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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 24 237 it is the complementary color RGB 22 231 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 24 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 24 237 shade: RGB 238 24 232, RGB 255 42 251, RGB 255 60 255, RGB 255 78 255 and RGB 255 96 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 24 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 24 237 shade: RGB 233 24 237, RGB 216 6 218, RGB 199 0 199, RGB 182 0 180 and RGB 165 0 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 24 237 shade: RGB 233 23 238, RGB 238 23 184, RGB 238 23 126, RGB 238 23 68 and RGB 238 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 24 237 shade: RGB 233 23 238, RGB 176 23 238, RGB 118 23 238, RGB 60 23 238 and RGB 23 23 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 24 237 shade matches the following richer shades: RGB 233 23 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 24 237 shade: RGB 233 23 238, RGB 214 43 217, RGB 195 63 197, RGB 175 83 177 and RGB 156 103 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 24 237 shade: RGB 116 23 238, RGB 173 23 238, RGB 230 23 238, RGB 238 23 187 and RGB 238 23 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 24 237 shade: RGB 162 12 165, RGB 200 15 204, RGB 233 23 238, RGB 237 61 240 and RGB 241 99 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 24 237 shade: RGB 233 24 237, RGB 238 58 23 and RGB 23 238 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 24 237 shade: RGB 233 24 237, RGB 238 230 23 and RGB 23 238 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 24 237 shade: RGB 233 24 237, RGB 238 58 23, RGB 30 238 23 and RGB 23 202 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 24 237 shade: RGB 233 24 237, RGB 238 123 23, RGB 30 238 23 and RGB 23 137 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 90 / 0 / 7

HEX #E918ED

RGB 233 24 237

HSL 298.87, 0.86%, 0.51%

LAB 56.18, 90.39, -57.65

 

Complementary color

CMYK 90 / 0 / 92 / 9

HEX #16E712

RGB 22 231 18

HSL 118.87, 0.86%, 0.49%

LAB 80.39, -78.78, 75.6

 

CMYK 0 / 90 / 3 / 7

HEX #EE18E8

RGB 238 24 232

HSL 301.68, 0.86%, 0.51%

LAB 56.74, 90.5, -53.89

 

CMYK 0 / 84 / 2 / 0

HEX #FF2AFB

RGB 255 42 251

HSL 301.13, 1%, 0.58%

LAB 61.55, 93.4, -56.66

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 2 / 90 / 0 / 7

HEX #E918ED

RGB 233 24 237

HSL 298.87, 0.86%, 0.51%

LAB 56.18, 90.39, -57.65

 

CMYK 1 / 97 / 0 / 15

HEX #D806DA

RGB 216 6 218

HSL 299.43, 0.95%, 0.44%

LAB 51.6, 86.53, -54.39

 

CMYK 0 / 100 / 0 / 22

HEX #C700C7

RGB 199 0 199

HSL 300, 1%, 0.39%

LAB 47.32, 81.52, -50.48

 

CMYK 0 / 100 / 1 / 29

HEX #B600B4

RGB 182 0 180

HSL 300.66, 1%, 0.36%

LAB 43.12, 75.98, -46.25

 

CMYK 0 / 100 / 2 / 35

HEX #A500A1

RGB 165 0 161

HSL 301.45, 1%, 0.32%

LAB 38.85, 70.34, -41.91

 

CMYK 2 / 90 / 0 / 7

HEX #E917EE

RGB 233 23 238

HSL 298.6, 0.86%, 0.51%

LAB 56.2, 90.66, -58.18

 

CMYK 0 / 90 / 23 / 7

HEX #EE17B8

RGB 238 23 184

HSL 315.07, 0.86%, 0.51%

LAB 54.29, 84.44, -30.29

 

CMYK 0 / 90 / 47 / 7

HEX #EE177E

RGB 238 23 126

HSL 331.26, 0.86%, 0.51%

LAB 52.17, 78.76, 0.92

 

CMYK 0 / 90 / 71 / 7

HEX #EE1744

RGB 238 23 68

HSL 347.44, 0.86%, 0.51%

LAB 50.93, 75.31, 34.34

 

CMYK 0 / 90 / 90 / 7

HEX #EE1717

RGB 238 23 23

HSL 0, 0.86%, 0.51%

LAB 50.51, 74.13, 57.33

 

CMYK 2 / 90 / 0 / 7

HEX #E917EE

RGB 233 23 238

HSL 298.6, 0.86%, 0.51%

LAB 56.2, 90.66, -58.18

 

CMYK 26 / 90 / 0 / 7

HEX #B017EE

RGB 176 23 238

HSL 282.7, 0.86%, 0.51%

LAB 47, 82.16, -73.5

 

CMYK 50 / 90 / 0 / 7

HEX #7617EE

RGB 118 23 238

HSL 266.51, 0.86%, 0.51%

LAB 38.96, 75.62, -86.99

 

CMYK 75 / 90 / 0 / 7

HEX #3C17EE

RGB 60 23 238

HSL 250.33, 0.86%, 0.51%

LAB 33.45, 71.86, -96.3

 

CMYK 90 / 90 / 0 / 7

HEX #1717EE

RGB 23 23 238

HSL 240, 0.86%, 0.51%

LAB 31.73, 70.86, -99.21

 

CMYK 2 / 90 / 0 / 7

HEX #E917EE

RGB 233 23 238

HSL 298.6, 0.86%, 0.51%

LAB 56.2, 90.66, -58.18

 

CMYK 2 / 90 / 0 / 7

HEX #E917EE

RGB 233 23 238

HSL 298.6, 0.86%, 0.51%

LAB 56.2, 90.66, -58.18

 

CMYK 1 / 80 / 0 / 15

HEX #D62BD9

RGB 214 43 217

HSL 298.97, 0.7%, 0.51%

LAB 52.99, 80.8, -51.62

 

CMYK 1 / 68 / 0 / 23

HEX #C33FC5

RGB 195 63 197

HSL 299.1, 0.54%, 0.51%

LAB 50.91, 67.8, -43.65

 

CMYK 1 / 53 / 0 / 31

HEX #AF53B1

RGB 175 83 177

HSL 298.72, 0.38%, 0.51%

LAB 50.07, 50.7, -33.56

 

CMYK 1 / 34 / 0 / 38

HEX #9C679D

RGB 156 103 157

HSL 298.89, 0.22%, 0.51%

LAB 50.92, 30.38, -20.71

 

CMYK 51 / 90 / 0 / 7

HEX #7417EE

RGB 116 23 238

HSL 265.95, 0.86%, 0.51%

LAB 38.72, 75.44, -87.39

 

CMYK 27 / 90 / 0 / 7

HEX #AD17EE

RGB 173 23 238

HSL 281.86, 0.86%, 0.51%

LAB 46.54, 81.76, -74.27

 

CMYK 3 / 90 / 0 / 7

HEX #E617EE

RGB 230 23 238

HSL 297.77, 0.86%, 0.51%

LAB 55.69, 90.17, -59.01

 

CMYK 0 / 90 / 21 / 7

HEX #EE17BB

RGB 238 23 187

HSL 314.23, 0.86%, 0.51%

LAB 54.43, 84.8, -31.83

 

CMYK 0 / 90 / 45 / 7

HEX #EE1782

RGB 238 23 130

HSL 330.14, 0.86%, 0.51%

LAB 52.29, 79.08, -1.32

 

CMYK 2 / 93 / 0 / 35

HEX #A20CA5

RGB 162 12 165

HSL 298.82, 0.86%, 0.35%

LAB 39, 69.09, -44.11

 

CMYK 2 / 93 / 0 / 20

HEX #C80FCC

RGB 200 15 204

HSL 298.73, 0.86%, 0.43%

LAB 48.24, 81.13, -51.9

 

CMYK 2 / 90 / 0 / 7

HEX #E917EE

RGB 233 23 238

HSL 298.6, 0.86%, 0.51%

LAB 56.2, 90.66, -58.18

 

CMYK 1 / 75 / 0 / 6

HEX #ED3DF0

RGB 237 61 240

HSL 298.99, 0.86%, 0.59%

LAB 59.56, 84.11, -53.9

 

CMYK 1 / 59 / 0 / 5

HEX #F163F3

RGB 241 99 243

HSL 299.17, 0.86%, 0.67%

LAB 65.04, 72.13, -46.84

 

CMYK 2 / 90 / 0 / 7

HEX #E918ED

RGB 233 24 237

HSL 298.87, 0.86%, 0.51%

LAB 56.18, 90.39, -57.65

 

CMYK 0 / 76 / 90 / 7

HEX #EE3A17

RGB 238 58 23

HSL 9.77, 0.86%, 0.51%

LAB 53.24, 66.4, 59.18

 

CMYK 90 / 0 / 39 / 7

HEX #17EE90

RGB 23 238 144

HSL 153.77, 0.86%, 0.51%

LAB 83.62, -67.78, 32.56

 

CMYK 2 / 90 / 0 / 7

HEX #E918ED

RGB 233 24 237

HSL 298.87, 0.86%, 0.51%

LAB 56.18, 90.39, -57.65

 

CMYK 0 / 3 / 90 / 7

HEX #EEE617

RGB 238 230 23

HSL 57.77, 0.86%, 0.51%

LAB 89.31, -16.36, 85.96

 

CMYK 90 / 0 / 3 / 7

HEX #17EEE6

RGB 23 238 230

HSL 177.77, 0.86%, 0.51%

LAB 85.53, -47.31, -9.41

 

CMYK 2 / 90 / 0 / 7

HEX #E918ED

RGB 233 24 237

HSL 298.87, 0.86%, 0.51%

LAB 56.18, 90.39, -57.65

 

CMYK 0 / 76 / 90 / 7

HEX #EE3A17

RGB 238 58 23

HSL 9.77, 0.86%, 0.51%

LAB 53.24, 66.4, 59.18

 

CMYK 87 / 0 / 90 / 7

HEX #1EEE17

RGB 30 238 23

HSL 118.05, 0.86%, 0.51%

LAB 82.64, -80.02, 76.83

 

CMYK 90 / 15 / 0 / 7

HEX #17CAEE

RGB 23 202 238

HSL 190.05, 0.86%, 0.51%

LAB 75.2, -28.33, -29.28

 

CMYK 2 / 90 / 0 / 7

HEX #E918ED

RGB 233 24 237

HSL 298.87, 0.86%, 0.51%

LAB 56.18, 90.39, -57.65

 

CMYK 0 / 48 / 90 / 7

HEX #EE7B17

RGB 238 123 23

HSL 27.91, 0.86%, 0.51%

LAB 63.68, 38.9, 66.6

 

CMYK 87 / 0 / 90 / 7

HEX #1EEE17

RGB 30 238 23

HSL 118.05, 0.86%, 0.51%

LAB 82.64, -80.02, 76.83

 

CMYK 90 / 42 / 0 / 7

HEX #1789EE

RGB 23 137 238

HSL 208.19, 0.86%, 0.51%

LAB 56.33, 7.43, -58.91

 

Description

Color code: RGB 233 24 237 | qconv.com Color code: RGB 233 24 237 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 24 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 24 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 90 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 90% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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