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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 229 222 it is the complementary color RGB 25 26 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 229 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230 229 222 shade: RGB 235 229 217, RGB 252 247 236 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 229 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230 229 222 shade: RGB 230 229 222, RGB 213 211 203, RGB 196 193 184, RGB 179 175 165 and RGB 162 157 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230 229 222 shade: RGB 230 229 223, RGB 230 227 223, RGB 230 225 223, RGB 230 223 223 and RGB 230 223 223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230 229 222 shade: RGB 230 229 223, RGB 229 230 223, RGB 227 230 223, RGB 225 230 223 and RGB 223 230 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230 229 222 shade matches the following richer shades: RGB 230 229 223, RGB 235 233 218, RGB 239 236 213, RGB 244 240 209 and RGB 249 243 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230 229 222 shade: RGB 230 229 223, RGB 226 226 227, RGB 221 223 232, RGB 217 219 236 and RGB 212 216 241

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230 229 222 shade: RGB 230 225 223, RGB 230 227 223, RGB 230 229 223, RGB 229 230 223 and RGB 227 230 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230 229 222 shade: RGB 195 192 175, RGB 213 211 199, RGB 230 229 223 and RGB 248 248 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230 229 222 shade: RGB 230 229 222, RGB 223 230 223 and RGB 226 223 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230 229 222 shade: RGB 230 229 222, RGB 223 230 229 and RGB 229 223 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230 229 222 shade: RGB 230 229 222, RGB 223 230 223, RGB 223 224 230 and RGB 230 223 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230 229 222 shade: RGB 230 229 222, RGB 223 230 225, RGB 223 224 230 and RGB 230 223 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 3 / 10

HEX #E6E5DE

RGB 230 229 222

HSL 52.5, 0.14%, 0.89%

LAB 90.84, -0.89, 3.52

 

Complementary color

CMYK 24 / 21 / 0 / 87

HEX #191A21

RGB 25 26 33

HSL 232.5, 0.14%, 0.11%

LAB 9.44, 1.5, -4.99

 

CMYK 0 / 3 / 8 / 8

HEX #EBE5D9

RGB 235 229 217

HSL 40, 0.31%, 0.89%

LAB 91.1, -0.02, 6.56

 

CMYK 0 / 2 / 6 / 1

HEX #FCF7EC

RGB 252 247 236

HSL 41.25, 0.73%, 0.96%

LAB 97.34, -0.2, 5.86

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DE

RGB 230 229 222

HSL 52.5, 0.14%, 0.89%

LAB 90.84, -0.89, 3.52

 

CMYK 0 / 1 / 5 / 16

HEX #D5D3CB

RGB 213 211 203

HSL 48, 0.11%, 0.82%

LAB 84.51, -0.73, 4.19

 

CMYK 0 / 2 / 6 / 23

HEX #C4C1B8

RGB 196 193 184

HSL 45, 0.09%, 0.75%

LAB 78.07, -0.56, 4.89

 

CMYK 0 / 2 / 8 / 30

HEX #B3AFA5

RGB 179 175 165

HSL 42.86, 0.08%, 0.67%

LAB 71.53, -0.37, 5.62

 

CMYK 0 / 3 / 10 / 36

HEX #A29D92

RGB 162 157 146

HSL 41.25, 0.08%, 0.6%

LAB 64.86, -0.17, 6.39

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DF

RGB 230 229 223

HSL 51.43, 0.12%, 0.89%

LAB 90.87, -0.71, 3.03

 

CMYK 0 / 1 / 3 / 10

HEX #E6E3DF

RGB 230 227 223

HSL 34.29, 0.12%, 0.89%

LAB 90.36, 0.31, 2.3

 

CMYK 0 / 2 / 3 / 10

HEX #E6E1DF

RGB 230 225 223

HSL 17.14, 0.12%, 0.89%

LAB 89.86, 1.35, 1.57

 

CMYK 0 / 3 / 3 / 10

HEX #E6DFDF

RGB 230 223 223

HSL 0, 0.12%, 0.89%

LAB 89.36, 2.38, 0.84

 

CMYK 0 / 3 / 3 / 10

HEX #E6DFDF

RGB 230 223 223

HSL 0, 0.12%, 0.89%

LAB 89.36, 2.38, 0.84

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DF

RGB 230 229 223

HSL 51.43, 0.12%, 0.89%

LAB 90.87, -0.71, 3.03

 

CMYK 0 / 0 / 3 / 10

HEX #E5E6DF

RGB 229 230 223

HSL 68.57, 0.12%, 0.89%

LAB 91.04, -1.57, 3.28

 

CMYK 1 / 0 / 3 / 10

HEX #E3E6DF

RGB 227 230 223

HSL 85.71, 0.12%, 0.89%

LAB 90.89, -2.24, 3.04

 

CMYK 2 / 0 / 3 / 10

HEX #E1E6DF

RGB 225 230 223

HSL 102.86, 0.12%, 0.89%

LAB 90.75, -2.92, 2.81

 

CMYK 3 / 0 / 3 / 10

HEX #DFE6DF

RGB 223 230 223

HSL 120, 0.12%, 0.89%

LAB 90.6, -3.59, 2.58

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DF

RGB 230 229 223

HSL 51.43, 0.12%, 0.89%

LAB 90.87, -0.71, 3.03

 

CMYK 0 / 1 / 7 / 8

HEX #EBE9DA

RGB 235 233 218

HSL 52.94, 0.3%, 0.89%

LAB 92.13, -1.89, 7.51

 

CMYK 0 / 1 / 11 / 6

HEX #EFECD5

RGB 239 236 213

HSL 53.08, 0.45%, 0.89%

LAB 93.08, -2.84, 11.51

 

CMYK 0 / 2 / 14 / 4

HEX #F4F0D1

RGB 244 240 209

HSL 53.14, 0.61%, 0.89%

LAB 94.38, -3.73, 15.47

 

CMYK 0 / 2 / 18 / 2

HEX #F9F3CC

RGB 249 243 204

HSL 52, 0.79%, 0.89%

LAB 95.41, -4.21, 19.56

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DF

RGB 230 229 223

HSL 51.43, 0.12%, 0.89%

LAB 90.87, -0.71, 3.03

 

CMYK 0 / 0 / 0 / 11

HEX #E2E2E3

RGB 226 226 227

HSL 240, 0.02%, 0.89%

LAB 89.91, 0.18, -0.5

 

CMYK 5 / 4 / 0 / 9

HEX #DDDFE8

RGB 221 223 232

HSL 229.09, 0.19%, 0.89%

LAB 88.91, 0.99, -4.63

 

CMYK 8 / 7 / 0 / 7

HEX #D9DBEC

RGB 217 219 236

HSL 233.68, 0.33%, 0.89%

LAB 87.71, 2.52, -8.54

 

CMYK 12 / 10 / 0 / 5

HEX #D4D8F1

RGB 212 216 241

HSL 231.72, 0.51%, 0.89%

LAB 86.73, 3.47, -12.68

 

CMYK 0 / 2 / 3 / 10

HEX #E6E1DF

RGB 230 225 223

HSL 17.14, 0.12%, 0.89%

LAB 89.86, 1.35, 1.57

 

CMYK 0 / 1 / 3 / 10

HEX #E6E3DF

RGB 230 227 223

HSL 34.29, 0.12%, 0.89%

LAB 90.36, 0.31, 2.3

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DF

RGB 230 229 223

HSL 51.43, 0.12%, 0.89%

LAB 90.87, -0.71, 3.03

 

CMYK 0 / 0 / 3 / 10

HEX #E5E6DF

RGB 229 230 223

HSL 68.57, 0.12%, 0.89%

LAB 91.04, -1.57, 3.28

 

CMYK 1 / 0 / 3 / 10

HEX #E3E6DF

RGB 227 230 223

HSL 85.71, 0.12%, 0.89%

LAB 90.89, -2.24, 3.04

 

CMYK 0 / 2 / 10 / 24

HEX #C3C0AF

RGB 195 192 175

HSL 51, 0.14%, 0.73%

LAB 77.52, -1.92, 8.93

 

CMYK 0 / 1 / 7 / 16

HEX #D5D3C7

RGB 213 211 199

HSL 51.43, 0.14%, 0.81%

LAB 84.41, -1.41, 6.17

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DF

RGB 230 229 223

HSL 51.43, 0.12%, 0.89%

LAB 90.87, -0.71, 3.03

 

CMYK 0 / 0 / 1 / 3

HEX #F8F8F6

RGB 248 248 246

HSL 60, 0.13%, 0.97%

LAB 97.53, -0.35, 0.95

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DE

RGB 230 229 222

HSL 52.5, 0.14%, 0.89%

LAB 90.84, -0.89, 3.52

 

CMYK 3 / 0 / 3 / 10

HEX #DFE6DF

RGB 223 230 223

HSL 120, 0.12%, 0.89%

LAB 90.6, -3.59, 2.58

 

CMYK 2 / 3 / 0 / 10

HEX #E2DFE6

RGB 226 223 230

HSL 265.71, 0.12%, 0.89%

LAB 89.23, 2.28, -3.06

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DE

RGB 230 229 222

HSL 52.5, 0.14%, 0.89%

LAB 90.84, -0.89, 3.52

 

CMYK 3 / 0 / 0 / 10

HEX #DFE6E5

RGB 223 230 229

HSL 171.43, 0.12%, 0.89%

LAB 90.75, -2.51, -0.34

 

CMYK 0 / 3 / 0 / 10

HEX #E5DFE6

RGB 229 223 230

HSL 291.43, 0.12%, 0.89%

LAB 89.46, 3.28, -2.7

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DE

RGB 230 229 222

HSL 52.5, 0.14%, 0.89%

LAB 90.84, -0.89, 3.52

 

CMYK 3 / 0 / 3 / 10

HEX #DFE6DF

RGB 223 230 223

HSL 120, 0.12%, 0.89%

LAB 90.6, -3.59, 2.58

 

CMYK 3 / 3 / 0 / 10

HEX #DFE0E6

RGB 223 224 230

HSL 231.43, 0.12%, 0.89%

LAB 89.26, 0.76, -3.05

 

CMYK 0 / 3 / 0 / 10

HEX #E6DFE6

RGB 230 223 230

HSL 300, 0.12%, 0.89%

LAB 89.54, 3.62, -2.58

 

CMYK 0 / 0 / 3 / 10

HEX #E6E5DE

RGB 230 229 222

HSL 52.5, 0.14%, 0.89%

LAB 90.84, -0.89, 3.52

 

CMYK 3 / 0 / 2 / 10

HEX #DFE6E1

RGB 223 230 225

HSL 137.14, 0.12%, 0.89%

LAB 90.65, -3.24, 1.61

 

CMYK 3 / 3 / 0 / 10

HEX #DFE0E6

RGB 223 224 230

HSL 231.43, 0.12%, 0.89%

LAB 89.26, 0.76, -3.05

 

CMYK 0 / 3 / 1 / 10

HEX #E6DFE3

RGB 230 223 227

HSL 325.71, 0.12%, 0.89%

LAB 89.46, 3.08, -1.12

 

Description

Color code: RGB 230 229 222 | qconv.com Color code: RGB 230 229 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 229 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 229 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 3 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 3% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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