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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 190 147 it is the complementary color RGB 20 65 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 190 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 190 147 shade: RGB 240 190 142, RGB 255 208 161, RGB 255 226 180, RGB 255 244 199 and RGB 255 255 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 190 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 190 147 shade: RGB 235 190 147, RGB 218 172 128, RGB 201 154 109, RGB 184 136 90 and RGB 167 118 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 190 147 shade: RGB 235 190 147, RGB 235 166 147 and RGB 235 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 190 147 shade: RGB 235 190 147, RGB 235 213 147, RGB 232 235 147, RGB 209 235 147 and RGB 185 235 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 190 147 shade matches the following richer shades: RGB 235 190 147 and RGB 245 190 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 190 147 shade: RGB 235 190 147, RGB 224 190 157, RGB 214 190 167, RGB 204 190 178 and RGB 193 191 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 190 147 shade: RGB 235 147 151, RGB 235 166 147, RGB 235 189 147, RGB 235 213 147 and RGB 233 235 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 190 147 shade: RGB 222 148 77, RGB 228 169 112, RGB 235 190 147, RGB 241 211 182 and RGB 248 232 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 190 147 shade: RGB 235 190 147, RGB 175 235 147 and RGB 154 147 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 190 147 shade: RGB 235 190 147, RGB 147 235 189 and RGB 189 147 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 190 147 shade: RGB 235 190 147, RGB 175 235 147, RGB 147 192 235 and RGB 207 147 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 190 147 shade: RGB 235 190 147, RGB 148 235 147, RGB 147 192 235 and RGB 233 147 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

Complementary color

CMYK 81 / 40 / 0 / 58

HEX #14416C

RGB 20 65 108

HSL 209.32, 0.69%, 0.25%

LAB 26.77, 1.56, -29.32

 

CMYK 0 / 21 / 41 / 6

HEX #F0BE8E

RGB 240 190 142

HSL 29.39, 0.77%, 0.75%

LAB 80.35, 11.77, 31.06

 

CMYK 0 / 18 / 37 / 0

HEX #FFD0A1

RGB 255 208 161

HSL 30, 1%, 0.82%

LAB 86.48, 10.31, 29.58

 

CMYK 0 / 11 / 29 / 0

HEX #FFE2B4

RGB 255 226 180

HSL 36.8, 1%, 0.85%

LAB 91.21, 3.34, 26.17

 

CMYK 0 / 4 / 22 / 0

HEX #FFF4C7

RGB 255 244 199

HSL 48.21, 1%, 0.89%

LAB 96.03, -3.26, 23.05

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

CMYK 0 / 21 / 41 / 15

HEX #DAAC80

RGB 218 172 128

HSL 29.33, 0.55%, 0.68%

LAB 73.53, 11.07, 29.03

 

CMYK 0 / 23 / 46 / 21

HEX #C99A6D

RGB 201 154 109

HSL 29.35, 0.46%, 0.61%

LAB 67, 11.88, 30.34

 

CMYK 0 / 26 / 51 / 28

HEX #B8885A

RGB 184 136 90

HSL 29.36, 0.4%, 0.54%

LAB 60.37, 12.82, 31.75

 

CMYK 0 / 29 / 57 / 35

HEX #A77647

RGB 167 118 71

HSL 29.38, 0.4%, 0.47%

LAB 53.63, 13.92, 33.27

 

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

CMYK 0 / 29 / 37 / 8

HEX #EBA693

RGB 235 166 147

HSL 12.95, 0.69%, 0.75%

LAB 74.22, 23.1, 20.02

 

CMYK 0 / 37 / 37 / 8

HEX #EB9393

RGB 235 147 147

HSL 0, 0.69%, 0.75%

LAB 69.92, 33.18, 14.05

 

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

CMYK 0 / 9 / 37 / 8

HEX #EBD593

RGB 235 213 147

HSL 45, 0.69%, 0.75%

LAB 85.68, -1.6, 35.42

 

CMYK 1 / 0 / 37 / 8

HEX #E8EB93

RGB 232 235 147

HSL 62.05, 0.69%, 0.75%

LAB 91.09, -13.84, 42.37

 

CMYK 11 / 0 / 37 / 8

HEX #D1EB93

RGB 209 235 147

HSL 77.73, 0.69%, 0.75%

LAB 89.43, -22.52, 39.9

 

CMYK 21 / 0 / 37 / 8

HEX #B9EB93

RGB 185 235 147

HSL 94.09, 0.69%, 0.75%

LAB 87.89, -31.19, 37.61

 

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

CMYK 0 / 22 / 44 / 4

HEX #F5BE88

RGB 245 190 136

HSL 29.72, 0.84%, 0.75%

LAB 80.75, 13.12, 34.81

 

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

CMYK 0 / 15 / 30 / 12

HEX #E0BE9D

RGB 224 190 157

HSL 29.55, 0.52%, 0.75%

LAB 79.1, 7.33, 21.18

 

CMYK 0 / 11 / 22 / 16

HEX #D6BEA7

RGB 214 190 167

HSL 29.36, 0.36%, 0.75%

LAB 78.41, 4.91, 14.73

 

CMYK 0 / 7 / 13 / 20

HEX #CCBEB2

RGB 204 190 178

HSL 27.69, 0.2%, 0.75%

LAB 77.8, 2.91, 7.82

 

CMYK 0 / 1 / 3 / 24

HEX #C1BFBC

RGB 193 191 188

HSL 36, 0.04%, 0.75%

LAB 77.42, 0.15, 1.75

 

CMYK 0 / 37 / 36 / 8

HEX #EB9397

RGB 235 147 151

HSL 357.27, 0.69%, 0.75%

LAB 70.01, 33.65, 11.95

 

CMYK 0 / 29 / 37 / 8

HEX #EBA693

RGB 235 166 147

HSL 12.95, 0.69%, 0.75%

LAB 74.22, 23.1, 20.02

 

CMYK 0 / 20 / 37 / 8

HEX #EBBD93

RGB 235 189 147

HSL 28.64, 0.69%, 0.75%

LAB 79.71, 10.9, 27.49

 

CMYK 0 / 9 / 37 / 8

HEX #EBD593

RGB 235 213 147

HSL 45, 0.69%, 0.75%

LAB 85.68, -1.6, 35.42

 

CMYK 1 / 0 / 37 / 8

HEX #E9EB93

RGB 233 235 147

HSL 61.36, 0.69%, 0.75%

LAB 91.16, -13.46, 42.48

 

CMYK 0 / 33 / 65 / 13

HEX #DE944D

RGB 222 148 77

HSL 29.38, 0.69%, 0.59%

LAB 67.46, 21.26, 48.02

 

CMYK 0 / 26 / 51 / 11

HEX #E4A970

RGB 228 169 112

HSL 29.48, 0.68%, 0.67%

LAB 73.57, 15.13, 37.74

 

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

CMYK 0 / 12 / 24 / 5

HEX #F1D3B6

RGB 241 211 182

HSL 29.49, 0.68%, 0.83%

LAB 86.34, 6.11, 18.21

 

CMYK 0 / 6 / 13 / 3

HEX #F8E8D8

RGB 248 232 216

HSL 30, 0.7%, 0.91%

LAB 92.85, 2.83, 9.72

 

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

CMYK 26 / 0 / 37 / 8

HEX #AFEB93

RGB 175 235 147

HSL 100.91, 0.69%, 0.75%

LAB 87.31, -34.65, 36.74

 

CMYK 34 / 37 / 0 / 8

HEX #9A93EB

RGB 154 147 235

HSL 244.77, 0.69%, 0.75%

LAB 64.75, 22.7, -43.52

 

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

CMYK 37 / 0 / 20 / 8

HEX #93EBBD

RGB 147 235 189

HSL 148.64, 0.69%, 0.75%

LAB 86.65, -36.35, 14.08

 

CMYK 20 / 37 / 0 / 8

HEX #BD93EB

RGB 189 147 235

HSL 268.64, 0.69%, 0.75%

LAB 67.79, 32.59, -38.55

 

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

CMYK 26 / 0 / 37 / 8

HEX #AFEB93

RGB 175 235 147

HSL 100.91, 0.69%, 0.75%

LAB 87.31, -34.65, 36.74

 

CMYK 37 / 18 / 0 / 8

HEX #93C0EB

RGB 147 192 235

HSL 209.32, 0.69%, 0.75%

LAB 76.01, -4.37, -26.1

 

CMYK 12 / 37 / 0 / 8

HEX #CF93EB

RGB 207 147 235

HSL 280.91, 0.69%, 0.75%

LAB 69.56, 37.92, -35.65

 

CMYK 0 / 19 / 37 / 8

HEX #EBBE93

RGB 235 190 147

HSL 29.32, 0.69%, 0.75%

LAB 79.95, 10.37, 27.81

 

CMYK 37 / 0 / 37 / 8

HEX #94EB93

RGB 148 235 147

HSL 119.32, 0.69%, 0.75%

LAB 85.92, -43.38, 34.65

 

CMYK 37 / 18 / 0 / 8

HEX #93C0EB

RGB 147 192 235

HSL 209.32, 0.69%, 0.75%

LAB 76.01, -4.37, -26.1

 

CMYK 1 / 37 / 0 / 8

HEX #E993EB

RGB 233 147 235

HSL 298.64, 0.69%, 0.75%

LAB 72.35, 45.76, -31.1

 

Description

Color code: RGB 235 190 147 | qconv.com Color code: RGB 235 190 147 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 190 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 190 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 37 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 37% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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