 / 24 / 0 / 8

HEX #E7B2EB

RGB 231 178 235

HSL 295.79, 0.59%, 0.81%

LAB 78.94, 28.72, -21.05

 

Description

Color code: RGB 235 203 177 | qconv.com Color code: RGB 235 203 177 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 203 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 203 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 25 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 25% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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