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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 241 105 it is the complementary color RGB 24 14 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 241 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 241 105 shade: RGB 236 241 100, RGB 253 255 119, RGB 255 255 138, RGB 255 255 157 and RGB 255 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 241 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 241 105 shade: RGB 231 241 105, RGB 214 223 86, RGB 197 205 67, RGB 180 187 48 and RGB 163 169 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 241 105 shade: RGB 231 241 105, RGB 241 214 105, RGB 241 178 105, RGB 241 141 105 and RGB 241 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 241 105 shade: RGB 231 241 105, RGB 194 241 105, RGB 158 241 105, RGB 121 241 105 and RGB 105 241 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 241 105 shade matches the following richer shades: RGB 231 241 105 and RGB 242 254 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 241 105 shade: RGB 231 241 105, RGB 219 227 118, RGB 208 214 132, RGB 197 201 145 and RGB 186 188 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 241 105 shade: RGB 241 177 105, RGB 241 214 105, RGB 232 241 105, RGB 195 241 105 and RGB 159 241 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 241 105 shade: RGB 219 234 30, RGB 225 237 67, RGB 231 241 105, RGB 237 244 143 and RGB 243 248 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 241 105 shade: RGB 231 241 105, RGB 105 241 141 and RGB 195 105 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 241 105 shade: RGB 231 241 105, RGB 105 232 241 and RGB 241 105 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 241 105 shade: RGB 231 241 105, RGB 105 241 141, RGB 114 105 241 and RGB 241 105 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 241 105 shade: RGB 231 241 105, RGB 105 241 182, RGB 114 105 241 and RGB 241 105 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

Complementary color

CMYK 84 / 91 / 0 / 41

HEX #180E96

RGB 24 14 150

HSL 244.41, 0.83%, 0.32%

LAB 18.84, 49.32, -68.69

 

CMYK 2 / 0 / 59 / 5

HEX #ECF164

RGB 236 241 100

HSL 62.13, 0.83%, 0.67%

LAB 92.43, -19.4, 65.77

 

CMYK 1 / 0 / 53 / 0

HEX #FDFF77

RGB 253 255 119

HSL 60.88, 1%, 0.73%

LAB 97.52, -18.04, 63.67

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

CMYK 4 / 0 / 61 / 13

HEX #D6DF56

RGB 214 223 86

HSL 63.94, 0.68%, 0.61%

LAB 85.88, -20.46, 64.01

 

CMYK 4 / 0 / 67 / 20

HEX #C5CD43

RGB 197 205 67

HSL 63.48, 0.58%, 0.53%

LAB 79.58, -19.78, 64.6

 

CMYK 4 / 0 / 74 / 27

HEX #B4BB30

RGB 180 187 48

HSL 63.02, 0.59%, 0.46%

LAB 73.19, -18.95, 64.72

 

CMYK 4 / 0 / 83 / 34

HEX #A3A91D

RGB 163 169 29

HSL 62.57, 0.71%, 0.39%

LAB 66.71, -17.93, 64.03

 

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

CMYK 0 / 11 / 56 / 5

HEX #F1D669

RGB 241 214 105

HSL 48.09, 0.83%, 0.68%

LAB 85.91, -3.63, 56.36

 

CMYK 0 / 26 / 56 / 5

HEX #F1B269

RGB 241 178 105

HSL 32.21, 0.83%, 0.68%

LAB 77.02, 15.07, 45.87

 

CMYK 0 / 41 / 56 / 5

HEX #F18D69

RGB 241 141 105

HSL 15.88, 0.83%, 0.68%

LAB 68.58, 34.55, 35.46

 

CMYK 0 / 56 / 56 / 5

HEX #F16969

RGB 241 105 105

HSL 0, 0.83%, 0.68%

LAB 61.5, 52.37, 26.34

 

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

CMYK 20 / 0 / 56 / 5

HEX #C2F169

RGB 194 241 105

HSL 80.74, 0.83%, 0.68%

LAB 89.58, -35.29, 59.64

 

CMYK 34 / 0 / 56 / 5

HEX #9EF169

RGB 158 241 105

HSL 96.62, 0.83%, 0.68%

LAB 87.58, -48.01, 56.82

 

CMYK 50 / 0 / 56 / 5

HEX #79F169

RGB 121 241 105

HSL 112.94, 0.83%, 0.68%

LAB 86, -59.17, 54.59

 

CMYK 56 / 0 / 48 / 5

HEX #69F17E

RGB 105 241 126

HSL 129.26, 0.83%, 0.68%

LAB 85.72, -60.49, 44.38

 

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

CMYK 5 / 0 / 64 / 0

HEX #F2FE5C

RGB 242 254 92

HSL 64.44, 0.99%, 0.68%

LAB 96.22, -23.74, 73.17

 

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

CMYK 4 / 0 / 48 / 11

HEX #DBE376

RGB 219 227 118

HSL 64.4, 0.66%, 0.68%

LAB 87.63, -17.89, 51.89

 

CMYK 3 / 0 / 38 / 16

HEX #D0D684

RGB 208 214 132

HSL 64.39, 0.5%, 0.68%

LAB 83.53, -14.33, 39.8

 

CMYK 2 / 0 / 28 / 21

HEX #C5C991

RGB 197 201 145

HSL 64.29, 0.34%, 0.68%

LAB 79.44, -10.38, 27.6

 

CMYK 1 / 0 / 16 / 26

HEX #BABC9E

RGB 186 188 158

HSL 64, 0.18%, 0.68%

LAB 75.37, -5.88, 14.97

 

CMYK 0 / 27 / 56 / 5

HEX #F1B169

RGB 241 177 105

HSL 31.76, 0.83%, 0.68%

LAB 76.78, 15.6, 45.59

 

CMYK 0 / 11 / 56 / 5

HEX #F1D669

RGB 241 214 105

HSL 48.09, 0.83%, 0.68%

LAB 85.91, -3.63, 56.36

 

CMYK 4 / 0 / 56 / 5

HEX #E8F169

RGB 232 241 105

HSL 63.97, 0.83%, 0.68%

LAB 92.17, -20.63, 63.27

 

CMYK 19 / 0 / 56 / 5

HEX #C3F169

RGB 195 241 105

HSL 80.29, 0.83%, 0.68%

LAB 89.64, -34.92, 59.73

 

CMYK 34 / 0 / 56 / 5

HEX #9FF169

RGB 159 241 105

HSL 96.18, 0.83%, 0.68%

LAB 87.63, -47.68, 56.89

 

CMYK 6 / 0 / 87 / 8

HEX #DBEA1E

RGB 219 234 30

HSL 64.41, 0.83%, 0.52%

LAB 88.92, -26.04, 83.93

 

CMYK 5 / 0 / 72 / 7

HEX #E1ED43

RGB 225 237 67

HSL 64.24, 0.83%, 0.6%

LAB 90.31, -23.8, 75.85

 

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

CMYK 3 / 0 / 41 / 4

HEX #EDF48F

RGB 237 244 143

HSL 64.16, 0.82%, 0.76%

LAB 93.75, -16.77, 47.76

 

CMYK 2 / 0 / 27 / 3

HEX #F3F8B5

RGB 243 248 181

HSL 64.48, 0.83%, 0.84%

LAB 95.8, -12.04, 31.72

 

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

CMYK 56 / 0 / 41 / 5

HEX #69F18D

RGB 105 241 141

HSL 135.88, 0.83%, 0.68%

LAB 85.92, -58.23, 37.34

 

CMYK 19 / 56 / 0 / 5

HEX #C369F1

RGB 195 105 241

HSL 279.71, 0.83%, 0.68%

LAB 59.94, 57.8, -54.19

 

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

CMYK 56 / 4 / 0 / 5

HEX #69E8F1

RGB 105 232 241

HSL 183.97, 0.83%, 0.68%

LAB 85.54, -32.54, -15.03

 

CMYK 0 / 56 / 4 / 5

HEX #F169E8

RGB 241 105 232

HSL 303.97, 0.83%, 0.68%

LAB 65.46, 67.78, -40.08

 

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

CMYK 56 / 0 / 41 / 5

HEX #69F18D

RGB 105 241 141

HSL 135.88, 0.83%, 0.68%

LAB 85.92, -58.23, 37.34

 

CMYK 53 / 56 / 0 / 5

HEX #7269F1

RGB 114 105 241

HSL 243.97, 0.83%, 0.68%

LAB 51.87, 39.61, -67.58

 

CMYK 0 / 56 / 15 / 5

HEX #F169CD

RGB 241 105 205

HSL 315.88, 0.83%, 0.68%

LAB 64.33, 63.59, -26.74

 

CMYK 4 / 0 / 56 / 5

HEX #E7F169

RGB 231 241 105

HSL 64.41, 0.83%, 0.68%

LAB 92.1, -21.03, 63.17

 

CMYK 56 / 0 / 24 / 5

HEX #69F1B6

RGB 105 241 182

HSL 153.97, 0.83%, 0.68%

LAB 86.65, -50.67, 17.49

 

CMYK 53 / 56 / 0 / 5

HEX #7269F1

RGB 114 105 241

HSL 243.97, 0.83%, 0.68%

LAB 51.87, 39.61, -67.58

 

CMYK 0 / 56 / 32 / 5

HEX #F169A4

RGB 241 105 164

HSL 333.97, 0.83%, 0.68%

LAB 62.91, 58.1, -5.57

 

Description

Color code: RGB 231 241 105 | qconv.com Color code: RGB 231 241 105 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 241 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 241 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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