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Color name
RGB 233 53 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 53 72 it is the complementary color RGB 22 202 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 53 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 53 72 shade: RGB 238 53 67, RGB 255 71 86, RGB 255 89 105, RGB 255 107 124 and RGB 255 125 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 53 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 53 72 shade: RGB 233 53 72, RGB 216 35 53, RGB 199 17 34, RGB 182 0 15 and RGB 165 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 53 72 shade: RGB 233 53 72 and RGB 233 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 53 72 shade: RGB 233 53 72, RGB 233 53 120, RGB 233 53 169, RGB 233 53 217 and RGB 199 53 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 53 72 shade matches the following richer shades: RGB 233 53 72 and RGB 251 35 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 53 72 shade: RGB 233 53 72, RGB 214 71 86, RGB 196 89 101, RGB 178 108 115 and RGB 160 126 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 53 72 shade: RGB 233 53 170, RGB 233 53 122, RGB 233 53 74, RGB 233 80 53 and RGB 233 128 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 53 72 shade: RGB 183 20 37, RGB 220 24 45, RGB 233 53 72, RGB 237 90 106 and RGB 241 127 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 53 72 shade: RGB 233 53 72, RGB 218 233 53 and RGB 53 146 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 53 72 shade: RGB 233 53 72, RGB 74 233 53 and RGB 53 74 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 53 72 shade: RGB 233 53 72, RGB 218 233 53, RGB 53 233 212 and RGB 68 53 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 53 72 shade: RGB 233 53 72, RGB 164 233 53, RGB 53 233 212 and RGB 122 53 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

Complementary color

CMYK 89 / 0 / 9 / 21

HEX #16CAB7

RGB 22 202 183

HSL 173.67, 0.8%, 0.44%

LAB 73.44, -45.07, -2.2

 

CMYK 0 / 78 / 72 / 7

HEX #EE3543

RGB 238 53 67

HSL 355.46, 0.84%, 0.57%

LAB 53.09, 69.07, 37.47

 

CMYK 0 / 72 / 66 / 0

HEX #FF4756

RGB 255 71 86

HSL 355.11, 1%, 0.64%

LAB 58.45, 69.29, 33.75

 

CMYK 0 / 65 / 59 / 0

HEX #FF5969

RGB 255 89 105

HSL 354.22, 1%, 0.67%

LAB 61.15, 63.84, 26.29

 

CMYK 0 / 58 / 51 / 0

HEX #FF6B7C

RGB 255 107 124

HSL 353.11, 1%, 0.71%

LAB 64.35, 57.67, 19.69

 

CMYK 0 / 51 / 44 / 0

HEX #FF7D8F

RGB 255 125 143

HSL 351.69, 1%, 0.75%

LAB 67.95, 51.04, 13.91

 

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

CMYK 0 / 84 / 75 / 15

HEX #D82335

RGB 216 35 53

HSL 354.03, 0.72%, 0.49%

LAB 47.05, 67, 37.52

 

CMYK 0 / 91 / 83 / 22

HEX #C71122

RGB 199 17 34

HSL 354.4, 0.84%, 0.42%

LAB 42.24, 65.16, 42.17

 

CMYK 0 / 100 / 92 / 29

HEX #B6000F

RGB 182 0 15

HSL 355.05, 1%, 0.36%

LAB 37.81, 62.36, 46.4

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

CMYK 0 / 77 / 77 / 9

HEX #E93535

RGB 233 53 53

HSL 0, 0.8%, 0.56%

LAB 51.98, 67.13, 43.81

 

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

CMYK 0 / 77 / 48 / 9

HEX #E93578

RGB 233 53 120

HSL 337.67, 0.8%, 0.56%

LAB 53.2, 70.95, 5.9

 

CMYK 0 / 77 / 27 / 9

HEX #E935A9

RGB 233 53 169

HSL 321.33, 0.8%, 0.56%

LAB 54.8, 75.79, -20.83

 

CMYK 0 / 77 / 7 / 9

HEX #E935D9

RGB 233 53 217

HSL 305.33, 0.8%, 0.56%

LAB 56.96, 82.04, -45.12

 

CMYK 15 / 77 / 0 / 9

HEX #C735E9

RGB 199 53 233

HSL 288.67, 0.8%, 0.56%

LAB 52.48, 78.07, -61.63

 

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

CMYK 0 / 86 / 77 / 2

HEX #FB233A

RGB 251 35 58

HSL 353.61, 0.96%, 0.56%

LAB 54.04, 76.33, 44.31

 

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

CMYK 0 / 67 / 60 / 16

HEX #D64756

RGB 214 71 86

HSL 353.71, 0.64%, 0.56%

LAB 51.24, 56.8, 23.08

 

CMYK 0 / 55 / 48 / 23

HEX #C45965

RGB 196 89 101

HSL 353.27, 0.48%, 0.56%

LAB 51.63, 43.87, 14.18

 

CMYK 0 / 39 / 35 / 30

HEX #B26C73

RGB 178 108 115

HSL 354, 0.31%, 0.56%

LAB 53.41, 28.74, 8.03

 

CMYK 0 / 21 / 19 / 37

HEX #A07E81

RGB 160 126 129

HSL 354.71, 0.15%, 0.56%

LAB 56.07, 13.61, 3.39

 

CMYK 0 / 77 / 27 / 9

HEX #E935AA

RGB 233 53 170

HSL 321, 0.8%, 0.56%

LAB 54.84, 75.91, -21.35

 

CMYK 0 / 77 / 48 / 9

HEX #E9357A

RGB 233 53 122

HSL 337, 0.8%, 0.56%

LAB 53.25, 71.11, 4.77

 

CMYK 0 / 77 / 68 / 9

HEX #E9354A

RGB 233 53 74

HSL 353, 0.8%, 0.56%

LAB 52.25, 67.98, 32.17

 

CMYK 0 / 66 / 77 / 9

HEX #E95035

RGB 233 80 53

HSL 9, 0.8%, 0.56%

LAB 55.4, 57.71, 47.36

 

CMYK 0 / 45 / 77 / 9

HEX #E98035

RGB 233 128 53

HSL 25, 0.8%, 0.56%

LAB 64.18, 35.15, 56.14

 

CMYK 0 / 89 / 80 / 28

HEX #B71425

RGB 183 20 37

HSL 353.74, 0.8%, 0.4%

LAB 39.07, 60.57, 36.23

 

CMYK 0 / 89 / 80 / 14

HEX #DC182D

RGB 220 24 45

HSL 353.57, 0.8%, 0.48%

LAB 47.05, 69.85, 42.31

 

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

CMYK 0 / 62 / 55 / 7

HEX #ED5A6A

RGB 237 90 106

HSL 353.47, 0.8%, 0.64%

LAB 58.37, 57.77, 21.49

 

CMYK 0 / 47 / 42 / 5

HEX #F17F8B

RGB 241 127 139

HSL 353.68, 0.8%, 0.72%

LAB 66.32, 44.78, 13.6

 

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

CMYK 6 / 0 / 77 / 9

HEX #DAE935

RGB 218 233 53

HSL 65, 0.8%, 0.56%

LAB 88.66, -25.32, 78.43

 

CMYK 77 / 37 / 0 / 9

HEX #3592E9

RGB 53 146 233

HSL 209, 0.8%, 0.56%

LAB 59.16, 2.5, -51.6

 

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

CMYK 68 / 0 / 77 / 9

HEX #4AE935

RGB 74 233 53

HSL 113, 0.8%, 0.56%

LAB 81.83, -71.68, 69.62

 

CMYK 77 / 68 / 0 / 9

HEX #354AE9

RGB 53 74 233

HSL 233, 0.8%, 0.56%

LAB 40.47, 47.01, -81.85

 

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

CMYK 6 / 0 / 77 / 9

HEX #DAE935

RGB 218 233 53

HSL 65, 0.8%, 0.56%

LAB 88.66, -25.32, 78.43

 

CMYK 77 / 0 / 9 / 9

HEX #35E9D4

RGB 53 233 212

HSL 173, 0.8%, 0.56%

LAB 83.86, -48.1, -2.37

 

CMYK 71 / 77 / 0 / 9

HEX #4435E9

RGB 68 53 233

HSL 245, 0.8%, 0.56%

LAB 37.22, 59.65, -87.18

 

CMYK 0 / 77 / 69 / 9

HEX #E93548

RGB 233 53 72

HSL 353.67, 0.8%, 0.56%

LAB 52.22, 67.88, 33.31

 

CMYK 30 / 0 / 77 / 9

HEX #A4E935

RGB 164 233 53

HSL 83, 0.8%, 0.56%

LAB 85.21, -46.31, 74.01

 

CMYK 77 / 0 / 9 / 9

HEX #35E9D4

RGB 53 233 212

HSL 173, 0.8%, 0.56%

LAB 83.86, -48.1, -2.37

 

CMYK 48 / 77 / 0 / 9

HEX #7A35E9

RGB 122 53 233

HSL 263, 0.8%, 0.56%

LAB 42.1, 65.62, -78.97

 

Description

Color code: RGB 233 53 72 | qconv.com Color code: RGB 233 53 72 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 53 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 53 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 69 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 69% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - 网易新闻客户端
Link: http://www.163.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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