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Color name
RGB 232 23 198

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 23 198 it is the complementary color RGB 23 232 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 23 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 23 198 shade: RGB 237 23 193, RGB 254 41 212, RGB 255 59 231, RGB 255 77 250 and RGB 255 95 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 23 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 23 198 shade: RGB 232 23 198, RGB 215 5 179, RGB 198 0 160, RGB 181 0 141 and RGB 164 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 23 198 shade: RGB 232 23 198, RGB 232 23 142, RGB 232 23 85, RGB 232 23 29 and RGB 232 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 23 198 shade: RGB 232 23 198, RGB 210 23 232, RGB 153 23 232, RGB 97 23 232 and RGB 41 23 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 23 198 shade matches the following richer shades: RGB 232 23 198 and RGB 253 2 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 23 198 shade: RGB 232 23 198, RGB 211 44 184, RGB 191 64 170, RGB 170 85 156 and RGB 150 105 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 23 198 shade: RGB 152 23 232, RGB 208 23 232, RGB 232 23 201, RGB 232 23 145 and RGB 232 23 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 23 198 shade: RGB 157 16 134, RGB 195 19 166, RGB 232 23 198, RGB 236 60 207 and RGB 239 98 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 23 198 shade: RGB 232 23 198, RGB 232 96 23 and RGB 23 232 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 23 198 shade: RGB 232 23 198, RGB 201 232 23 and RGB 23 201 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 23 198 shade: RGB 232 23 198, RGB 232 96 23, RGB 23 232 54 and RGB 23 159 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 23 198 shade: RGB 232 23 198, RGB 232 159 23, RGB 23 232 54 and RGB 23 96 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

Complementary color

CMYK 90 / 0 / 75 / 9

HEX #17E839

RGB 23 232 57

HSL 129.76, 0.82%, 0.5%

LAB 80.84, -77.2, 67.18

 

CMYK 0 / 90 / 19 / 7

HEX #ED17C1

RGB 237 23 193

HSL 312.34, 0.86%, 0.51%

LAB 54.52, 85.32, -35.17

 

CMYK 0 / 84 / 17 / 0

HEX #FE29D4

RGB 254 41 212

HSL 311.83, 0.99%, 0.58%

LAB 59.35, 88.17, -38.27

 

CMYK 0 / 77 / 9 / 0

HEX #FF3BE7

RGB 255 59 231

HSL 307.35, 1%, 0.62%

LAB 61.79, 86.91, -45.14

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFA

RGB 255 77 250

HSL 301.69, 1%, 0.65%

LAB 64.54, 84.49, -51.36

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

CMYK 0 / 98 / 17 / 16

HEX #D705B3

RGB 215 5 179

HSL 310.29, 0.95%, 0.43%

LAB 49.27, 81.17, -35.54

 

CMYK 0 / 100 / 19 / 22

HEX #C600A0

RGB 198 0 160

HSL 311.52, 1%, 0.39%

LAB 45, 76.1, -31.17

 

CMYK 0 / 100 / 22 / 29

HEX #B5008D

RGB 181 0 141

HSL 313.26, 1%, 0.35%

LAB 40.81, 70.56, -26.46

 

CMYK 0 / 100 / 26 / 36

HEX #A4007A

RGB 164 0 122

HSL 315.37, 1%, 0.32%

LAB 36.55, 64.93, -21.58

 

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

CMYK 0 / 90 / 39 / 9

HEX #E8178E

RGB 232 23 142

HSL 325.84, 0.82%, 0.5%

LAB 51.52, 78.81, -9.81

 

CMYK 0 / 90 / 63 / 9

HEX #E81755

RGB 232 23 85

HSL 342.2, 0.82%, 0.5%

LAB 50.01, 74.64, 22.69

 

CMYK 0 / 90 / 88 / 9

HEX #E8171D

RGB 232 23 29

HSL 358.28, 0.82%, 0.5%

LAB 49.32, 72.7, 53.4

 

CMYK 0 / 90 / 90 / 9

HEX #E81717

RGB 232 23 23

HSL 0, 0.82%, 0.5%

LAB 49.29, 72.61, 55.92

 

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

CMYK 9 / 90 / 0 / 9

HEX #D217E8

RGB 210 23 232

HSL 293.68, 0.82%, 0.5%

LAB 52, 86.08, -61.76

 

CMYK 34 / 90 / 0 / 9

HEX #9917E8

RGB 153 23 232

HSL 277.32, 0.82%, 0.5%

LAB 43.08, 78.07, -76.65

 

CMYK 58 / 90 / 0 / 9

HEX #6117E8

RGB 97 23 232

HSL 261.24, 0.82%, 0.5%

LAB 35.95, 72.5, -88.65

 

CMYK 82 / 90 / 0 / 9

HEX #2917E8

RGB 41 23 232

HSL 245.17, 0.82%, 0.5%

LAB 31.6, 69.66, -95.99

 

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

CMYK 0 / 99 / 16 / 1

HEX #FD02D4

RGB 253 2 212

HSL 309.8, 0.98%, 0.5%

LAB 57.73, 92.21, -40.83

 

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

CMYK 0 / 79 / 13 / 17

HEX #D32CB8

RGB 211 44 184

HSL 309.7, 0.65%, 0.5%

LAB 50.82, 75.15, -36.07

 

CMYK 0 / 66 / 11 / 25

HEX #BF40AA

RGB 191 64 170

HSL 309.92, 0.5%, 0.5%

LAB 49.06, 62.15, -30.85

 

CMYK 0 / 50 / 8 / 33

HEX #AA559C

RGB 170 85 156

HSL 309.88, 0.33%, 0.5%

LAB 48.81, 44.48, -23.21

 

CMYK 0 / 30 / 5 / 41

HEX #96698E

RGB 150 105 142

HSL 310.67, 0.18%, 0.5%

LAB 50.14, 24.25, -13.11

 

CMYK 34 / 90 / 0 / 9

HEX #9817E8

RGB 152 23 232

HSL 277.03, 0.82%, 0.5%

LAB 42.94, 77.95, -76.89

 

CMYK 10 / 90 / 0 / 9

HEX #D017E8

RGB 208 23 232

HSL 293.11, 0.82%, 0.5%

LAB 51.67, 85.77, -62.3

 

CMYK 0 / 90 / 13 / 9

HEX #E817C9

RGB 232 23 201

HSL 308.9, 0.82%, 0.5%

LAB 54.01, 85.39, -40.64

 

CMYK 0 / 90 / 38 / 9

HEX #E81791

RGB 232 23 145

HSL 324.98, 0.82%, 0.5%

LAB 51.63, 79.09, -11.45

 

CMYK 0 / 90 / 62 / 9

HEX #E81759

RGB 232 23 89

HSL 341.05, 0.82%, 0.5%

LAB 50.08, 74.85, 20.36

 

CMYK 0 / 90 / 15 / 38

HEX #9D1086

RGB 157 16 134

HSL 309.79, 0.82%, 0.34%

LAB 36.48, 63, -29.27

 

CMYK 0 / 90 / 15 / 24

HEX #C313A6

RGB 195 19 166

HSL 309.89, 0.82%, 0.42%

LAB 45.39, 74.39, -34.19

 

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

CMYK 0 / 75 / 12 / 7

HEX #EC3CCF

RGB 236 60 207

HSL 309.89, 0.82%, 0.58%

LAB 57.63, 79.35, -38.35

 

CMYK 0 / 59 / 10 / 6

HEX #EF62D8

RGB 239 98 216

HSL 309.79, 0.82%, 0.66%

LAB 63.38, 67.73, -34.42

 

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

CMYK 0 / 59 / 90 / 9

HEX #E86017

RGB 232 96 23

HSL 20.96, 0.82%, 0.5%

LAB 57.64, 49.69, 61.8

 

CMYK 90 / 0 / 22 / 9

HEX #17E8B4

RGB 23 232 180

HSL 165.07, 0.82%, 0.5%

LAB 82.48, -57.94, 12.45

 

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

CMYK 13 / 0 / 90 / 9

HEX #C9E817

RGB 201 232 23

HSL 68.9, 0.82%, 0.5%

LAB 87.09, -32.56, 83.04

 

CMYK 90 / 13 / 0 / 9

HEX #17C9E8

RGB 23 201 232

HSL 188.9, 0.82%, 0.5%

LAB 74.69, -29.78, -26.84

 

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

CMYK 0 / 59 / 90 / 9

HEX #E86017

RGB 232 96 23

HSL 20.96, 0.82%, 0.5%

LAB 57.64, 49.69, 61.8

 

CMYK 90 / 0 / 77 / 9

HEX #17E836

RGB 23 232 54

HSL 128.9, 0.82%, 0.5%

LAB 80.83, -77.4, 68.11

 

CMYK 90 / 31 / 0 / 9

HEX #179FE8

RGB 23 159 232

HSL 200.96, 0.82%, 0.5%

LAB 62.34, -7.72, -46.03

 

CMYK 0 / 90 / 15 / 9

HEX #E817C6

RGB 232 23 198

HSL 309.76, 0.82%, 0.5%

LAB 53.86, 85, -39.15

 

CMYK 0 / 31 / 90 / 9

HEX #E89F17

RGB 232 159 23

HSL 39.04, 0.82%, 0.5%

LAB 70.88, 17.6, 71.61

 

CMYK 90 / 0 / 77 / 9

HEX #17E836

RGB 23 232 54

HSL 128.9, 0.82%, 0.5%

LAB 80.83, -77.4, 68.11

 

CMYK 90 / 59 / 0 / 9

HEX #1760E8

RGB 23 96 232

HSL 219.04, 0.82%, 0.5%

LAB 44.76, 30.96, -74.27

 

Description

Color code: RGB 232 23 198 | qconv.com Color code: RGB 232 23 198 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 23 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 23 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 15% 9% C M Y K

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Provide designers and agencies with accurate color values.

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