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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 23 253 it is the complementary color RGB 22 232 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 23 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 23 253 shade: RGB 238 23 248, RGB 255 41 255, RGB 255 59 255, RGB 255 77 255 and RGB 255 95 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 23 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 23 253 shade: RGB 233 23 253, RGB 216 5 234, RGB 199 0 215, RGB 182 0 196 and RGB 165 0 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 23 253 shade: RGB 233 23 253, RGB 253 23 211, RGB 253 23 149, RGB 253 23 87 and RGB 253 23 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 23 253 shade: RGB 233 23 253, RGB 171 23 253, RGB 109 23 253, RGB 47 23 253 and RGB 23 23 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 23 253 shade matches the following richer shades: RGB 233 23 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 23 253 shade: RGB 233 23 253, RGB 217 42 234, RGB 201 61 215, RGB 186 80 196 and RGB 170 99 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 23 253 shade: RGB 107 23 253, RGB 168 23 253, RGB 230 23 253, RGB 253 23 214 and RGB 253 23 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 23 253 shade: RGB 175 2 191, RGB 212 2 232, RGB 233 23 253, RGB 237 64 253 and RGB 241 104 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 23 253 shade: RGB 233 23 253, RGB 253 46 23 and RGB 23 253 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 23 253 shade: RGB 233 23 253, RGB 253 230 23 and RGB 23 253 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 23 253 shade: RGB 233 23 253, RGB 253 46 23, RGB 46 253 23 and RGB 23 230 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 23 253 shade: RGB 233 23 253, RGB 253 115 23, RGB 46 253 23 and RGB 23 161 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

Complementary color

CMYK 91 / 0 / 99 / 9

HEX #16E802

RGB 22 232 2

HSL 114.78, 0.98%, 0.46%

LAB 80.68, -79.34, 77.38

 

CMYK 4 / 91 / 0 / 3

HEX #EE17F8

RGB 238 23 248

HSL 297.33, 0.94%, 0.53%

LAB 57.62, 92.93, -61.43

 

CMYK 0 / 84 / 0 / 0

HEX #FF29FF

RGB 255 41 255

HSL 300, 1%, 0.58%

LAB 61.71, 94.15, -58.62

 

CMYK 0 / 77 / 0 / 0

HEX #FF3BFF

RGB 255 59 255

HSL 300, 1%, 0.62%

LAB 63.02, 90.35, -56.54

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

CMYK 8 / 98 / 0 / 8

HEX #D805EA

RGB 216 5 234

HSL 295.28, 0.96%, 0.47%

LAB 52.56, 88.98, -61.92

 

CMYK 7 / 100 / 0 / 16

HEX #C700D7

RGB 199 0 215

HSL 295.53, 1%, 0.42%

LAB 48.32, 83.91, -58.1

 

CMYK 7 / 100 / 0 / 23

HEX #B600C4

RGB 182 0 196

HSL 295.71, 1%, 0.38%

LAB 44.13, 78.4, -54.02

 

CMYK 7 / 100 / 0 / 31

HEX #A500B1

RGB 165 0 177

HSL 295.93, 1%, 0.35%

LAB 39.87, 72.78, -49.85

 

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

CMYK 0 / 91 / 17 / 1

HEX #FD17D3

RGB 253 23 211

HSL 310.96, 0.98%, 0.54%

LAB 58.23, 90.5, -39.48

 

CMYK 0 / 91 / 41 / 1

HEX #FD1795

RGB 253 23 149

HSL 327.13, 0.98%, 0.54%

LAB 55.75, 83.97, -7.24

 

CMYK 0 / 91 / 66 / 1

HEX #FD1757

RGB 253 23 87

HSL 343.3, 0.98%, 0.54%

LAB 54.22, 79.77, 27.76

 

CMYK 0 / 91 / 90 / 1

HEX #FD1719

RGB 253 23 25

HSL 359.48, 0.98%, 0.54%

LAB 53.56, 77.92, 60.06

 

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

CMYK 32 / 91 / 0 / 1

HEX #AB17FD

RGB 171 23 253

HSL 278.61, 0.98%, 0.54%

LAB 47.45, 84.33, -81.22

 

CMYK 57 / 91 / 0 / 1

HEX #6D17FD

RGB 109 23 253

HSL 262.43, 0.98%, 0.54%

LAB 39.51, 78.28, -94.58

 

CMYK 81 / 91 / 0 / 1

HEX #2F17FD

RGB 47 23 253

HSL 246.26, 0.98%, 0.54%

LAB 34.62, 75.24, -102.84

 

CMYK 91 / 91 / 0 / 1

HEX #1717FD

RGB 23 23 253

HSL 240, 0.98%, 0.54%

LAB 33.75, 74.77, -104.32

 

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

CMYK 7 / 82 / 0 / 8

HEX #D92AEA

RGB 217 42 234

HSL 294.69, 0.82%, 0.54%

LAB 54.39, 84.23, -58.97

 

CMYK 7 / 72 / 0 / 16

HEX #C93DD7

RGB 201 61 215

HSL 294.55, 0.66%, 0.54%

LAB 52.58, 72.82, -51.26

 

CMYK 5 / 59 / 0 / 23

HEX #BA50C4

RGB 186 80 196

HSL 294.83, 0.5%, 0.54%

LAB 52.02, 58.52, -41.4

 

CMYK 4 / 44 / 0 / 31

HEX #AA63B1

RGB 170 99 177

HSL 294.62, 0.33%, 0.54%

LAB 52.56, 41, -29.72

 

CMYK 58 / 91 / 0 / 1

HEX #6B17FD

RGB 107 23 253

HSL 261.91, 0.98%, 0.54%

LAB 39.29, 78.13, -94.93

 

CMYK 34 / 91 / 0 / 1

HEX #A817FD

RGB 168 23 253

HSL 277.83, 0.98%, 0.54%

LAB 47.01, 83.97, -81.94

 

CMYK 9 / 91 / 0 / 1

HEX #E617FD

RGB 230 23 253

HSL 294, 0.98%, 0.54%

LAB 56.61, 92.44, -65.91

 

CMYK 0 / 91 / 15 / 1

HEX #FD17D6

RGB 253 23 214

HSL 310.17, 0.98%, 0.54%

LAB 58.37, 90.87, -40.97

 

CMYK 0 / 91 / 40 / 1

HEX #FD1799

RGB 253 23 153

HSL 326.09, 0.98%, 0.54%

LAB 55.88, 84.32, -9.42

 

CMYK 8 / 99 / 0 / 25

HEX #AF02BF

RGB 175 2 191

HSL 294.92, 0.98%, 0.38%

LAB 42.64, 76.35, -53.56

 

CMYK 9 / 99 / 0 / 9

HEX #D402E8

RGB 212 2 232

HSL 294.78, 0.98%, 0.46%

LAB 51.69, 88.3, -62.24

 

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

CMYK 6 / 75 / 0 / 1

HEX #ED40FD

RGB 237 64 253

HSL 294.92, 0.98%, 0.62%

LAB 60.57, 85.31, -59.5

 

CMYK 5 / 59 / 0 / 1

HEX #F168FD

RGB 241 104 253

HSL 295.17, 0.97%, 0.7%

LAB 66.28, 71.74, -50.38

 

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

CMYK 0 / 82 / 91 / 1

HEX #FD2E17

RGB 253 46 23

HSL 6, 0.98%, 0.54%

LAB 54.97, 73.85, 61.71

 

CMYK 91 / 0 / 45 / 1

HEX #17FD8A

RGB 23 253 138

HSL 150, 0.98%, 0.54%

LAB 88.1, -73.79, 41.33

 

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

CMYK 0 / 9 / 91 / 1

HEX #FDE617

RGB 253 230 23

HSL 54, 0.98%, 0.54%

LAB 90.57, -10.06, 87.47

 

CMYK 91 / 0 / 9 / 1

HEX #17FDE6

RGB 23 253 230

HSL 174, 0.98%, 0.54%

LAB 89.93, -53.6, -2.91

 

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

CMYK 0 / 82 / 91 / 1

HEX #FD2E17

RGB 253 46 23

HSL 6, 0.98%, 0.54%

LAB 54.97, 73.85, 61.71

 

CMYK 82 / 0 / 91 / 1

HEX #2EFD17

RGB 46 253 23

HSL 114, 0.98%, 0.54%

LAB 87.43, -82.71, 80.93

 

CMYK 91 / 9 / 0 / 1

HEX #17E6FD

RGB 23 230 253

HSL 186, 0.98%, 0.54%

LAB 83.9, -36.95, -23.98

 

CMYK 8 / 91 / 0 / 1

HEX #E917FD

RGB 233 23 253

HSL 294.78, 0.98%, 0.54%

LAB 57.1, 92.89, -65.1

 

CMYK 0 / 55 / 91 / 1

HEX #FD7317

RGB 253 115 23

HSL 24, 0.98%, 0.54%

LAB 64.33, 48.57, 68.07

 

CMYK 82 / 0 / 91 / 1

HEX #2EFD17

RGB 46 253 23

HSL 114, 0.98%, 0.54%

LAB 87.43, -82.71, 80.93

 

CMYK 91 / 36 / 0 / 1

HEX #17A1FD

RGB 23 161 253

HSL 204, 0.98%, 0.54%

LAB 63.97, -1.16, -54.98

 

Description

Color code: RGB 233 23 253 | qconv.com Color code: RGB 233 23 253 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 23 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 23 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 91 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 91% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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