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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 145 219 it is the complementary color RGB 23 110 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 145 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 145 219 shade: RGB 237 145 214, RGB 254 163 233, RGB 255 181 252, RGB 255 199 255 and RGB 255 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 145 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 145 219 shade: RGB 232 145 219, RGB 215 127 200, RGB 198 109 181, RGB 181 91 162 and RGB 164 73 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 145 219 shade: RGB 231 145 218, RGB 231 145 195, RGB 231 145 172, RGB 231 145 149 and RGB 231 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 145 219 shade: RGB 231 145 218, RGB 221 145 231, RGB 198 145 231, RGB 174 145 231 and RGB 151 145 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 145 219 shade matches the following richer shades: RGB 231 145 218, RGB 242 134 226 and RGB 253 124 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 145 219 shade: RGB 231 145 218, RGB 221 156 211, RGB 210 167 203, RGB 199 177 196 and RGB 188 188 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 145 219 shade: RGB 197 145 231, RGB 220 145 231, RGB 231 145 220, RGB 231 145 197 and RGB 231 145 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 145 219 shade: RGB 217 77 196, RGB 224 111 207, RGB 231 145 218, RGB 239 179 230 and RGB 246 213 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 145 219 shade: RGB 232 145 219, RGB 231 174 145 and RGB 145 231 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 145 219 shade: RGB 232 145 219, RGB 220 231 145 and RGB 145 220 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 145 219 shade: RGB 232 145 219, RGB 231 174 145, RGB 145 231 157 and RGB 145 203 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 145 219 shade: RGB 232 145 219, RGB 231 200 145, RGB 145 231 157 and RGB 145 177 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 6 / 9

HEX #E891DB

RGB 232 145 219

HSL 308.97, 0.65%, 0.74%

LAB 71.23, 43.65, -24.06

 

Complementary color

CMYK 79 / 0 / 67 / 57

HEX #176E24

RGB 23 110 36

HSL 128.97, 0.65%, 0.26%

LAB 40.35, -41.09, 33.24

 

CMYK 0 / 39 / 10 / 7

HEX #ED91D6

RGB 237 145 214

HSL 315, 0.72%, 0.75%

LAB 71.63, 44.4, -20.64

 

CMYK 0 / 36 / 8 / 0

HEX #FEA3E9

RGB 254 163 233

HSL 313.85, 0.98%, 0.82%

LAB 77.96, 43.66, -21.23

 

CMYK 0 / 29 / 1 / 0

HEX #FFB5FC

RGB 255 181 252

HSL 302.43, 1%, 0.85%

LAB 82.56, 37.9, -24.45

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 38 / 6 / 9

HEX #E891DB

RGB 232 145 219

HSL 308.97, 0.65%, 0.74%

LAB 71.23, 43.65, -24.06

 

CMYK 0 / 41 / 7 / 16

HEX #D77FC8

RGB 215 127 200

HSL 310.23, 0.52%, 0.67%

LAB 64.8, 44.4, -23.5

 

CMYK 0 / 45 / 9 / 22

HEX #C66DB5

RGB 198 109 181

HSL 311.46, 0.44%, 0.6%

LAB 58.3, 45.14, -22.87

 

CMYK 0 / 50 / 10 / 29

HEX #B55BA2

RGB 181 91 162

HSL 312.67, 0.38%, 0.53%

LAB 51.74, 45.85, -22.12

 

CMYK 0 / 55 / 13 / 36

HEX #A4498F

RGB 164 73 143

HSL 313.85, 0.38%, 0.46%

LAB 45.14, 46.46, -21.19

 

CMYK 0 / 37 / 6 / 9

HEX #E791DA

RGB 231 145 218

HSL 309.07, 0.64%, 0.74%

LAB 71.08, 43.17, -23.75

 

CMYK 0 / 37 / 16 / 9

HEX #E791C3

RGB 231 145 195

HSL 325.12, 0.64%, 0.74%

LAB 70.3, 39.37, -12.19

 

CMYK 0 / 37 / 26 / 9

HEX #E791AC

RGB 231 145 172

HSL 341.16, 0.64%, 0.74%

LAB 69.62, 35.97, -0.38

 

CMYK 0 / 37 / 35 / 9

HEX #E79195

RGB 231 145 149

HSL 357.21, 0.64%, 0.74%

LAB 69.05, 32.98, 11.64

 

CMYK 0 / 37 / 37 / 9

HEX #E79191

RGB 231 145 145

HSL 0, 0.64%, 0.74%

LAB 68.96, 32.51, 13.74

 

CMYK 0 / 37 / 6 / 9

HEX #E791DA

RGB 231 145 218

HSL 309.07, 0.64%, 0.74%

LAB 71.08, 43.17, -23.75

 

CMYK 4 / 37 / 0 / 9

HEX #DD91E7

RGB 221 145 231

HSL 293.02, 0.64%, 0.74%

LAB 70.45, 42.42, -31.96

 

CMYK 14 / 37 / 0 / 9

HEX #C691E7

RGB 198 145 231

HSL 276.98, 0.64%, 0.74%

LAB 68.04, 35.48, -35.89

 

CMYK 25 / 37 / 0 / 9

HEX #AE91E7

RGB 174 145 231

HSL 260.23, 0.64%, 0.74%

LAB 65.76, 28.42, -39.61

 

CMYK 35 / 37 / 0 / 9

HEX #9791E7

RGB 151 145 231

HSL 244.19, 0.64%, 0.74%

LAB 63.84, 21.99, -42.77

 

CMYK 0 / 37 / 6 / 9

HEX #E791DA

RGB 231 145 218

HSL 309.07, 0.64%, 0.74%

LAB 71.08, 43.17, -23.75

 

CMYK 0 / 45 / 7 / 5

HEX #F286E2

RGB 242 134 226

HSL 308.89, 0.81%, 0.74%

LAB 70.47, 53.5, -28.98

 

CMYK 0 / 51 / 8 / 1

HEX #FD7CE9

RGB 253 124 233

HSL 309.3, 0.97%, 0.74%

LAB 70.3, 62.62, -32.98

 

CMYK 0 / 37 / 6 / 9

HEX #E791DA

RGB 231 145 218

HSL 309.07, 0.64%, 0.74%

LAB 71.08, 43.17, -23.75

 

CMYK 0 / 29 / 5 / 13

HEX #DD9CD3

RGB 221 156 211

HSL 309.23, 0.49%, 0.74%

LAB 72.13, 32.87, -18.4

 

CMYK 0 / 20 / 3 / 18

HEX #D2A7CB

RGB 210 167 203

HSL 309.77, 0.32%, 0.74%

LAB 73.32, 21.78, -12.32

 

CMYK 0 / 11 / 2 / 22

HEX #C7B1C4

RGB 199 177 196

HSL 308.18, 0.16%, 0.74%

LAB 74.55, 11.25, -6.75

 

CMYK 0 / 0 / 0 / 26

HEX #BCBCBC

RGB 188 188 188

HSL 0, 0%, 0.74%

LAB 76.25, 0, -0.01

 

CMYK 15 / 37 / 0 / 9

HEX #C591E7

RGB 197 145 231

HSL 276.28, 0.64%, 0.74%

LAB 67.94, 35.18, -36.05

 

CMYK 5 / 37 / 0 / 9

HEX #DC91E7

RGB 220 145 231

HSL 292.33, 0.64%, 0.74%

LAB 70.34, 42.12, -32.14

 

CMYK 0 / 37 / 5 / 9

HEX #E791DC

RGB 231 145 220

HSL 307.67, 0.64%, 0.74%

LAB 71.15, 43.51, -24.74

 

CMYK 0 / 37 / 15 / 9

HEX #E791C5

RGB 231 145 197

HSL 323.72, 0.64%, 0.74%

LAB 70.37, 39.69, -13.21

 

CMYK 0 / 37 / 25 / 9

HEX #E791AE

RGB 231 145 174

HSL 339.77, 0.64%, 0.74%

LAB 69.68, 36.25, -1.42

 

CMYK 0 / 65 / 10 / 15

HEX #D94DC4

RGB 217 77 196

HSL 309, 0.65%, 0.58%

LAB 56.13, 67.59, -34.62

 

CMYK 0 / 50 / 8 / 12

HEX #E06FCF

RGB 224 111 207

HSL 309.03, 0.65%, 0.66%

LAB 63.11, 56.31, -29.94

 

CMYK 0 / 37 / 6 / 9

HEX #E791DA

RGB 231 145 218

HSL 309.07, 0.64%, 0.74%

LAB 71.08, 43.17, -23.75

 

CMYK 0 / 25 / 4 / 6

HEX #EFB3E6

RGB 239 179 230

HSL 309, 0.65%, 0.82%

LAB 79.79, 29.89, -17

 

CMYK 0 / 13 / 2 / 4

HEX #F6D5F1

RGB 246 213 241

HSL 309.09, 0.65%, 0.9%

LAB 88.7, 16.17, -9.46

 

CMYK 0 / 38 / 6 / 9

HEX #E891DB

RGB 232 145 219

HSL 308.97, 0.65%, 0.74%

LAB 71.23, 43.65, -24.06

 

CMYK 0 / 25 / 37 / 9

HEX #E7AE91

RGB 231 174 145

HSL 20.23, 0.64%, 0.74%

LAB 75.64, 17.06, 22.98

 

CMYK 37 / 0 / 10 / 9

HEX #91E7D0

RGB 145 231 208

HSL 163.95, 0.64%, 0.74%

LAB 85.87, -31.1, 3

 

CMYK 0 / 38 / 6 / 9

HEX #E891DB

RGB 232 145 219

HSL 308.97, 0.65%, 0.74%

LAB 71.23, 43.65, -24.06

 

CMYK 5 / 0 / 37 / 9

HEX #DCE791

RGB 220 231 145

HSL 67.67, 0.64%, 0.74%

LAB 89.12, -16.67, 40.65

 

CMYK 37 / 5 / 0 / 9

HEX #91DCE7

RGB 145 220 231

HSL 187.67, 0.64%, 0.74%

LAB 83.43, -20.44, -12.75

 

CMYK 0 / 38 / 6 / 9

HEX #E891DB

RGB 232 145 219

HSL 308.97, 0.65%, 0.74%

LAB 71.23, 43.65, -24.06

 

CMYK 0 / 25 / 37 / 9

HEX #E7AE91

RGB 231 174 145

HSL 20.23, 0.64%, 0.74%

LAB 75.64, 17.06, 22.98

 

CMYK 37 / 0 / 32 / 9

HEX #91E79D

RGB 145 231 157

HSL 128.37, 0.64%, 0.74%

LAB 84.79, -40.94, 28.06

 

CMYK 37 / 12 / 0 / 9

HEX #91CBE7

RGB 145 203 231

HSL 199.53, 0.64%, 0.74%

LAB 78.75, -11.75, -19.79

 

CMYK 0 / 38 / 6 / 9

HEX #E891DB

RGB 232 145 219

HSL 308.97, 0.65%, 0.74%

LAB 71.23, 43.65, -24.06

 

CMYK 0 / 13 / 37 / 9

HEX #E7C891

RGB 231 200 145

HSL 38.37, 0.64%, 0.74%

LAB 82.02, 3.33, 31.56

 

CMYK 37 / 0 / 32 / 9

HEX #91E79D

RGB 145 231 157

HSL 128.37, 0.64%, 0.74%

LAB 84.79, -40.94, 28.06

 

CMYK 37 / 23 / 0 / 9

HEX #91B1E7

RGB 145 177 231

HSL 217.67, 0.64%, 0.74%

LAB 71.71, 2.23, -30.54

 

Description

Color code: RGB 232 145 219 | qconv.com Color code: RGB 232 145 219 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 145 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 145 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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