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Color name
RGB 230 53 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 53 129 it is the complementary color RGB 25 202 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 53 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 53 129 shade: RGB 235 53 124, RGB 252 71 143, RGB 255 89 162, RGB 255 107 181 and RGB 255 125 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 53 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 53 129 shade: RGB 230 53 129, RGB 213 35 110, RGB 196 17 91, RGB 179 0 72 and RGB 162 0 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 53 129 shade: RGB 230 51 128, RGB 230 51 79 and RGB 230 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 53 129 shade: RGB 230 51 128, RGB 230 51 176, RGB 230 51 224, RGB 187 51 230 and RGB 139 51 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 53 129 shade matches the following richer shades: RGB 230 51 128 and RGB 248 32 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 53 129 shade: RGB 230 51 128, RGB 211 69 130, RGB 193 88 133, RGB 174 106 135 and RGB 155 125 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 53 129 shade: RGB 230 51 224, RGB 230 51 176, RGB 230 51 128, RGB 230 51 81 and RGB 230 69 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 53 129 shade: RGB 176 22 88, RGB 213 26 106, RGB 230 51 128, RGB 234 87 151 and RGB 239 124 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 53 129 shade: RGB 230 53 129, RGB 230 188 51 and RGB 51 200 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 53 129 shade: RGB 230 53 129, RGB 128 230 51 and RGB 51 128 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 53 129 shade: RGB 230 53 129, RGB 230 188 51, RGB 51 230 152 and RGB 51 93 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 53 129 shade: RGB 230 53 129, RGB 218 230 51, RGB 51 230 152 and RGB 63 51 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 44 / 10

HEX #E63581

RGB 230 53 129

HSL 334.24, 0.78%, 0.55%

LAB 52.9, 70.94, -0

 

Complementary color

CMYK 88 / 0 / 38 / 21

HEX #19CA7E

RGB 25 202 126

HSL 154.24, 0.78%, 0.45%

LAB 72.2, -58.58, 26.59

 

CMYK 0 / 77 / 47 / 8

HEX #EB357C

RGB 235 53 124

HSL 336.59, 0.82%, 0.56%

LAB 53.67, 71.8, 4.22

 

CMYK 0 / 72 / 43 / 1

HEX #FC478F

RGB 252 71 143

HSL 336.13, 0.97%, 0.63%

LAB 59.15, 72.48, 1.27

 

CMYK 0 / 65 / 36 / 0

HEX #FF59A2

RGB 255 89 162

HSL 333.61, 1%, 0.67%

LAB 62.52, 68.74, -4.77

 

CMYK 0 / 58 / 29 / 0

HEX #FF6BB5

RGB 255 107 181

HSL 330, 1%, 0.71%

LAB 65.84, 63.51, -10.7

 

CMYK 0 / 51 / 22 / 0

HEX #FF7DC8

RGB 255 125 200

HSL 325.38, 1%, 0.75%

LAB 69.54, 57.82, -15.82

 

CMYK 0 / 77 / 44 / 10

HEX #E63581

RGB 230 53 129

HSL 334.24, 0.78%, 0.55%

LAB 52.9, 70.94, -0

 

CMYK 0 / 84 / 48 / 16

HEX #D5236E

RGB 213 35 110

HSL 334.72, 0.72%, 0.49%

LAB 47.59, 69.54, 3.43

 

CMYK 0 / 91 / 54 / 23

HEX #C4115B

RGB 196 17 91

HSL 335.2, 0.84%, 0.42%

LAB 42.6, 67.15, 7.67

 

CMYK 0 / 100 / 60 / 30

HEX #B30048

RGB 179 0 72

HSL 335.87, 1%, 0.35%

LAB 37.93, 63.72, 12.76

 

CMYK 0 / 100 / 67 / 36

HEX #A20035

RGB 162 0 53

HSL 340.37, 1%, 0.32%

LAB 33.85, 58.53, 19.02

 

CMYK 0 / 78 / 44 / 10

HEX #E63380

RGB 230 51 128

HSL 334.19, 0.78%, 0.55%

LAB 52.67, 71.41, 0.27

 

CMYK 0 / 78 / 66 / 10

HEX #E6334F

RGB 230 51 79

HSL 350.61, 0.78%, 0.55%

LAB 51.56, 67.96, 28.23

 

CMYK 0 / 78 / 78 / 10

HEX #E63333

RGB 230 51 51

HSL 0, 0.78%, 0.55%

LAB 51.19, 66.78, 43.89

 

CMYK 0 / 78 / 44 / 10

HEX #E63380

RGB 230 51 128

HSL 334.19, 0.78%, 0.55%

LAB 52.67, 71.41, 0.27

 

CMYK 0 / 78 / 23 / 10

HEX #E633B0

RGB 230 51 176

HSL 318.1, 0.78%, 0.55%

LAB 54.37, 76.47, -25.62

 

CMYK 0 / 78 / 3 / 10

HEX #E633E0

RGB 230 51 224

HSL 302.01, 0.78%, 0.55%

LAB 56.66, 82.97, -49.59

 

CMYK 19 / 78 / 0 / 10

HEX #BB33E6

RGB 187 51 230

HSL 285.59, 0.78%, 0.55%

LAB 50.27, 75.98, -63.59

 

CMYK 40 / 78 / 0 / 10

HEX #8B33E6

RGB 139 51 230

HSL 269.5, 0.78%, 0.55%

LAB 43.61, 68.11, -74.72

 

CMYK 0 / 78 / 44 / 10

HEX #E63380

RGB 230 51 128

HSL 334.19, 0.78%, 0.55%

LAB 52.67, 71.41, 0.27

 

CMYK 0 / 87 / 50 / 3

HEX #F8207D

RGB 248 32 125

HSL 334.17, 0.94%, 0.55%

LAB 54.52, 79.65, 5.17

 

CMYK 0 / 78 / 44 / 10

HEX #E63380

RGB 230 51 128

HSL 334.19, 0.78%, 0.55%

LAB 52.67, 71.41, 0.27

 

CMYK 0 / 67 / 38 / 17

HEX #D34582

RGB 211 69 130

HSL 334.23, 0.62%, 0.55%

LAB 51.52, 60.48, -3.02

 

CMYK 0 / 54 / 31 / 24

HEX #C15885

RGB 193 88 133

HSL 334.29, 0.46%, 0.55%

LAB 51.85, 46.9, -4.64

 

CMYK 0 / 39 / 22 / 32

HEX #AE6A87

RGB 174 106 135

HSL 334.41, 0.3%, 0.55%

LAB 53.01, 31.15, -4.4

 

CMYK 0 / 19 / 11 / 39

HEX #9B7D8A

RGB 155 125 138

HSL 334, 0.13%, 0.55%

LAB 55.55, 13.8, -2.64

 

CMYK 0 / 78 / 3 / 10

HEX #E633E0

RGB 230 51 224

HSL 302.01, 0.78%, 0.55%

LAB 56.66, 82.97, -49.59

 

CMYK 0 / 78 / 23 / 10

HEX #E633B0

RGB 230 51 176

HSL 318.1, 0.78%, 0.55%

LAB 54.37, 76.47, -25.62

 

CMYK 0 / 78 / 44 / 10

HEX #E63380

RGB 230 51 128

HSL 334.19, 0.78%, 0.55%

LAB 52.67, 71.41, 0.27

 

CMYK 0 / 78 / 65 / 10

HEX #E63351

RGB 230 51 81

HSL 349.94, 0.78%, 0.55%

LAB 51.59, 68.06, 27.08

 

CMYK 0 / 70 / 78 / 10

HEX #E64533

RGB 230 69 51

HSL 6.03, 0.78%, 0.55%

LAB 53.3, 60.91, 46.07

 

CMYK 0 / 88 / 50 / 31

HEX #B01658

RGB 176 22 88

HSL 334.29, 0.78%, 0.39%

LAB 38.74, 61.21, 3.52

 

CMYK 0 / 88 / 50 / 16

HEX #D51A6A

RGB 213 26 106

HSL 334.33, 0.78%, 0.47%

LAB 46.88, 70.96, 4.87

 

CMYK 0 / 78 / 44 / 10

HEX #E63380

RGB 230 51 128

HSL 334.19, 0.78%, 0.55%

LAB 52.67, 71.41, 0.27

 

CMYK 0 / 63 / 35 / 8

HEX #EA5797

RGB 234 87 151

HSL 333.88, 0.78%, 0.63%

LAB 58.55, 62.28, -4.63

 

CMYK 0 / 48 / 28 / 6

HEX #EF7CAD

RGB 239 124 173

HSL 334.43, 0.78%, 0.71%

LAB 66.35, 49.59, -5.64

 

CMYK 0 / 77 / 44 / 10

HEX #E63581

RGB 230 53 129

HSL 334.24, 0.78%, 0.55%

LAB 52.9, 70.94, -0

 

CMYK 0 / 18 / 78 / 10

HEX #E6BC33

RGB 230 188 51

HSL 45.92, 0.78%, 0.55%

LAB 77.89, 2.16, 69.68

 

CMYK 78 / 13 / 0 / 10

HEX #33C8E6

RGB 51 200 230

HSL 190.06, 0.78%, 0.55%

LAB 74.65, -27.97, -25.79

 

CMYK 0 / 77 / 44 / 10

HEX #E63581

RGB 230 53 129

HSL 334.24, 0.78%, 0.55%

LAB 52.9, 70.94, -0

 

CMYK 44 / 0 / 78 / 10

HEX #80E633

RGB 128 230 51

HSL 94.19, 0.78%, 0.55%

LAB 82.6, -57.34, 71.54

 

CMYK 78 / 44 / 0 / 10

HEX #3380E6

RGB 51 128 230

HSL 214.19, 0.78%, 0.55%

LAB 53.87, 12.05, -58.37

 

CMYK 0 / 77 / 44 / 10

HEX #E63581

RGB 230 53 129

HSL 334.24, 0.78%, 0.55%

LAB 52.9, 70.94, -0

 

CMYK 0 / 18 / 78 / 10

HEX #E6BC33

RGB 230 188 51

HSL 45.92, 0.78%, 0.55%

LAB 77.89, 2.16, 69.68

 

CMYK 78 / 0 / 34 / 10

HEX #33E698

RGB 51 230 152

HSL 153.85, 0.78%, 0.55%

LAB 81.6, -61.19, 25.83

 

CMYK 78 / 60 / 0 / 10

HEX #335DE6

RGB 51 93 230

HSL 225.92, 0.78%, 0.55%

LAB 44.58, 34.08, -73.41

 

CMYK 0 / 77 / 44 / 10

HEX #E63581

RGB 230 53 129

HSL 334.24, 0.78%, 0.55%

LAB 52.9, 70.94, -0

 

CMYK 5 / 0 / 78 / 10

HEX #DAE633

RGB 218 230 51

HSL 64.02, 0.78%, 0.55%

LAB 87.84, -23.97, 78.26

 

CMYK 78 / 0 / 34 / 10

HEX #33E698

RGB 51 230 152

HSL 153.85, 0.78%, 0.55%

LAB 81.6, -61.19, 25.83

 

CMYK 73 / 78 / 0 / 10

HEX #3F33E6

RGB 63 51 230

HSL 244.02, 0.78%, 0.55%

LAB 36.25, 59.33, -87.1

 

Description

Color code: RGB 230 53 129 | qconv.com Color code: RGB 230 53 129 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 53 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 53 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 44 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 44% 10% C M Y K

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