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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 131 12 it is the complementary color RGB 23 124 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 131 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 131 12 shade: RGB 237 131 7, RGB 254 149 26, RGB 255 167 45, RGB 255 185 64 and RGB 255 203 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 131 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 131 12 shade: RGB 232 131 12, RGB 215 113 0, RGB 198 95 0, RGB 181 77 0 and RGB 164 59 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 131 12 shade: RGB 232 131 12, RGB 232 71 12, RGB 232 12 12 and RGB 232 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 131 12 shade: RGB 232 131 12, RGB 232 190 12, RGB 214 232 12, RGB 155 232 12 and RGB 96 232 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 131 12 shade matches the following richer shades: RGB 232 131 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 131 12 shade: RGB 232 131 12, RGB 212 129 32, RGB 192 128 51, RGB 173 126 71 and RGB 153 124 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 131 12 shade: RGB 232 12 12, RGB 232 70 12, RGB 232 129 12, RGB 232 188 12 and RGB 217 232 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 131 12 shade: RGB 154 87 8, RGB 193 109 10, RGB 232 131 12, RGB 243 151 42 and RGB 245 170 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 131 12 shade: RGB 232 131 12, RGB 70 232 12 and RGB 41 12 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 131 12 shade: RGB 232 131 12, RGB 12 232 129 and RGB 129 12 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 131 12 shade: RGB 232 131 12, RGB 70 232 12, RGB 12 115 232 and RGB 173 12 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 131 12 shade: RGB 232 131 12, RGB 12 232 19, RGB 12 115 232 and RGB 232 12 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

Complementary color

CMYK 91 / 49 / 0 / 5

HEX #177CF3

RGB 23 124 243

HSL 212.45, 0.9%, 0.52%

LAB 53.02, 17.36, -67.01

 

CMYK 0 / 45 / 97 / 7

HEX #ED8307

RGB 237 131 7

HSL 32.35, 0.94%, 0.48%

LAB 65.16, 34.24, 70.57

 

CMYK 0 / 41 / 90 / 0

HEX #FE951A

RGB 254 149 26

HSL 32.37, 0.99%, 0.55%

LAB 71.31, 32.1, 72.46

 

CMYK 0 / 35 / 82 / 0

HEX #FFA72D

RGB 255 167 45

HSL 34.86, 1%, 0.59%

LAB 75.51, 23.58, 70.55

 

CMYK 0 / 27 / 75 / 0

HEX #FFB940

RGB 255 185 64

HSL 38.01, 1%, 0.63%

LAB 79.8, 14.83, 67.75

 

CMYK 0 / 20 / 67 / 0

HEX #FFCB53

RGB 255 203 83

HSL 41.86, 1%, 0.66%

LAB 84.28, 6.38, 64.63

 

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

CMYK 0 / 47 / 100 / 16

HEX #D77100

RGB 215 113 0

HSL 31.53, 1%, 0.42%

LAB 58.28, 34.52, 65.84

 

CMYK 0 / 52 / 100 / 22

HEX #C65F00

RGB 198 95 0

HSL 28.79, 1%, 0.39%

LAB 52.05, 36.9, 60.84

 

CMYK 0 / 57 / 100 / 29

HEX #B54D00

RGB 181 77 0

HSL 25.52, 1%, 0.35%

LAB 45.81, 39.2, 55.85

 

CMYK 0 / 64 / 100 / 36

HEX #A43B00

RGB 164 59 0

HSL 21.59, 1%, 0.32%

LAB 39.61, 41.29, 50.92

 

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

CMYK 0 / 69 / 95 / 9

HEX #E8470C

RGB 232 71 12

HSL 16.09, 0.9%, 0.48%

LAB 53.7, 60, 62.15

 

CMYK 0 / 95 / 95 / 9

HEX #E80C0C

RGB 232 12 12

HSL 0, 0.9%, 0.48%

LAB 48.82, 73.72, 59.42

 

CMYK 0 / 95 / 95 / 9

HEX #E80C0C

RGB 232 12 12

HSL 0, 0.9%, 0.48%

LAB 48.82, 73.72, 59.42

 

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

CMYK 0 / 18 / 95 / 9

HEX #E8BE0C

RGB 232 190 12

HSL 48.55, 0.9%, 0.48%

LAB 78.47, 1.12, 78.95

 

CMYK 8 / 0 / 95 / 9

HEX #D6E80C

RGB 214 232 12

HSL 64.91, 0.9%, 0.48%

LAB 87.99, -27.42, 85.39

 

CMYK 33 / 0 / 95 / 9

HEX #9BE80C

RGB 155 232 12

HSL 81, 0.9%, 0.48%

LAB 84.33, -50.31, 80.98

 

CMYK 59 / 0 / 95 / 9

HEX #60E80C

RGB 96 232 12

HSL 97.09, 0.9%, 0.48%

LAB 81.96, -68.19, 78.08

 

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

CMYK 0 / 39 / 85 / 17

HEX #D48120

RGB 212 129 32

HSL 32.33, 0.74%, 0.48%

LAB 61.48, 25.3, 60.75

 

CMYK 0 / 33 / 73 / 25

HEX #C08033

RGB 192 128 51

HSL 32.77, 0.58%, 0.48%

LAB 58.87, 17.94, 49.98

 

CMYK 0 / 27 / 59 / 32

HEX #AD7E47

RGB 173 126 71

HSL 32.35, 0.42%, 0.48%

LAB 56.35, 12.03, 36.71

 

CMYK 0 / 19 / 41 / 40

HEX #997C5B

RGB 153 124 91

HSL 31.94, 0.25%, 0.48%

LAB 53.97, 6.5, 22.25

 

CMYK 0 / 95 / 95 / 9

HEX #E80C0C

RGB 232 12 12

HSL 0, 0.9%, 0.48%

LAB 48.82, 73.72, 59.42

 

CMYK 0 / 70 / 95 / 9

HEX #E8460C

RGB 232 70 12

HSL 15.82, 0.9%, 0.48%

LAB 53.56, 60.37, 62.07

 

CMYK 0 / 44 / 95 / 9

HEX #E8810C

RGB 232 129 12

HSL 31.91, 0.9%, 0.48%

LAB 64.07, 33.28, 68.78

 

CMYK 0 / 19 / 95 / 9

HEX #E8BC0C

RGB 232 188 12

HSL 48, 0.9%, 0.48%

LAB 77.96, 2.16, 78.58

 

CMYK 6 / 0 / 95 / 9

HEX #D9E80C

RGB 217 232 12

HSL 64.09, 0.9%, 0.48%

LAB 88.2, -26.19, 85.66

 

CMYK 0 / 44 / 95 / 40

HEX #9A5708

RGB 154 87 8

HSL 32.47, 0.9%, 0.32%

LAB 43.81, 22.7, 50.43

 

CMYK 0 / 44 / 95 / 24

HEX #C16D0A

RGB 193 109 10

HSL 32.46, 0.9%, 0.4%

LAB 54.34, 27.57, 59.94

 

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

CMYK 0 / 38 / 83 / 5

HEX #F3972A

RGB 243 151 42

HSL 32.54, 0.89%, 0.56%

LAB 70.42, 26.89, 66.59

 

CMYK 0 / 31 / 67 / 4

HEX #F5AA51

RGB 245 170 81

HSL 32.56, 0.89%, 0.64%

LAB 75.3, 19.34, 55.57

 

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

CMYK 70 / 0 / 95 / 9

HEX #46E80C

RGB 70 232 12

HSL 104.18, 0.9%, 0.48%

LAB 81.31, -73.63, 77.29

 

CMYK 82 / 95 / 0 / 9

HEX #290CE8

RGB 41 12 232

HSL 247.91, 0.9%, 0.48%

LAB 30.78, 72.17, -97.36

 

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

CMYK 95 / 0 / 44 / 9

HEX #0CE881

RGB 12 232 129

HSL 151.91, 0.9%, 0.48%

LAB 81.5, -68.93, 37.25

 

CMYK 44 / 95 / 0 / 9

HEX #810CE8

RGB 129 12 232

HSL 271.91, 0.9%, 0.48%

LAB 39.17, 77.14, -83.2

 

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

CMYK 70 / 0 / 95 / 9

HEX #46E80C

RGB 70 232 12

HSL 104.18, 0.9%, 0.48%

LAB 81.31, -73.63, 77.29

 

CMYK 95 / 50 / 0 / 9

HEX #0C73E8

RGB 12 115 232

HSL 211.91, 0.9%, 0.48%

LAB 49.7, 18.36, -66.26

 

CMYK 25 / 95 / 0 / 9

HEX #AD0CE8

RGB 173 12 232

HSL 283.91, 0.9%, 0.48%

LAB 45.6, 82.08, -72.41

 

CMYK 0 / 44 / 95 / 9

HEX #E8830C

RGB 232 131 12

HSL 32.45, 0.9%, 0.48%

LAB 64.5, 32.24, 69.07

 

CMYK 95 / 0 / 92 / 9

HEX #0CE813

RGB 12 232 19

HSL 121.91, 0.9%, 0.48%

LAB 80.65, -79.5, 75.67

 

CMYK 95 / 50 / 0 / 9

HEX #0C73E8

RGB 12 115 232

HSL 211.91, 0.9%, 0.48%

LAB 49.7, 18.36, -66.26

 

CMYK 0 / 95 / 3 / 9

HEX #E80CE1

RGB 232 12 225

HSL 301.91, 0.9%, 0.48%

LAB 54.92, 89.69, -52.9

 

Description

Color code: RGB 232 131 12 | qconv.com Color code: RGB 232 131 12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 131 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 131 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 95 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 95% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

67% - 稲葉元澤法律事務所|東京都大田区の弁護士...
Link: http://imo-law.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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