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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 233 23 142 it is the complementary color RGB 22 232 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 233 23 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 233 23 142 shade: RGB 238 23 137, RGB 255 41 156, RGB 255 59 175, RGB 255 77 194 and RGB 255 95 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 233 23 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 233 23 142 shade: RGB 233 23 142, RGB 216 5 123, RGB 199 0 104, RGB 182 0 85 and RGB 165 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 233 23 142 shade: RGB 233 21 141, RGB 233 21 84, RGB 233 21 27 and RGB 233 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 233 23 142 shade: RGB 233 21 141, RGB 233 21 198, RGB 210 21 233, RGB 153 21 233 and RGB 96 21 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 233 23 142 shade matches the following richer shades: RGB 233 21 141 and RGB 253 1 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 233 23 142 shade: RGB 233 21 141, RGB 212 42 138, RGB 192 62 136, RGB 171 83 133 and RGB 150 104 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 233 23 142 shade: RGB 212 21 233, RGB 233 21 198, RGB 233 21 141, RGB 233 21 85 and RGB 233 21 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 233 23 142 shade: RGB 157 14 95, RGB 195 18 118, RGB 233 21 141, RGB 236 59 159 and RGB 240 97 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 233 23 142 shade: RGB 233 23 142, RGB 233 155 21 and RGB 21 226 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 233 23 142 shade: RGB 233 23 142, RGB 141 233 21 and RGB 21 141 233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 233 23 142 shade: RGB 233 23 142, RGB 233 155 21, RGB 21 233 113 and RGB 21 99 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 233 23 142 shade: RGB 233 23 142, RGB 233 219 21, RGB 21 233 113 and RGB 21 35 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 39 / 9

HEX #E9178E

RGB 233 23 142

HSL 326, 0.83%, 0.5%

LAB 51.71, 79.03, -9.5

 

Complementary color

CMYK 91 / 0 / 51 / 9

HEX #16E871

RGB 22 232 113

HSL 146, 0.83%, 0.5%

LAB 81.33, -71.1, 44.81

 

CMYK 0 / 90 / 42 / 7

HEX #EE1789

RGB 238 23 137

HSL 328.19, 0.86%, 0.51%

LAB 52.5, 79.67, -5.22

 

CMYK 0 / 84 / 39 / 0

HEX #FF299C

RGB 255 41 156

HSL 327.76, 1%, 0.58%

LAB 57.31, 82.25, -9.01

 

CMYK 0 / 77 / 31 / 0

HEX #FF3BAF

RGB 255 59 175

HSL 324.49, 1%, 0.62%

LAB 59.42, 80, -16.93

 

CMYK 0 / 70 / 24 / 0

HEX #FF4DC2

RGB 255 77 194

HSL 320.56, 1%, 0.65%

LAB 62.05, 76.74, -23.83

 

CMYK 0 / 63 / 16 / 0

HEX #FF5FD5

RGB 255 95 213

HSL 315.75, 1%, 0.69%

LAB 65.16, 72.66, -29.79

 

CMYK 0 / 90 / 39 / 9

HEX #E9178E

RGB 233 23 142

HSL 326, 0.83%, 0.5%

LAB 51.71, 79.03, -9.5

 

CMYK 0 / 98 / 43 / 15

HEX #D8057B

RGB 216 5 123

HSL 326.45, 0.95%, 0.43%

LAB 47.15, 75.43, -5.12

 

CMYK 0 / 100 / 48 / 22

HEX #C70068

RGB 199 0 104

HSL 328.64, 1%, 0.39%

LAB 42.98, 70.58, 0.12

 

CMYK 0 / 100 / 53 / 29

HEX #B60055

RGB 182 0 85

HSL 331.98, 1%, 0.36%

LAB 38.9, 65.3, 5.83

 

CMYK 0 / 100 / 60 / 35

HEX #A50042

RGB 165 0 66

HSL 336, 1%, 0.32%

LAB 34.79, 60.01, 11.86

 

CMYK 0 / 91 / 39 / 9

HEX #E9158D

RGB 233 21 141

HSL 326.04, 0.83%, 0.5%

LAB 51.59, 79.19, -9.08

 

CMYK 0 / 91 / 64 / 9

HEX #E91554

RGB 233 21 84

HSL 342.17, 0.83%, 0.5%

LAB 50.1, 75.09, 23.46

 

CMYK 0 / 91 / 88 / 9

HEX #E9151B

RGB 233 21 27

HSL 358.3, 0.83%, 0.5%

LAB 49.42, 73.19, 54.45

 

CMYK 0 / 91 / 91 / 9

HEX #E91515

RGB 233 21 21

HSL 0, 0.83%, 0.5%

LAB 49.39, 73.1, 56.86

 

CMYK 0 / 91 / 39 / 9

HEX #E9158D

RGB 233 21 141

HSL 326.04, 0.83%, 0.5%

LAB 51.59, 79.19, -9.08

 

CMYK 0 / 91 / 15 / 9

HEX #E915C6

RGB 233 21 198

HSL 309.91, 0.83%, 0.5%

LAB 53.96, 85.43, -38.99

 

CMYK 10 / 91 / 0 / 9

HEX #D215E9

RGB 210 21 233

HSL 293.49, 0.83%, 0.5%

LAB 51.97, 86.5, -62.36

 

CMYK 34 / 91 / 0 / 9

HEX #9915E9

RGB 153 21 233

HSL 277.36, 0.83%, 0.5%

LAB 43.05, 78.61, -77.26

 

CMYK 59 / 91 / 0 / 9

HEX #6015E9

RGB 96 21 233

HSL 261.23, 0.83%, 0.5%

LAB 35.8, 73.11, -89.46

 

CMYK 0 / 91 / 39 / 9

HEX #E9158D

RGB 233 21 141

HSL 326.04, 0.83%, 0.5%

LAB 51.59, 79.19, -9.08

 

CMYK 0 / 100 / 43 / 1

HEX #FD0190

RGB 253 1 144

HSL 325.95, 0.99%, 0.5%

LAB 54.99, 85.31, -5.41

 

CMYK 0 / 91 / 39 / 9

HEX #E9158D

RGB 233 21 141

HSL 326.04, 0.83%, 0.5%

LAB 51.59, 79.19, -9.08

 

CMYK 0 / 80 / 35 / 17

HEX #D42A8A

RGB 212 42 138

HSL 326.12, 0.67%, 0.5%

LAB 48.87, 70.27, -11.76

 

CMYK 0 / 68 / 29 / 25

HEX #C03E88

RGB 192 62 136

HSL 325.85, 0.51%, 0.5%

LAB 47.53, 58.47, -12.92

 

CMYK 0 / 51 / 22 / 33

HEX #AB5385

RGB 171 83 133

HSL 325.91, 0.35%, 0.5%

LAB 47.67, 42.11, -11.22

 

CMYK 0 / 31 / 13 / 41

HEX #966882

RGB 150 104 130

HSL 326.09, 0.18%, 0.5%

LAB 49.49, 22.63, -6.98

 

CMYK 9 / 91 / 0 / 9

HEX #D415E9

RGB 212 21 233

HSL 294.06, 0.83%, 0.5%

LAB 52.3, 86.81, -61.81

 

CMYK 0 / 91 / 15 / 9

HEX #E915C6

RGB 233 21 198

HSL 309.91, 0.83%, 0.5%

LAB 53.96, 85.43, -38.99

 

CMYK 0 / 91 / 39 / 9

HEX #E9158D

RGB 233 21 141

HSL 326.04, 0.83%, 0.5%

LAB 51.59, 79.19, -9.08

 

CMYK 0 / 91 / 64 / 9

HEX #E91555

RGB 233 21 85

HSL 341.89, 0.83%, 0.5%

LAB 50.12, 75.14, 22.87

 

CMYK 0 / 91 / 88 / 9

HEX #E9151C

RGB 233 21 28

HSL 358.02, 0.83%, 0.5%

LAB 49.43, 73.2, 54.01

 

CMYK 0 / 91 / 39 / 38

HEX #9D0E5F

RGB 157 14 95

HSL 326.01, 0.84%, 0.34%

LAB 34.62, 58.63, -7.49

 

CMYK 0 / 91 / 39 / 24

HEX #C31276

RGB 195 18 118

HSL 326.1, 0.83%, 0.42%

LAB 43.28, 69.05, -8.26

 

CMYK 0 / 91 / 39 / 9

HEX #E9158D

RGB 233 21 141

HSL 326.04, 0.83%, 0.5%

LAB 51.59, 79.19, -9.08

 

CMYK 0 / 75 / 33 / 7

HEX #EC3B9F

RGB 236 59 159

HSL 326.1, 0.82%, 0.58%

LAB 55.55, 73.69, -13.77

 

CMYK 0 / 60 / 26 / 6

HEX #F061B2

RGB 240 97 178

HSL 326.01, 0.83%, 0.66%

LAB 61.9, 63.06, -15.13

 

CMYK 0 / 90 / 39 / 9

HEX #E9178E

RGB 233 23 142

HSL 326, 0.83%, 0.5%

LAB 51.71, 79.03, -9.5

 

CMYK 0 / 33 / 91 / 9

HEX #E99B15

RGB 233 155 21

HSL 37.92, 0.83%, 0.5%

LAB 70.05, 20.12, 71.45

 

CMYK 91 / 3 / 0 / 9

HEX #15E2E9

RGB 21 226 233

HSL 181.98, 0.83%, 0.5%

LAB 82.07, -41.25, -16.16

 

CMYK 0 / 90 / 39 / 9

HEX #E9178E

RGB 233 23 142

HSL 326, 0.83%, 0.5%

LAB 51.71, 79.03, -9.5

 

CMYK 39 / 0 / 91 / 9

HEX #8DE915

RGB 141 233 21

HSL 86.04, 0.83%, 0.5%

LAB 83.96, -55.37, 79.37

 

CMYK 91 / 39 / 0 / 9

HEX #158DE9

RGB 21 141 233

HSL 206.04, 0.83%, 0.5%

LAB 57.17, 3.02, -54.8

 

CMYK 0 / 90 / 39 / 9

HEX #E9178E

RGB 233 23 142

HSL 326, 0.83%, 0.5%

LAB 51.71, 79.03, -9.5

 

CMYK 0 / 33 / 91 / 9

HEX #E99B15

RGB 233 155 21

HSL 37.92, 0.83%, 0.5%

LAB 70.05, 20.12, 71.45

 

CMYK 91 / 0 / 52 / 9

HEX #15E971

RGB 21 233 113

HSL 146.04, 0.83%, 0.5%

LAB 81.64, -71.46, 45.18

 

CMYK 91 / 58 / 0 / 9

HEX #1563E9

RGB 21 99 233

HSL 217.92, 0.83%, 0.5%

LAB 45.59, 29.32, -73.49

 

CMYK 0 / 90 / 39 / 9

HEX #E9178E

RGB 233 23 142

HSL 326, 0.83%, 0.5%

LAB 51.71, 79.03, -9.5

 

CMYK 0 / 6 / 91 / 9

HEX #E9DB15

RGB 233 219 21

HSL 56.04, 0.83%, 0.5%

LAB 86.03, -13.08, 83.53

 

CMYK 91 / 0 / 52 / 9

HEX #15E971

RGB 21 233 113

HSL 146.04, 0.83%, 0.5%

LAB 81.64, -71.46, 45.18

 

CMYK 91 / 85 / 0 / 9

HEX #1523E9

RGB 21 35 233

HSL 236.04, 0.83%, 0.5%

LAB 32.36, 65.43, -95.32

 

Description

Color code: RGB 233 23 142 | qconv.com Color code: RGB 233 23 142 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 23 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 23 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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