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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 53 35 it is the complementary color RGB 22 202 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 53 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 53 35 shade: RGB 238 53 30, RGB 255 71 49, RGB 255 89 68, RGB 255 107 87 and RGB 255 125 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 53 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 53 35 shade: RGB 233 53 35, RGB 216 35 16, RGB 199 17 0, RGB 182 0 0 and RGB 165 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 53 35 shade: RGB 233 55 37 and RGB 233 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 53 35 shade: RGB 233 55 37, RGB 233 108 37, RGB 233 161 37, RGB 233 214 37 and RGB 200 233 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 53 35 shade matches the following richer shades: RGB 233 55 37 and RGB 253 39 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 53 35 shade: RGB 233 55 37, RGB 214 71 56, RGB 195 86 76, RGB 175 102 95 and RGB 156 118 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 53 35 shade: RGB 233 37 125, RGB 233 37 73, RGB 233 53 37, RGB 233 106 37 and RGB 233 158 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 53 35 shade: RGB 171 31 17, RGB 208 38 21, RGB 233 55 37, RGB 237 89 74 and RGB 241 124 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 53 35 shade: RGB 233 53 35, RGB 178 233 37 and RGB 37 99 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 53 35 shade: RGB 233 53 35, RGB 37 233 53 and RGB 53 37 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 53 35 shade: RGB 233 53 35, RGB 178 233 37, RGB 37 217 233 and RGB 93 37 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 53 35 shade: RGB 233 53 35, RGB 119 233 37, RGB 37 217 233 and RGB 152 37 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 85 / 9

HEX #E93523

RGB 233 53 35

HSL 5.45, 0.82%, 0.53%

LAB 51.83, 66.64, 52.78

 

Complementary color

CMYK 90 / 8 / 0 / 14

HEX #16CADC

RGB 22 202 220

HSL 185.45, 0.82%, 0.47%

LAB 74.56, -34.12, -20.56

 

CMYK 0 / 78 / 87 / 7

HEX #EE351E

RGB 238 53 30

HSL 6.63, 0.86%, 0.53%

LAB 52.75, 67.99, 56.12

 

CMYK 0 / 72 / 81 / 0

HEX #FF4731

RGB 255 71 49

HSL 6.41, 1%, 0.6%

LAB 58.03, 67.85, 53.25

 

CMYK 0 / 65 / 73 / 0

HEX #FF5944

RGB 255 89 68

HSL 6.74, 1%, 0.63%

LAB 60.62, 61.88, 46.25

 

CMYK 0 / 58 / 66 / 0

HEX #FF6B57

RGB 255 107 87

HSL 7.14, 1%, 0.67%

LAB 63.72, 55.14, 39.63

 

CMYK 0 / 51 / 58 / 0

HEX #FF7D6A

RGB 255 125 106

HSL 7.65, 1%, 0.71%

LAB 67.25, 47.92, 33.62

 

CMYK 0 / 77 / 85 / 9

HEX #E93523

RGB 233 53 35

HSL 5.45, 0.82%, 0.53%

LAB 51.83, 66.64, 52.78

 

CMYK 0 / 84 / 93 / 15

HEX #D82310

RGB 216 35 16

HSL 5.7, 0.86%, 0.45%

LAB 46.76, 66.13, 55.28

 

CMYK 0 / 91 / 100 / 22

HEX #C71100

RGB 199 17 0

HSL 5.13, 1%, 0.39%

LAB 42.07, 64.66, 55.99

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 76 / 84 / 9

HEX #E93725

RGB 233 55 37

HSL 5.51, 0.82%, 0.53%

LAB 52.05, 66.1, 52.05

 

CMYK 0 / 84 / 84 / 9

HEX #E92525

RGB 233 37 37

HSL 0, 0.82%, 0.53%

LAB 50.43, 70.68, 50.63

 

CMYK 0 / 76 / 84 / 9

HEX #E93725

RGB 233 55 37

HSL 5.51, 0.82%, 0.53%

LAB 52.05, 66.1, 52.05

 

CMYK 0 / 54 / 84 / 9

HEX #E96C25

RGB 233 108 37

HSL 21.73, 0.82%, 0.53%

LAB 60.05, 44.68, 58.94

 

CMYK 0 / 31 / 84 / 9

HEX #E9A125

RGB 233 161 37

HSL 37.96, 0.82%, 0.53%

LAB 71.52, 17.26, 68.62

 

CMYK 0 / 8 / 84 / 9

HEX #E9D625

RGB 233 214 37

HSL 54.18, 0.82%, 0.53%

LAB 84.77, -10.28, 79.62

 

CMYK 14 / 0 / 84 / 9

HEX #C8E925

RGB 200 233 37

HSL 70.1, 0.82%, 0.53%

LAB 87.33, -33.11, 80.74

 

CMYK 0 / 76 / 84 / 9

HEX #E93725

RGB 233 55 37

HSL 5.51, 0.82%, 0.53%

LAB 52.05, 66.1, 52.05

 

CMYK 0 / 85 / 93 / 1

HEX #FD2711

RGB 253 39 17

HSL 5.59, 0.98%, 0.53%

LAB 54.42, 75.27, 63.31

 

CMYK 0 / 76 / 84 / 9

HEX #E93725

RGB 233 55 37

HSL 5.51, 0.82%, 0.53%

LAB 52.05, 66.1, 52.05

 

CMYK 0 / 67 / 74 / 16

HEX #D64738

RGB 214 71 56

HSL 5.7, 0.66%, 0.53%

LAB 50.79, 55.17, 39.87

 

CMYK 0 / 56 / 61 / 24

HEX #C3564C

RGB 195 86 76

HSL 5.04, 0.5%, 0.53%

LAB 50.43, 42.91, 27.31

 

CMYK 0 / 42 / 46 / 31

HEX #AF665F

RGB 175 102 95

HSL 5.25, 0.33%, 0.53%

LAB 51.2, 28.53, 16.66

 

CMYK 0 / 24 / 27 / 39

HEX #9C7672

RGB 156 118 114

HSL 5.71, 0.18%, 0.53%

LAB 53.21, 14.27, 7.97

 

CMYK 0 / 84 / 46 / 9

HEX #E9257D

RGB 233 37 125

HSL 333.06, 0.82%, 0.53%

LAB 51.98, 75.22, 1.13

 

CMYK 0 / 84 / 69 / 9

HEX #E92549

RGB 233 37 73

HSL 348.98, 0.82%, 0.53%

LAB 50.84, 71.89, 31.03

 

CMYK 0 / 77 / 84 / 9

HEX #E93525

RGB 233 53 37

HSL 4.9, 0.82%, 0.53%

LAB 51.84, 66.68, 51.86

 

CMYK 0 / 55 / 84 / 9

HEX #E96A25

RGB 233 106 37

HSL 21.12, 0.82%, 0.53%

LAB 59.68, 45.65, 58.62

 

CMYK 0 / 32 / 84 / 9

HEX #E99E25

RGB 233 158 37

HSL 37.04, 0.82%, 0.53%

LAB 70.81, 18.85, 68.03

 

CMYK 0 / 82 / 90 / 33

HEX #AB1F11

RGB 171 31 17

HSL 5.45, 0.82%, 0.37%

LAB 37.26, 54.26, 44.07

 

CMYK 0 / 82 / 90 / 18

HEX #D02615

RGB 208 38 21

HSL 5.45, 0.82%, 0.45%

LAB 45.43, 63.26, 51.76

 

CMYK 0 / 76 / 84 / 9

HEX #E93725

RGB 233 55 37

HSL 5.51, 0.82%, 0.53%

LAB 52.05, 66.1, 52.05

 

CMYK 0 / 62 / 69 / 7

HEX #ED594A

RGB 237 89 74

HSL 5.52, 0.82%, 0.61%

LAB 57.7, 56.2, 38.88

 

CMYK 0 / 49 / 54 / 5

HEX #F17C70

RGB 241 124 112

HSL 5.58, 0.82%, 0.69%

LAB 65.19, 43.77, 27.24

 

CMYK 0 / 77 / 85 / 9

HEX #E93523

RGB 233 53 35

HSL 5.45, 0.82%, 0.53%

LAB 51.83, 66.64, 52.78

 

CMYK 24 / 0 / 84 / 9

HEX #B2E925

RGB 178 233 37

HSL 76.84, 0.82%, 0.53%

LAB 85.94, -41.71, 79

 

CMYK 84 / 58 / 0 / 9

HEX #2563E9

RGB 37 99 233

HSL 221.02, 0.82%, 0.53%

LAB 45.91, 30.22, -72.96

 

CMYK 0 / 77 / 85 / 9

HEX #E93523

RGB 233 53 35

HSL 5.45, 0.82%, 0.53%

LAB 51.83, 66.64, 52.78

 

CMYK 84 / 0 / 77 / 9

HEX #25E935

RGB 37 233 53

HSL 124.9, 0.82%, 0.53%

LAB 81.25, -76.71, 68.86

 

CMYK 77 / 84 / 0 / 9

HEX #3525E9

RGB 53 37 233

HSL 244.9, 0.82%, 0.53%

LAB 33.91, 65.7, -92.71

 

CMYK 0 / 77 / 85 / 9

HEX #E93523

RGB 233 53 35

HSL 5.45, 0.82%, 0.53%

LAB 51.83, 66.64, 52.78

 

CMYK 24 / 0 / 84 / 9

HEX #B2E925

RGB 178 233 37

HSL 76.84, 0.82%, 0.53%

LAB 85.94, -41.71, 79

 

CMYK 84 / 7 / 0 / 9

HEX #25D9E9

RGB 37 217 233

HSL 184.9, 0.82%, 0.53%

LAB 79.56, -36.31, -19.95

 

CMYK 60 / 84 / 0 / 9

HEX #5D25E9

RGB 93 37 233

HSL 257.14, 0.82%, 0.53%

LAB 36.99, 68.4, -87.5

 

CMYK 0 / 77 / 85 / 9

HEX #E93523

RGB 233 53 35

HSL 5.45, 0.82%, 0.53%

LAB 51.83, 66.64, 52.78

 

CMYK 49 / 0 / 84 / 9

HEX #77E925

RGB 119 233 37

HSL 94.9, 0.82%, 0.53%

LAB 83.09, -61.77, 75.42

 

CMYK 84 / 7 / 0 / 9

HEX #25D9E9

RGB 37 217 233

HSL 184.9, 0.82%, 0.53%

LAB 79.56, -36.31, -19.95

 

CMYK 35 / 84 / 0 / 9

HEX #9825E9

RGB 152 37 233

HSL 275.2, 0.82%, 0.53%

LAB 44.06, 75.06, -75.61

 

Description

Color code: RGB 233 53 35 | qconv.com Color code: RGB 233 53 35 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 53 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 53 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 85 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 85% 9% C M Y K

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Provide designers and agencies with accurate color values.

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