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Color name
RGB 233 28 188

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 28 188 it is the complementary color RGB 22 227 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 28 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 28 188 shade: RGB 238 28 183, RGB 255 46 202, RGB 255 64 221, RGB 255 82 240 and RGB 255 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 28 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 28 188 shade: RGB 233 28 188, RGB 216 10 169, RGB 199 0 150, RGB 182 0 131 and RGB 165 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 28 188 shade: RGB 233 28 188, RGB 233 28 132, RGB 233 28 77 and RGB 233 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 28 188 shade: RGB 233 28 188, RGB 222 28 233, RGB 167 28 233, RGB 112 28 233 and RGB 56 28 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 28 188 shade matches the following richer shades: RGB 233 28 188 and RGB 253 7 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 28 188 shade: RGB 233 28 188, RGB 212 48 176, RGB 192 68 165, RGB 172 88 154 and RGB 152 108 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 28 188 shade: RGB 168 28 233, RGB 222 28 233, RGB 233 28 188, RGB 233 28 133 and RGB 233 28 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 28 188 shade: RGB 162 16 130, RGB 199 20 160, RGB 233 28 188, RGB 236 65 199 and RGB 240 103 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 28 188 shade: RGB 233 28 188, RGB 233 113 28 and RGB 28 233 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 28 188 shade: RGB 233 28 188, RGB 188 233 28 and RGB 28 188 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 28 188 shade: RGB 233 28 188, RGB 233 113 28, RGB 28 233 72 and RGB 28 147 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 28 188 shade: RGB 233 28 188, RGB 233 174 28, RGB 28 233 72 and RGB 28 86 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

Complementary color

CMYK 90 / 0 / 70 / 11

HEX #16E343

RGB 22 227 67

HSL 133.17, 0.82%, 0.49%

LAB 79.34, -75.05, 62.22

 

CMYK 0 / 88 / 23 / 7

HEX #EE1CB7

RGB 238 28 183

HSL 315.71, 0.86%, 0.52%

LAB 54.48, 83.66, -29.42

 

CMYK 0 / 82 / 21 / 0

HEX #FF2ECA

RGB 255 46 202

HSL 315.22, 1%, 0.59%

LAB 59.41, 86.16, -32.47

 

CMYK 0 / 75 / 13 / 0

HEX #FF40DD

RGB 255 64 221

HSL 310.68, 1%, 0.63%

LAB 61.78, 84.21, -39.54

 

CMYK 0 / 68 / 6 / 0

HEX #FF52F0

RGB 255 82 240

HSL 305.2, 1%, 0.66%

LAB 64.63, 81.33, -45.68

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 0 / 95 / 22 / 15

HEX #D80AA9

RGB 216 10 169

HSL 313.69, 0.91%, 0.44%

LAB 49.11, 79.75, -29.87

 

CMYK 0 / 100 / 25 / 22

HEX #C70096

RGB 199 0 150

HSL 314.77, 1%, 0.39%

LAB 44.72, 75.1, -25.58

 

CMYK 0 / 100 / 28 / 29

HEX #B60083

RGB 182 0 131

HSL 316.81, 1%, 0.36%

LAB 40.55, 69.58, -20.71

 

CMYK 0 / 100 / 32 / 35

HEX #A50070

RGB 165 0 112

HSL 319.27, 1%, 0.32%

LAB 36.31, 64, -15.63

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 0 / 88 / 43 / 9

HEX #E91C84

RGB 233 28 132

HSL 329.56, 0.82%, 0.51%

LAB 51.63, 77.41, -3.6

 

CMYK 0 / 88 / 67 / 9

HEX #E91C4D

RGB 233 28 77

HSL 345.66, 0.82%, 0.51%

LAB 50.32, 73.73, 27.99

 

CMYK 0 / 88 / 88 / 9

HEX #E91C1C

RGB 233 28 28

HSL 0, 0.82%, 0.51%

LAB 49.78, 72.18, 54.28

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 5 / 88 / 0 / 9

HEX #DE1CE9

RGB 222 28 233

HSL 296.78, 0.82%, 0.51%

LAB 54.28, 87.46, -58.54

 

CMYK 28 / 88 / 0 / 9

HEX #A71CE9

RGB 167 28 233

HSL 280.68, 0.82%, 0.51%

LAB 45.54, 79.15, -73.11

 

CMYK 52 / 88 / 0 / 9

HEX #701CE9

RGB 112 28 233

HSL 264.59, 0.82%, 0.51%

LAB 38.13, 72.79, -85.56

 

CMYK 76 / 88 / 0 / 9

HEX #381CE9

RGB 56 28 233

HSL 248.2, 0.82%, 0.51%

LAB 33.04, 68.98, -94.15

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 0 / 97 / 21 / 1

HEX #FD07C7

RGB 253 7 199

HSL 313.17, 0.98%, 0.51%

LAB 57.23, 90.37, -34.18

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 0 / 77 / 17 / 17

HEX #D430B0

RGB 212 48 176

HSL 313.17, 0.66%, 0.51%

LAB 50.97, 73.24, -31.14

 

CMYK 0 / 65 / 14 / 25

HEX #C044A5

RGB 192 68 165

HSL 313.06, 0.5%, 0.51%

LAB 49.57, 60.07, -27.11

 

CMYK 0 / 49 / 10 / 33

HEX #AC589A

RGB 172 88 154

HSL 312.86, 0.34%, 0.51%

LAB 49.6, 43.22, -20.8

 

CMYK 0 / 29 / 7 / 40

HEX #986C8E

RGB 152 108 142

HSL 313.64, 0.18%, 0.51%

LAB 51.1, 23.23, -11.65

 

CMYK 28 / 88 / 0 / 9

HEX #A81CE9

RGB 168 28 233

HSL 280.98, 0.82%, 0.51%

LAB 45.69, 79.28, -72.86

 

CMYK 5 / 88 / 0 / 9

HEX #DE1CE9

RGB 222 28 233

HSL 296.78, 0.82%, 0.51%

LAB 54.28, 87.46, -58.54

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 0 / 88 / 43 / 9

HEX #E91C85

RGB 233 28 133

HSL 329.27, 0.82%, 0.51%

LAB 51.66, 77.5, -4.16

 

CMYK 0 / 88 / 66 / 9

HEX #E91C4F

RGB 233 28 79

HSL 345.07, 0.82%, 0.51%

LAB 50.36, 73.83, 26.83

 

CMYK 0 / 90 / 20 / 36

HEX #A21082

RGB 162 16 130

HSL 313.15, 0.82%, 0.35%

LAB 37.23, 63.49, -25.54

 

CMYK 0 / 90 / 20 / 22

HEX #C714A0

RGB 199 20 160

HSL 313.07, 0.82%, 0.43%

LAB 45.88, 74.27, -29.79

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 0 / 72 / 16 / 7

HEX #EC41C7

RGB 236 65 199

HSL 312.98, 0.82%, 0.59%

LAB 57.79, 76.76, -33.53

 

CMYK 0 / 57 / 13 / 6

HEX #F067D2

RGB 240 103 210

HSL 313.14, 0.82%, 0.67%

LAB 64.06, 64.93, -29.98

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 0 / 52 / 88 / 9

HEX #E9711C

RGB 233 113 28

HSL 24.88, 0.82%, 0.51%

LAB 60.97, 42.03, 62.83

 

CMYK 88 / 0 / 16 / 9

HEX #1CE9C3

RGB 28 233 195

HSL 168.88, 0.82%, 0.51%

LAB 83.16, -54.39, 5.55

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 19 / 0 / 88 / 9

HEX #BCE91C

RGB 188 233 28

HSL 73.17, 0.82%, 0.51%

LAB 86.53, -38.08, 81.46

 

CMYK 88 / 19 / 0 / 9

HEX #1CBCE9

RGB 28 188 233

HSL 193.17, 0.82%, 0.51%

LAB 70.94, -22.71, -33.15

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 0 / 52 / 88 / 9

HEX #E9711C

RGB 233 113 28

HSL 24.88, 0.82%, 0.51%

LAB 60.97, 42.03, 62.83

 

CMYK 88 / 0 / 69 / 9

HEX #1CE948

RGB 28 233 72

HSL 132.88, 0.82%, 0.51%

LAB 81.29, -75.96, 62.43

 

CMYK 88 / 37 / 0 / 9

HEX #1C93E9

RGB 28 147 233

HSL 205.17, 0.82%, 0.51%

LAB 58.97, -0.17, -51.92

 

CMYK 0 / 88 / 19 / 9

HEX #E91CBC

RGB 233 28 188

HSL 313.17, 0.82%, 0.51%

LAB 53.8, 83.27, -33.45

 

CMYK 0 / 25 / 88 / 9

HEX #E9AE1C

RGB 233 174 28

HSL 42.73, 0.82%, 0.51%

LAB 74.62, 10.17, 73.46

 

CMYK 88 / 0 / 69 / 9

HEX #1CE948

RGB 28 233 72

HSL 132.88, 0.82%, 0.51%

LAB 81.29, -75.96, 62.43

 

CMYK 88 / 63 / 0 / 9

HEX #1C56E9

RGB 28 86 233

HSL 223.02, 0.82%, 0.51%

LAB 42.44, 37.95, -78.64

 

Description

Color code: RGB 233 28 188 | qconv.com Color code: RGB 233 28 188 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 28 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 28 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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