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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 119 34 it is the complementary color RGB 23 136 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 119 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 232 119 34: RGB 237 119 29, RGB 254 137 48, RGB 255 155 67, RGB 255 173 86 and RGB 255 191 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 119 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 232 119 34: RGB 232 119 34, RGB 215 101 15, RGB 198 83 0, RGB 181 65 0 and RGB 164 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 85 / 9

HEX #E87722

RGB 232 119 34

HSL 25.76, 0.81%, 0.52%

LAB 62.05, 38.77, 61.66

 

Complementary color

CMYK 90 / 38 / 0 / 13

HEX #1788DD

RGB 23 136 221

HSL 205.76, 0.81%, 0.48%

LAB 55.08, 1.57, -51.42

 

CMYK 0 / 50 / 88 / 7

HEX #ED771D

RGB 237 119 29

HSL 25.96, 0.85%, 0.52%

LAB 62.75, 40.63, 64.15

 

CMYK 0 / 46 / 81 / 0

HEX #FE8930

RGB 254 137 48

HSL 25.92, 0.99%, 0.59%

LAB 68.88, 38.72, 63.62

 

CMYK 0 / 39 / 74 / 0

HEX #FF9B43

RGB 255 155 67

HSL 28.09, 1%, 0.63%

LAB 72.96, 30.59, 59.75

 

CMYK 0 / 32 / 66 / 0

HEX #FFAD56

RGB 255 173 86

HSL 30.89, 1%, 0.67%

LAB 77.17, 22.16, 55.64

 

CMYK 0 / 25 / 59 / 0

HEX #FFBF69

RGB 255 191 105

HSL 34.4, 1%, 0.71%

LAB 81.59, 13.97, 51.67

 

CMYK 0 / 49 / 85 / 9

HEX #E87722

RGB 232 119 34

HSL 25.76, 0.81%, 0.52%

LAB 62.05, 38.77, 61.66

Pantone® 158 C

CMYK 0 / 53 / 93 / 16

HEX #D7650F

RGB 215 101 15

HSL 25.8, 0.87%, 0.45%

LAB 55.88, 40.77, 61.46

 

CMYK 0 / 58 / 100 / 22

HEX #C65300

RGB 198 83 0

HSL 25.15, 1%, 0.39%

LAB 49.73, 42.84, 59.51

 

CMYK 0 / 64 / 100 / 29

HEX #B54100

RGB 181 65 0

HSL 21.55, 1%, 0.35%

LAB 43.66, 44.86, 54.69

 

CMYK 0 / 71 / 100 / 36

HEX #A42F00

RGB 164 47 0

HSL 17.2, 1%, 0.32%

LAB 37.71, 46.44, 49.96

 

CMYK 0 / 49 / 85 / 9

HEX #E87722

RGB 232 119 34

HSL 25.76, 0.81%, 0.52%

LAB 62.05, 38.77, 61.66

Pantone® 158 C

CMYK 0 / 35 / 86 / 9

HEX #E79521

RGB 231 149 33

HSL 35.15, 0.8%, 0.52%

LAB 68.46, 22.69, 67.17

 

CMYK 0 / 21 / 86 / 9

HEX #E7B621

RGB 231 182 33

HSL 45.15, 0.8%, 0.52%

LAB 76.41, 5.2, 73.63

 

CMYK 0 / 7 / 86 / 9

HEX #E7D721

RGB 231 215 33

HSL 55.15, 0.8%, 0.52%

LAB 84.84, -11.72, 80.47

 

CMYK 7 / 0 / 86 / 9

HEX #D7E721

RGB 215 231 33

HSL 64.85, 0.8%, 0.52%

LAB 87.83, -26.2, 82.38

 

CMYK 0 / 49 / 85 / 9

HEX #E87722

RGB 232 119 34

HSL 25.76, 0.81%, 0.52%

LAB 62.05, 38.77, 61.66

Pantone® 158 C

CMYK 0 / 50 / 86 / 89

HEX #1C0E04

RGB 28 14 4

HSL 25, 0.75%, 0.06%

LAB 5.15, 4.77, 6.15

 

CMYK 0 / 48 / 85 / 69

HEX #4F290C

RGB 79 41 12

HSL 25.97, 0.74%, 0.18%

LAB 21.11, 15.16, 25.46

 

CMYK 0 / 48 / 85 / 49

HEX #824313

RGB 130 67 19

HSL 25.95, 0.74%, 0.29%

LAB 35.61, 23.62, 38.81

 

CMYK 0 / 49 / 85 / 29

HEX #B55D1B

RGB 181 93 27

HSL 25.71, 0.74%, 0.41%

LAB 49.17, 31.44, 50.39

 

CMYK 0 / 49 / 85 / 9

HEX #E87722

RGB 232 119 34

HSL 25.76, 0.81%, 0.52%

LAB 62.05, 38.77, 61.66

Pantone® 158 C

CMYK 53 / 0 / 86 / 9

HEX #6DE721

RGB 109 231 33

HSL 96.97, 0.8%, 0.52%

LAB 82.12, -64, 75.27

 

CMYK 84 / 86 / 0 / 9

HEX #2421E7

RGB 36 33 231

HSL 240.91, 0.8%, 0.52%

LAB 32.33, 65.99, -94.22

 

CMYK 0 / 49 / 85 / 9

HEX #E87722

RGB 232 119 34

HSL 25.76, 0.81%, 0.52%

LAB 62.05, 38.77, 61.66

Pantone® 158 C

CMYK 86 / 0 / 50 / 9

HEX #21E774

RGB 33 231 116

HSL 145.15, 0.8%, 0.52%

LAB 81.15, -69.62, 43.17

 

CMYK 50 / 86 / 0 / 9

HEX #7421E7

RGB 116 33 231

HSL 265.15, 0.8%, 0.52%

LAB 38.85, 71.37, -83.21

 

CMYK 0 / 49 / 85 / 9

HEX #E87722

RGB 232 119 34

HSL 25.76, 0.81%, 0.52%

LAB 62.05, 38.77, 61.66

Pantone® 158 C

CMYK 53 / 0 / 86 / 9

HEX #6DE721

RGB 109 231 33

HSL 96.97, 0.8%, 0.52%

LAB 82.12, -64, 75.27

 

CMYK 86 / 35 / 0 / 9

HEX #2195E7

RGB 33 149 231

HSL 204.85, 0.8%, 0.52%

LAB 59.51, -1.76, -49.95

 

CMYK 33 / 86 / 0 / 9

HEX #9B21E7

RGB 155 33 231

HSL 276.97, 0.8%, 0.52%

LAB 43.98, 76.06, -74.59

 

CMYK 0 / 49 / 85 / 9

HEX #E87722

RGB 232 119 34

HSL 25.76, 0.81%, 0.52%

LAB 62.05, 38.77, 61.66

Pantone® 158 C

CMYK 79 / 0 / 86 / 9

HEX #31E721

RGB 49 231 33

HSL 115.15, 0.8%, 0.52%

LAB 80.69, -75.9, 73.48

 

CMYK 86 / 35 / 0 / 9

HEX #2195E7

RGB 33 149 231

HSL 204.85, 0.8%, 0.52%

LAB 59.51, -1.76, -49.95

 

CMYK 7 / 86 / 0 / 9

HEX #D721E7

RGB 215 33 231

HSL 295.15, 0.8%, 0.52%

LAB 53.28, 85.19, -59.08

 

Description

Color code: RGB 232 119 34 | qconv.com Color code: RGB 232 119 34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 119 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 119 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 85 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 85% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

79% - Empresa de servicios...
Link: http://www.kibernum.com

43% - Resolute Group | Hea...
Link: http://weareresolute.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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