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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 160 0 it is the complementary color RGB 24 95 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 160 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 160 0 shade: RGB 236 160 0, RGB 253 178 14, RGB 255 196 33, RGB 255 214 52 and RGB 255 232 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 160 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 160 0 shade: RGB 231 160 0, RGB 214 142 0, RGB 197 124 0, RGB 180 106 0 and RGB 163 88 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 160 0 shade: RGB 230 159 0, RGB 230 97 0, RGB 230 35 0 and RGB 230 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 160 0 shade: RGB 230 159 0, RGB 230 221 0, RGB 176 230 0, RGB 114 230 0 and RGB 52 230 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 160 0 shade matches the following richer shades: RGB 230 159 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 160 0 shade: RGB 230 159 0, RGB 211 152 19, RGB 192 145 37, RGB 174 138 56 and RGB 155 130 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 160 0 shade: RGB 230 34 0, RGB 230 96 0, RGB 230 157 0, RGB 230 218 0 and RGB 180 230 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 160 0 shade: RGB 147 102 0, RGB 188 130 0, RGB 230 159 0, RGB 255 181 16 and RGB 255 194 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 160 0 shade: RGB 231 160 0, RGB 27 230 0 and RGB 65 0 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 160 0 shade: RGB 231 160 0, RGB 0 230 157 and RGB 157 0 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 160 0 shade: RGB 231 160 0, RGB 27 230 0, RGB 0 73 230 and RGB 203 0 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 160 0 shade: RGB 231 160 0, RGB 0 230 42, RGB 0 73 230 and RGB 230 0 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 100 / 9

HEX #E7A000

RGB 231 160 0

HSL 41.56, 1%, 0.45%

LAB 70.96, 16.38, 74.97

 

Complementary color

CMYK 91 / 63 / 0 / 0

HEX #185FFF

RGB 24 95 255

HSL 221.56, 1%, 0.55%

LAB 46.44, 40.24, -84.4

 

CMYK 0 / 32 / 100 / 7

HEX #ECA000

RGB 236 160 0

HSL 40.68, 1%, 0.46%

LAB 71.54, 18.53, 75.64

 

CMYK 0 / 30 / 94 / 1

HEX #FDB20E

RGB 253 178 14

HSL 41.17, 0.98%, 0.52%

LAB 77.73, 16.42, 79.18

 

CMYK 0 / 23 / 87 / 0

HEX #FFC421

RGB 255 196 33

HSL 44.05, 1%, 0.56%

LAB 82.3, 8.19, 79.38

 

CMYK 0 / 16 / 80 / 0

HEX #FFD634

RGB 255 214 52

HSL 47.88, 1%, 0.6%

LAB 86.8, -0.55, 78.23

 

CMYK 0 / 9 / 72 / 0

HEX #FFE847

RGB 255 232 71

HSL 52.5, 1%, 0.64%

LAB 91.43, -8.88, 76.4

 

CMYK 0 / 31 / 100 / 9

HEX #E7A000

RGB 231 160 0

HSL 41.56, 1%, 0.45%

LAB 70.96, 16.38, 74.97

 

CMYK 0 / 34 / 100 / 16

HEX #D68E00

RGB 214 142 0

HSL 39.81, 1%, 0.42%

LAB 64.68, 18.66, 69.84

 

CMYK 0 / 37 / 100 / 23

HEX #C57C00

RGB 197 124 0

HSL 37.77, 1%, 0.39%

LAB 58.31, 21.02, 64.64

 

CMYK 0 / 41 / 100 / 29

HEX #B46A00

RGB 180 106 0

HSL 35.33, 1%, 0.35%

LAB 51.85, 23.47, 59.4

 

CMYK 0 / 46 / 100 / 36

HEX #A35800

RGB 163 88 0

HSL 32.39, 1%, 0.32%

LAB 45.31, 25.98, 54.11

 

CMYK 0 / 31 / 100 / 10

HEX #E69F00

RGB 230 159 0

HSL 41.48, 1%, 0.45%

LAB 70.61, 16.48, 74.68

 

CMYK 0 / 58 / 100 / 10

HEX #E66100

RGB 230 97 0

HSL 25.3, 1%, 0.45%

LAB 57.44, 48.24, 66.53

 

CMYK 0 / 85 / 100 / 10

HEX #E62300

RGB 230 35 0

HSL 9.13, 1%, 0.45%

LAB 49.53, 69.81, 62.72

 

CMYK 0 / 100 / 100 / 10

HEX #E60000

RGB 230 0 0

HSL 0, 1%, 0.45%

LAB 48.04, 74.1, 62.17

 

CMYK 0 / 31 / 100 / 10

HEX #E69F00

RGB 230 159 0

HSL 41.48, 1%, 0.45%

LAB 70.61, 16.48, 74.68

 

CMYK 0 / 4 / 100 / 10

HEX #E6DD00

RGB 230 221 0

HSL 57.65, 1%, 0.45%

LAB 86.27, -15.55, 85.66

 

CMYK 23 / 0 / 100 / 10

HEX #B0E600

RGB 176 230 0

HSL 74.09, 1%, 0.45%

LAB 84.91, -41.81, 82.94

 

CMYK 50 / 0 / 100 / 10

HEX #72E600

RGB 114 230 0

HSL 90.26, 1%, 0.45%

LAB 81.93, -62.93, 79.35

 

CMYK 77 / 0 / 100 / 10

HEX #34E600

RGB 52 230 0

HSL 106.43, 1%, 0.45%

LAB 80.36, -76.01, 77.44

 

CMYK 0 / 31 / 100 / 10

HEX #E69F00

RGB 230 159 0

HSL 41.48, 1%, 0.45%

LAB 70.61, 16.48, 74.68

 

CMYK 0 / 31 / 100 / 10

HEX #E69F00

RGB 230 159 0

HSL 41.48, 1%, 0.45%

LAB 70.61, 16.48, 74.68

 

CMYK 0 / 28 / 91 / 17

HEX #D39813

RGB 211 152 19

HSL 41.56, 0.83%, 0.45%

LAB 66.79, 12.17, 68.28

 

CMYK 0 / 24 / 81 / 25

HEX #C09125

RGB 192 145 37

HSL 41.81, 0.68%, 0.45%

LAB 63, 8.02, 59.47

 

CMYK 0 / 21 / 68 / 32

HEX #AE8A38

RGB 174 138 56

HSL 41.69, 0.51%, 0.45%

LAB 59.4, 4.73, 47.63

 

CMYK 0 / 16 / 52 / 39

HEX #9B824A

RGB 155 130 74

HSL 41.48, 0.35%, 0.45%

LAB 55.51, 2.15, 33.66

 

CMYK 0 / 85 / 100 / 10

HEX #E62200

RGB 230 34 0

HSL 8.87, 1%, 0.45%

LAB 49.46, 70.01, 62.69

 

CMYK 0 / 58 / 100 / 10

HEX #E66000

RGB 230 96 0

HSL 25.04, 1%, 0.45%

LAB 57.26, 48.71, 66.43

 

CMYK 0 / 32 / 100 / 10

HEX #E69D00

RGB 230 157 0

HSL 40.96, 1%, 0.45%

LAB 70.13, 17.54, 74.36

 

CMYK 0 / 5 / 100 / 10

HEX #E6DA00

RGB 230 218 0

HSL 56.87, 1%, 0.45%

LAB 85.49, -14.07, 85.09

 

CMYK 22 / 0 / 100 / 10

HEX #B4E600

RGB 180 230 0

HSL 73.04, 1%, 0.45%

LAB 85.15, -40.26, 83.22

 

CMYK 0 / 31 / 100 / 42

HEX #936600

RGB 147 102 0

HSL 41.63, 1%, 0.29%

LAB 46.59, 10.75, 53.88

 

CMYK 0 / 31 / 100 / 26

HEX #BC8200

RGB 188 130 0

HSL 41.49, 1%, 0.37%

LAB 58.66, 13.74, 64.34

 

CMYK 0 / 31 / 100 / 10

HEX #E69F00

RGB 230 159 0

HSL 41.48, 1%, 0.45%

LAB 70.61, 16.48, 74.68

 

CMYK 0 / 29 / 94 / 0

HEX #FFB510

RGB 255 181 16

HSL 41.42, 1%, 0.53%

LAB 78.66, 15.72, 79.69

 

CMYK 0 / 24 / 78 / 0

HEX #FFC239

RGB 255 194 57

HSL 41.52, 1%, 0.61%

LAB 81.91, 9.88, 72.27

 

CMYK 0 / 31 / 100 / 9

HEX #E7A000

RGB 231 160 0

HSL 41.56, 1%, 0.45%

LAB 70.96, 16.38, 74.97

 

CMYK 88 / 0 / 100 / 10

HEX #1BE600

RGB 27 230 0

HSL 112.96, 1%, 0.45%

LAB 80.08, -78.51, 77.1

 

CMYK 72 / 100 / 0 / 10

HEX #4100E6

RGB 65 0 230

HSL 256.96, 1%, 0.45%

LAB 31.43, 74.26, -95.1

 

CMYK 0 / 31 / 100 / 9

HEX #E7A000

RGB 231 160 0

HSL 41.56, 1%, 0.45%

LAB 70.96, 16.38, 74.97

 

CMYK 100 / 0 / 32 / 10

HEX #00E69D

RGB 0 230 157

HSL 160.96, 1%, 0.45%

LAB 81.31, -63.16, 22.79

 

CMYK 32 / 100 / 0 / 10

HEX #9D00E6

RGB 157 0 230

HSL 280.96, 1%, 0.45%

LAB 42.58, 80.92, -76.3

 

CMYK 0 / 31 / 100 / 9

HEX #E7A000

RGB 231 160 0

HSL 41.56, 1%, 0.45%

LAB 70.96, 16.38, 74.97

 

CMYK 88 / 0 / 100 / 10

HEX #1BE600

RGB 27 230 0

HSL 112.96, 1%, 0.45%

LAB 80.08, -78.51, 77.1

 

CMYK 100 / 68 / 0 / 10

HEX #0049E6

RGB 0 73 230

HSL 220.96, 1%, 0.45%

LAB 38.69, 44.13, -83.13

 

CMYK 12 / 100 / 0 / 10

HEX #CB00E6

RGB 203 0 230

HSL 292.96, 1%, 0.45%

LAB 49.99, 86.83, -63.92

 

CMYK 0 / 31 / 100 / 9

HEX #E7A000

RGB 231 160 0

HSL 41.56, 1%, 0.45%

LAB 70.96, 16.38, 74.97

 

CMYK 100 / 0 / 82 / 10

HEX #00E62A

RGB 0 230 42

HSL 130.96, 1%, 0.45%

LAB 80.04, -78.49, 70.69

 

CMYK 100 / 68 / 0 / 10

HEX #0049E6

RGB 0 73 230

HSL 220.96, 1%, 0.45%

LAB 38.69, 44.13, -83.13

 

CMYK 0 / 100 / 19 / 10

HEX #E600BB

RGB 230 0 187

HSL 311.22, 1%, 0.45%

LAB 52.3, 85.24, -35.26

 

Description

Color code: RGB 231 160 0 | qconv.com Color code: RGB 231 160 0 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 160 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 160 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 100 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 100% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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