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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231.7 92.6 102 it is the complementary color RGB 23.3 162.4 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231.7 92.6 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231.7 92.6 102 shade: RGB 236.7 92.6 97, RGB 253.7 110.6 116, RGB 255 128.6 135, RGB 255 146.6 154 and RGB 255 164.6 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231.7 92.6 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231.7 92.6 102 shade: RGB 231.7 92.6 102, RGB 214.7 74.6 83, RGB 197.7 56.6 64, RGB 180.7 38.6 45 and RGB 163.7 20.6 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231.7 92.6 102 shade: RGB 232 94 104 and RGB 232 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231.7 92.6 102 shade: RGB 232 94 104, RGB 232 94 141, RGB 232 94 178, RGB 232 94 215 and RGB 212 94 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231.7 92.6 102 shade matches the following richer shades: RGB 232 94 104 and RGB 247 79 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231.7 92.6 102 shade: RGB 232 94 104, RGB 217 109 116, RGB 202 124 129, RGB 187 139 142 and RGB 173 154 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231.7 92.6 102 shade: RGB 232 94 179, RGB 232 94 143, RGB 232 94 106, RGB 232 120 94 and RGB 232 156 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231.7 92.6 102 shade: RGB 213 30 43, RGB 227 58 70, RGB 232 94 104, RGB 237 130 138 and RGB 242 167 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231.7 92.6 102 shade: RGB 231.7 92.6 102, RGB 216 232 94 and RGB 94 161 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231.7 92.6 102 shade: RGB 231.7 92.6 102, RGB 106 232 94 and RGB 94 106 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231.7 92.6 102 shade: RGB 231.7 92.6 102, RGB 216 232 94, RGB 94 232 221 and RGB 110 94 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231.7 92.6 102 shade: RGB 231.7 92.6 102, RGB 175 232 94, RGB 94 232 221 and RGB 152 94 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 56 / 9

HEX #E75C66

RGB 231.7 92.6 102

HSL 355.95, 0.75%, 0.64%

LAB 57.87, 54.6, 22.99

 

Complementary color

CMYK 86 / 0 / 6 / 36

HEX #17A299

RGB 23.3 162.4 153

HSL 175.95, 0.75%, 0.36%

LAB 60.31, -36.05, -4.95

 

CMYK 0 / 61 / 59 / 7

HEX #EC5C61

RGB 236.7 92.6 97

HSL 358.17, 0.8%, 0.65%

LAB 58.58, 55.91, 26.96

 

CMYK 0 / 56 / 54 / 1

HEX #FD6E74

RGB 253.7 110.6 116

HSL 357.74, 0.98%, 0.71%

LAB 64.61, 54.98, 24.56

 

CMYK 0 / 50 / 47 / 0

HEX #FF8087

RGB 255 128.6 135

HSL 356.96, 1%, 0.75%

LAB 68.46, 48.54, 19.12

 

CMYK 0 / 43 / 40 / 0

HEX #FF929A

RGB 255 146.6 154

HSL 355.9, 1%, 0.79%

LAB 72.45, 41.48, 14.08

 

CMYK 0 / 35 / 32 / 0

HEX #FFA4AD

RGB 255 164.6 173

HSL 354.42, 1%, 0.82%

LAB 76.71, 34.43, 9.65

 

CMYK 0 / 60 / 56 / 9

HEX #E75C66

RGB 231.7 92.6 102

HSL 355.95, 0.75%, 0.64%

LAB 57.87, 54.6, 22.99

 

CMYK 0 / 65 / 61 / 16

HEX #D64A53

RGB 214.7 74.6 83

HSL 356.4, 0.63%, 0.57%

LAB 51.84, 55.36, 25.67

 

CMYK 0 / 71 / 68 / 22

HEX #C53840

RGB 197.7 56.6 64

HSL 356.85, 0.55%, 0.5%

LAB 45.94, 55.84, 28.86

 

CMYK 0 / 79 / 75 / 29

HEX #B4262D

RGB 180.7 38.6 45

HSL 357.3, 0.65%, 0.43%

LAB 40.25, 55.79, 32.67

 

CMYK 0 / 87 / 84 / 36

HEX #A3141A

RGB 163.7 20.6 26

HSL 357.74, 0.78%, 0.36%

LAB 34.92, 54.84, 37.01

 

CMYK 0 / 59 / 55 / 9

HEX #E85E68

RGB 232 94 104

HSL 355.65, 0.75%, 0.64%

LAB 58.19, 54.23, 22.26

 

CMYK 0 / 59 / 59 / 9

HEX #E85E5E

RGB 232 94 94

HSL 0, 0.75%, 0.64%

LAB 58.01, 53.5, 27.8

 

CMYK 0 / 59 / 55 / 9

HEX #E85E68

RGB 232 94 104

HSL 355.65, 0.75%, 0.64%

LAB 58.19, 54.23, 22.26

 

CMYK 0 / 59 / 39 / 9

HEX #E85E8D

RGB 232 94 141

HSL 339.57, 0.75%, 0.64%

LAB 59.05, 57.61, 1.9

 

CMYK 0 / 59 / 23 / 9

HEX #E85EB2

RGB 232 94 178

HSL 323.48, 0.75%, 0.64%

LAB 60.23, 62.05, -17.78

 

CMYK 0 / 59 / 7 / 9

HEX #E85ED7

RGB 232 94 215

HSL 307.39, 0.75%, 0.64%

LAB 61.71, 67.44, -36.53

 

CMYK 9 / 59 / 0 / 9

HEX #D45EE8

RGB 212 94 232

HSL 291.3, 0.75%, 0.64%

LAB 59.73, 65.33, -49.37

 

CMYK 0 / 59 / 55 / 9

HEX #E85E68

RGB 232 94 104

HSL 355.65, 0.75%, 0.64%

LAB 58.19, 54.23, 22.26

 

CMYK 0 / 68 / 63 / 3

HEX #F74F5B

RGB 247 79 91

HSL 355.71, 0.91%, 0.64%

LAB 58.15, 64.34, 30.2

 

CMYK 0 / 59 / 55 / 9

HEX #E85E68

RGB 232 94 104

HSL 355.65, 0.75%, 0.64%

LAB 58.19, 54.23, 22.26

 

CMYK 0 / 50 / 47 / 15

HEX #D96D74

RGB 217 109 116

HSL 356.11, 0.59%, 0.64%

LAB 58.93, 42.89, 15.95

 

CMYK 0 / 39 / 36 / 21

HEX #CA7C81

RGB 202 124 129

HSL 356.15, 0.42%, 0.64%

LAB 60.39, 30.91, 10.21

 

CMYK 0 / 26 / 24 / 27

HEX #BB8B8E

RGB 187 139 142

HSL 356.25, 0.26%, 0.64%

LAB 62.49, 18.71, 5.56

 

CMYK 0 / 11 / 10 / 32

HEX #AD9A9B

RGB 173 154 155

HSL 356.84, 0.1%, 0.64%

LAB 65.25, 7.16, 2.03

 

CMYK 0 / 59 / 23 / 9

HEX #E85EB3

RGB 232 94 179

HSL 323.04, 0.75%, 0.64%

LAB 60.26, 62.18, -18.3

 

CMYK 0 / 59 / 38 / 9

HEX #E85E8F

RGB 232 94 143

HSL 338.7, 0.75%, 0.64%

LAB 59.11, 57.82, 0.82

 

CMYK 0 / 59 / 54 / 9

HEX #E85E6A

RGB 232 94 106

HSL 354.78, 0.75%, 0.64%

LAB 58.23, 54.38, 21.16

 

CMYK 0 / 48 / 59 / 9

HEX #E8785E

RGB 232 120 94

HSL 11.3, 0.75%, 0.64%

LAB 62.84, 41.05, 33.95

 

CMYK 0 / 33 / 59 / 9

HEX #E89C5E

RGB 232 156 94

HSL 26.96, 0.75%, 0.64%

LAB 70.69, 22.24, 43.58

 

CMYK 0 / 86 / 80 / 16

HEX #D51E2B

RGB 213 30 43

HSL 355.74, 0.75%, 0.48%

LAB 45.97, 66.91, 41.87

 

CMYK 0 / 74 / 69 / 11

HEX #E33A46

RGB 227 58 70

HSL 355.74, 0.75%, 0.56%

LAB 51.61, 64.55, 33.48

 

CMYK 0 / 59 / 55 / 9

HEX #E85E68

RGB 232 94 104

HSL 355.65, 0.75%, 0.64%

LAB 58.19, 54.23, 22.26

 

CMYK 0 / 45 / 42 / 7

HEX #ED828A

RGB 237 130 138

HSL 355.51, 0.75%, 0.72%

LAB 66.37, 41.73, 14.15

 

CMYK 0 / 31 / 29 / 5

HEX #F2A7AC

RGB 242 167 172

HSL 356, 0.74%, 0.8%

LAB 75.76, 28.31, 8.64

 

CMYK 0 / 60 / 56 / 9

HEX #E75C66

RGB 231.7 92.6 102

HSL 355.95, 0.75%, 0.64%

LAB 57.87, 54.6, 22.99

 

CMYK 7 / 0 / 59 / 9

HEX #D8E85E

RGB 216 232 94

HSL 66.96, 0.75%, 0.64%

LAB 88.51, -23.46, 63.57

 

CMYK 59 / 31 / 0 / 9

HEX #5EA1E8

RGB 94 161 232

HSL 210.87, 0.75%, 0.64%

LAB 64.72, -0.36, -42.17

 

CMYK 0 / 60 / 56 / 9

HEX #E75C66

RGB 231.7 92.6 102

HSL 355.95, 0.75%, 0.64%

LAB 57.87, 54.6, 22.99

 

CMYK 54 / 0 / 59 / 9

HEX #6AE85E

RGB 106 232 94

HSL 114.78, 0.75%, 0.64%

LAB 82.69, -60.91, 55.46

 

CMYK 59 / 54 / 0 / 9

HEX #5E6AE8

RGB 94 106 232

HSL 234.78, 0.75%, 0.64%

LAB 50.11, 32.52, -65.45

 

CMYK 0 / 60 / 56 / 9

HEX #E75C66

RGB 231.7 92.6 102

HSL 355.95, 0.75%, 0.64%

LAB 57.87, 54.6, 22.99

 

CMYK 7 / 0 / 59 / 9

HEX #D8E85E

RGB 216 232 94

HSL 66.96, 0.75%, 0.64%

LAB 88.51, -23.46, 63.57

 

CMYK 59 / 0 / 5 / 9

HEX #5EE8DD

RGB 94 232 221

HSL 175.22, 0.75%, 0.64%

LAB 84.64, -39.77, -5.86

 

CMYK 53 / 59 / 0 / 9

HEX #6E5EE8

RGB 110 94 232

HSL 246.96, 0.75%, 0.64%

LAB 48.44, 42.58, -68.1

 

CMYK 0 / 60 / 56 / 9

HEX #E75C66

RGB 231.7 92.6 102

HSL 355.95, 0.75%, 0.64%

LAB 57.87, 54.6, 22.99

 

CMYK 25 / 0 / 59 / 9

HEX #AFE85E

RGB 175 232 94

HSL 84.78, 0.75%, 0.64%

LAB 85.82, -39.19, 59.85

 

CMYK 59 / 0 / 5 / 9

HEX #5EE8DD

RGB 94 232 221

HSL 175.22, 0.75%, 0.64%

LAB 84.64, -39.77, -5.86

 

CMYK 34 / 59 / 0 / 9

HEX #985EE8

RGB 152 94 232

HSL 265.22, 0.75%, 0.64%

LAB 52.41, 51.22, -61.5

 

Description

Color code: RGB 231.7 92.6 102 | qconv.com Color code: RGB 231.7 92.6 102 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231.7 red, 92.6 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231.7 92.6 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 56 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 56% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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